Relevant bibliographies by topics / Passing narrative

Academic literature on the topic 'Passing narrative'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Passing narrative.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Passing narrative"

1

Capella, Claudia, Loreto Rodríguez, Ximena Lama, and Gretchen Beiza. "Passing on the experience of psychotherapy and healing." Narrative Inquiry 28, no. 1 (September 27, 2018): 119–38. http://dx.doi.org/10.1075/ni.17001.cap.

Full text
Abstract:
Abstract Developed in the context of a larger research study on healing from sexual abuse, the present article analyzes written narratives (letters) produced by nine adolescents who have been victims of sexual assault and who successfully completed a specialized psychotherapy. Letters, directed to another child or adolescent starting their therapy in the same center, were analyzed using three integrated types of narrative analysis (thematic, structural and performative). Key findings show that narratives exhibit messages of hope and encouragement, and adolescents view themselves as agents involved in their own transformation. In their letters, they urge other young children and adolescents to become actively involved in their own healing process. Participants stress the role of psychotherapy and therapeutic support in their recovery from sexual abuse. Results are discussed highlighting the use of letters in clinical practice on adolescent sexual assault. Integration of multiple types of narrative analysis is discussed as a methodological support.
APA, Harvard, Vancouver, ISO, and other styles
2

Moynihan, Sinéad. "“Suspect-Proof”? Paranoia, Suspicious Reading, and the Racial Passing Narrative." American Literary History 34, no. 1 (February 1, 2022): 272–82. http://dx.doi.org/10.1093/alh/ajab089.

Full text
Abstract:
Abstract This short essay considers racial passing narratives in relation to the “postcritical turn,” highlighting the proliferating reappraisals of the practices of “suspicious” or “symptomatic” reading in literary studies and the extent to which passing narratives offer an opportunity to test some of the claims of this body of scholarship. The utility of the passing narrative for this critical project lies in its persistent, self-conscious foregrounding of reading practices. Revisiting passing narratives in light of postcritique reveals that symptomatic reading is not a monolithic practice; rather, there are multiple ways of reading suspiciously. Moreover, and more importantly, passing narratives disclose that what has now become an orthodoxy in postcritique—that attitudes such as “paranoia,” “suspicion,” and “vigilance” profoundly limit “the thickness and richness of our aesthetic attachments”—ignores contexts, like that of a passer in a white supremacist society, in which such strategies are not a choice but are essential for survival (Felski 17). The key question posed herein is: What forms of privilege enable a reader to relinquish her attachment to paranoia, suspicion, and vigilance; to opt for openness rather than guardedness, submission rather than aggression (21)? Narratives of racial passing provide one answer to that question. The key question posed herein is: What forms of privilege enable a reader to relinquish her attachment to paranoia, suspicion, and vigilance; to opt, as Rita Felski advocates, for openness rather than guardedness, submission rather than aggression?
APA, Harvard, Vancouver, ISO, and other styles
3

Reitan, Rolf. "Teorier om dufortællinger: En blindgyde?" K&K - Kultur og Klasse 39, no. 112 (December 25, 2011): 107–32. http://dx.doi.org/10.7146/kok.v39i112.15747.

Full text
Abstract:
THEORIZING SECOND-PERSON NARRATIVES: A BACKWATER PROJECT? | In this paper Rolf Reitan proposes a closer look at three very different perspectives on second person narrative: Brian Richardson, Irene Kacandes, and Monika Fludernik have been classical references for some time, but they have never, according to Reitan, been seriously discussed. The paper begins by examining Kacandes’ intriguing concept of ‘radical narrative apostrophe’, and then discusses the three authors’ very different typological proposals. Borrowing Richardson’s idea of a Standard Form of second person narration, it returns to Butor’s La Modification to investigate the question of address (a pivotal question in Fludernik’s articles), which then leads to a strict definition of a prototypical “genre” of Standard Form narratives. Passing through conceptual landscapes of fiction, apostrophe, and postmodernism, some tricky questions concerning selfaddress,and some of Margolin’s analytic formulas, are considered. At last, by way of proposing a much needed subdivision of the Standard Form, Reitan discusses the strange narrating voice in La modification: not a narratorial voice, but a readerly voice created in the author’s writing.
APA, Harvard, Vancouver, ISO, and other styles
4

Scott, Julie-Ann. "Narrative Performance Research." Departures in Critical Qualitative Research 4, no. 3 (2015): 70–91. http://dx.doi.org/10.1525/dcqr.2015.4.3.70.

Full text
Abstract:
Through this autoethnographic essay I explore how a critical qualitative researcher's disclosure of her personal reactions to participants’ narratives can offer an opportunity to resist cultural marginalization. This opportunity requires a level of vulnerability and disclosure that can feel risky but is often necessary in the pursuit of identification and transformative understanding. Mapping my experience as it became tangible to me of my almost-(but not really)-passing physically disabled feminine body through conducting open-ended narrative research with similarly embodied participants creates a means of revealing and resisting compulsory able-bodiedness (its comforts and trappings) in daily performance.
APA, Harvard, Vancouver, ISO, and other styles
5

BRAUNER, DAVID. "Lorrie Moore Collection“A Little Ethnic Kink Is Always Good to See”: Jewish Performance Anxiety and Anti-passing in the Fiction of Lorrie Moore." Journal of American Studies 46, no. 3 (August 2012): 581–602. http://dx.doi.org/10.1017/s0021875811001940.

