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1

Yong, Margaret, and May-Brit Akerholt. "Patrick White." Modern Language Review 85, no. 2 (April 1990): 429. http://dx.doi.org/10.2307/3731842.

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2

Richey, Jean, and May-Brit Akerholt. "Patrick White." World Literature Today 64, no. 1 (1990): 199. http://dx.doi.org/10.2307/40146093.

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3

Coad, David, and Mark Williams. "Patrick White." World Literature Today 68, no. 2 (1994): 426. http://dx.doi.org/10.2307/40150328.

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4

Coad, David, and Simon During. "Patrick White." World Literature Today 70, no. 4 (1996): 1025. http://dx.doi.org/10.2307/40152522.

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5

Bliss, Carolyn, and Clayton Joyce. "Patrick White: A Tribute." World Literature Today 67, no. 1 (1993): 231. http://dx.doi.org/10.2307/40149031.

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6

Watt, G. "PATRICK WHITE: NOVELIST AS PROPHET." Literature and Theology 10, no. 3 (September 1, 1996): 273–79. http://dx.doi.org/10.1093/litthe/10.3.273.

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7

Pierce, Peter. "Australian Literature since Patrick White." World Literature Today 67, no. 3 (1993): 515. http://dx.doi.org/10.2307/40149346.

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8

Joseph, Maurice R. "A letter from Patrick White." Medical Journal of Australia 159, no. 7 (October 1993): 496. http://dx.doi.org/10.5694/j.1326-5377.1993.tb137996.x.

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9

Johnson, Manly. "Patrick White: “Failure” as Ontology." Journal of Popular Culture 23, no. 2 (September 1989): 73–80. http://dx.doi.org/10.1111/j.0022-3840.1989.00073.x.

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10

Coad, David. "Patrick White: Prophet in the Wilderness." World Literature Today 67, no. 3 (1993): 510. http://dx.doi.org/10.2307/40149345.

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11

Le Guellec, Anne. "Enfermement et correspondances chez Patrick White." Polysèmes, no. 6 (January 1, 2003): 81–93. http://dx.doi.org/10.4000/polysemes.1607.

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12

Bliss, Carolyn. "Michael Giffin, Patrick White and God." Christianity & Literature 68, no. 3 (May 22, 2019): 513–16. http://dx.doi.org/10.1177/0148333118772780.

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13

Rickard, John. "Manning Clark and Patrick white: A reflection." Australian Historical Studies 25, no. 98 (April 1992): 116–22. http://dx.doi.org/10.1080/10314619208595897.

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14

Thomas, Emyr Vaughan. "Patrick White and the Purification of Atheism." Theology 101, no. 799 (January 1998): 36–41. http://dx.doi.org/10.1177/0040571x9810100107.

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15

Barnes, John. "On Reading and Re-reading Patrick White." Cambridge Quarterly 43, no. 3 (September 1, 2014): 212–30. http://dx.doi.org/10.1093/camqtly/bfu014.

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16

Sorensen, Simon, and David Coad. "Prophète dans le désert: Essais sur Patrick White." World Literature Today 72, no. 2 (1998): 453. http://dx.doi.org/10.2307/40153974.

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17

KAHN, G. G. "Review. Harrap Concise French Dictionary. White, Patrick (ed.)." French Studies 52, no. 3 (July 1, 1998): 374. http://dx.doi.org/10.1093/fs/52.3.374.

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18

Rodney Stenning Edgecombe. "Two Hugolian Moments in Novels by Patrick White." Antipodes 28, no. 1 (2014): 227. http://dx.doi.org/10.13110/antipodes.28.1.0227.

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19

Edgecombe, Rodney Stenning. "Patrick White and Dickens: Two Points of Contact." Journal of Commonwealth Literature 31, no. 1 (March 1996): 111–14. http://dx.doi.org/10.1177/002198949603100109.

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20

Ramos, Howard. "Patrick White, Developing Research Questions: A Guide for Social Scientists." Canadian Journal of Sociology 34, no. 4 (October 1, 2009): 1145–47. http://dx.doi.org/10.29173/cjs6675.

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21

Stefani, Monica. "A construção da personagem Arthur por meio de sua conexão com a cozinha no romance "The Solid Mandala", de Patrick White." Jangada: crítica | literatura | artes, no. 11 (November 13, 2018): 123–41. http://dx.doi.org/10.35921/jangada.v0i11.163.

