Academic literature on the topic 'Pastoral poetry, Greek History and criticism'
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Journal articles on the topic "Pastoral poetry, Greek History and criticism"
Wright, Matthew. "POETS AND POETRY IN LATER GREEK COMEDY." Classical Quarterly 63, no. 2 (November 8, 2013): 603–22. http://dx.doi.org/10.1017/s000983881300013x.
Full textKalasaridou, Sotiria. "The history of C. P. Cavafy in Greek education: Landmarks and Gaps." Journal of Literary Education, no. 2 (December 6, 2019): 90. http://dx.doi.org/10.7203/jle.2.12049.
Full textWright, Matthew. "The tragedian as critic: Euripides and early Greek poetics." Journal of Hellenic Studies 130 (November 2010): 165–84. http://dx.doi.org/10.1017/s0075426910000066.
Full textBula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (August 6, 2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.
Full textVardi, Amiel D. "Diiudicatio locorum: Gellius and the history of a mode in ancient comparative criticism." Classical Quarterly 46, no. 2 (December 1996): 492–514. http://dx.doi.org/10.1093/cq/46.2.492.
Full textBegass, Christoph. "Kaiserkritik in Konstantinopel. Ein Spottepigramm auf Kaiser Anastasius bei Johannes Lydus und in der Anthologia Palatina." Millennium 14, no. 1 (February 23, 2017): 103–50. http://dx.doi.org/10.1515/mill-2017-0004.
Full textKaya, Nilay. "Ekphrastic Expression of Western Painting and Cultural In-Betweenness in Evliyâ Çelebi’s Seyahatnâme (The Book of Travels)." Culture and Dialogue 10, no. 2 (November 29, 2022): 143–57. http://dx.doi.org/10.1163/24683949-12340118.
Full textNilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (December 2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.
Full textMuecke, Frances. "Horace, Epistles Book II and Epistle to the Pisones (‘Ars Poetica’). Ed. N. Rudd (Cambridge Greek and Latin Classics). Cambridge: Cambridge University Press, 1989. Pp. x + 244. ISBN 0-521-32178-6 (bound); 0-521-32192-2 (paper). £30.00 (bound); £11.95 (paper). - R. S. Kilpatrick, The Poetry of Criticism: Horace. Epistles II and Ars Poetica. Edmonton: University of Alberta Press, 1990. Pp. xiv + 125. ISBN 0-88864-145-1 (bound); 0-88864-146-X (paper). $25 (bound); $14.95 (paper). - B. Frischer, Shifting Paradigms: New Approaches to Horace's Ars Poetica (American classical studies XXVII). Atlanta, Ga: Scholars Press, 1991. Pp. xiii + 158, 3 pls. ISBN 1-55540-619-X (bound); 1-55540-620-3 (paper). $24.95 (bound); $16.95 (paper)." Journal of Roman Studies 83 (November 1993): 213–14. http://dx.doi.org/10.2307/301005.
Full textBowles-Smith, Emily. "Recovering Love’s Fugitive: Elizabeth Wilmot and the Oscillations between the Sexual and Textual Body in a Libertine Woman’s Manuscript Poetry." M/C Journal 11, no. 6 (November 28, 2008). http://dx.doi.org/10.5204/mcj.73.
Full textDissertations / Theses on the topic "Pastoral poetry, Greek History and criticism"
Mason, Henry Charles. "The Hesiodic Aspis : introduction and commentary on vv. 139-237." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999.
Full textMacleod, Eilidh. "Linguistic evidence for Mycenaean epic." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14497.
Full textRobertson, George Ian Cantlie. "Evaluative language in Greek lyric and elegiac poetry and inscribed epigram to the end of the fifth century B.C.E." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:3a03f8c6-5e38-4066-b313-5df6b5eedd19.
Full textSpelman, Henry Lawlor. "Pindar and his audiences." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:83184846-33cc-41bf-a7d0-8b1f1da5c57d.
Full textHartley, Vivian Alma. "Ennius and his predessors." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28058.
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Classical, Near Eastern and Religious Studies, Department of
Graduate
Boeke, Hanna. "Wisdom in Pindar : gnomai, cosmology and the role of the poet." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50549.
