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1

Short, Anne, ed. Discovering a Pre-Renaissance Master: Tommaso del Mazza. Greenville, SC: Bob Jones University Museum and Gallery, 2009.

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2

Suckale, Robert. La peinture du gothique. Köln: Taschen, 1999.

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3

Costa, Sandra. La peinture italienne du maniérisme au néoclassicisme. Paris: Presses universitaires de France, 1996.

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4

Fratini, Corrado, and Laura Ciferri. La Madonna di Citerna: Terracotta inedita di Donatello = The Citerna Madonna : an unpublished terracotta by Donatello. Morbio Inferiore (CH): SelectiveArt, 2004.

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5

(Bordeaux), Museé des beaux-arts. Peinture italienne, XVe-XIXe siècles. Paris: Editions de la Réunion des musées nationaux, 1987.

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6

1431-1506, Mantegna Andrea, ed. Indagando Mantegna. Mantova: Centro Internazionale d'Arte e di Cultura di Palazzo Te, 2007.

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7

Collomb, Anne-Laure. La peinture sur pierre à la Renaissance: Splendeurs d'Italie. Rennes: Presses universitaires de Rennes, 2012.

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8

Sureda, Joan. L' art de la Renaissance: Le Quattrocento italien, la peinture flamande et son rayonnement. Paris: Larousse, 1991.

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9

Cuttler, Charles D. Northern painting from Pucelle to Bruegel: Fourteenth, fifteenth and sixteenth centuries. Fort Worth: Holt, Rinehart and Winston, 1991.

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10

Cole, Bruce. Sienese painting in the ageof the Renaissance. Bloomington: Indiana University Press, 1985.

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11

Todorov, Tzvetan. Éloge de l'individu: Essai sur la peinture flamande de la Renaissance. Paris: Biro, 2001.

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12

Todorov, Tzvetan. Éloge de l'individu: Essai sur la peinture flamande de la Renaissance. Paris: Adam Biro, 2000.

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13

van, Schoute R., and Verougstraete-Marcq Hélène 1944-, eds. La peinture et le laboratoire: Procédes, méthodologie, applications. Leuven: Peeters, 2001.

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14

Hendler, Sefy. La guerre des arts: Le paragone peinture sculpture en Italie XVe-XVIIe siecle. Roma: "L'Erma" di Bretschneider, 2013.

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15

Jollivet, Bernard. Les Arts libéraux du Puy-en-Velay: Une oeuvre en quête d'auteur : à propos du mémoire d'Alejandro Cely Velasquez. Vals-près-Le Puy: Hauteur d'homme, 2021.

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16

Belgium) Colloque pour l'étude du dessin sous-jacent et de la technologie de la peinture (11th 1995 Louvain. Le dessin sous-jacent et la technologie dans le peinture: Perspectives. Louvain-la-Neuve: Collège Érasme, 1997.

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17

Mariarita, Signorini, and Friends of Florence, eds. The lady with a cameo: Ortensia de' Bardi da Montauto, a portrait by Alessandro Allori. Florence, Italy ; Washington, DC: Friends of Florence, 2006.

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18

Pierre, Rosenberg, Scailliérez Cécile, and Thiébaut Dominique, eds. Hommage à Michel Laclotte: Etudes sur la peinture du Moyen Age et de la Renaissance. Milano: Electa, 1994.

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19

Louis, Marin. Opacité de la peinture: Essais sur la représentation au Quattrocento. [Paris]: Usher, 1989.

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20

Philippot, Paul. La peinture dans les anciens Pays-Bas: XVe-XVIe siècles. Paris: Flammarion, 1994.

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21

Cléo, Pace, ed. Opacité de la peinture: Essais sur la représentation au Quattrocento. Paris: Éditions de l'Ecole des hautes études en sciences sociales, 2006.

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22

Frings, Gabriele. Giorgiones Ländliches Konzert: Darstellung der Musik als künstlerisches Programm in der venezianischen Malerei der Renaissance. Berlin: Gebr. Mann, 1999.

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23

Mœnch-Scherer, Esther. Primitifs Italiens: Le vrai, la faux, la fortune critique. Milano: Silvana Editoriale, 2012.

