Academic literature on the topic 'Pedro de Osma'
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Journal articles on the topic "Pedro de Osma"
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FUERTES, José L. "Pedro MARTÍNEZ DE OSMA (1424-1480)." Revista Española de Filosofía Medieval 12 (October 1, 2005): 243. http://dx.doi.org/10.21071/refime.v12i.8553.
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Pablo Alayza, Pedro. "Arte del Sur Andino: la nueva sala del Museo Pedro de Osma." Illapa Mana Tukukuq, no. 14 (February 18, 2019): 84–95. http://dx.doi.org/10.31381/illapa.v0i14.1882.
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La nueva sala del Museo Pedro de Osma, Arte del Sur Andino, Tiahuanaco, Inca, Virreinal-Siglos V al XIX, reúne una importante selección de obras precolombinas –perteneciente a la Colección Lambarri de Cusco– de estas culturas surandinas, además de obras virreinales. El objetivo de este nuevo espacio museográfico es confrontar estos universos culturales, a fin de mostrar al visitante de qué modo el arte virreinal cusqueño se sustentó en las creencias prehispánicas y cómo algunos elementos materiales de la cultura –el quero y el tupu– han seguido en uso bajo los mismos patrones ceremoniales desde el siglo V y durante el virreinato hasta fechas recientes. Se aplica así el concepto de la longue durée (la larga duración), que plantea la necesidad de enmarcar la historia de un territorio en procesos amplios, en lugar de considerar solamente la sucesión de acontecimientos.
Palabras clave: museografía, arqueología, colecciones, museos, sur andino.
AbstractThe new hall at the Museo Pedro de Osma (Pedro de Osma Museum), Art of the Southern Andean, Tiahuanaco, Inca, Viceroyalty – From the V to the XIX century, gathers an important selection of pre-Columbian works – belonging to the Lambarri Collection of Cusco - of these South Andean cultures, besides viceroyalty works. The objective of this new museographical space is to confront these cultural universes to show the visitor how Cuzco viceroyalty art was based on pre-Hispanic beliefs, and how some material elements of the culture -the quero and the tupu- have continued being used under the same ceremonial patterns, from the 5th century and during the viceroyalty until recent dates. The concept of the longue durée (long term) is thus applied, which raises the need to frame the history of a territory in broad processes, instead of considering only the succession of events.
Keywords: Museography, Archeology, Collections, Museums, South Andean.
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ACOSTA RODRÍGUEZ, Juan. "Introducción de Tomás de Aquino y del Maestro Salmantino Pedro de Osma a sus respectivos comentarios a la «Ética a Nicómaco»." Revista Española de Filosofía Medieval 5 (October 1, 1998): 237. http://dx.doi.org/10.21071/refime.v5i.9694.
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The teacher of the University of Salamanca Pedro de Osma (1424-1481) wrote a comment on the Nichomachean Ethics, following the Latin Tanslation by Leonardo Bruni, ("Aretinus") and despising the text used by St. Thomas. Due to the respect with what Pedro de Osma himself quotes the "Theological Summa" and the "Comment on the Sentences", it is about to verify how far he has also taken on account the Aquinas' Comment on the "Ethics". The comparison of the introductions written by both authors to their respective comments shows such a divergence, both on the structure and method as well as on the planning and contents, that they lead us to think of the independence of the Salmantinian respect to the Aquinas. His introduction stands out for the exegetical exercise applied to the aristotelian texts; for the opening to the rest of the work by the Philosopher; for the planning of the difficulties and the discussion of different opinions. Comparatively, the text of the Angelicus is offered to us more concise and dogmatic, without dialectical eagerness and with a certain touch of theoretical elevation.
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Martín Baños, Pedro. "Pedro Martínez de Osma. Inquisition and academic Censorship in Castile: A Reevaluation." Studia Aurea 14 (December 7, 2020): 213. http://dx.doi.org/10.5565/rev/studiaaurea.377.
