Books on the topic 'Perception du danger'

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1

Kim, Ch'an-wŏn. Wihŏm pŭllaek hol: Wihŏmhan sesang esŏ sara namgi. 8th ed. Kyŏnggi-do P'aju-si: Idam Books, 2019.

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2

Musahl, Hans-Peter. Gefahrenkognition: Theoretische Annäherungen, empirische Befunde, und Anwendungsbezüge zur subjektiven Gefahrenkenntnis. Heidelberg: Asanger, 1997.

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3

Lis, Adriana. Se sto attento non mi faccio male: Acquisizione e rappresentazione del senso del pericolo : un percorso evolutivo. Torino: Bollati Boringhieri, 1994.

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4

Danger at the fair. New York: Cobblehill Books/Dutton, 1995.

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5

(Agency), Hypothesis, ENEA (Agency :. Italy), and Convegno internazionale Pericoli e paure (1993 : Rome, Italy), eds. Pericoli e paure: La percezione del rischio tra allarmismo e disinformazione. Venezia: Marsilio, 1994.

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6

Apter, Michael J. Danger: Our quest for excitement. Oxford: Oneworld Publications, 2007.

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7

Kałdon, Barbara Małgorzata. Wybrane obszary niebezpieczeństw XXI wieku w ujęciu interdyscyplinarnym: Chosen areas of dangers of the 21st century in the interdisciplinary presentation. Warszawa: Wydawnictwo Uniwersytetu Kardynała Stefana Wyszyńskiego, 2016.

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8

Berry, Joy Wilt. Teach me about danger. Chicago: Childrens Press, 1986.

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9

Wiles, Donald R. Radioactivity: What it is and what it does. [Montréal]: Presses internationales Polytechnique, 2009.

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10

Chandezon, Gérard. L' insécurité: Comprendre les risques de la vie quotidienne et y faire face : séminaire de Gérard Chandezon et Joël Salou. Paris: Editions ESF-Entreprise moderne d'édition, 1985.

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11

Laudan, Larry. Danger ahead: The risks you really face on life's highway. New York: J. Wiley, 1997.

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12

aut, Spiegler Julie, ed. Fifty dangerous things (you should let your children do). Montara, CA: Tinkering Unlimited, 2009.

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13

1952-, Malenfant Romaine, ed. La mesure du danger: Le risque entre la science et le sentiment. Montréal: Liber, 1998.

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14

Ungerer, Dietrich. Analyse des menschlichen Fehlverhaltens in Gefahrensituationen: Empfehlungen für die Ausbildung. Bonn: Bundesverwaltungsamt, Zentralstelle für Zivilschutz, 2001.

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15

Lazerges, Christine, and Geneviève Giudicelli-Delage. La dangerosité saisie par le droit pénal. Paris, France]: Presses universitaires de France, 2011.

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16

Krasni︠a︡nskai︠a︡, T. M. Psikhologii︠a︡ samoobespechenii︠a︡ bezopasnosti: Monografii︠a︡. Pi︠a︡tigorsk: Pi︠a︡tigorskiĭ gos. lingvisticheskiĭ universitet, 2009.

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17

Krasni︠a︡nskai︠a︡, T. M. Psikhologii︠a︡ samoobespechenii︠a︡ bezopasnosti: Monografii︠a︡. Pi︠a︡tigorsk: Pi︠a︡tigorskiĭ gos. lingvisticheskiĭ universitet, 2009.

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18

Hopkins, Jackie. Prairie chicken little. Atlanta: Peachtree Publishers, 2013.

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19

Inc, NetLibrary, ed. Dangerous offenders: Punishment and social order. London: Routledge, 2000.

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20

Julie, Spiegler, ed. Fifty dangerous things (you should let your children do). New York: New American Library, 2011.

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21

Bach, Richard. Nezhnye igry Zhizni i Smerti: Puteshestvii͡a s Paff. Moskva: "Sofii͡a", 2013.

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22

1965-, Brown Mark, and Pratt John, eds. Dangerous offenders: Punishment and social order. London: Routledge, 2000.

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23

name, No. Risk, culture, and health inequality: Shifting perceptions of danger and blame. Westport, CT: Praeger, 2003.

