Journal articles on the topic 'Partial simultaneity'

The aim of the study is to determine the features of expressing the category of simultaneity by present tense forms in English and Russian languages. The article identifies the verb forms in both languages that participate in expressing simultaneity, considers different types of simultaneity, and presents examples of their use. The scientific novelty of the study consists in identifying verbal means of expressing temporality on the example of the category of simultaneity. Isomorphism is manifested in the fact that both languages use the conjunction “when”, which explicitly expresses the meaning of simultaneity in polypredicative complexes. Allomorphism is manifested in the fact that the potential for expressing simultaneity by present tense forms is significantly higher in Russian than in English. The coincidence of the tense forms of the predicates leads to the expression of complete, unlimited simultaneity, and the use of different tense forms – to the implementation of partial simultaneity. The results obtained showed that the present tense in Russian and English can express both limited and unlimited simultaneity.

The subject matter of this paper is the modification of temporal relation in the complex sentence with the temporal clause. At the functional different Serbian language corpus the author notices the next types of modified temporality: excepted locational simultaneity complete or partial, and excepted locationalorientational posteriority formalized by the structure V SAMO/JEDINO/OSIM/SEM/IZUZEV(ONDA) KAD VSub, and excepted locational simultaneity/excepted terminativity formalized by the structure V SAMO DOK (Neg) VSub; sutuational locational simultaneity complete or partial formalized by the structure V U SITUACIJI / U SLUCAJU KAD VSub, with the posibility to be exceptivly modified in the structure V IZUZEV U SITUACIJI / U SLUCAJU KAD VSub; situational-concessive locational simultaneity complete or partial formalized by the structure V (CAK) I (ONDA) KAD VSub; situational-conditional locational-orientational posteriority formalized by the structure V TEK (ONDA) KAD VSub, and situational-conditional orientational posteriority formalized by the structure V TEK POSTO VSub or V TEK NAKON STO VSub and situational-conditional orientational quantified posteriority formalized by the structure V Quant TEK POSTO VSub, and finaly situational-conditional terminativity formalized by the structure (Neg) V SVE DOK Neg VSub. It can ocure sporadically supstitutiv temporality formalized by the structure V DetTemp (U)MESTO KAD VSub, and consecutive-adversative temporality formalized by the structure KAD VSub A (ONDA) V.

As part of his special theory of relativity, Einstein introduced two definitions of the word “simultaneity”—the coordinated-clocks definition in his famous 1905 paper and the mid-point definition in his 1916 book. Einstein never discussed the relation between these two definitions. Neither has anyone else, to my knowledge. I show that these definitions are not equivalent because they have different scopes of applicability, but that they are equivalent wherever both apply. My proof of this partial equivalence is a corollary of my proof that both of Einstein’s definitions clash with the natural ticking of monochromatic light, which I call an electromagnetic wave clock. Einstein disparaged the idea of absolute simultaneity, but the reasons he gave were not good ones. He suggested that the idea originated in a confusion between happening simultaneously and being seen simultaneously. This thesis is dubious. It is also irrelevant, because an idea that originates in a confusion need not be a confused idea. He suggested that there could be no experimental test for absolute simultaneity. I refute this suggestion by describing an experimental test for absolute simultaneity, which I call the melt-mark test. The empirical credentials of Einstein’s definitions are not superior to those of absolute simultaneity. Einstein writes as if he can banish the idea of absolute “simultaneity” by merely giving the word “simultaneity” a new meaning. But many words have multiple meanings; Einstein merely made simultaneity such a word. The meanings of “simultaneity” that there is reason to disparage are Einstein’s definitions, because they clash with the electromagnetic wave clock. None of these points is properly appreciated by today’s physics community, where Einstein’s assertions about simultaneity continue to enjoy broad acclaim. Physical theories that employ the idea of absolute simultaneity are often wrongly rejected because they do.