Full text
Abstract:
This essay explores the ways in which the performance of Jewish identity (in the sense both of representing Jewish characters and of writing about those characters’ conscious and unconscious renditions of their Jewishness) is a particular concern (in both senses of the word) for Lorrie Moore. Tracing Moore's representations of Jewishness over the course of her career, from the early story “The Jewish Hunter” through to her most recent novel, A Gate at the Stairs, I argue that it is characterized by (borrowing a phrase from Moore herself) “performance anxiety,” an anxiety that manifests itself in awkward comedy and that can be read both in biographical terms and as an oblique commentary on, or reworking of, the passing narrative, which I call “anti-passing.” Just as passing narratives complicate conventional ethno-racial definitions so Moore's anti-passing narratives, by representing Jews who represent themselves as other to themselves, as well as to WASP America, destabilize the category of Jewishness and, by implication, deconstruct the very notion of ethnic categorization.
APA, Harvard, Vancouver, ISO, and other styles
6

Bennett, Juda. "Toni Morrison and the Burden of the Passing Narrative." African American Review 35, no. 2 (2001): 205. http://dx.doi.org/10.2307/2903253.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

De Oliveira, Érico Fernando, and André Campos De Carvalho. "Análise da Narrativa do Jogo Eletrônico: Estrutura, Imaginário e Mito em Super Mário Bros." REVISTA PLURI 1, no. 2 (November 5, 2019): 46. http://dx.doi.org/10.26843/rpv122019p46-54.

Full text
Abstract:
Este artigo investiga a narrativa da franquia de jogos eletrônicos Super Mário Bros. a partir dos trabalhos de Campbell (2005), que nos fala da função dos mitos e da jornada do herói; Durand (2001), que trata do Imaginário como ferramenta para lidar com a angústia existencial (o tempo que passa e a morte que se aproxima inexoravelmente); Propp (1984), que executa extensa catalogação das estruturas narrativas existentes nos contos maravilhosos; e Todorov (2003), que se debruça sobre a questão da narrativa à partir da intriga e que investiga as variações possíveis à época para os romances do tipo policial. O corpus de trabalho são os títulos Super Mario Bros.(1985); Super Mario Bros. 3 (1988); Super Mario World (1990); Super Mario 64 (1996) e Super Mario Galaxy (2006).Palavras-chave: Super Mário Bros; Mito; Estruturas narrativas; percurso do herói; imaginário.AbstractThis article investigate the narrative in the Super Mario Bros. videogame franchising, since the works of Campbell (2005), about the functions of the myths and the journey of the hero; Durand (2001), about the Imaginarium as a tool to deal with human existential distress (the time passing by, and the approaching death, inexorable); Propp (1984), who makes an extense cataloguing of the narrative structures in the fairy tales; and Todorov (2003), on the matter of the narrative from the intrigue, and investigates the variations possibles at his time in the detective stories. Our corpus include the following titles: Super Mario Bros. (1985); Super Mario Bros. 3 (1988); Super Mario World (1990); Super Mario 64 (1996), and Super Mario Galaxy (2006).Keywords: Super Mário Bros; Myth; Narrative structure; Journey of the hero; imaginarium.
APA, Harvard, Vancouver, ISO, and other styles
8

Culbert, Samiran. "The Blackstar: Persona, Narrative, and Late Style in the Mourning of David Bowie on Reddit." Persona Studies 6, no. 1 (December 10, 2020): 43–55. http://dx.doi.org/10.21153/psj2020vol6no1art944.

Full text
Abstract:
This article considers how David Bowie’s last persona, The Blackstar, framed his death through the narratives of mourning it provoked on the social media site Reddit. The official narrative of death, through the media, and the unofficial narrative of death, through the fan, can contradict each other, with fans usually bringing their own lived experiences to the mourning process. David Bowie is a performer of personas. While Bowie died in 2016, his personas have continued to live on, informing his legacy, his work, and his death reception. Through the concepts of persona, narrative, authenticity, late style, and mourning, this article finds that Bowie’s Blackstar persona actively constructs fan’s interaction with Bowie’s death. Instead of separate and contradicting narratives, this article finds that users on Reddit underpin and extend the official narrative of his death, using Bowie’s persona as a way to construct and establish their own mourning. As such, Bowie’s last persona is further entrenched as one of authentic mourning, of a genius constructing his own passing. With these narratives, fans construct their own personas, informing how they too would like to die: artistically and with grace.
APA, Harvard, Vancouver, ISO, and other styles
9

Doughty, Ruth. "Manderlay (2005): Lars von Trier's narrative of passing." New Cinemas: Journal of Contemporary Film 5, no. 2 (July 12, 2007): 153–61. http://dx.doi.org/10.1386/ncin.5.2.153_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Bell, Vikki. "Show and Tell: Passing and Narrative in Toni Morrison's Jazz." Social Identities 2, no. 2 (June 1996): 221–36. http://dx.doi.org/10.1080/13504639652303.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Passing narrative"

1

Hardy-Butler, Kayla A. "Gendered Expressions of the “Passing” Narrative: An Intersectional African-American and Post-Colonial Study." University of Akron / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=akron149157744821062.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rulon, Michael James Henderson Mae. "White skin, white masks the Creole woman and the narrative of racial passing in Martinique and Louisiana /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,475.

Full text
Abstract:
Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.
Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Comparative Literature." Discipline: Comparative Literature; Department/School: Comparative Literature.
APA, Harvard, Vancouver, ISO, and other styles
3

Kozyrakis, Yulia [Verfasser]. "Post-Racial Realities : Passing Narratives in Contemporary U.S. Fiction / Yulia Kozyrakis." Berlin : Freie Universität Berlin, 2016. http://d-nb.info/1095540122/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lindström, Christina. "Narratives of Lesbian Existence in Egypt : - Coming to Terms with Identities." Thesis, Stockholm University, Section for Middle Eastern Studies, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-31383.

