Academic literature on the topic 'Pentimenti'
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Journal articles on the topic "Pentimenti"
Van Hulle, Dirk. "The Pentimenti Principle." Samuel Beckett Today / Aujourd’hui 31, no. 1 (April 11, 2019): 37–52. http://dx.doi.org/10.1163/18757405-03101004.
Full textStriova, Jana, Luca Pezzati, Enrico Pampaloni, and Raffaella Fontana. "Synchronized Hardware-Registered VIS-NIR Imaging Spectroscopy and 3D Sensing on a Fresco by Botticelli." Sensors 21, no. 4 (February 11, 2021): 1287. http://dx.doi.org/10.3390/s21041287.
Full textMisses-Liwerant, Judit Bokser. "Las ciencias sociales de nuestro tiempo: entre sinopias y pentimenti." Revista Mexicana de Ciencias Políticas y Sociales 60, no. 225 (September 2015): 9–20. http://dx.doi.org/10.1016/s0185-1918(15)30017-9.
Full textLittle, James. "Beckett's ‘Mongrel Mime’: Politics and Poetics." Journal of Beckett Studies 27, no. 2 (September 2018): 193–210. http://dx.doi.org/10.3366/jobs.2018.0236.
Full textPronti, Lucilla, Martina Romani, Gianluca Verona-Rinati, Ombretta Tarquini, Francesco Colao, Marcello Colapietro, Augusto Pifferi, Mariangela Cestelli-Guidi, and Marco Marinelli. "Post-Processing of VIS, NIR, and SWIR Multispectral Images of Paintings. New Discovery on the The Drunkenness of Noah, Painted by Andrea Sacchi, Stored at Palazzo Chigi (Ariccia, Rome)." Heritage 2, no. 3 (August 2, 2019): 2275–86. http://dx.doi.org/10.3390/heritage2030139.
Full textPage, Philippa. "Pentimenti. Cartografías peripatéticas que invitan a “recordar lo nuevo”: Una aproximación a la obra poética de Luisa Futoransky." Iberoromania 2021, no. 94 (November 11, 2021): 213–34. http://dx.doi.org/10.1515/iber-2021-0021.
Full textDeegan, James G., and Noel P. O’Connell. "The Starling’s Tale: A Performative Ethnography Showing Deaf Children’s Schooling in the Republic of Ireland." Qualitative Inquiry 25, no. 1 (July 20, 2018): 69–79. http://dx.doi.org/10.1177/1077800418787458.
Full textLaureti, Stefano, Hamed Malekmohammadi, Muhammad Khalid Rizwan, Pietro Burrascano, Stefano Sfarra, Miranda Mostacci, and Marco Ricci. "Looking Through Paintings by Combining Hyper-Spectral Imaging and Pulse-Compression Thermography." Sensors 19, no. 19 (October 8, 2019): 4335. http://dx.doi.org/10.3390/s19194335.
Full textTownley, Wyatt. "PENTIMENTO." Yale Review 104, no. 1 (2016): 130–31. http://dx.doi.org/10.1353/tyr.2016.0040.
Full textTownley, Wyatt. "PENTIMENTO." Yale Review 104, no. 1 (December 15, 2015): 130–31. http://dx.doi.org/10.1111/yrev.13052.
Full textDissertations / Theses on the topic "Pentimenti"
Omstead, Laurie Elizabeth. "Pentimento and underlying structure." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0014/MQ31319.pdf.
Full textLam, Kenny H. "Pentimento : retroactive editing for lectures." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/91836.
Full textCataloged from PDF version of thesis.
Includes bibliographical references (pages 50-51).
The boom in online education has provided for the potential of a personalized lecture experience for every single student. These recorded lectures provide a major benefit to both students and authors, but currently present several drawbacks as well. The limitations that exist stem from the method in which lectures are created: using video recorders. Video recordings inherently limit the editing capabilities of an author and constrain the interaction from students, providing for a poor choice of media. An alternative encoding of a lecture could provide for a much fuller feature set to users on both sides of a lecture. The Pentimento system was designed to promote the expedited creation of hand-drawn lecture notes for online education platforms such as edX or Coursera. By decoupling the visual and audio domains of a lecture, content creators are able to more freely fix mistakes or change small portions without the need to re-record the correct portions. Small recordings are pieced together to give the final lecture, where the correct synchronization of edits among the lecture is handled by the system, and the lecture appears to have been seamlessly recorded in one session. Full control of the data also allows for the potential of increased interactivity from students.
by Kenny H. Lam.
M. Eng.
Wang, Jonathan M. Eng Massachusetts Institute of Technology. "Pentimento : non-sequential authoring of handwritten lectures." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100619.
Full textThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Pentimento is software developed under the supervision of Fredo Durand in the Computer Graphics Group at CSAIL that focuses on dramatically simplifying the creation of online educational video lectures such as those of Khan Academy. In these videos, the lecture style is that the educator draws on a virtual whiteboard as he/she speaks. Currently, the type of software that the educator uses is very rudimentary in its functionality and only allows for basic functionality such as screen and voice recording. A downside of this approach is that the educator must get it right on the first approach, as there is no ability to simply edit the content taken during a screen capture after the initial recording without using unnecessarily complex video editing software. Even with video editing software, the user is not able to access the original drawing content used to create video. The overall goal of this project is to develop lecture recording software that uses a vector based representation to keep track of the user's sketching, which will allow the user to easily editing the original drawing content retroactively. The goal for my contribution to this project is to implement components for a web-based version of Pentimento. This will allow the application to reach a broader range of users. The goal is to have an HTML5 and Javascript based application that can run on many of popular the web browsers in use today. One of my main focuses in this project is to work on the audio recording and editing component. This includes the working on the user interface component and integrating it with the rest of the parts in the software.
by Jonathan Wang.
M. Eng.
Dias, Ellen Mariany da Silva [UNESP]. "Pentimento: um álbum de retratos das personae de escritor de Caio Fernando Abreu." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/106323.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Tendo em vista o conjunto dos textos/discursos produzidos pelo escritor Caio Fernando Abreu (CFA, daqui em diante), a saber, seus contos, cartas, entrevistas, crônicas, romances, peças de teatro, prefácios às edições revistas de seus livros etc., selecionamos os textos que, de acordo com os critérios estabelecidos para o desenvolvimento deste trabalho, consideramos como os mais representativos. A nosso ver, é no diálogo que contempla a produção literária do escritor em seus diferentes gêneros de discurso (BAKHTIN, 2003) que podemos entrever as personae de escritor de CFA, ou seja, as representações de escritor que ele construiu para si, para os familiares e amigos, para o público em geral e para a crítica. Nossa hipótese é a de que a principal característica que particulariza a obra deste escritor no contexto literário da segunda metade do século XX no Brasil faz-se por meio de uma associação entre a apropriação e a reelaboração da voz alheia e da própria voz, procedimentos que fundamentam a construção de outros textos/discursos, a mise-en-abyme das suas personae de escritor, instâncias que se relacionam umas com as outras de maneira auto-elucidativa e ininterrupta e o pentimento, um efeito produzido a partir dos processos auto e antropofágico de CFA, que faz com que o conjunto do seu acontecimento estético seja, numa visada que o contempla como uma constelação, um mesmo e um outro. A rigor, a potência dialógica existente nos textos/discursos proferidos pelas várias personae de escritor de CFA contribuiria para a problematização dos mitos de autor, autoria, genialidade e inspiração vigentes, especialmente, no Romantismo e nas Artes de Vanguarda.
Considering the series of texts/discourse produced by the writer Caio Fernando Abreu (CFA, from here on) namely his short stories, letters, interviews, chronicles, novels, plays, forewords of his revised books and so on, we selected the texts that according to the established criteria to the progress of this thesis were considered as the most representative ones. To our point of view it is in the dialog which contemplates the literary production of the writer in its different genders of discourse (BAKHTIN, 2003) that is possible to glimpse the personae of the writer CFA, in other words, the representations of writer that he made for himself, his family, friends, the general public and the critics. Our hypothesis is that the main characteristic particularizes the work of this writer in the literary context of the second half of the twenty century in Brazil is done by an association between the appropriation and the re-elaboration of his own voice and someone else’s voice, procedures that instantiate the making of other texts/discourses, the mise-en-abyme of his personae as writer, instance that get a long with one another in a self-elucidative and uninterrupted way and the pentimento, an effect produced by the CFA’s self and anthropophagic process, which make this work be, in a sight that contemplates as a constellation, a same and a another. Strictly speaking, the dialogic potency in the texts/discourses pronounced by several personae of writer CFA would contribute to the myths problematization of author, authorship, geniality and inspiration valid especially in Romanticism and in Vanguard Arts.
