Journal articles on the topic 'Pauli Theater'
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Wilmer, S. E. "Cultural Encounters in Modern Productions of Greek Tragedy." Nordic Theatre Studies 28, no. 1 (June 22, 2016): 15. http://dx.doi.org/10.7146/nts.v28i1.23969.
Full textLampe, Eelka. "Disruptions in Representation: Anne Bogart's Creative Encounter with East Asian Performance Traditions." Theatre Research International 22, no. 2 (1997): 105–10. http://dx.doi.org/10.1017/s0307883300020514.
Full textYakushenkov, Serguey N. "When the Naked Body Speaks: Brazilian Theater in the Search of National Identity." Corpus Mundi 3, no. 1 (May 30, 2022): 31–51. http://dx.doi.org/10.46539/cmj.v3i1.59.
Full textDias, Rodrigo Francisco. "A PRESENÇA DE ANTONIO FAGUNDES NA CENA TEATRAL BRASILEIRA." Fênix - Revista de História e Estudos Culturais 16, no. 1 (June 30, 2019): 1–10. http://dx.doi.org/10.35355/0000019.
Full textLaages, Michael. "Das Anthropophagische Theater." Theater heute 64, no. 10 (2023): 46–48. http://dx.doi.org/10.5771/0040-5507-2023-10-046.
Full textAbdulmunem Azeez, Rasha. "Paula Vogel And The Modern American Female Playwrights." Journal of the College of languages, no. 44 (June 1, 2021): 46–71. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0046.
Full textLeiva Filiho, João Oswaldo. "The place ow women in the theatres of São Paulo." Debats. Revista de cultura, poder i societat 136, no. 1 (May 24, 2022): 49–68. http://dx.doi.org/10.28939/iam.debats-136-1.3.
Full textWiltshire, J. "Review: Jane Austen and the Theatre * Paula Byrne: Jane Austen and the Theatre." Cambridge Quarterly 32, no. 4 (December 1, 2003): 367–72. http://dx.doi.org/10.1093/camqtly/32.4.367.
Full textGoldfeder, André. "Estrelas de Letras. Teatralidades do poema no Brasil pós-1970." Elyra, no. 17 (2021): 199–223. http://dx.doi.org/10.21747/2182-8954/ely17a13.
Full textFerraz, Leidson Malan Monteiro de Castro. "A EXPERIÊNCIA, UM TANTO DIFERENCIADA, DO TEATRO DE ARENA NO RECIFE." Arteriais - Revista do Programa de Pós-Gradução em Artes 9, no. 15 (December 29, 2023): 43. http://dx.doi.org/10.18542/arteriais.v9i15.15705.
Full textSherard, Hamp. "The Thinking of Students: Free Movie Passes." Mathematics Teaching in the Middle School 6, no. 9 (May 2001): 534–35. http://dx.doi.org/10.5951/mtms.6.9.0534.
Full textCumura, Ljiljana, Evelina Barbanti, and Laura Trevisan. "The Use of Social Theatre along the Mediterranean." WELFARE E ERGONOMIA, no. 2 (February 2022): 117–32. http://dx.doi.org/10.3280/we2021-002009.
Full textElliott, Matthew. "Young People as Legislators: Legislative Theatre and Youth Parliament." Applied Theatre Research 9, no. 1 (July 1, 2021): 73–86. http://dx.doi.org/10.1386/atr_00049_1.
Full textShawyer, Susanne. "A Global Perspective on Theatre for Social Change." Canadian Theatre Review 140 (September 2009): 87–89. http://dx.doi.org/10.3138/ctr.140.016.
Full textNery Monteiro, Argus Cecil. "Antunes Filho: Formation of the Brazilian System of Theatrical Art." Observatory of Culture, no. 3 (June 28, 2015): 44–50. http://dx.doi.org/10.25281/2072-3156-2015-0-3-44-50.
Full textHeritage, Paul. "Taking Hostages: Staging Human Rights." TDR/The Drama Review 48, no. 3 (September 2004): 96–106. http://dx.doi.org/10.1162/1054204041667695.
Full textHalpenny, Francess G. "Paula Sperdakos. Dora Mavor Moore: Pioneer of the Canadian Theatre." Theatre Research in Canada 17, no. 2 (January 1996): 220–23. http://dx.doi.org/10.3138/tric.17.2.220.
Full textHalpenny, Francess G. "Paula Sperdakos. Dora Mavor Moore: Pioneer of the Canadian Theatre." Theatre Research in Canada 17, no. 2 (January 1996): 220–23. http://dx.doi.org/10.3138/tric.17.2.220.