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24

Jadranka, Bentini, and Guarino Sergio, eds. Il museo senza confini: Dipinti ferraresi del Rinascimento nelle raccolte romane. Milano: F. Motta, 2002., 2002.

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25

Italy) San Giovannino di Úbeda restituito (Conference) ( 2013 Florence. Il San Giovannino di Ubeda restituito: Atti del Convegno internazionale (Firenze, 24-25 giugno 2013) = El San Juanito de Ubeda restituito : actas de la Conferencia internacional (Florencia, 24-25 de junio de 2013). Firenze: Edifir, Edizioni Firenze, 2014.

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26

Mascetti, Mario. La Sacra Famiglia di Lipomo: Un Leonardo ritrovato. Como: Edizioni New press, 2002.

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27

Hénin, Emmanuelle. Ut pictura theatrum: Théâtre et peinture de la Renaissance italienne au classicisme français. Genève: Librairie Droz, 2003.

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28

Arasse, Daniel. Désir sacré et profane: Le corps dans la peinture de la Renaissance italienne. Paris: Regard, 2015.

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29

Imbert, Anne-Laure. Mnémonique et poétique: La figure et son lieu dans la peinture des Tre-Quattrocento. Paris: Éditions de la Sorbonne, 2022.

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30

Morelli, Giovanni. Della pittura italiana: Studii [sic] storico-critici : le gallerie Borghese e Doria-Pamphili in Roma. Milano: Adelphi, 1991.

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31

Hermann-Fiore, Kristina. Federico Zuccari: La Pietà degli angeli : il prototipo riscoperto del fratello Taddeo e un'Anatomia degli artisti. Roma: Galleria Borghese, 2001.

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32

Kowalska, Katarzyna J. Polski El Greco: Ekstaza św. Franciszka : niezwykła historia odkrycia i ocalenia obrazu. Warszawa: Wydawnictwo Iskry, 2018.

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33

Dury, Corentin. Regards sur les primitifs: Mélanges en l'honneur de Dominique Thiébaut. Paris: Hazan, 2018.

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34

Zeri, Federico. Botticelli, Allegory of spring. Edited by Dolcetta Marco, Scott Susan, and Mazour Elena. Richmond Hill, Ont: NDE Pub., 2000.

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35

Connoisseurship et histoire de l'art: Considérations méthodologiques sur la peinture des XVe et XVIe siècles. Genève: Droz, 2019.

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36

Borchert, T.-H., J. Couvert, and A. Dubois. Technical Studies of Paintings : Problems of Attribution: Papers Presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting Held in Bruges, 11-13 September 2014. Peeters Publishers & Booksellers, 2018.

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37

Technical Studies of Paintings : Problems of Attribution: Papers Presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting Held in Bruges, 11-13 September 2014. Peeters Publishers & Booksellers, 2018.

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38

Re-Attribution of the British Renaissance Corpus. Anaphora Literary Press, 2023.

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39

Re-Attribution of the British Renaissance Corpus : British Renaissance Re-Attribution and Modernization Series: Volume 1-2. Anaphora Literary Press, 2023.

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40

La peinture de la Renaissance. Gallimard, 2000.

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41

Rudel, Jean, and Que sais-je? La peinture italienne de la Renaissance. Presses Universitaires de France - PUF, 1996.

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42

La Peinture De La Renaissance Italienne. Könemann, 1999.

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43

Renaissance italienne. Architecture, sculpture, peinture, dessin. Paris, France: Éditions de La Martinière, 1995.

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44

Proportions: Science - Musique - Peinture & Architecture. Brepols Pub, 2012.

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45

Gagliardi, Jacques. La conquête de la peinture. Flammarion, 2001.

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46

RaphaËl: Calendrier Tableaux Peinture Italienne- Peintre Renaissance. Independently Published, 2021.

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47

Hamlet : British Renaissance Re-Attribution and Modernization Series: Volume 12. Anaphora Literary Press, 2023.

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48

Variety : British Renaissance Re-Attribution and Modernization Series: Volume 15. Anaphora Literary Press, 2023.

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49

Aphrodisia : British Renaissance Re-Attribution and Modernization Series: Volume 6. Anaphora Literary Press, 2023.

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50

Captain Underwit : British Renaissance Re-Attribution and Modernization Series: Volume 14. Anaphora Literary Press, 2023.

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