Dias, Ellen Mariany da Silva. "Pentimento : um álbum de retratos das personae de escritor de Caio Fernando Abreu /." São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/106323.
Full textBanca: Alvaro Luiz Hattnher
Banca: Orlando Nunes de Amorim
Banca: Fábio Akcelrud Durão
Banca: Lúcia Ozana Zolin
Resumo: Tendo em vista o conjunto dos textos/discursos produzidos pelo escritor Caio Fernando Abreu (CFA, daqui em diante), a saber, seus contos, cartas, entrevistas, crônicas, romances, peças de teatro, prefácios às edições revistas de seus livros etc., selecionamos os textos que, de acordo com os critérios estabelecidos para o desenvolvimento deste trabalho, consideramos como os mais representativos. A nosso ver, é no diálogo que contempla a produção literária do escritor em seus diferentes gêneros de discurso (BAKHTIN, 2003) que podemos entrever as personae de escritor de CFA, ou seja, as representações de escritor que ele construiu para si, para os familiares e amigos, para o público em geral e para a crítica. Nossa hipótese é a de que a principal característica que particulariza a obra deste escritor no contexto literário da segunda metade do século XX no Brasil faz-se por meio de uma associação entre a apropriação e a reelaboração da voz alheia e da própria voz, procedimentos que fundamentam a construção de outros textos/discursos, a mise-en-abyme das suas personae de escritor, instâncias que se relacionam umas com as outras de maneira auto-elucidativa e ininterrupta e o pentimento, um efeito produzido a partir dos processos auto e antropofágico de CFA, que faz com que o conjunto do seu acontecimento estético seja, numa visada que o contempla como uma constelação, um mesmo e um outro. A rigor, a potência dialógica existente nos textos/discursos proferidos pelas várias personae de escritor de CFA contribuiria para a problematização dos mitos de autor, autoria, genialidade e inspiração vigentes, especialmente, no Romantismo e nas Artes de Vanguarda.
Abstract: Considering the series of texts/discourse produced by the writer Caio Fernando Abreu (CFA, from here on) namely his short stories, letters, interviews, chronicles, novels, plays, forewords of his revised books and so on, we selected the texts that according to the established criteria to the progress of this thesis were considered as the most representative ones. To our point of view it is in the dialog which contemplates the literary production of the writer in its different genders of discourse (BAKHTIN, 2003) that is possible to glimpse the personae of the writer CFA, in other words, the representations of writer that he made for himself, his family, friends, the general public and the critics. Our hypothesis is that the main characteristic particularizes the work of this writer in the literary context of the second half of the twenty century in Brazil is done by an association between the appropriation and the re-elaboration of his own voice and someone else's voice, procedures that instantiate the making of other texts/discourses, the mise-en-abyme of his personae as writer, instance that get a long with one another in a self-elucidative and uninterrupted way and the pentimento, an effect produced by the CFA's self and anthropophagic process, which make this work be, in a sight that contemplates as a constellation, a same and a another. Strictly speaking, the dialogic potency in the texts/discourses pronounced by several personae of writer CFA would contribute to the myths problematization of author, authorship, geniality and inspiration valid especially in Romanticism and in Vanguard Arts.
Doutor
Hsu, Alexandra (Alexandra E. ). "Creating and editing "Digital Blackboard" videos using Pentimento : with a focus on syncing audio and visual components." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100602.
Full textThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis. Page 85 blank.
Includes bibliographical references (page 84).