Full text
Abstract:

This Bachelor thesis deals with the sexual identity of Egyptian women who love and have relationships with other women. I theoretically study the state of existing literature on homosexuality in the Middle East, and I do this from a gender perspective. By looking closer at four recent books on this topic I derive two main, and contradictory, theories. The first is put forth by Joseph A Massad in his book Desiring Arabs, where he rejects the existence of homosexuality in the Middle East, declaring that same sex acts in this region don’t constitute identities, as in the West. The second theory, best represented in Samar Habib’s work Female homosexuality in the Middle East, sees past and present histories of same sex love as representations of homosexuality. The empirical basis for my analysis is five in-depth interviews with Egyptian women having sexual relationships with women. Examining my material I find a negation of Massad’s theory and a confirmation of Habib’s, the women indeed describe sexual identities. I look into these descriptions and see how the women have reached this point of realizing – or coming to terms. I also study their narratives of passing, as heterosexual women, in order to avoid repression. The women’s knowledge of society’s prejudice gives the explanation for their choices of passing, but at the same time the women’s stories show a will to challenge the view on lesbian women and resist the compulsory heterosexuality.

APA, Harvard, Vancouver, ISO, and other styles
5

Tarnowska, E. H. "Passing from the night : myth in American narratives of the Vietnam War." Thesis, Swansea University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.639163.

Full text
Abstract:
This thesis analyses mythology as expressed in selected American narratives of the Vietnam War. Myth not only manifests itself in literature, but also impinges on interpretations of history, and on political rhetorics. I distinguish, therefore, between primary, national (historical), and political myths as three interlocking levels within the mythological system. The narrative structure of the primary myth combines Campbell's pattern of the universal hero-myth and the symbology of Jung's archetypes. This constitutes the virtually universal foundation of all myths, including national myths, and their contemporary offspring - political myths. The appeal of political and national mythologies depends on the universal message of the primary narrative. The archetypal hero-tale with its quest-journey and initiation sequence remains valid as a paradigm for war literature. This is also the structural frame of Vietnam narratives which reiterate the hero-myth pattern in concrete historical circumstances. Literature rewrites and mythologises the war. Vietnam authors tend to go away from the tenets of political and national myth, and turn towards the universal themes of the initiation of a warrior, or of atonement and redemption. The writing of Mailer, Herr, and O'Brien involves a quest for the hidden meaning of conflict (chapters 1, 3). Other authors also seek to determine whether the combat experience is an ultimate test for potentially glorious warriors, or a spiritual descent of fallen heroes (chapters 4, 5).
APA, Harvard, Vancouver, ISO, and other styles
6

Moynihan, Sinéad. "Fictions of law and custom : passing narratives at the fins des siècles." Thesis, University of Nottingham, 2007. http://eprints.nottingham.ac.uk/14442/.

Full text
Abstract:
This dissertation examines narratives of passing of the nineteenth- and twentieth century fins de siècle. My central thesis is that passing narratives of the 1990s and beyond evidence symmetry between the tropes of passing that occur at plot level and passing strategies surrounding the production of the texts themselves. I argue that the connections between passing and authorship that emerge in contemporary stories invite us to reconsider extant interpretations of earlier passing stories, specifically those published at the turn of the twentieth century. The Introduction challenges the historiography of the passing narrative traced in existing studies of passing. It also suggests the ways in which authorship and passing are inextricably linked via the arbitrary standard of "authenticity," both authorial and racial. In Chapter One, I examine the relationship between the African American body-as-text and the African American author who produces a text in The Bondwoman's Narrative (date unknown), Philip Roth's The Human Stain (2000) and Percival Everett's Erasure (2001). Chapter Two takes the self-reflexive detective genre and traces the changing roles of the passing character within the conventions of the form, from femme fatale to hard-boiled detective. Here, I focus specifically on Pauline Hopkins's Hagar's Daughter (1901-1902), Walter Mosley's Devil in a Blue Dress (1990) and Robert Skinner's Wesley Farrell series (1997-2002). In Chapter Three, I examine texts whose protagonists' gender and/or racial ambiguity serve to destabilise analogously the religious categories under interrogation in those texts, namely Hopkins's Winona (1902) and Louise Erdrich's Tracks (1988) and The Last Report on the Miracles at Little No Horse (2001). Chapter Four examines tropes of passing in relation to three contemporary novels of adolescence, Paul Beatty's The White Boy Shuffle (1996), Danzy Senna's Caucasia (1998) and Jeffrey Eugenides's Middlesex (2002). Finally, the Conclusion discusses recent controversies of authorship and authenticity in the U.S., particularly as these pertain to the ambiguous literary category of "memoir."
APA, Harvard, Vancouver, ISO, and other styles
7

Najjara, Nabil. "Le retour critique de l’intrigue dans le Nouveau Roman français : entre tension et passion." Thesis, Toulouse 2, 2012. http://www.theses.fr/2012TOU20028/document.

Full text
Abstract:
L’objet de cette recherche est de revisiter la notion d’intrigue dans le Nouveau Roman après une campagne de dénigrement théorique menée par certains nouveaux romanciers. Une reconsidération qui s’inspire essentiellement des travaux de Paul Ricoeur sur « La Mise en intrigue » et qui se fonde principalement sur les études récentes de Raphaël Baroni sur « la tension narrative ». Dans la première partie il s’agit de remettre en perspective littéraire et critique cette notion en la confrontant au roman dit « traditionnel » et en parcourant les travaux nombreux des écrivains, critiques et théoriciens qui ont abordé cette question.La deuxième partie est concrètement une mise en chantier où sont éprouvées les idées de fiction, de passion, de suspense et de tension.Enfin la dernière partie est une sorte de reprise d’un modèle précis d’intrigue qui est celui du roman policier dans la perspective de mettre en évidence son aspect passionnant et passionnel
The object of this research is to revisit the notion of “intrigue” in the new novel after a campaign of theoretical belittlement led by certain new novelists. A reconsideration which is essentially inspired by Paul Ricoeur’s works on “ the stake in intrigue” and which is based mainly on the recent studies of Raphaël Baroni on the narrative tension.In the first part it is question of handling in literary and critical perspective this notion by confronting it with the so-called “traditional” novel and by examining the numerous works of the writers, the critics and the theorists who approached this question.The second part is concretely and deeply analysed where the ideas of fiction, passion, suspense and tension are studied. Finally the last part is a kind of resumption of precise model of “intrigue” which is the one of the detective novel in the perspective to bring to light its fascinating and passionate aspect
APA, Harvard, Vancouver, ISO, and other styles
8