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Moro, Ana Cebeira. "La escuela humanista salmantina: Pedro Martínez de Osma, discípulo de "El Tostado"." La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 33, no. 1 (2004): 53–65. http://dx.doi.org/10.1353/cor.2004.0023.
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FUERTES HERREROS, José L. "Contra el nominalismo. Humanismo y renovación de la filosofía y teología en Pedro de Osma." Revista Española de Filosofía Medieval 11 (January 1, 2004): 243. http://dx.doi.org/10.21071/refime.v11i.9234.
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Around the Council of Basel (1431-49), and opposing the nominalism renewal, in the University of Salamanca a whole new movement of humanistic renewal is promoted from the field of philosophy and theology, having in Pedro Martinez de Osma (1428-80) one of its most significant representatives. In this paper the meaning of his work, with influences from L. Bruni and L. Valla, is shown and two of his most significant texts are rescued from that fight which confronted the humanism against the nominalism.
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Labajos Alonso, José. "Pedro de Osma: impulsor del humanismo y del conocimiento de Aristóteles en Salamanca." Cuadernos Salmantinos de Filosofía 22 (January 1, 1995): 135–58. http://dx.doi.org/10.36576/summa.1018.
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FUERTES, José L., and Federico PANCHÓN. "Pedro Martínez de Osma: Respuesta a algunos disparates de dos verbosistas de esta época." Revista Española de Filosofía Medieval 11 (January 1, 2004): 311. http://dx.doi.org/10.21071/refime.v11i.9239.
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Contreras Aguirre, Sebastián. "PEDRO DE OSMA AND THE REHABILITATION OF ARISTOTELIAN PRACTICAL PHILOSOPHY IN THE 15TH CENTURY." CAURIENSIA. REVISTA ANUAL DE CIENCIAS ECLESIÁSTICAS 16 (2021): 289–99. http://dx.doi.org/10.17398/2340-4256.16.289.
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Contreras, Sebastián. "Fernando de Roa y la recepción de la filosofía práctica de Aristóteles." Tópicos, Revista de Filosofía, no. 57 (June 29, 2019): 349–74. http://dx.doi.org/10.21555/top.v0i57.1036.
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En este trabajo se expone la manera como Fernando de Roa, catedrático salmantino del siglo xv, recibe la filosofía práctica de Aristóteles. El artículo desarrolla la explicación roense de tres de los tópicos principales de la ética y política clásica: la justicia como virtud social, la servidumbre natural y la felicidad como fin del hombre. Roa, en sus repeticiones, así como en sus comentarios a la Política, se centra en estos problemas y los aborda con un aristotelismo renovado y moderno, que tiene como base las ideas de Pedro de Osma y de los grandes pensadores medievales.
Dissertations / Theses on the topic "Pedro de Osma"
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Rizo, Patrón Boylan Paul. "Rutas contrapuestas de la élite realista ante la Independencia del Perú: los casos de Gaspar de Osma y de Pedro José de Zavala." Master's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/17109.
