Books on the topic 'Pentecostal Collection'

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1

Woodworth-Etter, Maria Beulah. Maria Woodworth-Etter: The complete collection of her life teachings. Tulsa, Okla: Albury Pub., 2000.

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2

Lake, John G. John G. Lake: The complete collection of his life teachings. New Kensington, PA: Whitaker House, 2004.

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3

Carroll, Anthony, and Staf Hellemans, eds. Modernity and Transcendence. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721189.

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This collection of essays critically engages with Charles Taylor’s idea of a Catholic modernity through focusing on the crucial issue of the shape and role of religion in modernity. Taylor launched the idea in his seminal 1996 essay A Catholic Modernity?, and the idea is here explored in relation to other Christian denominations and non-Christian traditions. Taylor’s proposal has the potential to become a central and encompassing perspective in thinking about relations between modernity and religion/transcendence in each religious tradition. Six leading authors from diverse backgrounds—David Martin, Bernice Martin, Francis Schüssler Fiorenza, Robert Cummings Neville, Souleymane Bachir Diagne and Jonathan Boyarin—assess Taylor’s Catholic modernity idea and probe whether and how the extension to other religious modernities (Anglican, Pentecostal, Confucian, Islamic, Jewish) makes sense—or not. Charles Taylor reacts to their considerations and reflects on his own idea 25 years on.
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4

Jamie, Buckingham, ed. Run, baby, run. Green Forest, AR: New Leaf Press, 1992.

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5

Wigglesworth, Smith. Smith Wigglesworth: Complete Collection of His Life Teachings. Wilmington Group Publ, 1996.

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6

Hoffman, E. A. 1839-1929, and Henry Date. Pentecostal Hymns: A Winnowed Collection for Evangelistic Services, Young People's Societies and Sunday-Schools. Creative Media Partners, LLC, 2018.

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7

Hoffman, Elisha Albright, and Henry Date. Pentecostal Hymns: A Winnowed Collection for Evangelistic Services, Young People's Societies and Sunday-Schools,. Creative Media Partners, LLC, 2018.

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8

Date, Henry. Pentecostal Hymns: A Winnowed Collection for Evangelistic Services, Young People's Societies and Sunday-Schools,. Franklin Classics, 2018.

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9

Hoffman, E. A. 1839-1929, J. H. 1840-1918 Tenney, and Henry Date. Pentecostal Hymns. a Winnowed Collection for Evangelistic Services, Young People's Societies, and Sunday Schools. Creative Media Partners, LLC, 2018.

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10

Date, Henry. Pentecostal Hymns: A Winnowed Collection for Evangelistic Services, Young People's Societies and Sunday-Schools,. Franklin Classics, 2018.

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11

Hoffman, E. A. 1839-1929, and Henry Date. Pentecostal Hymns: A Winnowed Collection for Evangelistic Services, Young People's Societies and Sunday-Schools. Creative Media Partners, LLC, 2018.

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12

Date, Henry. Pentecostal Hymns: A Winnowed Collection for Evangelistic Services, Young People's Societies and Sunday-Schools,. Creative Media Partners, LLC, 2018.

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13

Pentecostal Hymns: A Winnowed Collection for Evangelistic Services, Young People's Societies, and Sunday Schools. Forgotten Books, 2018.

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14

(Compiler), Roberts Liardon, ed. John G. Lake: The Complete Collection of His Life Teachings. Harrison House, 1999.

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15

Pentecostal Hymns No. 2: A Winnowed Collection for Evangelistic Services, Young People's Societies and Sunday-Schools. Creative Media Partners, LLC, 2021.

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16

Heroes of the faith: A collection of stories about courage and commitment in the lives and ministries of pioneer Pentecostal missionaries. Springfield, MO: Gospel Publishing House, 1990.

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17

Nicholson-Brownell, Ada. What Prayer Can Do: A Collection of Articles Written by Ada Nicholson Brownell Published by the PENTECOSTAL EVANGEL. Independently Published, 2017.

