Academic literature on the topic 'Paul chaat'
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Journal articles on the topic "Paul chaat"
Copeland, Huey, Hal Foster, David Joselit, and Pamela M. Lee. "A Questionnaire on Decolonization." October 174 (December 2020): 3–125. http://dx.doi.org/10.1162/octo_a_00410.
Full textKhademhosseini, Ali. "Fireside Chat with Professor Paul S. Weiss." Regenerative Engineering and Translational Medicine 6, no. 3 (September 2020): 358–60. http://dx.doi.org/10.1007/s40883-020-00168-w.
Full textHadi, Abdul, Alfridsyah Alfridsyah, and Ichsan Affan. "Efektifitas deteksi stunting menggunakan KMS dinding indeks TB/U pada anak usia 4 – 5 tahun di Sekolah PAUD." AcTion: Aceh Nutrition Journal 4, no. 1 (August 17, 2019): 70. http://dx.doi.org/10.30867/action.v4i1.160.
Full textMoody, Paul, and Gabriel Aarón Macías Zapata. "Book Reviews." Regions and Cohesion 1, no. 3 (December 1, 2011): 187–92. http://dx.doi.org/10.3167/reco.2011.010309.
Full textKarp, Jonathan D. "Performing Black-Jewish Symbiosis: The "Hassidic Chant" of Paul Robeson." American Jewish History 91, no. 1 (2003): 53–81. http://dx.doi.org/10.1353/ajh.2004.0032.
Full textHadi, Abdul, Ichsan Affan, Alfridsyah Alfridsyah, and Agus Hendra Al Rahmad. "Efektifitas pendidikan gizi mengunakan KMS dinding indeks tb/u terhadap tindakan guru PAUD dalam pemantauan pertumbuhan anak usia 4 – 5 tahun pada anak sekolah PAUD." AcTion: Aceh Nutrition Journal 3, no. 1 (July 23, 2018): 65. http://dx.doi.org/10.30867/action.v3i1.101.
Full textSteenberge, Laura. "Yes, It Is Polyphony and a Map: Revisiting the 72 Verses of St. Martial." Arts 13, no. 2 (April 17, 2024): 73. http://dx.doi.org/10.3390/arts13020073.
Full textArham, Arham, Asngadi Asngadi, and Syamsuddin Syamsuddin. "ANALISIS EFEKTIFITAS DAN EFESIENSI TATA LETAK PABRIK TAHU SUPER AFIFAH DI KELURAHAN NUNU KECAMATAN TATANGA PALU BARAT." Jurnal Ilmu Manajemen Universitas Tadulako (JIMUT) 4, no. 3 (August 6, 2020): 253–64. http://dx.doi.org/10.22487/jimut.v4i3.128.
Full textMahid, Diah Anggraeni, Saharuddin Kaseng, and Syamsuddin Syamsuddin. "ANALISIS PENGENDALIAN KUALITAS PRODUK TELUR AYAM PADA UD AMINA KELURAHAN PETOBO DI KOTA PALU." Jurnal Ilmu Manajemen Universitas Tadulako (JIMUT) 4, no. 3 (August 6, 2020): 271–80. http://dx.doi.org/10.22487/jimut.v4i3.130.
Full textProietti, Pamela Werrbach. "The Future of Family Values." Journal of Interdisciplinary Studies 12, no. 1 (2000): 21–44. http://dx.doi.org/10.5840/jis2000121/22.
Full textDissertations / Theses on the topic "Paul chaat"
Oliveira, Vinicius Morais de. "Entre o Mosteiro de São Bento e a cidade: o canto gregoriano e o acústico contemporâneo da Cidade de São Paulo." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12853.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The central theme of this dissertation is to historicize the present time, the domestic soundscape of the Monastery of São Bento, the medieval remnants contained in its architecture and in its musical production, beside all dichotomous, accelerated and noisy loudness of its surroundings‟ urban sounds. Both spaces have their sonorous territories‟ identities. In view of the prominence that the sound production‟s study of societies is creating new possibilities for the current historiography, the research issue also sought to provide subsidies to the historical investigation of the music writing reading rules through gregorian chant and the whole complex set of nomenclatures derived from musicological analysis. It also proposes a restructuring in the ocular mechanism hierarchy in equilibrium with the conscious listening of sounds, promoting new cognitive models of our sensitive capacities. Thus, the main documentary sources used were sound sources, a small photographic collection and oral reports from people who passed by in both spaces
O tema central da presente dissertação é historicizar no tempo presente a paisagem sonora interna do Mosteiro de São Bento, as permanências medievais contidas em sua arquitetura e em sua produção musical, ao lado de toda a sonoridade dicotômica, acelerada e ruidosa dos sons urbanos de seu arrabalde. Ambos os espaços têm seus territórios sonoros identitários. Diante da preeminência de que o estudo da produção sonora das sociedades vem criando novas possibilidades para a historiografia atual, o problema da pesquisa também procurou oferecer subsídios à investigação histórica das regras de leitura da escrita musical do canto gregoriano e todo o conjunto complexo de nomenclaturas oriundas da análise musicológica. Propõe-se ainda uma reestruturação na hierarquia do mecanismo ocular em equilíbrio com a escuta consciente dos sons, promovendo novos modelos cognitivos das nossas capacidades sensíveis. Assim, as principais fontes documentais utilizadas foram as fontes sonoras, um pequeno acervo fotográfico e os relatos orais das pessoas que por ali passaram
Knaggs, Daniel J. "Hope Reaching Beyond the Limit." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1242400733.