Sewell, Darby Thompson. "Passion a narrative journey to family and consumer sciences education /." [Ames, Iowa : Iowa State University], 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Green, J. B. "The death of Jesus : Tradition and interpretation in the Passion narrative." Thesis, University of Aberdeen, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377359.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

VASCONCELOS, Isabella Karim Morais Ferreira de. "Uma prática, um bem cultural : uma história sobre o bordado na cidade de Passira-PE (1985-2008)." Universidade Federal Rural de Pernambuco, 2016. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/5201.

Full text
Abstract:
Submitted by Mario BC (mario@bc.ufrpe.br) on 2016-08-05T12:22:06Z No. of bitstreams: 1 Isabella Karim Morais Ferreira de Vasconcelos.pdf: 6904868 bytes, checksum: 342184ff5d5bf6f3fc3e2a35bf15b52d (MD5)
Made available in DSpace on 2016-08-05T12:22:06Z (GMT). No. of bitstreams: 1 Isabella Karim Morais Ferreira de Vasconcelos.pdf: 6904868 bytes, checksum: 342184ff5d5bf6f3fc3e2a35bf15b52d (MD5) Previous issue date: 2016-02-29
This research is presented as a history narrative of manual embroidery practice in Passira, a city locaded in rural zone from Pernambuco. A tradition, an art, a heritage, an economic product, a knowing / doing that, from the 1980s was widespread as identity symbol, making this city be recognized - and recognize - as the "Land Embroidery Manual". First the reader is located on the city's history, from the time when it was a village, through his fame as the "land of corn," to be known strong production manual embroidery. The main objective is to examine events that caused the manual embroidery were to be cultural heritage Passira. From then on, the tone becomes embroidery, their meanings and some of its approaches. There is talk about the Fair Embroidery Passira Manual, annual event that takes place for more than 20 years, a place of marketing and dissemination of this embroidery. There is talk about the women said space and the performance of those women who are artisans, but they are also entrepreneurs, and the performance of some cooperatives and associations to score together these embroiderers. Finally, the issue of manual embroidery as cultural heritage is again discussed, this time from the perspective of the absence of a formal heritage education. The final considerations concludes what we could discuss during the narrative and ensures that there is still a lot to learn about this practice and its historical background.
Essa pesquisa se apresenta como uma narrativa da história da prática do bordado manual em Passira, cidade localizada no agreste pernambucano. Uma tradição, uma arte, um patrimônio, um produto econômico, um saber/fazer que, a partir década de 1980 foi disseminado como símbolo indentitário, fazendo essa cidade ser reconhecida – e se reconhecer – como a “Terra do Bordado Manual”. Primeiro situa-se o leitor sobre a história da cidade, desde a época em que era um povoado, passando por sua fama como a “terra do milho”, até ser conhecida pela forte produção de bordado manual. O objetivo principal é examinar que acontecimentos fizeram com que o bordado manual viesse a ser patrimônio cultural em Passira. A partir de então, o mote passa a ser o bordado, seus significados e algumas de suas abordagens. Fala-se sobre a Feira do Bordado Manual de Passira, evento anual que acontece há mais de 20 anos, um lugar de comercialização e difusão desse bordado. Fala-se sobre o dito espaço feminino e a atuação dessas mulheres que são artesãs, mas também são empresárias, e pontua-se o desempenho de algumas cooperativas e associações junto a essas bordadeiras. Por fim, a questão do bordado manual como patrimônio cultural volta a ser discutida, dessa vez, pela perspectiva da ausência de uma educação patrimonial formalizada. As considerações finais arremata o que foi possível discutir durante a narrativa e assegura que ainda há muito que se estudar a respeito dessa prática e seu percurso histórico.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Passing narrative"

1

Bell, Vikki. Show & tell: Passing, narrative and Tony [sic] Morrison's "Jazz". London, England: Goldsmiths' College, Centre for Urban and Community Research, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Crafts, Hannah. The Bondwoman's Narrative. New York: Grand Central Publishing, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Crafts, Hannah. The bondwoman's narrative. Waterville, Me: Thorndike Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Louis, Gates Henry, ed. The bondwoman's narrative. New York: Warner Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Louis, Gates Henry, ed. The bondwoman's narrative. New York: Warner Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Louis, Gates Henry, ed. The bondwoman's narrative. New York: Warner Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Broadhead, Edwin K. Prophet, Son, Messiah: Narrative form and function in Mark 14-16. Sheffield, Eng: JSOT Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Derrett, J. Duncan M. The victim: The Johannine passion narrative reexamined. Shipston-on-Stour, England: Peter I. Drinkwater, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pragmatic passions: Melodrama and Latin American social narrative. Madrid: Iberoamericana Editorial Vervuert, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

The death of Jesus: Tradition and interpretation in the Passion narrative. Tübingen: J.C.B. Mohr, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Passing narrative"

1

Puxan-Oliva, Marta. "Reliability as a “Passing Zone”." In Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel, 79–116. New York, NY: Routledge, 2019. | Series: Literary criticism and cultural theory: Routledge, 2019. http://dx.doi.org/10.4324/9780429030116-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Missouri, Montré Aza. "Passing Strange: Voodoo Queens and Hollywood Fantasy in Eve’s Bayou." In Black Magic Woman and Narrative Film, 80–108. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137454188_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Conner, Berkley D. "Menstrual Trolls: The Collective Rhetoric of Periods for Pence." In The Palgrave Handbook of Critical Menstruation Studies, 885–99. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_64.