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24

1951-, Harthorn Barbara Herr, and Oaks Laury 1967-, eds. Risk, culture, and health inequality: Shifting perceptions of danger and blame. Westport, Conn: Praeger, 2003.

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25

Perception and passion in Dante's Comedy. Cambridge: Cambridge University Press, 1993.

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26

Erdmann-Rajski, Katja. Gret Palucca: Tanz und Zeiterfahrung in Deutschland im 20. Jahrhundert : Weimarer Republik, Nationalsozialismus, Deutsche Demokratische Republik. Hildesheim: G. Olms, 2000.

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27

Mühleis, Volkmar. Ein Kind lässt einen Stein übers Wasser springen: Zu Entstehungsweisen von Kunst. München: Wilhelm Fink, 2011.

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28

Frances, Lynn. The sevenfold circle: Self awareness in dance. Forres, Scotland: Findhorn Press, 1998.

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29

Aksel, Sandemose. Aksel Sandemose and Canada: A Scandinavian writer's perception of the Canadian Prairies in the 1920s. Edited by Hale Christopher S. 1942- and University of Regina. Canadian Plains Research Center. Regina: Canadian Plains Research Center, 2005.

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30

Crozier, Jennifer McColl. Cuerpo y visualidad: Reflexiones en torno al archivo. Santiago de Chile: Ediciones Metales Pesados, 2019.

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31

Time and the dancing image. New York: W. Morrow, 1988.

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32

Voices in Bali: Energies and perceptions in vocal music and dance theater. Hanover, NH: University Press of New England, 1997.

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33

Wittl, Donna Leigh. Cognitions of night safety: Spatial patterns and group similarities. 1993.

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34

Danger at the Fair. Puffin, 2002.

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35

Little, Jean. Danger at the Fair. Tandem Library, 2002.

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36

Little, Jean. Danger at the Fair. Tandem Library, 1999.

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37

Danger at the fair. New York: Cobblehill Books/Dutton, 1995.

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38

Apter, Michael J. Danger: Our Love of Living on the Edge. Oneworld Publications, 2007.

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39

Bartholomew and Joy Wilt Berry. Teach Me about Danger. Lemur Press, 2020.

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40

Negative Body Image (Danger Zone: Dieting and Eating Disorders). Rosen Publishing Group, 2007.

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41

Berry, Joy Wilt. Teach Me About Danger (Teach Me About). Childrens Pr, 1986.

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42

Foolproof: Why safety can be dangerous and how danger makes us safe. 2015.

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43

Holland-Batt, Sarah. The Hazards. University of Queensland Press, 2015.

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44

Brown, Mark. Dangerous Offenders: Punishment and Social Order. Routledge, 2000.

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45

Brown, Mark. Dangerous Offenders: Punishment and Social Order. Routledge, 2000.

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46

Puttock, Simon. Miss Fox. 2014.

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47

Berry, Joy Wilt. Teach Me About Danger: A Safe and Sound Book (Teach Me About). Gold Star Pub, 2000.

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48

illustrator, Wohnoutka Mike, ed. This is not a cat! 2016.

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49

David, Ann R. Ram Gopal. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350166226.

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Both a biography and a history, this book explores the significant role that Indian dancer Ram Gopal (1912-2003) played in bringing Indian dance to international audiences from the 1930s to the late 1960s. Almost single-handedly, Gopal changed the perception of Indian dance abroad, introducing a global audience to specificity of movement, classically trained dancers, live musicians and exquisitely detailed costumes, modelled from Indian iconography. In this much-needed study of an often-neglected figure, the author unearths a fascinating narrative about Ram Gopal, the individual and the dancer, drawing on interviews with his remaining family, costume-makers, friends, dance partners, fellow dancers and audience members. More broadly, we come to understand the culture of Indian dance at the time, including the politics of the nomenclature and of the nationalist and orientalist discourses, the rapid changes created by the demise of colonialism and the influence of Western styles of dance, such as ballet and modern, in its development.
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50

MacGregor, Susanne, and Betsy Thom. Risk and Substance Use: Framing Dangerous People and Dangerous Places. Taylor & Francis Group, 2020.

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