Full textPinho, Deyna. "Contribuição à petrografia de pedra britada." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/44/44137/tde-25082007-000528/.
Full textIt is extremely important to know the physical and chemical properties of aggregate mineralogical composition so that the construction where they will be used is not compromised. In this sense, knowing the petrography and mineralogy is as necessary as knowing the geology of the rock deposit to be developed as a source of crushed stone. The main purpose of this work was to generate information on the geology, market and petrography of the rock source of crushed stone in the main producing areas of Brazil. This type of information is not commonly available, especially due to this sector?s characteristics, where investments in geological research are usually scarce and rarely required. The five main states that are crushed stone producers and that therefore contain the centers of production on which this present work focused as case study are: São Paulo, Minas Gerais, Rio de Janeiro, Paraná and Rio Grande do Sul. Each production center presents different types of crushed stone, mainly because of the geological diversity and abundance of the source rock in these places. In the region of the capital of São Paulo the main source rocks are granite and gneiss extracted from the embasement; in Belo Horizonte they are carbonates from the Bambuí group; in Rio de Janeiro, the alkali sienites, localized in diverse intrusive alkaline rocks and gneiss; in the region of Curitiba they are carbonates (Perau and Votuverava Formations) and migmatites extracted from migmatite complex; finally, in the region of Porto Alegre (RMPA), they are basalts and dacites from the Serra Geral Formation. The rock mines in urban regions, related to the state capitals and which were active in the period from 2004 to 2006, are shown on the geological maps generated for the present work. One map has been made for each urban region. The most important mines are shown according to the geology of the source-rock and the productivity. Samples and mapping or description of the benches from the over feet were also made in order to further proceed in petrographic analysis. The 180 samples collected in each urban region suffered macroscopic petrographic analysis after which they were selected and analysed microscopically, according to the ABNT norms and to the recommendation of the Laboratory of Petrology and Rock Technology of IPT. The main observed characteristics were: mineral composition, texture, structure, presence of deleterious minerals, degree in metheoric alteration and microfissural mapping. These intrinsic characteristics of the source rock influence directly the form and composition of the crushed stones and might cause difficulty or even compromise its use due to alkali-aggregate reaction or because of mechanical resistance lower than that required in the mixture. The lack of acknowledgement of these characteristics will often cause the poor use of material, especially of the stone quarry fines, which will end up as reject piled up around mines, causing environmental problems. Therefore, the present work has generated relevant information that can be used to optimize and better use raw material and source rock of crushed stone. It might also contribute indirectly to diminish the environmental problems which are evident in the main urban regions of the country.
Gomez, Norberto Jr. "The Art of Perl: How a Scripting Language (inter)Activated the World Wide Web." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/472.
Full textCoe, Henrique. "Three works on religious themes : psalmus 150, string quartet on the life of Saint John Paul II and symphony “The Redemption”." Thèse, 2015. http://hdl.handle.net/1866/12592.
Full textIn this dissertation, I present three pieces on religious themes composed during my master’s degree as well as their analysis: Psalmus 150 for three-voice youth choir, eight-voice adult choir and organ or piano; String Quartet on the life of Saint John Paul II; and Symphony “The Redemption” for orchestra and choir. Despite the particularities of each one, they present common aspects. The main compositional idea was to avoid rupture with tradition, whilst bringing new ideas into the pieces, as well as to highlight the importance of my research on beauty. For this purpose, some contemporary techniques as well the medieval sonorities of parallel fifths and octaves were used in consonance with a modal/tonal language, which remains the framework of the three pieces. Gregorian chant is also an important characteristic of these compositions. In order to better understand the analysis of the pieces, two techniques are explained, the soft web of linear dissonances and the perfect major chord harmony. The analysis of each piece is divided into two parts. The first is an overview and the second a more detailed analysis. At the end, the knowledge obtained from composing these pieces will be summarized, and the timeless importance of beauty will be reaffirmed.
Books on the topic "Paul chaat"
Cézanne, Paul. Paul Cézanne: Le chant de la terre : fondation Pierre Gianadda, Martigny, Suisse, du 16 juin au 19 novembre 2017. Martigny, Suisse: Fondation Pierre Gianadda, 2017.
Find full textGauguin, Paul. Racontars de rapin: Fac-similé du manuscrit de Paul Gauguin : edition enrichie de dix-huit monotypes. Suivie de Art de Papou & chant de rossignoou, la lutte pour les peintres / par Victor Merlhès. Taravao, Tahiti: Editions Avant et après, 1994.
Find full textCALIFE, Anne. PAUL ET LE CHAT. MENTHOL HOUSE, 2010.
Find full textEverything You Know about Indians Is Wrong. University of Minnesota Press, 2009.