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El quiebre del sistema virreinal y el nacimiento de la república del Perú, generó diversas
respuestas en quienes vivieron tan complejo proceso. La elite -tanto de origen peninsular
como criollo- tuvo que tomar decisiones apresuradas ante los vaivenes del momento,
particularmente desfavorables para el sector leal a la corona. Los realistas -o fidelistas- fueron
los grandes perdedores en aquellos cambios. Esta tesis analiza dos conductas que no pudieron
ser más contrastadas entre quienes se opusieron a la ruptura con España. Fueron dos caras de
una misma moneda: una fue la representada Gaspar Antonio de Osma, un funcionario
peninsular vinculado a la aristocracia mercantil limeña, mientras que el otro, Pedro José de
Zavala, fue un noble militar, de añeja estirpe en Cuzco y Lima. Mientras el primero -siendo
español- optó por adaptarse al Perú independiente, el segundo -habiendo nacido en estas
tierras- se negó a hacerlo, emigrando a España. Estos casos muestran dos posturas extremas,
que fueron posiblemente los márgenes de un abanico de opciones. La del peninsular que se
quedó en el Perú republicano, al lado de su familia, debió ser menos traumática que la del
criollo desarraigado de su lugar de origen. Osma se adaptó al nuevo sistema mientras su
contraparte, Zavala, no logró más éxito que unos distintivos honoríficos, antes de volver al
final de su vida a un país que, paradójicamente, pasaba por una coyuntura más estable que la
España de mediados del siglo XIX.The fall of the viceregal system and the birth of the Republic of Peru, generated various responses in those who lived through such a complex process. The elite - both peninsular and criollo in origin - had to make hasty decisions in face of the fluctuations of the moment, particularly unfavorable for the sector loyal to the crown. The realistas (or fidelistas) were the big losers in those changes. This thesis analyzes two behaviors that could not be more contrasted among those who opposed the breakup with Spain. They were two sides of the same coin: one was represented by Gaspar Antonio de Osma, a peninsular bureaucrat linked to Lima´s commercial aristocracy, while the other was a military nobleman of ancient ancestry in Cuzco and Lima. While the former -being Spanish- chose to adapt to independent Peru, the latter -having been born on these lands- refused to do so, emigrating to Spain. These cases show two extreme positions, which were possibly the margins of a range of options. That of the peninsular who remained in republican Peru, next to his family, must have been less traumatic than that of the uprooted army officer from his place of origin. Osma was able to adapt to the new system while his counterpart, Zavala, achieved no more success than a few honorary distinctions, before returning at the end of his life to die in a country that, paradoxically, was going through a more stable situation than mid XIXth century Spain.
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Chafloque, Díaz Ingrid Vanessa, and Díaz Gisselle Graciela Cubas. "“Perfil de las habilidades morfológicas en niños de ambos sexos de 4 y 5 años de la institución educativa inicial Pedro de Osma del distrito de Barranco”." Master's thesis, Pontificia Universidad Católica del Perú, 2007. http://tesis.pucp.edu.pe/repositorio/handle/123456789/10210.
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El objetivo de la presente investigación es analizar si existen diferencias y
semejanzas en la producción oral de morfemas flexivos y derivativos según la edad
y sexo en niños de 4 y 5 años. Para la evaluación de los niños se procedió a una
grabación de juego espontaneo no estructurado.
Los resultados muestran que existen diferencias significativas en relación a
los morfemas flexivos y derivativos según la edad. Por otro lado, no existen
diferencias significativas con a los morfemas flexivos y derivativos según el sexo
en niños de 4 y 5 años.
Al término de la investigación se obtuvo el perfil morfológico de los niños
de 4 y 5 años de una institución estatal de ambos sexos.The aim in this investigation is to analyze if there are differences and similarities in the oral production of flexile morphemes and derivatives according to the age and sex in children among four and five year olds. For the evaluation of the children they have been recorded in a free play time. The results show the existence of significant differences related to the flexile morphemes and derivations according to the age. On the other side, there are not significant differences with the flexile morphemes and derivatives according to the sex in children among 4 and five year olds. After the investigation the morphological profile of children aged 4 and 5 years of a state institution of both sexes were obtained.
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Sousa, Filho José Newton. "Documento jornalístico: Pedro Osmar e Jaguaribe Carne, caminhos de uma guerrilha cultural." Universidade Federal da Paraíba, 2017. http://tede.biblioteca.ufpb.br:8080/handle/tede/9608.