Full textENGLISH ABSTRACT: This study investigates the cosmological context of Pindar' s victory odes, and its importance for their encomiastic purpose. The introductory chapter deals with selected aspects of Pindaric scholarship in order to establish the usefulness of such an investigation. The first part of the study focuses on gnomai as a reflection of cosmological ideas. In Chapter 2 modem scholarship on the proverb and maxim, various ancient texts on gnomai and a number of references in Pindar are analysed in support of the contention that gnomai provide a legitimate basis for an overview of the cosmology revealed in Pindars poetry. The overview presented in Chapter 3 discusses three broad topics. The first concerns the elemental forces, fate, god and nature, the second deals with the human condition and the third considers man in society from the perspectives of the household and family relationships on the one hand and relationships outside the OtKOs on the other. The overview suggests that Pindar's work is founded on a mostly conventional outlook on man and his relationships with both extra-human powers and his fellow man. To complement the overview three epinikia, Olympian 12, Isthmian 4 and Olympian 13 are analysed in Chapter 4. They demonstrate how the complexity of an actual situation compels the poet to emphasise different aspects of the cosmology or even to suggest variations to accepted views. The analyses imply that presenting the cosmological context of a particular celebration in an appropriate way is part of the poet's task. This aspect is further investigated in Chapter 5, which looks at the role of the poet as mediator of cosmology. In some cases the poet demonstrates certain preferred attitudes which in tum presuppose particular cosmological convictions. In others this role involves changing the perspective on the circumstances or attributes of a victor or his family through a modification of cosmological principles. Different approaches to the same theme in different poems show the author Pindar shaping the narrator-poet to represent varying viewpoints in order to praise a specific victor in the manner most suitable to his wishes and circumstances. The fact that the poet's task includes situating the victory in its cosmological context means that the glorification of a victor includes presenting him as praiseworthy in terms of broader life issues, such as the role of the divine in human achievement, a man's attitude to success and his status in society. Pindar's use of cosmological themes in general speaks of pragmatism rather than conformity to and the consistent defense of a rigid framework of values. However, the prominence of cosmology in the odes and the sometimes very conspicuous role of the poet in communicating it also reveal Pindar's abiding interest in man and his position in the world
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die kosmologiese konteks van Pindaros se oorwinningsodes, en die belangrikheid daarvan vir die gedigte as prysliedere. Die inleidende hoofstuk behandel geselekteerde aspekte van Pindaros-navorsing om die nut van so 'n ondersoek te bepaal. Die eerste deel van die studie fokus op gnomai as 'n bron van kosmologiese idees. In hoofstuk 2 word moderne navorsing oor spreekwoorde en wysheidspreuke, verskeie antieke tekste oor gnomai en 'n aantal verwysings in Pindaros se werk ontleed ter ondersteuning van die stand punt dat gnornai 'n redelike grondslag bied vir 'n oorsig van die kosmologie wat in Pindaros se digkuns na vore kom. Die oorsig aangebied in hoofstuk 3 bespreek drie bree onderwerpe, eerstens die fundamentele magte, die noodlot, god en die natuur, tweedens die menslike toestand en derdens die mens in die samelewing uit die hoek van die huishouding en familieverhoudings enersyds en verhoudings buite die OtKOs ; andersyds. Die oorsig dui aan dat Pindaros se werk gebaseer is op 'n hoofsaaklik konvensionele uitkyk op die mens en sy verhoudings met beide buite-menslike magte en sy medemens. Ter aanvulling van die oorsig word drie oorwinningsodes, Olimpiese Ode 12, lsmiese Ode 4 en Olimpiese Ode 13 in hoofstuk 4 ontleed. Die ontledings toon aan hoe die kompleksiteit van 'n gegewe situasie die digter verplig om verskillende aspekte van die kosmologie te beklemtoon of selfs afwykings van aanvaarde menings voor te stel. Die ontledings impliseer dat dit deel van die digter se taak is om die kosmologiese konteks van 'n spesifieke viering op die gepaste wyse aan te bied. Hierdie aspek word verder ondersoek in hoofstuk 5, waarin die rol van die digter as bemiddelaar van kosmologie bekyk word. In sommige gevalle demonstreer die digter sekere voorkeurhoudings wat op hulle beurt spesifieke kosmologiese oortuigings veronderstel. In ander gevalle behels hierdie rol die verandering van die perspektief op die omstandighede of eienskappe van 'n oorwinnaar of sy familie deur die modifisering van kosmologiese beginsels. Verskillende benaderings tot dieselfde tema in verskillende gedigte wys hoe die outeur Pindaros die vertellerdigter vorm om wisselende standpunte te verteenwoordig sodat 'n spesifieke wenner op die mees geskikte manier in ooreenstemming met sy wense en omstandighede geprys kan word. Die feit dat die digter se taak die plasing van die oorwinning in sy kosmologiese konteks insluit, beteken dat die verheerliking van 'n wenner insluit dat hy voorgestel word as lofwaardig kragtens breer lewenskwessies, soos byvoorbeeld die rol van die goddelike in menslike prestasie, 'n mens se houding tot sukses en sy status in die gemeenskap. Oor die algemeen spreek Pindaros se gebruik van kosmologiese temas van pragmatisme eerder as onderwerping aan en die volgehoue verdediging van 'n rigiede stel waardes. Die belangrikheid van kosmologie in die odes en die soms besonder opvallende rol van die digter in die kommunikasie daarvan openbaar egter ook Pindaros se blywende belangstelling in die mens en sy plek in die wereld.