Full text
Abstract:
Abstract This chapter explores the protest strategies of Periods for Pence, a collective of Indiana menstruators and allies who organized in response to the passing of extreme antiabortion legislation, House Enrolled Act 1337, by then-Governor Mike Pence in 2016. Through an analysis of the group’s transcribed calls to Pence’s office, as well as various social media posts, Conner illustrates how Periods for Pence engaged in acts of narrative sharing, humor, and symbolic reversal to craft a cohesive account of varied experiences with menstruation. The study also draws on logics of menstruation to rhetorically re-moralize abortion as necessary. Conner concludes by demonstrating how critical study of menstruation-related activism asks scholars to rethink traditional conceptualizations of static “waves” of feminism and feminist rhetorical theorizing.
APA, Harvard, Vancouver, ISO, and other styles
4

Clough, Michelle. "Tender Talk and Naughty Narration." In Passion and Play, 319–36. Boca Raton: CRC Press, 2022. http://dx.doi.org/10.1201/9780429356650-27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Virvidaki, Katerina. "The Fragmented: Jean-Luc Godard’s Passion." In Testing Coherence in Narrative Film, 111–46. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62196-8_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Clough, Michelle. "The Narrative Functions of Sex Scenes (And Why/Why Not to Have Them)." In Passion and Play, 57–68. Boca Raton: CRC Press, 2022. http://dx.doi.org/10.1201/9780429356650-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ertler, Klaus-Dieter. "Romanistik als Passion – Narrative aus der neueren Fachgeschichte." In Abhandlungen zur Literaturwissenschaft, 235–55. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05814-0_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Amballoor, Renji George. "Case 2: Self-efficacy and Passion." In Entrepreneurship and Development in South Asia: Longitudinal Narratives, 61–64. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4859-8_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Godfrey, Mollie, and Vershawn Ashanti Young. "The Neo-Passing Narrative." In Neo-Passing. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041587.003.0001.

Full text
Abstract:
This introduction defines neo-passing by contextualizing the term not only in relation to classic passing narratives and scholarship on passing but also in relation to broad notions of performance, pretending, and identifying. The editors also connect their effort to delineate a genre of neo-passing narratives to recent scholarly efforts to define neo-slave narratives and neo-segregation narratives. Like those genres, neo-passing narratives mediate between historical and contemporary notions of racial and intersectional injustice. Using several recent case studies, the introduction explores the ways in which neo-passing narratives speak directly to the contradictions within contemporary debates about colorblindness and color-consciousness, or what one contributor calls the debate between postracialism and most-racialism. Finally, the introduction briefly describes each essay in the volume, emphasizing its engagement in a vigorous debate about the specific ways in which neo-passing narratives alternatively shore up, deconstruct, or complicate our understanding of performance and identity production after Jim Crow.
APA, Harvard, Vancouver, ISO, and other styles
10

Marsan, Loran. "Passing Truths." In Neo-Passing. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041587.003.0010.

Full text
Abstract:
This chapter examines how passing is used as an educational tool in immersion-journalism narratives of race, ethnic, class, and gender passing. It analyzes six texts and one TV series spanning 1961 to 2006: Black like Me, Soul Sister, Bessie Yellowhair, Nickeled and Dimed: On (Not) Getting By in America, Self-Made Man: One Woman’s Year Disguised as a Man, and the reality TV series Black. White. While searching for authentic truth, passing becomes a problematic tool buttressed by narrative tactics of Othering, doubling, objectivity, emotion, and the reveal. This chapter addresses how these factors work together to lean toward fluid or multiple identity constructions before ultimately supporting dominant ideologies of Truth, identity, authenticity, and the “real.”
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Passing narrative"

1

Le Quoc, Hieu. "Intersemiotic Translation in Adaptation: The Case Study of the Adaptation of Narrative Poem The Tale of Kiều (Nguyễn Du) to Cải lương Film Kim Vân Kiều (Nguyễn Bạch Tuyết)." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-4.

Full text
Abstract:
We are living in the age of adaptation. In contemporary art, the power of adaptation is evidenced by the fact that a textual semiotic system is continuously passing through the different genres and means to establish new texts. Adaptation is also an intercultural translation as each work adapted experiences a cultural shift so as to adapt to the target culture. Although The Tale of Kieu (Nguyen Du) made use of the plot of Kim Van Kieu, written as the pseudonym Qingxin Cairen (青心才人, Pure Heart Talented Man), in the Vietnamese artistic context, the tale can be considered as the “original text” that provides superabundant materials for other adaptations. The Tale of Kieu is one of the Nom poetries that has been most adapted to other art forms, particularly “cải lương” (reformed theatre). In this study, we analyze the case of video-cải lương Kim Van Kieu (directed by Nguyen Bach Tuyet), to determine modes of semiotic transposition from the narrative (narrative poem) to the performance/showing (video cải lương). This inter-semiotic translation process requires that the author adapts, selects, renounces, transforms as well as encodes/decodes, as semiotics, genre, and materials belonging to the verbal semiotic system to the nonverbal semiotic system, or vice versa. To concretize this, we analyze factors that were involved or omited during the adaptation of The Tale of Kieu to Kim Van Kieu.
APA, Harvard, Vancouver, ISO, and other styles
2

Gilroy, Stephen, Julie Porteous, Fred Charles, and Marc Cavazza. "Exploring passive user interaction for adaptive narratives." In the 2012 ACM international conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2166966.2166990.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Yining, Zhang. "RESEARCH ON THE REGISTER CHARACTЕRISTICS OF PAPERS ON ENGLISH OPTICAL JOURNALS BASED ON MULTIDIMENTIONAL ANALYSIS." In Chinese Studies in the 21st Century. Buryat State University Publishing Department, 2022. http://dx.doi.org/10.18101/978-5-9793-1802-8-2022-241-244.

