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1

Bach, Johann Sebastian. Johannes-Passion ; Matthäus-Passion = Johannese passioon ; Matteuse passioon. Tallinn: Scripta Musicalia, 1995.

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2

Clergue, Lucien. Passion passions: [exposition]. Arles (France): Actes sud, 1997.

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Tarchetti, Iginio Ugo. Passion. San Francisco: Mercury House, 1994.

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Kate, Lauren. Passion. New York: Delacorte Press, 2011.

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5

Smith, Bobbi. Passion. New York: Zebra Books, 1995.

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Thornicroft, Cassius. Passion. [Lusaka]: C. Thornicroft, 1998.

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Angelis, Barbara De. Passion. New York: Delacorte Press, 1998.

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Earls, Nick. Passion. St. Lucia, Qld., Australia: University of Queensland Press, 1992.

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Pappano, Marilyn. Passion. New York: Warner Books, 1997.

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Bagshawe, Louise. Passion. Leicester: Charnwood, 2009.

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11

Morgan, Jude. Passion. New York: St. Martin's Press, 2005.

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12

Heurté, Yves. Passion. Marseille: Sud, 1987.

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13

Zauner, Friedrich Ch. Passion. Steyr: Ennsthaler, 1996.

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14

Valdez, Lisa. Passion. New York: Penguin USA, Inc., 2009.

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15

Smith, Bobbi. Passion. New York: Zebra Books, 1995.

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16

Henderson, T. T. Passion. Columbus, MS: Genesis Press, 1997.

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17

Valdez, Lisa. Passion. New York: Berkley Sensation, 2005.

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18

Passions: Ruling Passion. Ellora's Cave, 2004.

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19

Kendrick, Sharon. Secret Passions: Greek's Secret Passion / Shocking Passion / Passion in Secret. Harlequin Mills & Boon, Limited, 2007.

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20

I'artista, Kc. MIA Passione: My Passion. Independently Published, 2019.

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21

Radcliffe, Elizabeth S. Hume, Passion, and Action. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199573295.001.0001.

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David Hume’s theory of action is well known for several provocative theses, including that passion and reason cannot be opposed over the direction of action. In Hume, Passion, and Action, the author defends an original interpretation of Hume’s views on passion, reason, and motivation that is consistent with other theses in Hume’s philosophy, loyal to his texts, and historically situated. This book challenges the now orthodox interpretation of Hume on motivation, presenting an alternative that situates Hume closer to “Humeans” than many recent interpreters have. Part of the strategy is to examine the thinking of the early modern intellectuals to whom Hume responds. Most of these thinkers insisted that passions lead us to pursue harmful objects unless regulated by reason; and most regarded passions as representations of good and evil, which can be false. Understanding Hume’s response to these claims requires appreciating his respective characterizations of reason and passion. The author argues that Hume’s thesis that reason is practically impotent apart from passion is about beliefs generated by reason, rather than about the capacity of reason. Furthermore, the argument makes sense of Hume’s sometimes-ridiculed description of passions as “original existences” having no reference to objects. The author also shows how Hume understood morality as intrinsically motivating, while holding that moral beliefs are not themselves motives, and why he thought of passions as self-regulating, contrary to the admonitions of the rationalists.
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22

Medri, Roberto. Rombi Di Passione . . Rumble of Passion. Blurb, 2014.

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23

Guzzardi, Sergio. Moonlight Passion: Passion Blooms. Independently Published, 2018.

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24

Pintea, Marius. Passion: Passion Drives Us. Independently Published, 2021.

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25

Pintea, Marius. Passion: Passion Drives Us. Independently Published, 2021.

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26

A Ruthless Passion (Passion). Harlequin, 2003.

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27

Paige, Jacqueline. Passion. Southwestern Publishing House, Inc., 2020.

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28

Bussel, Rachel Kramer. Passion. Start Publishing LLC, 2010.

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29

Targoff, Ramie. Passion. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0032.

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During the Renaissance, erotic love emerged as a favorite theme of Italian intellectuals. From the Neoplatonic treatises of Marsilio Ficino and Pico della Mirandola, to the works of Petrarch and Dante, the paintings of Botticelli and Raphael, thetrattati d’amore(treatises of love) by Pietro Bembo and Leone Ebreo, the learned commentaries on the sonnets of Michelangelo and Lorenzo de Medici, or the medical writings on lovesickness, Italy’s obsession with the subject of love was evident. Italian poets such as Dante were particularly preoccupied with the female beloved, whom they typically idealized as a kind of angelic lady (donna angelicata), a heavenly character, rather than an object of sensual appetite and affection. Thomas Wyatt translated Petrarch’s sonnets, includingRime Sparse, by stripping from them one of their most fundamental features: the idea that erotic love could transcend the beloved’s death. This article examines Wyatt’s erotic poetry, how his Protestantism influenced his translations of Petrarchan lyrics, and his attitude toward Neoplatonism.
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30

Perttula, Kimberly H., and Melissa S. Cardon. Passion. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199734610.013.0015.

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31

Kate, Lauren. Passion. Listening Library, 2011.

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32

Passion. Mönchengladbach: B. Kühlen, 2000.

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33

Kate, Lauren. Passion. Listening Library (Audio), 2011.

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34

Leclaire, Day. Passion. Harlequin Mills & Boon, Limited, 2015.

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35

Ybarra, Kasondra. Passion. Independently Published, 2018.

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36

Passion. Ubud: Pranoto Art Gallery, 2001.

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37

Passion. Church Publishing, Incorporated, 2017.

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38

PASSION. Paris: Editions L'Harmattan, 2006.

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39

Graham, Lynne. Passion. Harlequin Mills & Boon, Limited, 2011.

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40

Passion. Rushmore Press LLC, 2022.

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Passion. Blurb, 2018.

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42

Passion. Andrews McMeel Publishing, 2001.

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43

Passion. Grand Central Publishing, 1996.

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44

Passion. New York: St. Martin's Press, 2005.

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45

Passion. Penguin Random House, 2012.

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46

Passion. Alinéa, 1986.

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47

Passion. Olympia Publishers, 2009.

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48

Passion. Blurb, 2018.

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49

Passion. Ballantine Books, 1999.

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50

Kate, Lauren. Passion. Random House Children's Books, 2011.

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