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Pedro Osmar Gomes Coutinho was born in João Pessoa-Pb on June 29, 1954, is a singer, songwriter, poet, musician and artist from Paraíba. He began his musical acti-vity in the 1960s, playing at the Canção Festivals in João Pessoa. So he got into the music scene, meeting and playing with names like Cátia de França, Vital Farias, Shanghai, Elba Ramalho, Zé Ramalho and other artists. In 1974 he created, along with Paulo Ró, his brother, the group Jaguaribe Carne, that mixes elements of cultu-ral guerrilla, popular culture and musical experiments. In the effervescence of the dictatorship, the group performed on the street, in theaters and schools with protest songs and an aesthetic based on performance, experiment and local popular music such as: caboclinhos, frevo, cambindas and cirandas. The musical group has conso-lidated more than four decades of activity, developing a plurality of collective actions that encompass artistic production in different languages and even direct intervention in social, educational and cultural projects. Assuming that it is possible to document and express important aspects of the history of Jaguaribe Carne and its trajectory of activities in the cultural scene in Paraiba, this work gathered data from a journalistic research of a theoretical and applied nature, aiming at the production of an audio-visual product consisting of a Journalistic Documentary. The work is structured on the basis of areas of academic knowledge such as cultural journalism, attributing to it the status of an important spokesperson serving the guerrillas of cultural and symbolic representations. In parallel, an ethnographic look at the nature of documentary, jour-nalism, its transformations and approaches. In methodological terms, the work finds its development from a cross between oral, bibliographic, audiovisual and musical sources.
Pedro Osmar Gomes Coutinho nascido em João Pessoa-Pb em 29 de junho de 1954, é um cantor, compositor, poeta, músico e artista plástico paraibano. Deu início à sua atividade musical na década de 1960, tocando nos Festivais da Canção em João Pessoa. Assim se inseriu no cenário musical, conhecendo e tocando junto a nomes como Cátia de França, Vital Farias, Xangai, Elba Ramalho, Zé Ramalho e outros artistas. Em 1974 criou, juntamente com Paulo Ró, seu irmão, o grupo Jagua-ribe Carne, que mescla elementos de guerrilha cultural, cultura popular e experimen-tações musicais. Na efervescência da ditadura o grupo se apresentava na rua, em teatros e escolas, com músicas de protesto e uma estética pautada na performance, no experimento e na música popular local, como por exemplo: caboclinhos, frevo, cambindas e cirandas. O grupo musical já consolidou mais de quatro décadas de atuação, desenvolvendo uma pluralidade de ações coletivas que englobam a produ-ção artística em diversas linguagens e até intervenção direta em projetos de cunho social, educacional e cultural. Partindo do princípio de que é possível documentar e expressar aspectos importantes da história do Jaguaribe Carne e sua trajetória de atividades na cena cultural paraibana, este trabalho reuniu dados de uma pesquisa jornalística de natureza teórico-aplicada, tendo como objetivo geral a elaboração de um produto audiovisual que consiste de um Documentário Jornalístico. O trabalho estrutura-se com base em áreas do conhecimento acadêmico como por exemplo o jornalismo cultural, atribuindo-lhe a condição de importante porta-voz a serviço das guerrilhas de representações culturais e simbólicas. Em paralelo, um estudo sobre a natureza do documentário, do jornalismo, suas transformações e aproximações. Em termos metodológicos, o trabalho encontra seu desenvolvimento a partir de um cruzamento entre fontes orais, bibliográficas, audiovisuais e musicais.
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Severo, George Glauber Félix. "Música experimental na performance do grupo paraibano Jaguaribe Carne." Universidade Federal da Paraíba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/6621.