Full text
Abstract:
This study uses multidimensional analysis to analyze the register features of optical English texts. Research Findings: Optical English Corpus The use of nouns, long words, nominalization, phrasal clauses and passive structures in the library reflects the strong information, Information clarity and abstraction. past tense, perfect verbs, third person pronouns, public verbs, infinitives. The negative valuesof predictive modal verbs, persuasive verbs, conditional clauses and necessary modal verbs indicate their narrative, Persuasiveness is not obvious.
APA, Harvard, Vancouver, ISO, and other styles
4

Yip, David. "Between passive viewing and active choosing in storytelling." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002037.

Full text
Abstract:
Since the dawn of the Internet, abundance of content and information is constantly being created and shared at the speed of light across different media. Media technologies have given us almost unlimited access to choose and interact with vast amount of content and information. We seem to be in active control in choosing what information we want to see and interact with on the internet. Ironically, with all this interactive freedom, most of us still prefer to watch their favorite TV programs or films passively on interactive media platforms. New technologies such as streaming TV have provided many new platforms to present passive content but to what extent how these new technologies have affected the form and shape of content remains a question. Simply by looking at the ratio of programs for traditional passive viewing vs. programs with interactive content, the audience has spoken by choosing to watch conventional content passively. Interacting with content is more than just choosing what pre-made content to watch, for that we always have our remote control. Interacting with content is about having our own say or control about the outcome or direction of a story [1, 2]. Unlike what many media theories have predicted many years ago, interactive narrative has not become mainstream and would never replace conventional form of storytelling. Nevertheless, as more content is being delivered on mobile or personal computer in addition to the big screen, more interactive content will be made available in the foreseeable future. Many popular 4As video games have already mixed conventional storytelling elements with some interactive gaming functions in recent years [3]. This paper focuses on the concepts of choice and decision-making in storytelling and how interactive functions could be blended in with the narrative. Decision-making has always been an important part of storytelling, in which it’s the storyteller who make decisions for the characters and for the audience. A good story may still be best uninterrupted and told by the storytellers who know about the crafts of storytelling [4, 5]. Typical audience still enjoy watching adventure chosen for them rather than to choose their own adventure. This paper discusses the role of interactivity and the concept of choice-making in interactive storytelling.
APA, Harvard, Vancouver, ISO, and other styles
5

Diaz, Luis Manuel, and Ryan Southall. "Le Corbusier’s Cité de Refuge: historical & technological performance of the air exacte." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.796.

Full text
Abstract:
Abstract: Despite a number of attempts by Le Corbusier to implement the combination of ‘respiration exacte’ with the ‘mur neutralisant’ he was never able to test the viability of his environmental concepts in a realised building. The Cité de Refuge, which was built with a more conventional heating system and single glazed facade, is however unique in that unlike the other potential candidates for the implementation of these systems, the building, as built, retained a key design feature, i.e. the hermetically sealed skin, which ultimately contributed to the building’s now infamous failure. It is commonly argued that Le Corbusier, however, abandoned these comprehensive technical solutions in favour of a more passive approach, but it is less well understood to what extent technical failures influenced this shift. If these failures were one of the drivers for this change, how the building may have performed with the ‘respiration exacte’ and ‘mur neutralisant’ systems becomes of interest. Indeed, how their performance may have been improved with Le Corbusier's later modification of a brise-soleil offers an alternative hypothetical narrative for his relationship to technical and passive design methodologies. Keywords: environment, technology, performance, history, Cité de Refuge DOI: http://dx.doi.org/10.4995/LC2015.2015.796
APA, Harvard, Vancouver, ISO, and other styles
6

Vainovski-Mihai, Irina. "GIVING PRECEDENCE TO COMMON POINTS: THE LIMITS OF THE OTHERNESS IN FETHULLAH GÜLEN’S DIALOGIC METHODOLOGY FOR INTERFAITH ENCOUNTERS." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/zvgs8407.