Abstract The conventionality of simultaneity thesis as established by Reichenbach and Grünbaum is related to the partial freedom in the definition of simultaneity in an inertial reference frame. An apparently altogether different issue is that of the conventionality of spatial geometry, or more generally the conventionality of chronogeometry when taking also into account the conventionality of the uniformity of time. Here we will consider Einstein’s version of the conventionality of (chrono)geometry, according to which we might adopt a different spatial geometry and a particular definition of equality of successive time intervals. The choice of a particular chronogeometry would not imply any change in a theory, since its “physical part” can be changed in a way that, regarding experimental results, the theory is the same. Here, we will make the case that the conventionality of simultaneity is closely related to Einstein’s conventionality of chronogeometry, as another conventional element leading to it.

This study introduces three cooking process improvements for a multiproduct traditional Japanese cuisine restaurant to improve labor productivity and to assess relations between offered process changes and service product characteristics. Restaurant productivity is the lowest among service industries because restaurants are labor-intensive. Therefore, the industry is affected by service product characteristics. Combining line and cell cooking systems, batch cooking using partial freezers, and combining built-to-order and built-to-plan cooking are introduced into actual multiproduct traditional Japanese cuisine restaurants to change cooking operations and improve labor productivity. Results show that all cooking process changes reduce work hours. The correlation coefficient between work hour and sales revenue improved by line and cell cooking, but it is degraded by batch cooking and built-to-order and built-to-plan cooking. Line and cell cooking enhance simultaneity and reduce the influence of perishability because the system adopts hourly work hours to fluctuation of hourly sales by changing cooking systems (line/cell). However, the system does not resolve heterogeneity and intangibility difficulties because the system is intended to resolve quantitative difficulties of cooking operation systems. Batch cooking systems reduce the influence of simultaneity and perishability of service products because the method reduces cooking frequency using partial freezers. Furthermore, the system improves heterogeneity because the restaurant can provide head-chef-made dishes even if the chef is not working at the restaurant. However, the system does not resolve difficulties of intangibility because the system is not designed to improve customers’ subjective evaluation for service. Built-to-order and built-to-plan cooking reduce the respective influences of simultaneity, perishability, and heterogeneity of service products to some degree because built to plan teams also practice batch cooking using partial freezers. However, the system does not resolve the difficulty of intangibility because the system is not intended to improve customers’ subjective evaluation for service.

Natural plant fibers possess a lot of advantages in chemical modification, such as easy process, extensive intensity range, better selectivity, good resistance to water, biodegradability and photo-degradability, that makes the etherification and esterification wood has good development prospect. In this paper, softwood fibers were used as raw material and epoxy chloropropane as modifier. The influences of epoxy chloropropane dosage, reaction time and temperature, and the dosage of NaOH on the modification were analyzed. Simultaneity, an FTIR study was performed to show the partial substitution of hydroxyl groups by the epoxy group. And surface morphology of fibers modified was characterized by scanning electron microscope.

The article presents the construction of a functional-semantic field of compound conjunctive constructions with the meaning of simultaneous actions. Criteria for determining the central and peripheral components of the field are developed. The understanding of the temporal means of communication of complex constructions as a functional element, which is a causator of temporal relations and a formal indicator of the relationship between predicative units, is proposed. On the basis, the concept of a functive as a functional analog of a conjunction is introduced. Within each component of the constructed field, the means of expressing the total and partial simultaneity of actions are analysed.

Abstract. We have noted sporadic instances of strong isolated reflections of medium frequency (MF) radar waves from the mesosphere from as low as 50 km altitude and have devised a set of criteria for isolating these apparently anomalous echoes from those normally occurring from progressive partial reflections in the D-region. The object of this study is therefore to map the occurrences of such echoes facilitating comparisons with other observations. For example, the similarity and simultaneity of the echo structure for the 20 January 2005 with VHF radar results presented by Lübken et al. (2006) are particularly striking. In presenting a number of such echo events since 2001 selected from the MF radar dataset (which spans 1997 to present), we find that virtually all echo occurrences coincide with enhanced solar proton fluxes suggesting that substantial ionisation of the mesosphere is a necessary condition. Strong partial reflections of the radio wave in the lower mesosphere combined with seasonally varying total absorption higher up, thus giving false impressions of lower mesospheric layers preferentially in winter, constitute a scenario consistent with our observations.

Abstract. We have noted sporadic instances of strong isolated reflections of medium frequency (MF) radar waves from the mesosphere from as low as 50 km altitude and have devised a set of criteria for isolating these apparently anomalous echoes from those normally occurring from progressive partial reflections in the D-region. The object of this study is to map the occurrences of such echoes facilitating comparisons with other observations. For example, the similarity and simultaneity of the echo structure for the 20 January 2005 with VHF radar results presented by Lübken et al. (2006) are particularly striking. In presenting a number of such echo events since 2001 selected from the MF radar dataset (which spans 1997 to present), we find that virtually all echo occurrences coincide with enhanced solar proton fluxes suggesting that substantial ionisation of the mesosphere is a necessary condition. Strong partial reflections of the radio wave in the lower mesosphere combined with seasonally varying total absorption higher up, thus giving false impressions of lower mesospheric layers preferentially in winter, constitute a scenario consistent with our observations.

The paper presents structural and functional-semantic classifications of Koryak polypredicative constructions with the clause linkage marker tite ‘when’. These are syntactic units prototypically comprising two clauses linked by the word tite and encoding the relation between the events expressed by these predicative units. Given the endangered status of the Koryak language, it seems imperative to document its grammar. Furthermore, the Koryak syntax is particularly intriguing from a typological perspective due to its polysynthetic nature and extensive use of non-finite verb forms with nominal case affixes directly attached to the verb stem. This study employed the methodology developed by the scholars of the Institute of Philology of the SB RAS. The classifications were developed by analyzing the constructions concerned in the texts of the three native speakers. The three main parameters of the analysis were the forms used as predicates of clauses, the morphological nature of the clause linkage markers, and the semantic relation between the events. In terms of the morphology of clause linkage markers, the constructions can be categorized into proper analytic and analyticsynthetic types, while the forms of the predicates determine whether they are bi-finite, monofinite, or bi-nonfinite. The non-finite verb form system exclusively employs negative, locative, dative converbs, and converbs of simultaneity. When considering its functional aspects, the author regards tite as a versatile marker of clause linkage, encompassing temporal-conditional and complement constructions. Posteriority, partial simultaneity, and reality condition are among the most prevalent semantic types. Ultimately, this study emphasizes the correlations between structure and meaning.

Improving water use efficiency is essential for the advancement of agricultural production, particularly in arid and semiarid regions. Two-year field experiments were conducted to study the effects of ridge–furrow (RF) and flat planting (FP) plastic film mulching combined with five different nitrogen (N) fertilizers, N1 (KNO3), the nitrate (NO3−)/ammonium (NH4+) mixtures with different pure nitrogen ratios N2 (1:1), N3 (1:3), and N4 (3:1), and the control N5 (urea) on maize dry matter accumulation, soil water content, grain yield, water use efficiency (WUE), and N partial factor productivity. Our results showed that RF and N4 were more efficient than FP for increasing maize grain yield, WUE, and nitrogen partial factor productivity, and there was a significant interaction for cultivation practices × N formulation. RF and 3:1 NO3−/NH4+ significantly increased grain yield by 14.73% and 13.15%, and 20.07% and 24.14% in 2016 and 2017, respectively, compared to FP and nitrate only. RFN4 produced the highest grain yield in 2016 and 2017 due to the highest dry matter accumulation at filling and physiological maturity stage, ear rows per spike, and row grains per row. Over two growing seasons, the WUE and N partial factor productivity under RFN4 were 18.75% and 29.17% more on average than those of other treatments. Therefore, RFN4 is an effective planting system for increasing the simultaneity of grain yield and WUE for maize production in rain-fed agriculture.

Abstract The brain's ability to extract information from multiple sensory channels is crucial to perception and effective engagement with the environment, but the individual differences observed in multisensory processing lack mechanistic explanation. We hypothesized that, from the perspective of information theory, individuals with more effective multisensory processing will exhibit a higher degree of shared information among distributed neural populations while engaged in a multisensory task, representing more effective coordination of information among regions. To investigate this, healthy young adults completed an audiovisual simultaneity judgment task to measure their temporal binding window (TBW), which quantifies the ability to distinguish fine discrepancies in timing between auditory and visual stimuli. EEG was then recorded during a second run of the simultaneity judgment task, and partial least squares was used to relate individual differences in the TBW width to source-localized EEG measures of local entropy and mutual information, indexing local and distributed processing of information, respectively. The narrowness of the TBW, reflecting more effective multisensory processing, was related to a broad pattern of higher mutual information and lower local entropy at multiple timescales. Furthermore, a small group of temporal and frontal cortical regions, including those previously implicated in multisensory integration and response selection, respectively, played a prominent role in this pattern. Overall, these findings suggest that individual differences in multisensory processing are related to widespread individual differences in the balance of distributed versus local information processing among a large subset of brain regions, with more distributed information being associated with more effective multisensory processing. The balance of distributed versus local information processing may therefore be a useful measure for exploring individual differences in multisensory processing, its relationship to higher cognitive traits, and its disruption in neurodevelopmental disorders and clinical conditions.

As part of his recent study of ‘Narration and allusion in Archaic Greek Art’, Professor A. M. Snodgrass has cause to treat of the famous Attic black-figure vase which depicts Circe handing a cup containing her sinister brew to one of Odysseus’ sailors. She is stirring it with her wand the while, and yet this sailor, and three companions besides, have already been transformed into various animals (or at least his head, and their heads and arms have been). Professor Snodgrass has no difficulty in explaining the apparent simultaneity of separate events here and elsewhere on this vase-painting as relating to what he calls the ‘synoptic’ technique of early Greek Art, that familiar device whereby several successive episodes in a narrative are presented together within the same picture. And he is inclined towards a similar line of explanation as regards the partial transformation of Odysseus’ ἑταῖροι: the artist ‘wished to express the passage of time by indicating a half-way stage in the transformation’.

This paper reports on a study designed to assess the influence of the pragmatic Principle of Informativeness on the translatorial strategy of explicitation. It replicates a previous study on the occurrence of conjunctional augmentation of English present participle free adjuncts in a monolingual corpus (Kortmann 1991), with a database of translation instances from English into Catalan. The study aims at testing the validity of Kortmann’s scale of informativeness of semantic / discourse relations (e.g. Condition, Cause, Simultaneity, etc.) as a (partial) account of explicitation by means of sentence and discourse connectives. The methodology is text-based and involves collecting a database of pairs of sequences (English source text, Catalan translation), identifying the most plausible interpretation between free adjunct and matrix clause, and classifying them into instances that have undergone explicitation vs. non-explicitation. The data are analysed quantitatively (by finding the percentages of explicitation per relationship) as well as qualitatively (by analysing the kinds of semantic shifts that occur between source texts and translations).

The paper discusses ways of expressing the temporal relations of partial simultaneity in adverbial clauses in the German language. Although the relations can be expressed by participle phrases, noun phrases, prepositional phrases and infinitive phrases, the adverbial clause is the most frequent means of expressing the relations. The temporal adverbial clause has an almost unlimited range of applications, which stretches from vaguely hinted relation to absolute necessity, and from general statements and clarifications to definite emotionally motivated utterances. Wherever there is an obvious connection between facts, events, actions, relations as well as personal will and feeling, it can be expressed by means of a temporal structure. The subject of the paper is the influence of conjunctions während, als, wenn, seit(dem) and solange on the time arrangement of situations introduced into the time clause and the main clause with regard to morphological, syntactic and semantic elements and dependence on the relation of the correspondence between events in the time clause and events in the main clause in German.

Abstract Background Multisensory perception is the ability to merge information from different sensory modalities. There is a growing interest in identifying ways to improve multisensory perception abilities in older adults, as inefficient multisensory processing has been linked to cognitive and functional impairments. Previous research has shown multisensory perception can be improved in young adults through training their simultaneity judgement. In the present study, we tested whether two different versions of this successful training protocol could train audio-visual abilities in older adults. Methods Fifty-eight (32 female) community dwelling and cognitively healthy older adults participated in this study. The age range was 60 – 85 (M=72.47, SD = 6.46). Recruitment was completed through active retired and community-based HSE Falls groups. Participants were randomly assigned to one of two experimental conditions; synchronous or asynchronous training. Each group performed a similar computer-based training protocol, the difference between groups being the instruction given during training. Participants’ multisensory processing was assessed using the Sound-induced Flash Illusion (SiFI) which measures processing efficiency based on susceptibility to an audio-visual illusion. Results After 3 days of training, the Analysis of Variance on multisensory thresholds revealed no significant main effect of Training Group [F(1, 42) = .22, p = .64, partial eta squared = .005], Time [F(1, 42) = .007, p = .93, partial eta squared <.001] or SOA [F(5, 210) = 1.19, p = .31, partial eta squared = .028]. Further analyses showed no performance improvement, nor change in susceptibility to the SiFI. Conclusion These results provide useful information for future studies exploring ways to train multisensory processing in older adults. We argue the cognitive demands of the computer-based task may account for the lack of an effect in older adults. Our findings highlight the role of task demands and cognitive load as factors to consider in future training studies with older adults.

This paper presents a model-based analysis of variability of thermodynamic and chemical parameters in a rotary kiln (RK) during thermal treatment of animal waste. The core process of chemical treatment of waste takes place in RKs; the process involves heating, gasification and partial combustion of the waste. Control over these parameters, and especially the level of complete combustion, determines the quality and efficiency of the process. In operational practice, control and analysis of the variability of process parameters is complicated by the high degree of simultaneity of individual transformations, random disruptions of the process and metrological difficulties resulting from high temperature and chemical activity of the materials being processed. The purpose of preparing the model was to obtain a tool for predicting variability of selected process parameters. By definition, model calculations assume no influence of disturbances on output values, which makes it possible to acquire accurate results that can be compared with corresponding empirically obtained data. The result of the analyses conducted is a theoretical model of the analysed process and a graphical presentation of the calculation results in the form of graphs and charts. A formula for calculating the level of complete combustion and the results of calculation of this index on the basis of empirical data from an industrial waste incineration plant are also presented herein. The presented model is a useful tool providing an insight into interdependencies between selected process parameters and facilitating design of corrective actions oriented towards process optimisation.

This study was carried out to decide the impact of the marketing mix on the satisfaction of visitors to Taman Safari Indonesia II Prigen. While this research has the aim of understanding and analyzing how the marketing mix is offered to visitors, how the level of visitor satisfaction in the marketing mix, the magnitude of the influence of the marketing mix simultaneously and partially on the satisfaction of visitors at Taman Safari Indonesia II Prigen. The technique used on this studies is quantitative with the form of studies used is descriptive and causal. Samples have been taken the usage of a non-opportunity sampling technique with purposive sampling with a complete of four hundred respondents. In studying the data, descriptive evaluation and multiple regression evaluation have been used. After testing the simultaneity hypothesis, it is located that the first-rate of carrier has a big have an effect on at the delight of visitors at Taman Safari Indonesia II Prigen. From the consequences of partial speculation testing (t test) it changed into located that the variables iproduct, iprice, iplace, ipromotion, ipeople, iprocess, and physicali proof had a large have an impact on at the pride of traffic to Tamani Safari Indonesia II. Based at the coefficient of determination, it changed into located that the quantity of vacationer pleasure changed into 68.2% and the remaining 31.8% was caused by other factors not included in the research examined by researchers such as visiting decision factors and visitor loyalty