Samaras, Peter Panagiotis. ""Eros tyrannidos" : a study of the representations in Greek lyric poetry of the powerful emotional response that tyranny provoked in its audience at the time of tyranny's earliest appearance in the ancient world." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24104.
Full textSawyer, Daniel. "Codicological evidence of reading in late medieval England, with particular reference to practical pastoral verse." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8c21053f-e347-4349-9cc4-b1fa0229e95a.
Full textFox, Peta Ann. "Heroes at the gates appeal and value in the Homeric epics from the archaic through the classical period." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002168.
Full textCarmo, Neto Julio Maria do. "Metamorfoses X, o livro de Orfeu : estudo introdutorio, tradução e notas." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269122.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-13T02:58:13Z (GMT). No. of bitstreams: 1 CarmoNeto_JulioMariado_M.pdf: 486382 bytes, checksum: d9bf65f7ed3fb8a498a9152496dd362b (MD5) Previous issue date: 2009
Resumo: Este trabalho versa sobre o mito de Orfeu, narrado pelo poeta romano Ovídio em sua obra as Metamorfoses. Focamo-nos no aspecto artístico dessa personagem, que freqüentemente é considerada o poeta, cantor e músico arquetípico. A seção da obra em que ela se insere como voz predominante é o livro X, do qual também propomos uma tradução, em prosa, ao final da dissertação. Nossa leitura considerou também a forma como a mesma personagem é apresentada em outro poeta romano, Virgílio, na seção final da obra Geórgicas. Como Ovídio dialoga de perto com a versão de seu antecessor, tal consideração se nos mostrou inevitável. O objetivo final é perceber a importância de se levar em conta o aspecto artístico da personagem para entendê-la no contexto do livro X das Metamorfoses, no qual Orfeu desponta como figura principal e dominante.
Abstract: This is a work on the mith of Orpheus, as narrated by the roman poet Ovid in his master piece Metamorphoses. We have focused on the artistic aspects of this character, who is often considered the archetipical poet, musician and singer. It is the dominant voice of Book 10, of which we offer a translation, in prose, at the end of this dissertation. Our readings have also taken into consideration the way this character is presented in another ronam poet, Vergil, in the final section of his work The Georgics. Considering Ovid dialogs closely to his antecessor, such consideration has presented itself unavoidable. The final goal is to aprehend the importance of taking into consideration the artistic aspects of the character in order to understand it in context of Book 10 of Metamorphoses, where Orpheus is the main dominant figure.
Mestrado
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Mestre em Linguística
Books on the topic "Pastoral poetry, Greek History and criticism"
Song exchange in Roman pastoral. Berlin: Walter de Gruyter, 2010.
Find full textKarakasis, Evangelos. Song exchange in Roman pastoral. Berlin: De Gruyter, 2011.
Find full textTheocritus and the archaeology of Greek poetry. Cambridge: Cambridge University Press, 1996.
Find full textTheocritus' pastoral analogies: The formation of a genre. Madison, Wis: University of Wisconsin Press, 1991.
Find full textTheocritus and Theocritus, eds. Cyclopodie: Édition critique et commentée de l'Idylle VI de Théocrite. Lyon: Maison de l'Orient et de la Méditerranée, 2012.
Find full textZimmerman, Clayton. The pastoral Narcissus: A study of the first idyll of Theocritus. Lanham, Md: Rowman & Littlefield, 1994.
Find full textStanzel, Karl-Heinz. Liebende Hirten: Theokrits Bukolik und die alexandrinische Poesie. Stuttgart: Teubner, 1995.
Find full textGreen voices: Understanding contemporary nature poetry. Manchester, UK: Manchester University Press, 1995.
Find full textRosenmeyer, Thomas G. The green cabinet: Theocritus and the European pastoral lyric. London: Bristol Classical, 2004.
Find full textIrācā, Ki. Oppilakkiya nōkku. Madurai: Pārttipan̲ Patippakam, 1986.
Find full textBook chapters on the topic "Pastoral poetry, Greek History and criticism"
Nagy, Gregory. "Early Greek views of poets and poetry." In The Cambridge History of Literary Criticism, 1–77. Cambridge University Press, 1990. http://dx.doi.org/10.1017/chol9780521300063.002.
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