Full text
Abstract:
This paper examines Fethullah Gülen’s teaching on interfaith encounters highlighting his dialogic methodology proposed for a globalised world in which Samuel Huntington’s idea of the ‘clash of civilisations’ (Clash of Civilizations and the Remaking of World Order, 1997) is still prominent. This idea, concludes Gülen, stems from the lack of trust in the religion of the “Other” and, rather often than not, from easily passing over the common points. According to Gülen, dialogue is not a superfluous endeavour, but an imperative (“Dialogue is a must”) and it should start by “Giving precedence to common points”. Gülen holds that the tendency toward factionalism exists within human nature. A meaningful and nonetheless necessary goal, he says, should be to make this tendency non-threatening and even beneficial. To fully appreciate the significance of Gülen’s accomplishments, one must understand the perspec- tive from which he approaches the subject of interfaith dialogue. Based on his thinking as noted above, the purpose of this paper is to set out in some detail the way in which this re- nowned Islamic thinker limits the “domain” of the Otherness (Homi Bhabha, The Location of Culture, 2004; Nation and Narration, 1990) to make dialogue possible through overcom- ing both Orientalism (Edward Said, Orientalism, 1978) and Occidentalism (Ian Buruma and Avishai Margalit, Occidentalism: the West in the Eyes of its Enemies, 2004). Challenging the discourse of conflict and focusing on common points may be an important strategy when mutual suspicions are still prevalent and when the field of postcolonial studies stand witness to conflicting processes of refraction (Patricia Crone, Medieval Islamic Political Thought, 2005; Amin Maalouf, Les Croisades vues par les Arabes, 1986). Those who act according to what they have seen are not as successful as those who act according to what they know. Those who act according to what they know are not as successful as those who act according to their conscience. (Gülen 2005:106) This article aims to explore Fethullah Gülen’s teaching on interfaith encounters highlight- ing his dialogic methodology proposed to a globalized world in which models and theories of clashes are still prominent. These theories, concludes Gülen, stem from the lack of trust in the religion of the “Other” and, rather often than not, from easily passing over the com- mon points. According to Gülen, dialogue is not a superfluous endeavour, but an imperative (“Dialogue is a must”) and it should start by “Giving precedence to common points”. Gülen holds that the tendency toward factionalism exists within human nature. A meaningful and nonetheless necessary goal, he says, should be to make this tendency non-threatening and even beneficial. To fully appreciate the significance of Gülen’s accomplishments and the challenges he is facing, one must understand the perspective from which he approaches the subject of interfaith dialogue. Based on the above-mentioned landmarks of his viewpoints regarding the representation constructs, the purpose of my paper is to investigate the way in which this renowned Islamic thinker limits the “domain” of the Otherness or dilutes many of the apparently instituted boundaries. My paper starts from the assumption that recognizing the Other on common grounds is a prerequisite of dialogue. The first section of the essay focuses on conceptual frameworks of defining the “relevant” alterity (Orientalism, Balkanism, Occidentalism) and theories of con- flict (models of clashes, competing meta-narratives). The second section looks into identity markers expressed or implied by Sufi thinkers (Al-Ghazali, Rumi, Nursi). The third section discusses Gülen’s awareness with the Other and, consequently (as detailed in the fourth sec- tion) his identification of common grounds for dialogue. To achieve the aim of my study, throughout all the four sections, Gülen will be presented in a textual exchange of ideas with other thinkers and authors.
APA, Harvard, Vancouver, ISO, and other styles
7

Silva, Caio Vinicius Soares da, Gabriele Lima de Lucena, Tayane Moura Martins, Bruno Ricardo Leite Barboza, and Kennedy Da Silva Bezerra. "RELEVÂNCIA DO DIAGNÓSTICO PRECOCE NO CONTEXTO DA SÍNDROME DO PRIMEIRO NEURÔNIO MOTOR." In I Congresso Brasileiro de Saúde Pública On-line: Uma abordagem Multiprofissional. Revista Multidisciplinar em Saúde, 2022. http://dx.doi.org/10.51161/rems/3302.

Full text
Abstract:
Introdução: A Síndrome do Primeiro Neurônio Motor (SPNM) é o comprometimento do trato piramidal descendente do sistema nervoso central que afeta o funcionamento da musculatura esquelética. As manifestações clínicas dessa disfunção são caracterizadas por excitotoxicidade e fraqueza dos membros inferiores. Nesse ensejo, o exame neurológico realizado na primeira consulta clínica, é de fundamental importância para retardar a evolução da SPNM. Objetivo: Identificar de forma precoce os sinais e sintomas da SPNM durante o exame neurológico. Material e métodos: Trata-se de um estudo de revisão narrativa, com viés descritivo e exploratório. Realizada no período de janeiro a fevereiro de 2022. Utilizou para fundamentação teóricas as bases de dados LILACS e a biblioteca SciELO, com associação dos descritores: “Síndrome do primeiro neurônio motor” AND “Síndromes neurológicas” OR “Excitotoxicidade”, correlacionadas aos operadores booleanos: “AND” e “OR”. Os critérios de inclusão: artigos disponíveis na integra no formato digital nos idiomas português, inglês e espanhol, publicados no recorte temporal de 2014 a 2022. Os critérios de exclusão: revisões, boletins e artigos que não abordassem a temática de estudo. Foram encontrados 75 resultados, sendo 10 foram selecionados para compor o escopo do estudo. Resultados: A SPNM abrange manifestações que impossibilitam a locomoção dos indivíduos com prevalência na faixa etária de 30 aos 60 anos, a qual anualmente acomete 2 a cada 100.000 indivíduos, com maior morbidade no sexo masculino. Durante avaliação clínica é possível criar hipóteses diagnósticas a partir das queixas captadas durante a anamnese e/ou no exame físico neurológico. Avalia-se o primeiro sinal, a marcha, que é classificada em hemiplégica, ataxo-espática ou paretoespástica. Posteriormente, inspeciona-se o paciente, detecta-se alterações tegumentares, nos fâneros, hipertonia, hiperreflexia total, dificuldade de movimentação ativa, passiva e especializada com paresia total ou segmentar. A SPNM manifesta-se com diversos sintomas conforme a patologia ocasionada, tendo médico a responsabilidade de relacionar os achados ao diagnóstico sindrômico e orientar o paciente na busca precoce por tratamento especializado. Conclusão: Portanto, é imprescindível a atuação médica de forma holística sobre o paciente. Tal ação assegura resolubilidade no processo saúde-doença ao paciente com SPNM, haja vista, que o exame neurológico prévio garante um melhor prognóstico.
APA, Harvard, Vancouver, ISO, and other styles
8

Monteiro, Caique Cahon. "Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.

