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1

Danièle, Pistone, Mialaret Jean Pierre professeur, and Université de Paris-Sorbonne. Observatoire musical français, eds. Analyse musicale & perception. Paris: Observatoire muscial français, Université de Paris-Sorbonne, 1994.

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2

Berkeley's analysis of perception. New York: P. Lang, 1991.

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3

Britain), Royal Society (Great, ed. Risk: analysis, perception and management. London: Royal Society, 1992.

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4

de, Graef Peter, Jolicoeur Pierre, and Ydewalle Géry d', eds. Object perception and scene analysis. Quebec: Canadian Psychological Association, 1992.

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5

Kenny, David A. Interpersonal perception: A social relations analysis. New York: Guilford Press, 1994.

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6

Warren, Richard M. Auditory perception: An analysis and synthesis. 3rd ed. New York: Cambridge University Press, 2008.

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7

Darius, Skusevich, and Matikas Petras, eds. Color perception physiology, processes, and analysis. Hauppauge, NY: Nova Science, 2009.

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8

Warren, Richard. Auditory Perception: An Analysis and Synthesis. 3rd ed. Leiden: Cambridge University Press, 2008.

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9

1948-, Brown Jennifer, Great Britain. Dept. of the Environment., and Economic and Social Research Council (Great Britain), eds. Environmental threats: Perception, analysis, and management. London: Belhaven Press, 1989.

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10

Bamberger, Jeanne Shapiro. The art of listening: Developing musical perception. 5th ed. New York: Harper & Row, 1988.

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11

Garrick, B. John, and Willard C. Gekler, eds. The Analysis, Communication, and Perception of Risk. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-2370-7.

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12

Beauchamp, James W., ed. Analysis, Synthesis, and Perception of Musical Sounds. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-32576-7.

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13

Kaloko, F. R. Sociometric analysis and regional perception in Nigeria. Salford: University of Salford Department of Geography, 1986.

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14

W, Tyler Christopher, ed. Human symmetry perception and its computational analysis. Utrecht, The Netherlands: VSP, 1996.

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15

Purcell, Jennifer K. Statewide community perception analysis 2002: Summary report. [Olympia, Wash: Washington State Board for Community and Technical Colleges, 2002.

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16

Kaloko, Franklyn R. Sociometric analysis and regional perception in Nigeria. Salford: Dept. of Geography, University of Salford, 1986.

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17

Society for Risk Analysis. Meeting. The analysis, communication, and perception of risk. Edited by Garrick B. John and Gekler Willard C. New York: Plenum Press, 1991.

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18

W, Tyler Christopher, ed. Human symmetry perception and its computational analysis. Mahwah, N.J: Lawrence Erlbaum Associates, 2002.

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19

McCorry, James J. An analysis of visual perception within parklands. [s.l: The Author], 1989.

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20

Sense-perception and matter: A critical analysis of C.D. Broad's theory of perception. London: Routledge, 1999.

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21

Landi, Paolo. Analisi dell'esperienza. Milano: Joppolo, 1994.

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22

Sensory analysis. London: Academic Press, 1986.

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23

Laming, D. R. J. Sensory analysis. London: Academic Press, 1986.

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24

Laming, Donald. Sensory analysis. London: Academic, 1986.

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25

Saufi, Roselina Ahmad. Students' perception on higher learning education: Data analysis. Kota Kinabalu]: Universiti Malaysia Sabah, 2003.

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26

1947-, Floch Jean-Marie, ed. Analyse sémiotique de la perception d'un objet naturel. Limoges: PULIM, 1996.

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27

Pompe, Ulrike. Perception and cognition: The analysis of object recognition. Paderborn: Mentis, 2011.

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28

The perception of poverty. Amsterdam: North-Holland, 1986.

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29

Casey, Peter J. The risk perceptions of Irish investment analysis. Dublin: University College Dublin, 1989.

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30

Gallardo-Paúls, Beatriz. Lingüística perceptiva y conversación: Secuencias. Minneapolis, MN: Dept. of Spanish and Portuguese, University of Minnesota, 1993.

