Books on the topic 'Perception in literature'

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1

1917-, Carlsen G. Robert, and Carlsen Ruth Christoffer, eds. Perception. New York: Webster Division, McGraw-Hill, 1985.

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2

Benozzo, Francesco. Landscape perception in early Celtic literature. Aberystwyth: Celtic Studies Publications, 2004.

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3

Marie, Florence, Françoise Buisson, and Christelle Lacassain-Lagoin. Perception, perspective, perspicacité: Perception, perspective and perspicacity. Paris: L'Harmattan, 2014.

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4

Silke, Horstkotte, and Leonhard Karin, eds. Seeing perception. Newcastle, UK: Cambridge Scholars Pub., 2007.

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5

Michael, Martin. ESP: Extrasensory perception. Mankato, Minn: Edge Books, 2006.

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6

Check, William A. Drugs & perception. New York: Chelsea House Publishers, 1988.

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7

Buller, Laura. Mind and perception. New York: M. Cavendish Corp., 1990.

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8

G, Miller Edward. Sense perception in Dante's Commedia. Lewiston [N.Y.]: E. Mellen Press, 1996.

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9

1950-, Ouellet Pierre, ed. Identités narratives: Mémoire et perception. [Québec]: CELAT, 2002.

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10

Ivin, A. Russkoe vosprii︠a︡tie: Russian perception : literaturnyĭ sbornik. Aleksandrov: [publisher not identified], 2006.

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11

Hornby, Richard. Drama, Metadrama and perception. Lewisburg, Pa: Bucknell University Press, 1986.

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12

Boyde, Patrick. Perception and passion in Dante's Comedy. Cambridge: Cambridge University Press, 1993.

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13

Levin, I͡U D. The perception of English literature in Russia: Investigations and materials. Nottingham, England: Astra, 1994.

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14

Hilke, Meyer-Bahlburg, and Universität Hamburg. Institut für Afrikanistik und Aẗhiopistik., eds. Levels of perception and reproduction of reality in modern African literature. Leipzig: Institut für Afrikanistik, 1997.

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15

Steffora, Tracey. Patterns at the museum. Chicago, Ill: Heinemann Library, 2011.

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16

Penn, M. W. It's a pattern! Mankato, Minn: Capstone Press, 2012.

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17

Freese, Joan. Patterns on parade. Milwaukee: Weekly Reader Early Learning Library, 2007.

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18

Freese, Joan. Un desfile de patrones. Milwaukee: Weekly Reader Early Learning Library, 2007.

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19

Greg, Johnson. Emily Dickinson, perception and the poet's quest. University, Ala: University of Alabama Press, 1985.

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20

Black, J. L. Soviet perception of Canada, 1945-1987: An overview of the literature. Toronto: Centre for Russian and East European Studies, University of Toronto, 1990.

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21

Walter, Pape, and Burwick Frederick, eds. Reflecting senses: Perception and appearance in literature, culture, and the arts. Berlin: W. de Gruyter, 1995.

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22

Jeffries, Joyce. Which is different? New York, NY: Gareth Stevens Pub., 2013.

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23

Brooks, Bruce. Making sense: Animal perception and communication. New York: Farrar Straus Giroux in association with Thirteen/WNET, 1993.

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24

Kalman, Bobbie. ¿Qué sigue? New York: Crabtree Pub., 2009.

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25

Kalman, Bobbie. What comes next? Franklin, TN: Crabtree Pub., 2013.

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26

Netzley, Patricia D. ESP. San Diego: Lucent Books, 2001.

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27

Johnson, Tami. Adentro y afuera =: In and out. Mankato, Minn: Capstone Press, 2011.

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28

Rivera, Sheila. In and out. Minneapolis, MN: Lerner Publications Co., 2005.

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29

Rivera, Sheila. Near and far. Minneapolis: Lerner Publications, 2005.

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30

Rivera, Sheila. Over and under. Minneapolis: Lerner Publications, 2005.

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31

Bill, Gillham. What's the difference? New York: Putnam, 1986.

