Academic literature on the topic 'Pelican (Firm)'
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Journal articles on the topic "Pelican (Firm)"
Azis, Moch Abdul, Nur Hadianto, Jaja Miharja, and Saifulloh Rifai. "IMPLEMENTASI ALGORITMA APRIORI UNTUK ANALISA PEMILIHAN TIPE GENRE FILM ANIME (STUDI KASUS : MYANIMELIST.NET)." Jurnal Pilar Nusa Mandiri 14, no. 2 (September 15, 2018): 209. http://dx.doi.org/10.33480/pilar.v14i2.932.
Full textSiti Aijah, Nur Ainun Hasibuan, and Hadijah Sipahutar. "PENGARUH KINERJA KEUANGAN TERHADAP NILAI PERUSAHAAN PADA PT. CAHAYA PELITA ANDHIKA." CEMERLANG : Jurnal Manajemen dan Ekonomi Bisnis 2, no. 4 (November 16, 2022): 218–29. http://dx.doi.org/10.55606/cemerlang.v2i4.537.
Full textTsivian, Yu. "Joan Neuberger’s This Thing of Darkness." Modern History of Russia 11, no. 1 (2021): 248–51. http://dx.doi.org/10.21638/11701/spbu24.2021.119.
Full textTerekhova, V. I., and A. V. Konstantinovich. "Influence of types of eggplant plant formation on productivity in the conditions of summer-autumn turnover in film greenhouses." Vegetable crops of Russia, no. 3 (July 30, 2020): 36–38. http://dx.doi.org/10.18619/2072-9146-2020-3-36-38.
Full textStinton, Darrol. "Aero-marine design and flying qualities of floatplanes and flying-boats." Aeronautical Journal 91, no. 903 (March 1987): 97–127. http://dx.doi.org/10.1017/s0001924000091375.
Full textSuryanto, Suryanto. "Konsep Ideologi Terhadap Film Demi Ucok Karya Simmaria Simanjuntak." PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif 7, no. 2 (May 27, 2022): 178. http://dx.doi.org/10.22303/proporsi.7.2.2022.178-186.
Full textAulia, Azwani, and Rosa Fitriana. "Praktik Green Accounting dan Economic Value Added terhadap Firm Value." In Search 22, no. 2 (January 24, 2024): 386–95. http://dx.doi.org/10.37278/insearch.v22i2.794.
Full textJaya, Eko Pebrian, and Dwi Aji Budiman. "REALITAS SOSIAL KEKERASAN TERHADAP PEREMPUAN DALAM FILM 7 HATI 7 CINTA 7 WANITA." Jurnal Kaganga: Jurnal Ilmiah Sosial dan Humaniora 4, no. 2 (October 10, 2020): 58–66. http://dx.doi.org/10.33369/jkaganga.4.2.58-66.
Full textAbdullah, Zulfhazli Zulfhazli, Wesli Wesli, and Said Jalalul Akbar. "PENGGUNAAN ABU BATU BARA SEBAGAI FILLER PADA CAMPURAN ASPAL BETON AC-BC." Teras Jurnal 6, no. 2 (March 19, 2017): 121. http://dx.doi.org/10.29103/tj.v6i2.95.
Full textKoskimaa, Raine. "Game of Thrones -pelin Let's Play -videot ja populaarikulttuurin vastaanotto esityksenä." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 32, no. 3 (December 6, 2019): 7–25. http://dx.doi.org/10.23994/lk.87955.
Full textBooks on the topic "Pelican (Firm)"
The Firm / The Pelican Brief. London: Arrow, 1999.
Find full text1929-, Edwards Russell, and Hare Steve, eds. Pelican books: A sixtieth anniversary celebration. [Edinburgh]: Penguin Collectorsʹ Society, 1997.
Find full textDetmar, Schäfer. Pelikan, the brand. Hannover: Leuenhagen & Paris, 2013.
Find full textL'affaire pelican. Paris: Robert Laffont, 2001.
Find full textGrisham, John. Cazul pelican. Bucuresti: RAO International, 2001.
Find full textGrisham, John. Il rapporto pelican. Milan: Arnoldo Mondadori Editore, 1993.
Find full textThe Pelican Brief. 4th ed. New York, USA: Island Books, 1999.
Find full textGrisham, John. The Pelican Brief. London: Random House Group Limited, 2010.
Find full textThe Pelican Brief. New York, USA: Doubleday, 1992.
Find full textGrisham, John. The pelican brief. New York: Random House Large Print, 2004.
Find full textBook chapters on the topic "Pelican (Firm)"
Çiçekoğlu, Feride. "Female Agency in Pelin Esmer Films: The Play (2005) and Queen Lear (2019)." In Female Agencies and Subjectivities in Film and Television, 27–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56100-0_3.
Full textDiLello, Giovanna. "John Fante: The Passion That Became a Festival." In John Fante's Ask the Dust, 177–92. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287864.003.0011.
Full text"Kees Kasander’s producing career has been dominated by his collaboration with a single lmmaker—the British director Peter Greenaway. Kasander rst became aware of Greenaway’s work in the early 1980s and was smitten. The moment of epiphany came when he saw a Greenaway retrospective at the Edinburgh Film Festival and recognized a director whose preoccupations matched his own. Within reason, the Dutch producer will do anything he can to help Greenaway realize his artistic vision. At a time when British broadcasters and public funders have largely spurned Greenaway, Kasander has enabled him to go on working. Kasander started working with Greenaway on A Zed & Two Noughts (1986) and the two have subsequently made Drowning by Numbers (1988), The Cook, the Thief, His Wife, and Her Lover (1989), Prospero’s Books (1991), The Baby of Mâcon (1993), The Pillow Book (1996), 8½ Women (1999), The Tulse Luper Suitcases (2003), and Nightwatching (2007), among other audiovisual work. The bond between the producer and Greenaway remains as strong as ever. At the time of the interview, work was almost complete on Greenaway’s new feature, Goltzius and the Pelican Company, and Kasander was already beginning to crank up Greenaway’s next project, Food for Love (an adaptation of Thomas Mann’s Death in Venice). Alongside his lms with Greenaway, the producer has a very successful parallel career. The Kasander Film Company, based in Rotterdam, specializes in making kids’ movies, documentaries, and multimedia work and exhibitions. Kasander has also worked with plenty of other directors with strong personal visions too, among them Andrea Arnold (Fish Tank, 2009); Sophie Fiennes (The Pervert’s Guide to Cinema, 2006; Over Your Cities Grass Will Grow, 2010); Larry Clark (Ken Park, 2002); Paul Tickell (Christie Malry’s Own Double-Entry, 2000), and Ben Sombogaart (Crusade in Jeans, 2006)." In FilmCraft: Producing, 85–87. Routledge, 2013. http://dx.doi.org/10.4324/9780240823881-30.
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