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31

L'Ecuyer, René. Méthodologie de l'analyse développementale de contenu: Méthode GPS et concept de soi. Sillery, Québec: Presses de l'Université du Québec, 1990.

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32

L'Écuyer, René. Méthodologie de l'analyse développementale de contenu: Méthode GPS et concept de soi. Sillery, Qué: Presses de l'Université du Québec, 1990.

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33

Masin, Sergio Cesare. Analisi del mondo reale: Saggio sulla teoria della percezione. Padova: Liviana, 1989.

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34

Geoghegan, Oisiń. Marketing higher education: An analysis of client perceptions. Dublin: University College Dublin, 1990.

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35

Gorka, Elordieta, Prieto Pilar, and SpringerLink (Online service), eds. Prosodic Categories: Production, Perception and Comprehension. Dordrecht: Springer Science+Business Media B.V., 2011.

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36

Chenoweth, Vida. Melodic perception and analysis: A manual on etic-emic analysis of ethnic melody. 3rd ed. Lansdale, PA: Virginia Whitney, 2006.

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37

Smythies, J. R. Analysis Of Perception. Routledge, 2013. http://dx.doi.org/10.4324/9781315009407.

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38

Smythies, J R, J. R. Analysis of Perception. Taylor & Francis Group, 2014.

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39

Smythies, J R, J. R. Analysis of Perception. Taylor & Francis Group, 2013.

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40

Smythies, J R, J. R. Analysis of Perception. Taylor & Francis Group, 2013.

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41

SMYTHIES, J. R. Analysis of Perception. Routledge, 1999.

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42

Humphreys, Paul; Smythies, J. R. Analysis of Perception. Routledge, 1999.

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43

Stack, George J. Berkeley's Analysis of Perception. De Gruyter, Inc., 2014.

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44

Berkeley's Analysis of Perception. De Gruyter, Inc., 2011.

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45

Flanagan, James L. Speech Analysis Synthesis and Perception. Springer London, Limited, 2013.

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46

Kadvany, John D. Understanding Risk: Perception, Analysis, Interpretation. Blackwell Publishers, 1997.

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47

Igl, Natalia. Poetics of Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190457747.003.0009.

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This chapter examines the interrelation of cognitive linguistic principles, specific textual and narrative strategies, and—as a third domain—contemporary poetological positions by means of an analysis of two novels of the German movement “Neue Sachlichkeit.” It sheds light on the strategies of perspectival embedding and points out its relevance for the characterization of modern literary aesthetics. After a first historical outline regarding the key status of perception and perspective in modernist aesthetics, the chapter discusses the cognitive linguistic principle of perspectivization and the inherent potential of multiperspectivity in narrative that results from the constitutive double-layered structure of narrative discourse. This provides the basis to analyze the specific strategies of foregrounding multiperspectivity by means of viewpoint splitting and deictic shift, polyphony and multimodality in two modernist novels by Alfred Döblin and Irmgard Keun that can be understood as strategies of perspectival embedding and addressed as “aesthetics of observation.”
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48

Logue, Heather. Perception First? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198716310.003.0009.

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Heather Logue, like Williamson, investigates an analogy—in her case, an analogy between knowledge and perception. This chapter asks if knowledge is unanalysable, might also perception be? After all, the history of attempts to analyse the perceptual relation have been subject to counterexamples in such as way as to broadly mirror the track record of the post-Gettier literature. To the extent that the failure of the post-Gettier project motivates a knowledge-first approach, it is natural to wonder whether an analogous sort of failure to analyse (in a fashion that avoids counterexamples) the perceptual relation motivates a perception-first approach. However, this chapter argues that even if the perceptual relation turns out to be unanalysable, this does not necessarily mean that we should embrace a perception-first approach. Finally, it suggests that there might, nonetheless, be an alternative motivation for a perception-first approach.
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49

Warren, Richard M. Auditory Perception: An Analysis and Synthesis. Cambridge University Press, 2010.

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50

Warren, Richard. Auditory Perception: An Analysis and Synthesis. 3rd ed. Cambridge University Press, 2008.

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