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18

Butler, Melvin L. Island Gospel. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042904.001.0001.

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For Jamaican Pentecostal Christians, music is a form of worship that opens pathways to the Spirit and brings about deliverance from sin. It is also a way of drawing and transcending boundaries, as practitioners sing about what they believe and identify where they stand in relation to cultural and religious outsiders. This book explores these ritual functions as they are fulfilled within Jamaican church services and concerts. It highlights the ways in which Pentecostals cultivate feelings of collective distinctiveness by rendering gospel music with an island flavor and by patrolling stylistic boundaries between a holy “home” and a profane “world.” This dichotomy is destabilized through the transnational flow and appropriation of popular culture and “American” media. What emerges are the strategies of musical worship through which Pentecostals embody their religion and seek spiritual transcendence while navigating the crossroads of local and global practice. Pentecostals describe themselves as “in the world, but not of the world,” meaning that while they live and work in the broader society, they strive to be “sanctified” from it by upholding a distinct moral code. This narrative of worldly renunciation prompts believers to abandon prior habits of conduct while embracing newer, localized identities as children of God. This book uncovers how gospel music, as a dynamic cultural practice, complicates these theological affirmations and reveals the shifting foundations of Pentecostal identity in Jamaica and its diaspora.
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19

Pentecostal Hymns No. 5 and No. 6 Combined: A Winnowed Collection for Young People's Societies, Church Prayer Meetings, Evangelistic Services and Sunday Schools. Creative Media Partners, LLC, 2021.

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20

Johnson, Andrew. Prison Pentecostalism. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238988.003.0006.

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Daily, collective practice is at the heart of Prison Pentecostalism. Because of the skepticism swirling around religious conversion and practice inside of prison and the importance of proving faith commitments as genuine, the way a Pentecostal lives inside of prison is very important. Pentecostal inmates participate in rituals inside of the cellblocks that are visible to their fellow inmates, which serve to signal their membership in the group and help to prove the authenticity of their conversions and Pentecostal identity. The rituals and daily practice of Prison Pentecostalism provided inmates with a way to be different people even though they were still incarcerated.
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21

Perry, Anne. The Anne Perry Value Collection: Traitors Gate; Pentecost Alley; Ashworth Hall. Random House Audio, 2000.

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22

Swanson, Reuben J. Bread? or Crumbs?: A Collection of Sermons for Advent, Christmas, Epiphany, and Pentecost. Wipf & Stock Publishers, 2007.

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23

Swanson, Reuben J. Bread? or Crumbs?: A Collection of Sermons for Advent, Christmas, Epiphany, and Pentecost. Wipf & Stock Publishers, 2007.

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24

Swanson, Reuben J. Bread? or Crumbs?: A Collection of Sermons for Advent, Christmas, Epiphany, and Pentecost. Resource Publications (OR), 2007.

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25

Run, Baby, Run. Bridge-Logos Publishers, 1988.

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26

Cruz, Nicky. Run Baby Run. Bridge, 1999.

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27

Cruz, Nicky. Run Baby Run. Hodder & Stoughton Religious, 2003.

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28

Inouye, Melissa Wei-Tsing. China and the True Jesus. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190923464.001.0001.

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This book examines the dynamic between charisma and organization in the history of the True Jesus Church, China’s first major native church, in the twentieth and twenty-first centuries. The True Jesus Church is one of the earliest Chinese expressions of charismatic and Pentecostal Christianity, now the dominant mode of twenty-first-century Chinese Christianity. The book argues that the charismatic mode of Christianity is not merely a reflection of native religious traditions or conditions of socioeconomic deprivation, but a powerful tool for organizing and sustaining community. The book’s chapters explore the relationship between charismatic experience and collective action from a variety of different angles, including transnational communications and transportation technology, the context for charismatic religious experience, women’s agency in patriarchal religious traditions, Christian churches during the Maoist era, clandestine culture, civil society groups, and the relationship between religion and the state from imperial times to the present. Although existing scholarship on global influences within modern Chinese history has tended to focus on elites such as political leaders or well-known intellectuals, this history illuminates global networks of interaction and exchange at the grassroots. Throughout the turbulent modern era, women and men of the True Jesus Church faced situations and made choices that highlight shifts and tensions within Chinese society on a human scale. Their various collective responses to the concerns of their day highlight the significance of charismatic religious community as a resource for empowerment and agency.
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29

Barba, Lloyd Daniel. Sowing the Sacred. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197516560.001.0001.