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RESUMO: Este artigo apresenta a relação da personagem Arthur com as atividades na cozinha, mais precisamente a fabricação de pão e manteiga, como um modo de favorecimento de sua construção narrativa (seguindo as proposições da holandesa Mieke Bal) no romance The Solid Mandala (1966), do escritor australiano Patrick White, prêmio Nobel de Literatura em 1973. A partir de trechos selecionados, demonstramos como se dá essa atividade na trama e todas as repercussões advindas delas, destacando a socialização entre personagens, mas principalmente a constituição identitária de Arthur: é ele quem tem a “missão” de fazer esses produtos que, inevitavelmente, vão sustentar a ele e a seu irmão até o final de suas vidas (desse modo negando a “trivialidade” da atividade). Se esse romance demonstra o poder que a literatura possui de transcender a nossa mera existência em qualquer espaço, podemos fazer a mesma analogia com a culinária: a literatura está para a cozinha assim como a cozinha está para a literatura, alimentando seres. PALAVRAS-CHAVE: Literatura Australiana, Patrick White, Cozinha, Personagem, Narrativa, Tradução. ______________________________ ABSTRACT: This paper analyses the relationship of the character Arthur with his activities in the kitchen, more precisely the baking of bread and churning of butter, as a way to favour his narrative construction in the novel The Solid Mandala (1966), by the Australian writer Patrick White, who won the Nobel Prize in Literature in 1973. From selected excerpts, we demonstrate how these activities takes place in the plot and all the repercussions coming from them, highlighting socialization among the characters, but mainly the identity formation of Arthur: he is the one who has the “mission” to make these products which, inevitably, will sustain him and his brother until the end of their lives (thus denying the “triviality” of such works). If this novel proves how powerful literature is in making us transcend our mere existence in any space, we can make an analogy with cooking: as literature is to cooking so cooking is to literature, nurturing beings. KEYWORDS: Australian Literature, Patrick White, Kitchen, Cooking
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22

NELSON, E. CHARLES. "Patrick Browne's The civil and natural history of Jamaica (1756, 1789)." Archives of Natural History 24, no. 3 (October 1997): 327–36. http://dx.doi.org/10.3366/anh.1997.24.3.327.

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The history of the publication of Patrick Browne's The civil and natural history of Jamaica is outlined. The original issue of 1756 sold about 200 copies. Sheets from the 1756 printing survived in London until 1789, and using these Benjamin White and Son reissued the book with a new title page, edited and reset pages (1–12), and re-engraved illustrations, also adding Linnaean indexes. The name of the editor of the 1789 issue is not known; evidently Patrick Browne himself did not revise the text, and was not aware that his work was reissued.
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23

BURY, STEPHEN. "ARTISTS' BOOKS: A CATALOGUERS' MANUAL BY MARIA WHITE, PATRICK PERRATT, LIZ LAWES." Art Book 14, no. 1 (February 2007): 52–53. http://dx.doi.org/10.1111/j.1467-8357.2007.00778.x.

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24

GIFFIN, MICHAEL. "JUDAISM BETWEENTORAH, HASKALAH AND KABALLAH: THE REAVELED IMAGINATION IN THE PATRICK WHITE." Literature and Theology 8, no. 1 (1994): 64–79. http://dx.doi.org/10.1093/litthe/8.1.64.

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25

Fiddes, Paul S. "Ambiguities of the Future: Theological Hints in the Novels of Patrick White." Pacifica: Australasian Theological Studies 23, no. 3 (October 2010): 281–98. http://dx.doi.org/10.1177/1030570x1002300303.

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26

Nataša Kampmark. "A Clockwise Smile of the First Australian Nobel Prize Winner: Translating Patrick White." Antipodes 27, no. 2 (2013): 161. http://dx.doi.org/10.13110/antipodes.27.2.0161.

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27

Kalleberg, A. L. "Patrick McGovern, Stephen Hill, Colin Mills, and Michael White: Market, Class, and Employment." European Sociological Review 26, no. 4 (June 3, 2009): 491–94. http://dx.doi.org/10.1093/esr/jcp032.