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32

Aslanoğlu, Äli. Muğam poetikası va idrak: Mugam poetry and perception. Bakı: Elm, 2004.

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33

Journeau, Véronique Alexandre, and Christine Kayser. Notions esthétiques: La perception sensible organisée. Paris: Harmattan, 2015.

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34

Kolotaev, V. A. Pod pokrovom vzgli͡a︡da: Oftalʹmologicheskai͡a︡ poėtika kino i literatury. Moskva: Agraf, 2003.

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35

Brivic, Sheldon. The veil of signs: Joyce, Lacan, and perception. Urbana: University of Illinois Press, 1991.

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36

Déchery, Laurent. Le premier regard: Essai d'anatomie métaphysique. Paris: L'Harmattan, 2007.

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37

Hoban, Tana. Look up, look down. New York: Greenwillow Books, 1992.

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38

Brockbank, Philip. The creativity of perception: Essays in the genesis of literature and art. Oxford, UK: B. Blackwell, 1991.

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39

Dinguemnaial, Renaud. C'est quoi être tchadien ?: Auto-perception de l'identité nationale. Ndjamena: Editions Sao, 2011.

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40

Perception Literature/Grade 8/Student. 5th ed. Glencoe/Mcgraw-Hill, 1989.

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41

Perspectives on perception: Philosophy, art, and literature. New York: P. Lang, 1989.

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42

Anderson, Louise. Perception of Death. Penguin Random House, 2012.

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43

Anderson, Louise. Perception of Death. Bantam, 2009.

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44

Anderson, Louise. Perception of Death. Penguin Random House, 2016.

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45

Carlsen, G. Robert, and Ruth Christoffer Carlsen. Perception (The Mcgraw-Hill Literature Series) Treasury Edition. Macmillan/Mcgraw-Hill School, 1985.

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46

Carlsen, G. Robert. Perception: Teacher's Resource Guide (Mcgraw-Hill Literature Series). Glencoe/Mcgraw-Hill, 1989.

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47

Carlsen, G. Robert, and Ruth Christoffer Carlsen. Perception (The Mcgraw-Hill Literature Series) Treasury Edition. Macmillan/Mcgraw-Hill School, 1985.

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48

Sawada, Tadamasa, Yunfeng Li, and Zygmunt Pizlo. Shape Perception. Edited by Jerome R. Busemeyer, Zheng Wang, James T. Townsend, and Ami Eidels. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199957996.013.12.

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Abstract:
This chapter provides a review of topics and concepts that are necessary to study and understand 3D shape perception. This includes group theory and their invariants; model-based invariants; Euclidean, affine, and projective geometry; symmetry; inverse problems; simplicity principle; Fechnerian psychophysics; regularization theory; Bayesian inference; shape constancy and shape veridicality; shape recovery; perspective and orthographic projections; camera models; as well as definitions of shape. All concepts are defined and illustrated, and the reader is provided with references providing mathematical and computational details. Material presented here will be a good starting point for students and researchers who plan to study shape, as well as for those who simply want to get prepared for reading the contemporary literature on the subject.
49

Logue, Heather. Perception First? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198716310.003.0009.

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Abstract:
Heather Logue, like Williamson, investigates an analogy—in her case, an analogy between knowledge and perception. This chapter asks if knowledge is unanalysable, might also perception be? After all, the history of attempts to analyse the perceptual relation have been subject to counterexamples in such as way as to broadly mirror the track record of the post-Gettier literature. To the extent that the failure of the post-Gettier project motivates a knowledge-first approach, it is natural to wonder whether an analogous sort of failure to analyse (in a fashion that avoids counterexamples) the perceptual relation motivates a perception-first approach. However, this chapter argues that even if the perceptual relation turns out to be unanalysable, this does not necessarily mean that we should embrace a perception-first approach. Finally, it suggests that there might, nonetheless, be an alternative motivation for a perception-first approach.
50

Essays on audience perception in Elizabethan and Jacobean literature. Salzburg: Universität Salzburg, 1997.

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