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Previous issue date: 2013-04-30Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
With a large musical production that carries out different musical formations, the group JAGUARIBE CARNE has a diversified repertoire whose performances are mainly focused in social matters of the urban life. The songs contemplate different musical esthetic, in which they search to call special attention in order to try a critical musical experience on emergent questions of the society and the cultural politics. In musical terms, the group produces a sonority or noise that searches the different, the unexpected, the provocation, that is, it has to do with a musical style that runs away from the recurrent midiatic standards. This work aims to understand the experimentalism as characteristic of prominence in the musical performance of the group JAGUARIBE CARNE , idealized and founded by the brothers and Musicians Paraibanos, Paulo Ró and Pedro Osmar. They will be detached in this work for being the main integrants of the group since its creation. Thus, as base in the used works (BÉHAGUE,1984; SCHECHNER, 2006; COOK, 2006; MADRID, 2009), I understand as performance any human being activity in which a reflection is done on its means and relationships with the society. From the music point of view , the performance congregates not only the event in itself (hearing and artists), but all the previous technician procedures to the situation of the presentation or writing and the posterior unfolding to this occasion, as critical musical comedies, stories, colloquies, listening, memories, among other aspects. The methodological course developed in this work finds consonance with the particularities of the case study. In this way, as instrument of collection of data had been used, the documentary research, photographs, bibliographical research, discografic-fonograph research, interviews and participant comment. These data, later, had been categorized and analyzed with sights to help the understanding of the studied subject. By ways of analyses, it was possible to verify that in the compositions of the group there is not the concern in contemplating musical formal requirements, whose songs are carried through in accordance with their informal learning‟s by means of debates, listening, readings, performance in social projects, where participants of the Group makes a re-reading of these information in accordance with their spontaneous aims. The experimental character in their songs has also the objective to repudiate the commercial relations of the cultural market and to propose a musical aesthetic that is innovative in terms of musical -sonority and compromised with the social conflicts. Thus, the Group makes use of genres popular and folkloric from various countries and it joins them to a global sonority, with the erudite musical vanguards and to the engaged speech of the songs of national - popular one, generating, a species of sonorous des-construction of these genres.
Com uma vasta produção musical que se realiza com diferentes formações musicais, o grupo paraibano Jaguaribe Carne possui um diversificado repertório cujas performances estão, principalmente, focadas em questões sociais da vida urbana. O grupo produz uma sonoridade que busca o diferente, o inesperado, a provocação, ou seja, trata-se de uma música que foge dos recorrentes padrões midiáticos. Esse trabalho objetiva compreender o experimentalismo como característica de destaque na performance musical do grupo Jaguaribe Carne, idealizado e fundado pelos irmãos e músicos paraibanos, Paulo Ró e Pedro Osmar. Estes vão ser destacados por serem os principais integrantes do grupo desde a sua criação. Assim, com base nos trabalhos utilizados (BÉHAGUE, 1984; SCHECHNER, 2006; COOK, 2006; MADRID, 2009), entendo performance como qualquer atividade humana na qual se faça uma reflexão sobre seus significados e relacionamentos com a sociedade. Do ponto de vista da música, a performance congrega não apenas o evento em si (audiência e artistas), mas todos os procedimentos técnicos anteriores à situação da apresentação ou gravação e os desdobramentos posteriores a esta ocasião, como críticas musicais, relatos, conversas, escutas, memórias, dentre outros aspectos. O percurso metodológico desenvolvido neste trabalho encontra consonância com as particularidades do estudo de caso. Deste modo, como instrumento de coleta de dados foram utilizados, a pesquisa documental, fotografias, pesquisa bibliográfica, pesquisa discográfico-fonográfica, entrevistas e observação participante. Estes dados, posteriormente, foram categorizados e analisados com vistas a ajudar na compreensão do tema estudado. Por meios das análises, foi possível verificar que nas composições do grupo não há a preocupação em contemplar exigências formais musicais, cujas músicas são realizadas de acordo com seus aprendizados informais realizados por meio de debates, escutas, leituras, atuação em projetos sociais, onde participantes do grupo fazem uma releitura dessas informações de acordo com seus anseios espontâneos.
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Marquart, Rosa Walda Abreu. "O fiel e a pedra e as epopéias clássicas: diálogos e tessituras." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-05112009-164232/.