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Abstract Sowing the Sacred traces the development of Mexican Pentecostalism in the context of migrant labor in California’s industrial agriculture from the 1920s to the 1960s. During this time period, many believed Pentecostalism to be a distasteful new sect rife with cultish and fanatical tendencies; U.S. growers thought that Mexicans were not fit to be citizens and were a mere workforce; and industrial agriculture was celebrated for feeding American families, but its exploitation of workers was largely ignored. Contrary to the image of farmworkers as culturally vacuous, lacking creative genius, and mere bodies of labor in a vertiginous cycle of migrant labor in California’s industrial agricultural system, this book argues that Pentecostal farmworkers from La Asamblea Apostólica de la Fe en Cristo Jesús carved out a robust socio-religious existence in these conditions and in doing so produced a vast record of cultural vibrancy. Sowing the Sacred queries what stories are portrayed about racialized Mexican workers and their religious life if we examine the photographs taken by the farmworkers themselves. The oral histories, photographs, and material from new archival collections tell an intimate story of sacred-space making in the form of mapping out churches, outdoors baptisms in grower-controlled waterways, building houses of worship in the fields, artistic creations of handmade goods and decor, and the role of historical memory in telling these stories.
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30

Edgar, David. Pentecost: The Rsc/Allied Domecq Young Vic Season : First Performed at the Other Place, Stratford-Upon-Avon, 12 October 1994 (NHB International Collection). Nick Hern Books, 1996.

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31

Cavecchi, Mariacristina. The Art Gallery on Stage. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350350519.

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The Art Gallery on Stage is the first book to consider the representation of the art gallery on the contemporary British stage and to discuss how playwrights have begun to regard it as inspiration, location, focus or theme in an ever-more intense game of cross-fertilization. The study analyzes the impact on dramatic form and theatrical presentation of what has been a paradigmatic shift in the way art galleries and museums display their collections and how these are perceived, establishing a hitherto unexplored connection between modes of exhibiting and modes of representation. It traces a trajectory from plays that were initially performed in traditional theatres in accordance with a naturalistic play structure to plays that favour of a radical reconfiguration of visual representation. Indeed, since the beginning of the new millennium, playwrights and theatre-makers have increasingly experimented with new dramatic forms and site-specific venues, while forging collaborations with art makers and curators. The book focuses on plays from the 1980s onwards, such as Howard Barker’s Scenes from an Execution, Nick Dear’s The Art of Success, Alan Bennett’s A Question of Attribution, Timberlake Wertenbaker’s Three Birds Alighting on a Field and The Line, David Edgar’s Pentecost, Martin Crimp’s Attempt on Her Life, Rebecca Lenkiewicz’s Shoreditch Madonna and The Painter, David Leddy’s Long Live the Little Knife, and Tim Crouch’s My Arm, An Oak Tree and England, and considers the vital contribution to the field made by set designers. Ultimately, through this study, we come to understand how modern drama can offer a set of interpretative tools to enhance our understanding of the mechanisms underlying the social construction of art and, furthermore, the potential of theatre and the gallery space to question our fundamental cultural assumptions and values.
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32

Unknown. Song victories of the Bliss and Sankey hymns, being a collection of one hundred incidents in regard to the origin and power of the hymns contained in Gospel ... Rev. Geo. F. Pentecost, D.D., and an append. Scholarly Publishing Office, University of Michigan Library, 2006.

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