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Books on the topic 'Perforin'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Meerzon, Yana. Performing Exile, Performing Self. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230371910.

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2

Hofmann, Bettina. Performing Ethnicity, Performing Gender. New York; London: Routledge, 2016. | Series: Routledge: Routledge, 2016. http://dx.doi.org/10.4324/9781315544977.

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3

Tʻalchʻum, Tongyang ŭi chŏntʻonggŭk, Sŏyang ŭi sirhŏmgŭk. Sŏul Tʻŭkpyŏlsi: Yŏnʾgŭk kwa Inʾgan, 2002.

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4

1936-, Jonas Joan, ed. Perform. New York: Thames & Hudson, 2005.

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5

Hoffmann, Jens. Perform. New York: Thames & Hudson, 2005.

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6

David, Allen. Performing Chekhov. London: Taylor & Francis Inc, 2004.

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7

Eddershaw, Margaret. Performing Brecht. New York: Routledge, 1996.

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8

Spilsbury, Richard. Performing live. Chicago, Illinois: Capstone Raintree, 2015.

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9

Performing arts. Washington, D.C: National Education Association, 1989.

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10

Fadlu-Deen, Kitty. Performing arts. Freetown: People's Education Association of Sierra Leone, 1995.

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11

Performing Shakespeare. Ramsbury, Marlborough, Wiltshire [England]: Crowood Press, 2008.

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12

Performing Chekhov. London: Routledge, 2000.

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13

Performing arts. New York, NY: Ferguson's, 2011.

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14

Seupel, Celia W. Performing arts. New York, NY: Ferguson, 2010.

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15

Performing punk. New York, NY: Palgrave Macmillan, 2015.

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16

Performing cities. Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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17

Gordon, Kim. Performing/guzzling. New York: Rizzoli, 2009.

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18

1979-, Dickinson Helen, ed. Performing leadership. New York: Palgrave Macmillan, 2009.

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19

Peck, Edward. Performing leadership. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2009.

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20

Performing postmodernity. New York: Peter Lang, 1995.

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21

Mason, Antony. Performing arts. Broomall, Pa: Mason Crest, 2003.

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22

Yardley, Anne Bagnall. Performing Piety. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-05733-4.

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23

Brown, Ian. Performing Scottishness. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39407-3.

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24

Hildebrandt, Paula, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, and Gesa Ziemer, eds. Performing Citizenship. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97502-3.

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25

Oddey, Alison, ed. Performing Women. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27720-9.

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26

Philpott, Carolyn, Elizabeth Leane, and Matt Delbridge, eds. Performing Ice. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47388-4.

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27

Larsen, Håkon. Performing Legitimacy. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31047-3.

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28

Hill, Leslie, and Helen Paris. Performing Proximity. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-32830-4.

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29

Murray, Simon. Performing Ruins. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40643-1.

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30

Marshall, Jonathan W. Performing Neurology. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-51762-3.

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31

Furse, Anna. Performing Nerves. New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429423956.

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32

Issacharoff, Michael, and Robin F. Jones, eds. Performing Texts. Philadelphia: University of Pennsylvania Press, 1988. http://dx.doi.org/10.9783/9781512802870.

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33

Pitches, Jonathan. Performing Mountains. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-55601-1.

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34

Levin, Laura. Performing Ground. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137274250.

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35

Chen, Liane. Regulation and mechanism of perforin-dependent activation-induced T cell death. 2006.

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36

Software, Perforce. Perforce 2006.2 Introducing Perforce. Vervante, 2007.

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37

Software, Perforce. Perforce 2005.2 Introducing Perforce. Vervante, 2006.

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38

Software, Perforce. Perforce 2006.1 Introducing Perforce. Vervante, 2006.

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39

undifferentiated, Michael Smith, Defne Ayas, Lia Gangitano, Sofia Hernandez Chong Cuy, Anthony Huberman, and Lyra Kilston. Performa. Performa, 2007.

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40

Performa. Peachpit Pr, 1993.

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41

Performing Ethnicity, Performing Gender: Transcultural Perspectives. Taylor & Francis Group, 2016.

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42

White, Paul. Live Sound (Performing Musicians) (Performing Musicians). Sanctuary, 2005.

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43

Amelia, Jones, and Stephenson Andrew 1957-, eds. Performing the body/performing the text. London: Routledge, 1999.

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44

Jones, Amelia, Andrew Stephenson Nfa, and Andrew Stephenson, eds. Performing the Body/Performing the Text. Routledge, 2005. http://dx.doi.org/10.4324/9780203983553.

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45

Hofmann, Bettina, and Monika Mueller. Performing Ethnicity, Performing Gender: Transcultural Perspectives. Routledge, 2019.

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46

Harriet, Schelhaas. Ch.7 Non-performance, s.1: Non-performance in general, Art.7.1.4. Oxford University Press, 2015. http://dx.doi.org/10.1093/law/9780198702627.003.0131.

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Abstract:

This commentary analyses Article 7.1.4 of the UNIDROIT Principles of International Commercial Contracts (PICC) concerning the non-performing party's right to cure its non-performance. Under Art 7.1.4, the non-performing party is allowed to cure its non-performance. The aggrieved party is obliged to allow cure if it has no legitimate interest in refusing. If the non-performing party offers cure, the remedies of the aggrieved party are only available after the other party has had a second chance to perform or cure its performance. This commentary discusses the requirements with respect to cure by non-performing party, the right of the non-performing party to cure its non-performance even after a notice of termination by the aggrieved party, and legal consequences of cure.

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47

Partridge, Michael, and David R. Seal. Performing Scripture. Grove Books, Limited, 2019.

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48

Emig, R., and A. Rowland. Performing Masculinity. Palgrave Macmillan, 2010.

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49

Performing arts. Bangkok, Thailand: SEAMO Project in Archaeology and Fine Arts, Library and Documentation Centre, 1986.

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50

Harbison, Isobel. Performing Image. MIT Press, 2019.

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