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Em O fiel e a pedra, Osman Lins compõe seu romance sob a égide do romance regionalista brasileiro produzido por volta de 1930: latifúndio, exploração de classes, jagunços e coronéis e outros males. Todavia, mesmo ficcionalizando esses fatos sociais, o autor pernambucano se distancia de uma possível rotulagem normativa inconteste ao aliar seu romance às epopéias clássicas, bem como à poética sacro-hebraica e também às cantigas populares nacionais, encetando um grande diálogo entre seu romance e Ilíada, Odisséia, Geórgicas, Eneida, Os lusíadas, Sermão do Mandato, salmo bíblico e canções populares. Cruzam-se, desse modo, diferentes vozes poéticas advindas de variados espaços e trazidas de eras díspares entre si por considerável gama de citações em epígrafe, as quais, por si só, já despertam instigantes inquirições e expõem, mesmo que subliminarmente, o ideário do autor pernambucano. O dialogismo e a polifonia pressupostos por Bakhtin acham-se contemplados nesse portentoso intercâmbio de textos que tem o mérito de, dentre outros aspectos, nos auxiliar a melhor entender o romance osmaniano de 1961. Através das citações, percebemos a incorporação de conceitos epopéicos greco-romanos de caráter e destino sendo tomados de empréstimo à trajetória do protagonista nordestino, introduzindo na personagem o perfil heróico que a notabiliza.In O fiel e a pedra, Osman Lins composes his novel under the aegis of the Brazilian regional romanticism produced around the 1930s: latifundium, class exploration, vigilantes, colonel farmers, and other wrongdoings. However, even if we fictionalize these social events, the Pernambucan writer keeps a distance from a possible unchallenging normative labeling by aligning his romance to classical epics as well as to the sacred-Hebrew poetry and national popular chants. With this, the author started a great dialogue between his romance and Iliad, Odyssey, Eneida, Lusiadas, Georgics, Sermão do Mandato, the Bible Psalms, and popular chants. Thus, different poetical voices from varied spaces are interwoven and brought from distinct ages by a considerable range of citations in epigraph. These citations themselves arise stimulating scrutiny and expose, even subliminally, the ideas of the Brazilian author. Bakthins dialogism and polyphony are contemplated in this vast textual interrelation which is able to help us understand the 1961s Osmanian romance. Through citations, we can notice the incorporation of Greek-Roman epic concepts of character and destiny being borrowed by the Brazilian Northeastern protagonist, introducing the historical profile in the character that distinguishes him.
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Mirapalhete, Daliana Amaral. "A inspiração épica em O Fiel e a Pedra, de Osman Lins : etapas de uma confecção." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2000. http://hdl.handle.net/10183/18390.
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O objetivo deste trabalho consiste em demonstrar como Osman Lins, através de seu romance, O fiel e a pedra, rearticula o gênero épico e inscreve-se assim dentro da grande tradição literária ocidental. Estabelecer e fundamentar esta relação implicou na análise de alguns parâmetros essenciais da epopéia: o espaço, o herói e a ambientação. Para compreender o trabalho de construção do espaço em O fiel e a pedra, foi necessário desenvolver um estudo desta dimensão dentro da escritura romanesca de Osman Lins a partir da teorização feita pelo autor sobre a questão espacial na obra de Lima Barreto. Finalmente, foram consideradas as possibilidades de construção de um épico contemporâneo através da tematização do amor, da solidão e da morte.This work is aimed at demonstrating the way in which Osman Lins rearticulates the epic genre through his novel O Fiel e a Pedra, thus entering the great western literary tradition. To establish that relationship, it was necessary to examine some essential parameters of epopee: space, the hero and ambiance. To understand the way Osman Lins has built space in O Fiel e a Pedra, it was necessary to study that element inside the Romanesque work and the way the author has theorized the space issue in Lima Barreto’s work. Finally, the possibilities of building a contemporary epic through love, solitude and death were considered.