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28

Ford, Susan Allen, Sarah Gleeson-White, and Patsy Stoneman. "Reviews." Journal of Juvenilia Studies 2, no. 1 (July 27, 2019): 55–61. http://dx.doi.org/10.29173/jjs31.

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Jane Austen's Geographies, edited by Robert Clark, reviewed by Susan Allen Ford; William Faulkner's Ole Miss Juvenilia, edited by Carvel Collins, reviewed by Sarah Gleeson-White; Patrick Branwell Brontë's The Pirate, edited by Christine Alexander, Joetta Harty and Benjamin Drexler, reviewed by Patsy Stoneman.
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29

Neufeld, David. "WHITE, Patrick, 2004 Mountie in Mukluks: The Arctic Adventures of Bill White, Maderia Park, B.C., Harbour Publishing, 248 pages." Études/Inuit/Studies 30, no. 2 (2006): 234. http://dx.doi.org/10.7202/017579ar.

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30

Antor, Heinz. "Insularity, Identity, and Alterity in Patrick White’s A Fringe of Leaves." Pólemos 14, no. 2 (September 25, 2020): 261–76. http://dx.doi.org/10.1515/pol-2020-2017.

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AbstractIn his novel A Fringe of Leaves (1976), Australian Nobel laureate Patrick White takes up the famous case of the 1836 shipwreck and subsequent survival on an island of Eliza Fraser, a Scottish woman who managed to return to white colonial society after having spent several weeks among a tribe of Aborigines in Queensland. White uses this story for an investigation of human processes of categorization as tools of the construction of notions of identity and alterity in contexts in which social, racial, and gendered otherness collide in the separateness of various insular spaces. In shaping the character of Ellen Roxburgh as Fraser’s fictional equivalent, he chooses a hybrid figure the liminality and the border-crossings of which lend themselves both to an investigation and a critical questioning of strategies of self-constitution dependent on imaginings of negative others. On a more concrete historical level, White thus questions the ideas of race, class, and gender early Australian colonial society was founded on and raises issues that are still of consequence even in the 21st century.
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31

Jacobs, M. M. "'Op soek na die ontwykende waarheid' : enkele aspekte van die funksionering van godsdiens in Patrick White se Riders in the chariot." Religion and Theology 2, no. 3 (1995): 283–96. http://dx.doi.org/10.1163/157430195x00203.

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AbstractIn the light of the current emphasis on interdisciplinary research as well as the religious nature of the New Testament documents it becomes not only possible but also meaningful for a New Testament scholar to pay some attention to modern religious works of literature. This article looks at the way in which the religious quest is dealt with in Patrick White's 'Riders in the chariot'.
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32

Wolfe, Peter. "Vision and Style in Patrick White: A Study of Five Novels (review)." MFS Modern Fiction Studies 35, no. 4 (1989): 873–74. http://dx.doi.org/10.1353/mfs.0.1477.

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33

John J. Carmody. "Patrick White, Composer Manqué: The Centrality of Music in White’s Artistic Aspiration." Antipodes 29, no. 1 (2015): 153. http://dx.doi.org/10.13110/antipodes.29.1.0153.

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34

Edelson, Phyllis Fahrie. "The hatching process: The female's struggle for identity in four novels by Patrick White." World Literature Written in English 25, no. 2 (September 1985): 229–40. http://dx.doi.org/10.1080/17449858508588944.

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35

Giffin, Michael. "Between Athens, Jerusalem, and Stonehenge: The Christian Imagination in the Novels of Patrick White." Christianity & Literature 43, no. 2 (March 1994): 167–88. http://dx.doi.org/10.1177/014833319404300204.

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36

Green, Francis. "Market, Class, and Employment - By Patrick McGovern, Stephen Hill, Colin Mills, and Michael White." British Journal of Industrial Relations 46, no. 3 (September 2008): 569–70. http://dx.doi.org/10.1111/j.1467-8543.2008.00690_8.x.

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37

Stefani, Mônica. "The First Translation of Patrick White’s The Solid Mandala into Spanish." Letras & Letras 35, no. 2 (December 30, 2019): 161–80. http://dx.doi.org/10.14393/ll63-v35n2-2019-9.