Full textCornago, Óscar. "El teatro como crítica institucional." Investigación Teatral. Revista de artes escénicas y performatividad 9, no. 13 (April 27, 2018): 132–58. http://dx.doi.org/10.25009/it.v9i13.2559.
Full textMonteiro, George. "George C. White in Brazil:." Eugene O'Neill Review 36, no. 1 (March 1, 2015): 61–72. http://dx.doi.org/10.5325/eugeoneirevi.36.1.61.
Full textCoelho, Caco, Fernando Peixoto, and Willi Bolle. "Mesa-redonda - A estética do teatro de Brecht." Pandaemonium Germanicum, no. 4 (November 5, 2000): 125. http://dx.doi.org/10.11606/1982-8837.pg.2000.64191.
Full textMiñana, Rogelio. "“The Don Quixote of the Streets”: Social Justice Theater in São Paulo, Brazil." Cervantes: Bulletin of the Cervantes Society of America 31, no. 1 (2011): 159–70. http://dx.doi.org/10.1353/cer.2011.0009.
Full textMiñana, Rogelio. "“The Don Quixote of the Streets”: Social Justice Theater in São Paulo, Brazil." Cervantes 31, no. 1 (March 2011): 159–70. http://dx.doi.org/10.3138/cervantes.31.1.159.
Full textStarr, G. Gabrielle. "Jane Austen and the Theatre. Paula Byrne.Jane Austen and the Theatre. Penny Gay.Recreating Jane Austen. John Wiltshire." Wordsworth Circle 33, no. 4 (September 2002): 161–62. http://dx.doi.org/10.1086/twc24044214.
Full textKonstantinova, N. S. "Through Hardship to the Stars." Cuadernos Iberoamericanos 11, no. 2 (July 19, 2023): 111–25. http://dx.doi.org/10.46272/2409-3416-2023-11-2-111-125.
Full textDe Andrade Silva, Bianca Camila, and Luciana Dadico. "Contemporary Black Theater as a Possibility of Intersectional Critical Praxis." Revista Kaylla, no. 2 (November 13, 2023): 160–78. http://dx.doi.org/10.18800/kaylla.202301.009.
Full textLacey, Stephen, and Brian Woolland. "Educational Drama and Radical Theatre Practice." New Theatre Quarterly 8, no. 29 (February 1992): 81–91. http://dx.doi.org/10.1017/s0266464x00006357.
Full textWoodland, Sarah. "Prison Theatre and an Embodied Aesthetics of Liberation: Exploring the Potentials and Limits." Humanities 10, no. 3 (September 9, 2021): 101. http://dx.doi.org/10.3390/h10030101.
Full textSilwadi, Najwa, and Peter Mayo. "Pedagogy under Siege in Palestine: Insights from Paulo Freire." Holy Land Studies 13, no. 1 (May 2014): 71–87. http://dx.doi.org/10.3366/hls.2014.0078.
Full textFranzolin, Caio Sérgio de Castro Armada Floret, and Simone Scifoni. "Teatro de grupo como patrimônio imaterial do município de São Paulo." Revista CPC 18, no. 36 (December 29, 2023): 272–80. http://dx.doi.org/10.11606/issn.1980-4466.v18i36p272-280.
Full textPapier, Sylwia. "Historia mojego ojca: zaraz wam odegram… Czyli jak pamięta drugie pokolenie?" Politeja 18, no. 1(70) (February 1, 2021): 197–208. http://dx.doi.org/10.12797/politeja.18.2021.70.15.
Full textLevy, Aiala. "Theaters and the Popular-Elite Divide in São Paulo, Brazil, 1895–1922." Latin American Theatre Review 52, no. 2 (2019): 37–54. http://dx.doi.org/10.1353/ltr.2019.0002.
Full textDiba, Denise, and Ana Flavia d'Oliveira. "Community Theater as social support for youth: agents in the promotion of health." Ciência & Saúde Coletiva 20, no. 5 (May 2015): 1353–62. http://dx.doi.org/10.1590/1413-81232015205.01542014.
Full textDuşe, Carmen Sonia, and Dan Maniu Duse. "Brief consideration on the use of the theatre of oppressed in anti-bullying activities in schools." MATEC Web of Conferences 343 (2021): 11015. http://dx.doi.org/10.1051/matecconf/202134311015.
Full textFriedman, Sharon. "Revisioning the Woman's Part: Paula Vogel's ‘Desdemona’." New Theatre Quarterly 15, no. 2 (May 1999): 131–41. http://dx.doi.org/10.1017/s0266464x00012823.