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Lafuente, Baigorri M. Pilar. "Estudio experimental de la elongación osea en el perro. Seguimiento clínico, radiológico y mediante microscopia electrónica de retrodispersión (BS-SEM)." Doctoral thesis, Universitat Autònoma de Barcelona, 2004. http://hdl.handle.net/10803/5728.
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Los objetivos del presente estudio se centraban en el desarrollo de un elongador y de un protocolo de distracción ósea sencillo, efectivo y confortable para los pacientes, así como en el estudio de la progresión de los tejidos que forman el callo de distracción. Para tales objetivos, se practicó de forma bilateral no simultánea, una osteotomía centrodiafisaria tibial en 12 perros, y se colocó un elongador unilateral. Tras un período de latencia de 5 días, se llevó a cabo la distracción de los segmentos óseos a un ritmo de 0.5mm cada 12 horas durante 10 días, para posteriormente mantenerlos de forma estática con objeto de obtener la consolidación del callo de distracción formado. Durante todo el período postoperatorio, se realizaron controles clínicos diarios y radiológicos cada 2 semanas hasta la eutanasia de los animales, a las 1, 2, 3, 4, 6, 8, 10, 12, 14, y 18 semanas tras la realización de la osteotomía. El estudio postmortem mediante microscopía electrónica de retrodispersión (BS-SEM) se realizó sobre muestras óseas no decalcificadas.Los resultados clínicos obtenidos pusieron de manifiesto el uso satisfactorio de la extremidad elongada durante todo el estudio, así como su excelente recuperación funcional, sin afectar en ningún momento el bienestar de los animales. Radiológicamente, pudo observarse cómo la mineralización del callo de distracción comenzaba 2 semanas después de la intervención quirúrgica y tenía lugar de forma centrípeta, es decir, desde los fragmentos óseos originales hacia el centro del espacio interfragmentario. La consolidación completa del hueso neoformado ocurrió a las 14 semanas postquirúrgicas. Las imágenes obtenidas mediante microscopía electrónica de retrodispersión (BS-SEM) mostraron el origen principalmente medular y perióstico del callo de distracción, los cuales englobaban posteriormente el área intercortical. Asimismo, pudo observarse que durante la fase de distracción el frente de mineralización del callo de distracción se encontraba compuesto principalmente por tejido condroide, mientras que durante la fase de consolidación, el tejido predominante en esa región era el tejido cartilaginoso calcificado. A medida que se producía la mineralización del callo neoformado, estos dos tejidos eran sustituídos sucesivamente por hueso fibrorreticular, lamelar y osteonal. Por todo ello, consideramos que el mecanismo de osificación del callo de distracción en nuestro estudio no es endocondral, sino más concretamente endocondroidal.
The objectives of the present study were focused on the development of an external fixator and a bone distraction procedure, in order to allow an easy, effective and comfortable way of bone lengthening for the patient. The study of the progression of the regenerated tissues was also an important objective in this work. For these reasons, a non simultaneous, bilateral and middiaphyseal tibial osteotomy was performed in 12 dogs, which was stabilized by a unilateral external fixator. A latency period of 5 days and a rate of distraction of 0.5mm every 12 hours were applied for 10 days. Then, the external fixator was kept in place until complete bone healing was obtained. During the postoperative period, a clinical and radiological follow up were performed daily and bimonthly, respectively, until the animals were euthanized at 1, 2, 3, 4, 6, 8, 10, 12, 14, and 18 weeks after surgery. A postmortem study by means of Backscattered Scanning Electron Microscopy (BS-SEM) was done with non-decalcified bone samples.