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This paper analyses some aspects (use of footnotes, intertextuality, punctuation and maintenance of cultural elements) of Las esferas del mandala, the first Spanish translation (by Silvia Pupato and Román García-Azcárate and published in Barcelona in 1973) of The Solid Mandala, written by the Australian Nobel Prize winner Patrick White in 1966. Through the selection of excerpts from the original considered problematic to be rendered in translation, we observe the solutions found, as well as some strategies adopted by the Spanish translators to compose the final product presented to the readers. This contrastive reading hopes to engender interesting ideas to help future translators of the novel, while valuing the translation act.
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38

Wolny, Ryszard W. "Australian Modernist Theatre and Patrick White’s the Ham Funeral (1961 [1947])." European Journal of Multidisciplinary Studies 4, no. 4 (January 21, 2017): 105. http://dx.doi.org/10.26417/ejms.v4i4.p105-109.

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For a considerable period of time, literary Modernism has been mainly associated with the study of the novel and poetry rather than drama perhaps due to New Criticism’s emphasis on the text and disregard of performance. This profound anti-theatrical thrust of Modernism has to be, most certainly, re-examined and reassessed, particularly within the context of Australian literature and, more specifically, Australian theatre. That Australian modernist theatre has been inconspicuous on the world stage seems to be an obvious and undisputable statement of facts. Yet, with Patrick White, English-born but Australian-bred 1976 Nobel Prize winner for literature, Australian low-brow uneasy mix of British vaudevilles, farces and Shakespeare, mingled with the local stories of bushranging and convictism, got to a new start. Patrick White’s literary output is immense and impressive, particularly in regards to his widely acclaimed and renowned novels; yet, as it seems, his contribution to Australian – least the world – drama is virtually unknown, especially in Europe. The aim of this paper is, therefore, to disclose those modernist elements in Patrick White’s play, The Ham Funeral, that would argue for the playwright to be counted as one of the world avant-garde modernist dramatists alongside Beckett and Ionesco.
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39

Hooton, Joy. "Australian Autobiography and the Question of National Identity: Patrick White, Barry Humphries, and Manning Clark." a/b: Auto/Biography Studies 9, no. 1 (January 1994): 43–63. http://dx.doi.org/10.1080/08989575.1994.10846731.

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40

Capers, C. "Freedom, Ideology, and White Supremacy: A Comment on Melvin Patrick Ely's Israel on the Appomattox." Labor: Studies in Working-Class History of the Americas 6, no. 2 (May 19, 2009): 23–26. http://dx.doi.org/10.1215/15476715-2008-054.

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41

Greene, Virginie. "Changer le monde, réécritures d'une légende: Le Purgatoire de Saint Patrick. Myriam White-Le Goff." Speculum 83, no. 4 (October 2008): 1055–56. http://dx.doi.org/10.1017/s0038713400017772.

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42

RICE, A. H. N., and D. M. WILLIAMS. "Caledonian strike-slip terrane accretion in W. Ireland: insights from very low-grade metamorphism (illite–chlorite crystallinity and b0parameter)." Geological Magazine 147, no. 2 (October 5, 2009): 281–98. http://dx.doi.org/10.1017/s0016756809990446.

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AbstractAnalysis of pelites with detrital white-micas in the Clew Bay–Galway Bay segment of the Irish Caledonides indicates that b0data from whole-rock and < 2 μm fractions generally show differences smaller than the errors of the method, irrespective of (001) illite crystallinity values, probably due to metamorphic recrystallization. Intermediate pressure metamorphism of the Ordovician–Silurian Clew Bay Group indicates slow subduction, allowing partial thermal re-equilibration before exhumation. In contrast, the Croagh Patrick Group Laurentian shelf-sediments underwent high-pressure alteration, suggesting rapid subduction/exhumation, synchronous with strike-slip faulting. The Murrisk Group, which underwent high-intermediate pressure metamorphism in an Ordovician back-arc, forms a separate terrane to the Croagh Patrick Group to the north and also to the Ordovician Lough Nafooey and Tourmakeady groups and Rosroe Formation in the south, in which low-intermediate pressure alteration occurred. These, together with the Silurian North Galway Group, may have undergone heating due to movement over or deposition on the hot Gowlaun Detachment as the Connemara Dalradian was exhumed. The South Connemara Group also underwent a high-pressure alteration, consistent with its inferred subduction environment. Evidence of contact alteration, due to known or inferred buried late- to post-Caledonian granitoid plutons, has been found in the Clew Bay, Louisburg–Clare Island, Croagh Patrick, Murrisk and South Connemara groups. These show evidence of lower-pressure alteration than the surrounding country-rocks.
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43

Fleming, Mike. "Teacher Supply: The Key Issues- by Stephen Gorard, Beng Huat See, Emma Smith and Patrick White." British Journal of Educational Studies 56, no. 1 (March 2008): 110–12. http://dx.doi.org/10.1111/j.1467-8527.2008.00397_7.x.