Full textCohen-Cruz, Jan. "Theatre and Empowerment: Community Drama on the World Stage. Edited by Richard Boon and Jane Plastow. Cambridge: University of Cambridge Press, 2004; pp. 280. $75 cloth." Theatre Survey 46, no. 2 (October 25, 2005): 353–55. http://dx.doi.org/10.1017/s0040557405410200.
Full textSalifu, Musa, and Yunusa Musa. "Theatre for development as a competent vehicle for the eradication of domestic violence against women." Tropical Journal of Arts and Humanities 5, no. 1 (2023): 66–73. http://dx.doi.org/10.47524/tjah.v5i1.67.
Full textFitzpatrick, Lisa. "Breaking Silences: Women, Citizenship and Theatre In Northern Ireland." ABEI Journal 25, no. 2 (December 29, 2023): 87–100. http://dx.doi.org/10.11606/issn.2595-8127.v25i2p87-100.
Full textDe Lima, Sonia Albano, Claudio Piccolo, and Flavia Albano De Lima. "The Interdisciplinary reading of Opera contexts: an innovative way of teaching arts in educational projects and environments." Journal on Innovation and Sustainability. RISUS ISSN 2179-3565 2, no. 3 (October 19, 2011): 34. http://dx.doi.org/10.24212/2179-3565.2011v2i3p34-43.
Full textRepertório, Teatro &. Dança. "MELODRAMA ATUAL: MEDIAÇÃO ENTRE TRADICIONAL E MASSIVO [Paulo Merisio]." REPERTÓRIO, no. 15 (July 7, 2010): 52. http://dx.doi.org/10.9771/r.v0i15.5212.
Full textSteinberg, Shirley R. "On-the-Ground Literacies: Moderating with Media and Theatre to Embody Critical Pedagogy." International Journal of Roma Studies 2, no. 1 (March 15, 2020): 28. http://dx.doi.org/10.17583/ijrs.2020.5161.
Full textJayo, Martin, and Adriana Tavares Lima. "Toponymic commodification and the neoliberal city." Domínios de Lingu@gem 15, no. 2 (March 5, 2021): 347–70. http://dx.doi.org/10.14393/dl46-v15n2a2021-4.
Full textRowen, Bess. "The Theatre of Paula Vogel: Practice, Pedagogy, and Influences by Lee Brewer Jones (review)." Theatre Topics 34, no. 1 (March 2024): 107–8. http://dx.doi.org/10.1353/tt.2024.a920486.
Full textDa Silva, Júlio Cláudio. "Relações Raciais e de Gênero nas Telas do Cinema Brasileiro nas Narrativas Sobre a Atuação de Léa Garcia em Orfeu do Carnaval (1950-1960)." REVISTA PLURI 1, no. 3 (August 13, 2020): 41. http://dx.doi.org/10.26843/rpv132020p41-52.
Full textMachado, Bernardo Fonseca. "SOCIAL EXPERIENCE AND US MUSICAL THEATRE ON SÃO PAULO’S STAGES." Sociologia & Antropologia 10, no. 3 (December 2020): 957–80. http://dx.doi.org/10.1590/2238-38752020v1038.
Full textHughes, Eamcnn. "‘To Define Your Dissent’: The Plays and Polemics of the Field Day Theatre Company." Theatre Research International 15, no. 1 (1990): 67–77. http://dx.doi.org/10.1017/s0307883300009536.
Full textdos Santos, Andreina Vieira. "How to perform Blackness: Creating possibilities through costume design." Studies in Costume & Performance 6, no. 2 (December 1, 2021): 155–70. http://dx.doi.org/10.1386/scp_00044_1.
Full textVannucci, Alessandra. "The Italian mission: Stories of a generation of Italian film and theatre directors in Brazil (1946‐69)." Journal of Italian Cinema & Media Studies 10, no. 2 (March 1, 2022): 187–202. http://dx.doi.org/10.1386/jicms_00121_1.
Full textFurquim Werneck Lima, Evelyn. "Old structures for contemporary theatrical productions: a warehouse, an arena and a thrust stage." ARJ – Art Research Journal / Revista de Pesquisa em Artes 4, no. 1 (August 13, 2017): 76–95. http://dx.doi.org/10.36025/arj.v4i1.10142.
Full textVannucci, Alessandra. "A pátria no palco: mobilização política e construção de uma identidade nacional nos clubes recreativos italianos em São Paulo (1870-1920) / Motherland on Stage: Political Mobilization and Construction of a National Identity in Italian Philodramatic” Societies in São Paulo (1870-1920)." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (September 3, 2019): 41. http://dx.doi.org/10.17851/2358-9787.28.3.41-64.
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