The clinical results showed a satisfactory use of the limb during the whole study and an excellent limb function recovery, without affecting the well being of the patient. Radiologically, ossification of the distraction callus was observed 2 weeks after the surgical procedure, and it progressed in a centripetal way, from the original bone segments towards the middle of the callus. Complete healing of the regenerated bone took place at 14th week postoperatively. The images obtained by means of Backscattered Scanning Electron Microscopy (BS-SEM) showed how the distraction callus originated mainly from medullary and periosteal regions, which subsequently embraced the intercortical area. It could also be observed that during the distraction process, chondroid tissue was the main component of the mineralization front, while during the consolidation period it was the calcified cartilaginous tissue. Both tissues were finally replaced by woven, lamellar and osteonal bone, successively. The findings in this study allow us to consider the ossification mechanism of the distraction callus is not endochondral but endochondroidal.
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Khader, Osama [Verfasser], Adam [Akademischer Betreuer] Wolisz, Thomas [Akademischer Betreuer] Sikora, Pedro [Akademischer Betreuer] Marron, and Thiemo [Akademischer Betreuer] Voigt. "Autonomous framework for supporting energy efficiency and communication reliability for periodic data flows in wireless sensor networks / Osama Khader. Gutachter: Thomas Sikora ; Pedro Marron ; Thiemo Voigt. Betreuer: Adam Wolisz." Berlin : Technische Universität Berlin, 2014. http://d-nb.info/1066162808/34.
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FIORINI, FEDERICA. "Il percorso intellettuale di Bernardino López de Carvajal da Salamanca al Nuovo Mondo (1482 - 1500)." Doctoral thesis, 2019. http://hdl.handle.net/2158/1176056.
Full textAbstract:
La ricerca si propone di indagare le mutevoli relazioni diplomatiche, politiche e culturali intercorse tra il papato e la monarchia di Isabella di Castiglia e Ferdinando d'Aragona alla fine del XV secolo, eleggendo come prisma interpretativo l’estremeño Bernardino López de Carvajal. Egli, in poco più di un lustro, divenne uno dei principali attori politici presenti a Roma, nonché anello di congiunzione tra diversi circoli intellettuali che contribuirono a creare una nuova e fulgida immagine della monarchia spagnola. L’ipotesi alla base della ricerca è che la traiettoria politica, teologica e letteraria del prelato possa rappresentare un osservatorio privilegiato per leggere più ampie e articolate tematiche, come la declinazione dell’ideale di crociata al principio dell’epoca moderna o la circolazione delle istanze di riforma che animarono la cristianità occidentale, da iscrivere nel panorama millenarista di fine Quattrocento
Books on the topic "Pedro de Osma"
1
Pedro, Gjurinovic Canevaro, ed. Museo Pedro de Osma: The Pedro de Osma Museum. Lima, Perú: Fundación Pedro y Angélica de Osma Gildemeister, 2004.
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Museo Pedro de Osma (Lima, Peru). Museo Pedro de Osma. Lima, Peru: Fundación Pedro de Osma Gildemeister, 1995.
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Osma, Pedro Martínez de. Pedro de Osma: Commentario a la ética de Aristóteles. Salamanca: Universidad Pontificia de Salamanca, 1996.
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Osma, Pedro Martínez de. Pedro de Osma y su comentario a la Metafísica de Aristóteles. Salamanca: Departamento de Ediciones y Publicaciones, Universidad Pontificia de Salamanca, 1992.
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5
Ma Dolores de Miguel Poyard. La biblia romanceada de Pedro Núñez de Osma: Edición y estudio. Burgos: Universidad de Burgos. Servicio de Publicaciones, 2003.
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6
Osma, Pedro Martínez de. Pedro Martínez de Osma y el método teológico: Edición de algunos escritos inéditos. Edited by Santiago-Otero Horacio and Reinhardt Klaus 1935-. Madrid: Consejo Superior de Investigaciones Científicas, Centro de Estudios Históricos, 1987.
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7
Simons, Marisa. As falas do silêncio em O fiel e a pedra de Osman Lins. São Paulo, SP, Brasil: Humanitas Publicações FFLCH/USP, 1999.
Find full textBook chapters on the topic "Pedro de Osma"
1
Coelho, Nelly Novaes. "Lins, Osman: O fiel e a pedra." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12868-1.
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