Find full textEverything you know about Indians is wrong. Minneapolis: University of Minnesota Press, 2009.
Find full textEverything You Know about Indians Is Wrong. University of Minnesota Press, 2009.
Find full textEverything You Know about Indians Is Wrong. University of Minnesota Press, 2009.
Find full textNewman, Paul. You're Not a Person - Just a Birth Chart: The Astrological Cartoon Humour of Paul F. Newman. Wessex Astrologer, Ltd, 1999.
Find full textThe Watcher in the Wall. G.P. Putnam's Sons, 2016.
Find full textLaukkanen, Owen. Watcher in the Wall. Penguin Publishing Group, 2016.
Find full textBook chapters on the topic "Paul chaat"
Grünewald, Dietrich. "»Jeder wehrt sich gegen die Zeit«:." In Alter(n)skulturen, 195–216. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459928-010.
Full textVérilhac, Catherine. "5. Paulo Freire, un chant pour la liberté." In La petite bibliothèque de l'Approche narrative, 85–108. InterEditions, 2022. http://dx.doi.org/10.3917/inter.veril.2022.01.0085.
Full text"Appendix One. Chart summary of the allusions and echoes of scripture detected in Paul’s letter to the colossians." In Echoes of Scripture in the Letter of Paul to the Colossians, 267–70. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004170810.i-344.109.
Full textFeather, Leonard, and Ira Gitler. "o." In The Biographical Encyclopedia of Jazz, 502–10. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195074185.003.0015.
Full textHarrison, Rodney, and John Schofield. "A Disciplinary (Pre)History." In After Modernity. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199548071.003.0007.
Full textHerz, Norman, and Ervan G. Garrison. "Radiation-Damage, Cosmogenic, and Atom-Counting Methods." In Geological Methods for Archaeology. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195090246.003.0010.
Full text"Surrealist movement, how difficult it was for them. ‘Madame Realism’ was a retort to Surrealism. It really doesn’t have to do with realism. PN: Going back to Haunted Houses, the three female characters seem almost permeable with each other. The reader finds it hard to pull them apart. LT: That’s what Paul Bowles said too. He said it was like a Russian novel, that he couldn’t keep them apart, but that he liked that. It was deliberate. In so many novels characters were pitched against each other, to represent so many different ideas, and then there would be a clash. Lawrence is the perfect example of that. I was interested in the social as well as the psychological, how these interpenetrated. I thought if you took a particular moment you could find girls being turned into girls and there would be a lot of similarities, questions about virginity, their mothers, their fathers. So, yes, they would be as much like each other as unlike each other—maybe more so. It was so confusing to me I had to make a chart to remember the characteristics I had given to Emily, Jane or Grace. PN: There’s something similar about character in Motion Sickness… LT: Yes, in the ‘I’ being unnamed, but I wanted to do the opposite there, which was to go from characters who never met each other, as in Haunted Houses, to ones who constantly meet. I wanted to play with that happening and see if I could get away with it. PN: One major theme of the book seems to be summed up in a quotation you give from Simone de Beauvoir: ‘It is a strange experience for whoever regards himself as the One to be revealed to himself as otherness, alterity.’ That awkward passage from self to other seems to provide one of the main dynamics in your narratives. LT: I think I’m more comfortable with ‘identity’ than with ‘self’. There’s something historically about ‘self’ that assumes one owns it. With ‘identity’ or ‘subjectivity’ you have the sense that it’s shot through with others already. There’s something very painful about Haunted Houses and not painful about Motion Sickness. There is the anxiety of recognizing how really unstable your identity is in Motion Sickness. When you meet others on the road, your relation to yourself can change. Haunted Houses is more painful because the girls are trying to achieve some identity, as if they’ll be able to. By the time I wrote Motion Sickness, my sense was that there was no use in trying. You’re not going to achieve a stable existence, but that’s not so terrible in a way. It might make you sick, though, once in a while, because of that motion." In Textual Practice, 55. Routledge, 2005. http://dx.doi.org/10.4324/9780203986219-21.
Full textConference papers on the topic "Paul chaat"
CAMPOS, ROGERIO, and CARLOS FERNANDO DE ARAUJO JUNIOR. "O TUTOR YOUTUBER E O USO DA SALA DE AULA INVERTIDA NA PROMOÇÃO DA AUTONOMIA DOS ESTUDANTES NA MODALIDADE EAD." In 26º CIAED Congresso Internacional ABED de Educação a Distância. Associação Brasileira de Educação a Distância - ABED, 2020. http://dx.doi.org/10.17143/ciaed.xxviciaed.2020.52928.
Full textCAMPOS, ROGERIO, and CARLOS FERNANDO DE ARAUJO JUNIOR. "O TUTOR YOUTUBER E O USO DA SALA DE AULA INVERTIDA NA PROMOÇÃO DA AUTONOMIA DOS ESTUDANTES NA MODALIDADE EAD." In 26º CIAED Congresso Internacional ABED de Educação a Distância. Associação Brasileira de Educação a Distância - ABED, 2020. http://dx.doi.org/10.17143/ciaed.xxviciaed.2020.52928.
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