Online education is a rapidly growing field and with the desire to create more online educational content comes the necessity to be able to easily generate and maintain that content. This project aims to allow for recording, editing, and maintaining "digital blackboard" style lectures, in which a handwritten lecture with voiceover narration is created. Current recording software requires that a lecture audio and visuals be recorded correctly in one take or they must be re-recorded. By utilizing vector graphics, a separation of audio and visual components, and a way for the user to be in control of the synchronization of audio and visuals, Pentimento is a unique piece of software that is specifically designed to record and edit online handwritten lectures.
by Alexandra Hsu.
M. Eng.
Shelton, Matthew Pendleton. "Dismemory: On history, the Southern imaginary, and abusing the visual record." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2768.
Full textBooks on the topic "Pentimenti"
Clarke, John Clem. John Clem Clarke: Comforts, near disasters, and pentimenti. Allentown, Pa: Allentown Art Museum, 1998.
Find full textTrinidad, Enrique Gracia. Pentimento. Madrid: SIAL Ediciones, 2009.
Find full textDíaz, Adolfo Camilo. Pentimento I. Aviles, Asturies: Azucel, 1992.
Find full textAltri esercizi di pentimento. Reggio Emilia: Aliberti, 2008.
Find full textPetrarch's genius: Pentimento and prophecy. Berkeley: University of California Press, 1991.
Find full textLillian, Hellman. Pentimento: A book of portraits. Boston: Back Bay Books, 2000.
Find full textLommasson, Jim. Oaks Park Pentimento: Portland's lost and found carousel art. Corvallis [Or.]: Oregon State University Press, 2009.
Find full textOaks Park Pentimento: Portland's lost and found carousel art. Corvallis [Or.]: Oregon State University Press, 2009.
Find full textSatin, Claire Jeanine. Pentimento XCI: Open wide your hands or, the twelve tribes. [Dania Beach, Fla: The author], 2005.
Find full textPentimento: "old father, old artificer, stand me now and ever in good stead". Cağaloğlu, İstanbul: Everest Yayınları, 2011.
Find full textBook chapters on the topic "Pentimenti"
Peterson, Rico. "Profession in pentimento." In Advances in Interpreting Research, 199–224. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/btl.99.12pet.
Full textBenoy, Timothy J., William A. Edwards, and Howell G. M. Edwards. "CHAPTER 3. Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History." In Raman Spectroscopy in Archaeology and Art History, 31–45. Cambridge: Royal Society of Chemistry, 2018. http://dx.doi.org/10.1039/9781788013475-00031.
Full textLasczik Cutcher, Alexandra. "Pentimento: An Ethnic Identity Revealed, Concealed, Revealed." In Studies in Arts-Based Educational Research, 87–100. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61560-8_5.
Full text"Political Pentimenti." In Samuel Beckett in Confinement. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781350112353.ch-005.
Full textMENON, RITU. "PENTIMENTO." In Speaking of the Self, 56–71. Duke University Press, 2015. http://dx.doi.org/10.2307/j.ctv1131565.6.
Full textGilhooley, Dan, and Frank Toich. "Pentimento." In Psychoanalysis, Intersubjective Writing, and a Postmaterialist Model of Mind, 299–314. Routledge, 2019. http://dx.doi.org/10.4324/9780429320446-30.
Full textBerman, Jacob Rama. "Pentimento Geographies." In American Arabesque, 70–108. NYU Press, 2012. http://dx.doi.org/10.18574/nyu/9780814789506.003.0002.
Full textDalivalle, Margaret, Martin Kemp, and Robert B. Simon. "Visual Magic." In Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts, 91–120. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198813835.003.0006.
Full text"170. Il pentimento di Davidde." In The Baroque Libretto. Toronto: University of Toronto Press, 2011. http://dx.doi.org/10.3138/9781442687219-177.
Full text"2. Pentimento: The Self beneath the Surface." In Speaking of the Self, 56–71. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822374978-004.
Full textConference papers on the topic "Pentimenti"
Gooch, Amy A. "Revealing pentimenti: the hidden history in a painting." In Electronic Imaging 2007, edited by Bernice E. Rogowitz, Thrasyvoulos N. Pappas, and Scott J. Daly. SPIE, 2007. http://dx.doi.org/10.1117/12.720861.
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