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1

Music perception. New York: Springer, 2010.

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2

Moral perception and particularity. Cambridge [England]: Cambridge University Press, 1994.

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3

1953-, Davids K., and Williams J. G. P, eds. Visual perception and Action in Sport. New York: E&FN Spon, 1999.

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4

1953-, Davids K., and Williams J. G. P, eds. Visual perception and action in sport. London: E & FN Spon, 1999.

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5

Dumaurier, Elisabeth. La perception dans le domaine sonore. Issy-les-Moulineaux, France: EAP, 1990.

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6

London, Justin. Hearing in time: Psychological aspects of musical meter. 2nd ed. New York: Oxford University Press, 2012.

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7

Color perception in art. West Chester, Pa: Schiffer Pub., 1986.

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8

Center for the Study of Language and Information (U.S.), ed. Color and color perception: A study in anthropocentric realism. Stanford, CA: Center for the Study of Language and Information, 1987.

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9

Ebong, Maurice Okon. Environmental perception and human behaviour. Lagos, Nigeria: Published by Macmillan Nigeria Publishers for Nigerian Conservation Foundation, 1995.

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10

Irène, Deliège, and Sloboda John A, eds. Perception and cognition of music. Hove, East Sussex: Psychology Press, 1997.

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11

Bang, Molly. Picture this: Perception & composition. Boston: Little, Brown, 1991.

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12

David, Butler. The musician's guide to perception and cognition. New York: Schirmer Books, 1992.

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13

Slife, Brent D. Time and psychological explanation. Albany, NY: State University of New York Press, 1993.

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14

Patterns in interior environments: Perception, psychology, and practice. New York: J. Wiley & Sons, 1999.

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15

Perception and action in medieval Europe. Rochester, NY: Boydell Press, 2005.

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16

Musical imaginations: Multidisciplinary perspectives on creativity, performance, and perception. Oxford: Oxford University Press, 2012.

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17

Alan, Allport, ed. Language perception and production: Relationships between listening, speaking, reading and writing. London: Academic Press, 1987.

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18

Beauchamp, James W. Analysis, synthesis, and perception of musical sounds: The sound of music. New York: Springer, 2010.

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19

The perception of dotted forms. Hillsdale, N.J: L. Erlbaum Associates, 1987.

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20

International, Conference on Event Perception and Action (3rd 1985 Uppsala Sweden). Action and perception in rhythm and music: Papers given at a symposium in the Third International Conference on Event Perception and Action. Stockholm, Sweden: Kungl, Musikaliska akademien, 1987.

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21

Oldenburger Symposion zur Psychologischen Akustik (8th 2000). Contributions to psychological acoustics: Results of the eighth Oldenburg Symposium on Psychological Acoustics. Oldenburg: BIS, Bibliotheks- und Informationssystem der Universität Oldenburg, 2000.

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22

1986), Oldenburger Symposion zur Psychologischen Akustik (4th. Contributions to psychological acoustics: Results of the fourth Oldenburg Symposium on Psychological Acoustics. Oldenburg: BIS, Bibliotheks- und Informationssystem der Universität Oldenburg, 1986.

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23

Koslow, Robert Edward. Peripheral reaction time and depth perception as related to ball color. Eugene: Microform Publications,College of Human Development and Performance, University of Oregon, 1985.

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24

Kahrmann, Klaus-Ove. Umkehrungen: Über den Zusammenhang von Wahrnehmen und Wirtschaften. Wiesbaden: VS Verlag für Sozialwissenschaften, 2010.

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25

Psychological time and mental illness. New York: Gardner Press, 1987.

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26

Berendt, Joachim Ernst. Ich höre, also bin ich: Hör-Übungen, Hör-Gedanken. Freiburg im Breisgau: H. Bauer, 1989.

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27

Promenades autour de la temporalité: Psychologie scientifique : à quoi, à qui sert la recherche. Paris: L'Harmattan, 2003.

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28

Ulrike, Lehmkuhl, ed. Die Bedeutung der Zeit: Zeiterleben und Zeiterfahrung aus Sicht der Individualpsychologie. Göttingen: Vandenhoeck & Ruprecht, 2005.

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29

Psychological metaphysics. London: Routledge, 1993.

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30

Bigand, Emmanuel. L' organisation perceptive d'œuvres musicales tonales. [Paris]: Editions de la Maison des sciences de l'homme, 1993.

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31

Tsur, Reuven. How do the sound patterns know they are expressive?: The poetic mode of speech perception. Jerusalem: Israel Science Publishers, 1987.

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32

Doors of perception: Icons and their spiritual significance. London: Mowbray, 1987.

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33

Baggley, John. Doors of perception: Icons and their spiritual significance. Crestwood, NY: St. Vladimir's Seminary Press, 1995.

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34

Baggley, John. Doors of perception: Icons and their spiritual significance. Crestwood, N.Y: St. Vladimir's Seminary Press, 1988.

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35

Congrès de psychiatrie et de neurologie de langue française (83rd session 1985 Besançon, France). Les troubles de la perception de la musique d'origine neurologique: (les 3 niveaux de la désintégration de la perception musicale considérée comme une agnosie auditive). Paris: Masson, 1985.

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36

Psychoacoustical and psychophysiological correlates of the emotional impact and the perception of music. Hannover: Center for Systems Neuroscience, 2007.

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37

The perception of music. Hillsdale, N.J: L. Erlbaum, 1988.

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38

J, Moore Brian C., Tyler Lorraine Komisarjevsky 1945-, and Marslen-Wilson William, eds. The perception of speech: From sound to meaning. Oxford: Oxford University Press, 2009.

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39

Inge, Godøy Rolf, and Jørgensen Harald, eds. Musical imagery. Exton, PA: Swets & Zeitlinger Publishers, 2001.

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40

Jones, Mari Riess, Arthur Popper, and Richard R. Fay. Music Perception. Springer, 2011.

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41

Popper, Arthur N., Mari Riess Jones, and Richard R. Fay. Music Perception. Springer New York, 2012.

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42

Blum, Lawrence A. Moral Perception and Particularity. Cambridge University Press, 2011.

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43

Blum, Lawrence A. Moral Perception and Particularity. Cambridge University Press, 2010.

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44

1937-, Davis Steven, and Vancouver Studies in Cognitive Science Conference (9th : 1996 : Simon Fraser University), eds. Color perception: Philosophical, psychological, artistic, and computational perspectives. New York: Oxford University Press, 2000.

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45

Perception and Decision-Making in Sport. Taylor & Francis Group, 2019.

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46

Jackson, Robin, and A. Mark Williams. Perception and Decision-Making in Sport. Taylor & Francis Group, 2019.

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47

Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.

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48

Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.

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49

Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.

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50

Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.

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