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44

Wenzel, M. "Reading the ideological subtext in André Brink’s An Instant in the Wind and Patrick White’s A Fringe of Leaves." Literator 22, no. 2 (August 7, 2001): 61–76. http://dx.doi.org/10.4102/lit.v22i2.362.

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From a postcolonial perspective, the simultaneous publication of André Brink’s An Instant in the Wind and Patrick White’s A Fringe of Leaves provides an interesting example of rewriting. Although both texts refer to the original story of Eliza Fraser that has featured in several genres, they approach the event from different historical time-frames. This article attempts to indicate that the contextual and formal similarities between the two novels are underpinned by different ideological subtexts that clearly manifest the respective authors’ preoccupations and their unconscious reactions to socio-political contexts. It would seem that Brink’s main concern lies with race relations, while White is more engrossed with gender issues.
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45

VISONNEAU, PATRICK, and WILLIAM F. CIPOLLA. "WHAT COLOR IS THE WHITE HOUSE? OR JOURNALISM IN THE POST-TRUTH ERA INTERVIEW WITH PATRICK VISONNEAU." Society Register 3, no. 2 (December 31, 2019): 123–28. http://dx.doi.org/10.14746/sr.2019.3.2.08.

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46

Chavannes, Niels. "Reply to: Spirometry and peak expiratory flow in the primary care management of COPD by Patrick White." Primary Care Respiratory Journal 13, no. 1 (March 1, 2004): 9–10. http://dx.doi.org/10.1016/j.pcrj.2003.11.010.

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47

Le Guellec-Minel, Anne. "Voss, du roman de Patrick White au livret de David Malouf : simple adaptation ou transformation de l’imaginaire national ?" Revue LISA / LISA e-journal, Vol. VI – n°2 (February 1, 2008): 149–66. http://dx.doi.org/10.4000/lisa.1142.

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48

Carolyn Bliss. "Cynthia vanden Driesen and Bill Ashcroft, eds., Patrick White Centenary: The Legacy of a Prodigal Son." Antipodes 30, no. 1 (2016): 221. http://dx.doi.org/10.13110/antipodes.30.1.0221.

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49

John, P. "Vos, Faust, Voss: raakpunte tussen Vos deur Anna M. Louw en enkele ander tekste." Literator 26, no. 1 (July 31, 2005): 1–22. http://dx.doi.org/10.4102/lit.v26i1.216.

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Vos, Faust, Voss: Points of contact between Vos by Anna M. Louw and selected other texts This article explores points of contact between “Vos” by Anna M. Louw and a number of related texts, including the following: the book “Job” from the Christian Bible, “Faust” by Goethe, “Voss” by Patrick White and texts forming part of the Gnostic tradition. The analysis describes similarities and differences, arguing that the implication of the points of contact between the various texts is that Vos suggests that the heritage of the Christian Reformation is not adequate for an understanding of life in South Africa, and it has to be supplemented with perspectives from other traditions.
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50

McKay, Belinda. "Transformative Moments: An Interview with Janette Turner Hospital." Queensland Review 11, no. 2 (December 2004): 1–10. http://dx.doi.org/10.1017/s1321816600003676.

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Janette Turner Hospital is the author of eight novels, four collections of short stories, a novella published only in French, and a crime thriller under the pseudonym Alex Juniper. Her work has been published in 20 countries, and in 12 languages other than English. She is the recipient of a number of overseas literary awards, and both Griffith University (in 1996) and the University of Queensland (in 2003) have conferred honorary doctorates upon her. In 2003 she won the Queensland Premier's Literary Award for Best Fiction Book for her most recent novel, Due Preparations for the Plague, and the Patrick White Award for Lifetime Literary Achievement.
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