Full text
Abstract:
Artistic institutions are traditionally places of cultural and social memory reverberation. Such spaces have a character of institutionalisation of the cultural market. Contemporary works of art and the exhibition format are factors that shape the possibilities of consumption and experience from visitors within these spaces. By taking advantage of the artifices of their time, art and artists appropriate new digital Technologies, digital culture contextualizes this movement, interweaving new paradigms in the exhibition spaces of museums, galleries and cultural centres. It is clear that the artistic production that involves digital media at some level creates increasingly subjective and hybrid paths between machine and human in the processes. This occurs not only in the scope of raw material and in the production of their poetics and narratives, but also in every present social context, of consumption, access, and dissemination of artistic works. In the last 10 years there has been a growing number of public in cultural institutions in Brazil (data from IPEA - Institute for Applied Economic Research), this curve does not resemble any increase in investment in public policies, improvement in education or culture. This rate of increase in visitors to cultural spaces is like the increase in access to mobile devices and use of the internet and social networks, perhaps, at some level, it shows that internet access and digital culture may be enabling an environment of spontaneous dissemination for the artistic market in Brazil. With the advent of smartphones and the constant use of this technology in various moments of leisure and work, the habit of taking a picture from any work of art has become something normalised in institutions. This process can create different media flows that reformulate the visitor's experience in front of the exhibition space. In this way, the traditional and passive spectator subject is mixed with the user subject present in digital culture, with its agency potential and sharing capacity. Although these photographs present themselves in society as a cultural product, their visualisation and distribution extend to a computational level. This master's research project proposes to establish dialogues between the field of communication and the arts, especially digital culture, and aesthetic experience. The object of study is the production of photographic images made by visitors to cultural exhibitions through smartphones and shared on the Instagram social network. Through the use of artificial intelligence, it will be possible to analyse hundreds of images from the Instagram social network that were taken at the Banco do Brasil Cultural Centre, located in the city of Rio de Janeiro, Brazil (Brazilian institution with the highest number of visitors in the last 5 years). This qualitative and quantitative analysis enables a reflection on the contemporary media character present in art exhibition spaces and the observation of new experiences between public, work, and digital culture.
APA, Harvard, Vancouver, ISO, and other styles
9

Monteiro, Caique Cahon. "Experiência estética e cultura digital: Novos fluxos na exibição da arte." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.g58.

Full text
Abstract:
As instituições artísticas são, tradicionalmente, locais de reverberação da memória cultural e social. Tais espaços possuem um caráter de institucionalização do mercado cultural. As obras de arte contemporâneas e o formato expositivo são fatores que configuram as possibilidades de consumo e experiência dos visitantes nesses espaços. Aproveitando os artifícios de seu tempo, arte e artistas se apropriam das novas tecnologias digitais; a cultura digital contextualiza esse movimento, entrelaçando novos paradigmas nos espaços expositivos de museus, galerias e centros culturais. É claro que a produção artística que envolve as mídias digitais em algum nível cria caminhos cada vez mais subjetivos e híbridos entre a máquina e o humano nos processos. Isto ocorre não apenas no âmbito da matéria-prima e na produção de suas poéticas e narrativas, mas, também, em todos os contextos sociais atuais, de consumo, acesso e divulgação de obras artísticas. Nos últimos dez anos, houve um crescimento do número de públicos em instituições culturais no Brasil (dados do IPEA - Instituto de Pesquisa Econômica Aplicada). Esta curva não se assemelha a nenhum aumento de investimento em políticas públicas, melhoria na educação ou cultura. Esta taxa de aumento de visitantes em espaços culturais é semelhante ao aumento do acesso a dispositivos móveis e uso da Internet e redes sociais — talvez, em algum nível, mostre que o acesso à Internet e à cultura digital podem estar possibilitando um ambiente de disseminação espontânea para o PortuguêsExperiência estética e cultura digital: Novos fluxos na exibição da artemercado artístico no Brasil. Com o advento dos smartphones e o uso constante dessa tecnologia em diversos momentos de lazer e trabalho, o hábito de tirar fotos de qualquer obra de arte tornou-se algo normalizado nas instituições. Este processo é capaz de criar diferentes fluxos de mídia, que reformulam a experiência do visitante diante do espaço expositivo. Deste modo, o sujeito espectador tradicional e passivo se confunde com o sujeito usuário presente na cultura digital, com seu potencial de agência e capacidade de compartilhamento. Embora essas fotografias se apresentem na sociedade como um produto cultural, sua visualização e distribuição se estendem ao nível computacional. Este projeto de pesquisa de mestrado se propõe a estabelecer diálogos entre o campo da comunicação e as artes, em especial a cultura digital e a experiência estética. O objeto de estudo é a produção de imagens fotográficas feitas pelos visitantes de mostras culturais por meio de smartphones e compartilhadas na rede social Instagram. Por meio do uso da inteligência artificial, será possível analisar centenas de imagens da rede social Instagram que foram tiradas no Centro Cultural Banco do Brasil, localizado na cidade do Rio de Janeiro, Brasil (instituição brasileira com maior número de visitantes nos últimos 5 anos). Esta análise qualitativa e quantitativa possibilita uma reflexão sobre o caráter da mídia contemporânea presente nos espaços expositivos de arte e a observação de novas experiências entre público, obra e cultura digital.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Passing narrative"

1

Enríquez-Enríquez, Diego, Carlos Mecina-Zapata, Hernán Riveros-Cárcamo, Daniel Jerez-Mayorga, and Francisco Guede-Rojas. Warm-up strategies and performance in competitive swimmers. A systematized narrative review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, September 2021. http://dx.doi.org/10.37766/inplasy2021.9.0038.

Full text
Abstract:
Review question / Objective: In competitive swimmers, are warm-up strategies effective in improving time trial performance? The aim of this systematized narrative review is to analyze the state of the art regarding the effectiveness of warm-up strategies on time trial performance in competitive swimmers. Condition being studied: Effects of active, passive or mixed warm-up strategies on performance in time trials equal to or less than 200 meters applied in healthy competitive swimmers over 15 years of age. Information sources: An electronic search of the MEDLINE database was performed through PubMed.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Passing narrative' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography