Relevant bibliographies by topics / Perception spatiale auditive

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Academic literature on the topic 'Perception spatiale auditive'

Author: Grafiati
Published: 7 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Perception spatiale auditive"

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de Vos, Jeroen. "Listen to the Absent: Binaural Inquiry in Auditive Spatial Perception." Leonardo Music Journal 26 (December 2016): 7–9. http://dx.doi.org/10.1162/lmj_a_00958.

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If space can be perceived through sound, then recording and playback techniques allow capturing a unique spatial moment for later retrieval. The notion of spectrality as the invisible visible can be used to explain the embodiment of an auditive momentum in a space that is ultimately absent. This empirical study presents the results of five structured interviews in which interviewees are confronted with three binaural spatial recordings to reflect on the perception of dwelling in a spectral space: a space that is not there.
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Recanzone, Gregg H. "Auditory Influences on Visual Temporal Rate Perception." Journal of Neurophysiology 89, no. 2 (2003): 1078–93. http://dx.doi.org/10.1152/jn.00706.2002.

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Visual stimuli are known to influence the perception of auditory stimuli in spatial tasks, giving rise to the ventriloquism effect. These influences can persist in the absence of visual input following a period of exposure to spatially disparate auditory and visual stimuli, a phenomenon termed the ventriloquism aftereffect. It has been speculated that the visual dominance over audition in spatial tasks is due to the superior spatial acuity of vision compared with audition. If that is the case, then the auditory system should dominate visual perception in a manner analogous to the ventriloquism
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Keough, Megan, Donald Derrick, and Bryan Gick. "Cross-Modal Effects in Speech Perception." Annual Review of Linguistics 5, no. 1 (2019): 49–66. http://dx.doi.org/10.1146/annurev-linguistics-011718-012353.

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Speech research during recent years has moved progressively away from its traditional focus on audition toward a more multisensory approach. In addition to audition and vision, many somatosenses including proprioception, pressure, vibration, and aerotactile sensation are all highly relevant modalities for experiencing and/or conveying speech. In this article, we review both long-standing cross-modal effects stemming from decades of audiovisual speech research and new findings related to somatosensory effects. Cross-modal effects in speech perception to date have been found to be constrained by
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Bertonati, Giorgia, Maria Bianca Amadeo, Claudio Campus, and Monica Gori. "Auditory speed processing in sighted and blind individuals." PLOS ONE 16, no. 9 (2021): e0257676. http://dx.doi.org/10.1371/journal.pone.0257676.

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Multisensory experience is crucial for developing a coherent perception of the world. In this context, vision and audition are essential tools to scaffold spatial and temporal representations, respectively. Since speed encompasses both space and time, investigating this dimension in blindness allows deepening the relationship between sensory modalities and the two representation domains. In the present study, we hypothesized that visual deprivation influences the use of spatial and temporal cues underlying acoustic speed perception. To this end, ten early blind and ten blindfolded sighted part
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Cui, Qi N., Babak Razavi, William E. O'Neill, and Gary D. Paige. "Perception of Auditory, Visual, and Egocentric Spatial Alignment Adapts Differently to Changes in Eye Position." Journal of Neurophysiology 103, no. 2 (2010): 1020–35. http://dx.doi.org/10.1152/jn.00500.2009.

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Vision and audition represent the outside world in spatial synergy that is crucial for guiding natural activities. Input conveying eye-in-head position is needed to maintain spatial congruence because the eyes move in the head while the ears remain head-fixed. Recently, we reported that the human perception of auditory space shifts with changes in eye position. In this study, we examined whether this phenomenon is 1) dependent on a visual fixation reference, 2) selective for frequency bands (high-pass and low-pass noise) related to specific auditory spatial channels, 3) matched by a shift in t
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Radić-Šestić, Marina, Mia Šešum, and Ljubica Isaković. "The phenomenon of signed music in Deaf culture." Specijalna edukacija i rehabilitacija 20, no. 4 (2021): 259–71. http://dx.doi.org/10.5937/specedreh20-34296.

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Introduction. Music in the Deaf community is a socio-cultural phenomenon that depicts a specific identity and way of experiencing the world, which is just as diverse, rich and meaningful as that of members of any other culture. Objective. The aim of this paper was to point out the historical and socio-cultural frameworks, complexity, richness, specific elements, types and forms of musical expression of members of the Deaf community. Methods. The applied methods included comparative analysis, evaluation, and deduction and induction system. Results. Due to limitations or a lack of auditive compo
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Plaza, Paula, Isabel Cuevas, Cécile Grandin, Anne G. De Volder, and Laurent Renier. "Looking into Task-Specific Activation Using a Prosthesis Substituting Vision with Audition." ISRN Rehabilitation 2012 (February 6, 2012): 1–15. http://dx.doi.org/10.5402/2012/490950.

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A visual-to-auditory sensory substitution device initially developed for the blind is known to allow visual-like perception through sequential exploratory strategies. Here we used functional magnetic resonance imaging (fMRI) to test whether processing the location versus the orientation of simple (elementary) “visual” stimuli encoded into sounds using the device modulates the brain activity within the dorsal visual stream in the absence of sequential exploration of these stimuli. Location and orientation detection with the device induced a similar recruitment of frontoparietal brain areas in b
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Tian, Yapeng. "Towards Unified, Explainable, and Robust Multisensory Perception." Proceedings of the AAAI Conference on Artificial Intelligence 37, no. 13 (2023): 15456. http://dx.doi.org/10.1609/aaai.v37i13.26823.

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Humans perceive surrounding scenes through multiple senses with multisensory integration. For example, hearing helps capture the spatial location of a racing car behind us; seeing peoples' talking faces can strengthen our perception of their speech. However, today's state-of-the-art scene understanding systems are usually designed to rely on a single audio or visual modality. Ignoring multisensory cooperation has become one of the key bottlenecks in creating intelligent systems with human-level perception capability, which impedes the real-world applications of existing scene understanding mod
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Bueti, Domenica, and Vincent Walsh. "The parietal cortex and the representation of time, space, number and other magnitudes." Philosophical Transactions of the Royal Society B: Biological Sciences 364, no. 1525 (2009): 1831–40. http://dx.doi.org/10.1098/rstb.2009.0028.

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The development of sub-disciplines within cognitive neuroscience follows common sense categories such as language, audition, action, memory, emotion and perception among others. There are also well-established research programmes into temporal perception, spatial perception and mathematical cognition that also reflect the subjective impression of how experience is constructed. There is of course no reason why the brain should respect these common sense, text book divisions and, here, we discuss the contention that generalized magnitude processing is a more accurate conceptual description of ho
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Hong, Fangfang, Stephanie Badde, and Michael S. Landy. "Causal inference regulates audiovisual spatial recalibration via its influence on audiovisual perception." PLOS Computational Biology 17, no. 11 (2021): e1008877. http://dx.doi.org/10.1371/journal.pcbi.1008877.

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To obtain a coherent perception of the world, our senses need to be in alignment. When we encounter misaligned cues from two sensory modalities, the brain must infer which cue is faulty and recalibrate the corresponding sense. We examined whether and how the brain uses cue reliability to identify the miscalibrated sense by measuring the audiovisual ventriloquism aftereffect for stimuli of varying visual reliability. To adjust for modality-specific biases, visual stimulus locations were chosen based on perceived alignment with auditory stimulus locations for each participant. During an audiovis
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Dissertations / Theses on the topic "Perception spatiale auditive"

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Hartnagel, David. "La perception de l'espace multisensoriel appréhendée par l'étude de la fusion visuo-auditive : les effets de la dissociation des référentiels spatiaux." Paris 8, 2007. http://octaviana.fr/document/135521491#?c=0&m=0&s=0&cv=0.

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Les effets de la dissociation des référentiels spatiaux sur la perception de l'espace multimodal sont évalués au moyen d'une tâche de fusion Visuo-Auditive (VA). Une étude princeps de fusion VA (Godfroy et al. , 2003) révèle une organisation symétrique de l'espace par rapport au plan sagittal médian. Les systèmes sensoriels visuel et auditif codent l’information spatiale dans des référentiels différents, oculo-centré pour la vision et céphalo-centré pour l'audition. Une première expérimentation montre que la dissociation des référentiels unimodaux, engendrée par une fixation visuelle latérale
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Després, Olivier. "Mécanismes de localisation spatiale chez l'homme : interaction entre le système visuel et le système auditif." Strasbourg 1, 2004. https://publication-theses.unistra.fr/public/theses_doctorat/2004/DESPRES_Olivier_2004.pdf.

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Notre perception du monde résulte de traitements des signaux environnementaux, se présentant sous des formes d'énergie variées (e. G. , énergie électromagnétique pour la lumière; énergie mécanique pour le son). Ces traitements impliquent des mécanismes de transduction, de codage et de propagation du message, spécifiques à chaque système sensoriel, et aboutissent à des expériences perceptives qualitativement distinctes les unes des autres. Malgré la spécificité de chaque système sensoriel, la perception des événements est unifiée grâce à des liens étroits entre les différentes modalités sensori
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Pires, Isabel Maria Antunes. "La notion d'espace dans la création musicale : idées, concepts et attributions : une réflexion à propos d'"espaces" intentionnellement perçus ou composés de l'"entité sonore"." Paris 8, 2007. http://octaviana.fr/document/133290859#?c=0&m=0&s=0&cv=0.

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Notre étude présente une réflexion à propos de espaces musicaux composables. Cette réflexion inclue l'usage intentionnel des qualités sonores perçues dans la construction de sons et donc dans la composition musicale. Nos recherches se trouvent à l'intersection entre le son, comme phénomène physique qui se propage dans un espace, les sensations spatiales qui peuvent être engendrées par la perception auditive de certaines caractéristiques du son, et la pratique de la composition musicale d'espaces de sons dans les œuvres. Nous développons l'idée d'une entité sonore composable dès sa microstructu
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Pires, Isabel Maria Antunes Vaggione Horacio. "La notion d'espace dans la création musicale." Saint-Denis : Université de Paris 8, 2009. http://www.bu.univ-paris8.fr/web/collections/theses/AntunesPiresThese.pdf.

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Gandemer, Lennie. "Son et posture : le rôle de la perception auditive spatiale dans le maintien de l'équilibre postural." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM4749/document.

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Le maintien de la stabilité posturale est généralement décrit comme le résultat de l’intégration de plusieurs modalités sensorielles : vision, proprioception, tactile plantaire et système vestibulaire. Bien qu’étant une source riche d’informations spatiales, l’audition a été très peut étudiée dans ce cadre. Dans cette thèse, nous nous sommes intéressés à l’influence spécifique du son sur la posture.La première partie de ces travaux concerne la mise en place et la caractérisation perceptive d’un système de spatialisation ambisonique d’ordre 5. Ce système permet de générer et de déplacer des son
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Fekih, Kabil. "Le parcours sonore : de la construction urbaine aux constructions mentales." Grenoble 2, 2006. http://www.theses.fr/2006GRE29063.

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Dans ce travail de recherche, au croisement de 1 'urbanisme, de la géographie, de la sociologie, de la psycho-acoustique et de la psychologie cognitive, nous traitons la question du parcours sonore urbain. Notre dessein est de construire et d'élaborer des éléments de réponse à notre principale question : qu'est-ce que la mémoire sonore du parcours urbain ? Notre tâche serait alors de mettre en lumière les modes de construction et de constitution de la carte mentale sonore moyennant l'examen du parcours dans la ville. Pour mettre en valeur la synergie qui s'installe entre l'urbain et le chemin,
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Hartnagel, David Roumes Corinne. "La perception de l'espace multisensoriel appréhendée par l'étude de la fusion visuo-auditive les effets de la dissociation des référentiels spatiaux /." Saint-Denis : Université de Paris 8, 2009. http://www.bu.univ-paris8.fr/consult.php?url_these=theses/HartnagelThese.pdf.

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Bordeau, Camille. "Développement d’un dispositif de substitution sensorielle vision-vers-audition : étude des performances de localisation et comparaison de schémas d’encodage." Electronic Thesis or Diss., Bourgogne Franche-Comté, 2023. https://nuxeo.u-bourgogne.fr/nuxeo/site/esupversions/32b91892-b42f-4d42-bf10-0ad744828698.

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Les dispositifs de substitution sensorielle vision-vers-audition convertissent des informations visuelles en un paysage sonore dans le but de permettre de percevoir l’environnement à travers la modalité auditive lorsque la modalité visuelle est altérée. Ils constituent une solution prometteuse pour améliorer l’autonomie des personnes déficientes visuelles lors de leurs déplacements pédestres. Ce travail de thèse avait pour objectif principal de déterminer et d’évaluer un schéma d’encodage pour la substitution sensorielle permettant la perception spatiale 3-dimensionnelle en proposant des proto
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Masson, Damien. "La perception embarquée : analyse sensible des voyages urbains." Phd thesis, Grenoble 2, 2009. http://tel.archives-ouvertes.fr/tel-00441955.

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Cette recherche pose la question du lien entre expérience du mouvement et compréhension sensible de l'espace urbain. Située dans le champ des ambiances architecturales et urbaines, et placée dans le sillon épistémologique et théorique des travaux de sociologie des mobilités issus de l'Université de Lancaster, cette recherche part de l'hypothèse suivante : la compréhension de la perception en mouvement de l'espace urbain est un moyen de relier les échelles disparates du sensible – corporel et contextualisé – et de l'espace à une grande échelle. Des paroles de voyageurs ont été recueillies dans
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Hendrickx, Etienne. "Influence de la stéréoscopie sur la perception du son : cas de mixages sonores pour le cinéma en relief." Thesis, Brest, 2015. http://www.theses.fr/2015BRES0078/document.

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Peu d'études ont été menées sur l'influence de la stéréoscopie sur la perception d'un mixage audio au cinéma. Les témoignages de mixeurs ou les articles scientifiques montrent pourtant une grande diversité d'opinions à ce sujet. Certains estiment que cette influence est négligeable, d'autres affirment qu'il faut totalement revoir notre conception de la bande-son, aussi bien au niveau du mixage que de la diffusion. Une première série d'expériences s'est intéressée à la perception des sons d'ambiance. 8 séquences, dans leurs versions stéréoscopiques (3D-s) et non-stéréoscopiques (2D), ont été di
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Books on the topic "Perception spatiale auditive"

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H, Gilkey Robert, and Anderson Timothy R, eds. Binaural and spatial hearing in real and virtual environments. Lawrence Erlbaum Associates, 1997.

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Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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Anderson, Timothy R., and Robert H. Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2015.

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Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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Berenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.

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Berenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.

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Berenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.

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Gonadal Hormones and Sex Differences in Behavior: A Special Issue of developmental Neuropsychology. Lawrence Erlbaum, 1998.

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Book chapters on the topic "Perception spatiale auditive"

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Mandrigin, Alisa, and Matthew Nudds. "Sameness of place and the senses." In The World at Our Fingertips. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198851738.003.0012.

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When we watch a film at the cinema, we typically experience the speech we hear as coming from the mouths of the actors depicted on the screen, rather than from the loudspeakers. This is an everyday example of the spatial ventriloquism effect. In this chapter, we are interested in what it is for things that we are aware of through different senses to appear to be in a single space, or even—as in spatial ventriloquism—at the same place. The answer may seem trivial: all that is required is that we pick out places in the different senses in the same way. However, as Millikan (1991, 2000) has argue
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