The article deals with the main features of the infinitive, the specifics of its grammatical and syntactic functions in modern German language. It is found out that the infinitive has partial properties of both the verb and the noun. Therefore, the infinitive is considered a morpho-syntactically hybrid phenomenon, which is between the noun and the verb in the classification of parts of speech. The author proves that although infinitive and differs from a verb that it has no personal forms and the form of number, however as well as a verb expresses an action, process or state, has grammatical categories of time and state. The concept of infinitive time is special, because it does not express absolute time, but only the temporal ratio of actions. This time value is expressed in two forms Infinitive Present / Infinitive I and Infinitive Perfect / Infinitive II. The use of Infinitive I is responsible for the simultaneity or continuity of action, and Infinitive II for premature action. The grammatical category of the state of the German infinitive has six different forms: Infinitive I Active, Infinitive II Active, Infinitive I Passive, Infinitive II Passive, Infinitive I Stative, Infinitive II Stative. The affinity of the infinitive to the verb can be traced in the possibility of the formation of analytical verb forms (Future I, Future II, Conditional I, Conditional II), as well as in the function of the predicate in the sentence. As a result of the research it has been found that as well as a noun, the infinitive can express an action, process or state without specifying the person, number, method and time, it is easily substantivized and performs the appropriate syntactic functions. The analysis allows us to assert the powerful potential of the infinitive in the syntactic context, because it can perform the functions of both the main members of the sentence (subject, predicate) and secondary (object, attribute, adverbial modefier). This syntactic polyfunctionality of the infinitive distinguishes it from verb finite forms, which act only as a predicate.

Special Theory of Relativity (STR) is a fundamental physical theory that underlies modern physics andhas enormous worldview potential. At the same time, in the process of teaching (studying) the elementsof STR in school and higher education institutions face a number of problems. These problems areprimarily related to the complex mathematical apparatus that describes it; consideration of imaginarymodel representations that do not really exist in nature; formation of the concept of “event” anddistinguishing under different initial conditions of the concepts of “relative”, “portable” and“absolute” movements, etc. In this regard, it is important to find ways to improve the methodology ofstudying the elements of STR, which is what this article is about.The article offers one of the tested options for studying the main provisions of the special theory ofrelativity in the general course of physics, which is taught in the programs of physical andmathematical specialties of pedagogical universities. The main approaches on which the proposedmethodology is based are the reference to the principle of conformity in the transformation of physicaltheories from their partial cases to more general ones. In this regard, the limits of application ofclassical Galilean-Newton mechanics in the plane of absolutization by this theory of categories of spaceand time, the simultaneity of events in a different frame of reference, the instantaneous transmission ofinteractions between bodies at a distance, etc. are analyzed.The physical meaning of Einstein’s postulates, which underlie the theory of relativity, regarding thespecial status of the speed of light propagation as a natural phenomenon is clarified. On the basis ofthese postulates, the formulas of the Lorentz coordinate and time transformations are deduced. Aconsistent, detailed derivation of the formula for the transition coefficient from the Galilean coordinateand time transformations (for the transition from one inertial frame of reference to another) to theLorentz coordinate and time transformations, which reflects their relativistic content, is given. Theestablishment of these formulas is based on the mathematical apparatus, which corresponds to the levelof school mathematical training of participants in the educational process. Based on the obtainedresults on the formulas of Lorentz transformations, the relativity of the concepts of “duration ofevents”, “time intervals”, “changes in size and shape of bodies”, etc. is demonstrated mathematically,if they are considered in reference systems that are in motion relative to each other. Keywords: classical mechanics; reference system; the principle of relativity; space-time invariant;coordinate and time conversion.

Context. The problem of QoS based Web service from the list of Web services with equal or similar functionality was considered. This task is an essential part of the processes of finding, discover, matching and using Web services on the Internet due to the numerous offerings of Web services with equal or similar functionality. The reasonable selection of a suitable Web service takes into account a lot of user’s quality requirements, such as response time, throughput, reliability, cost, etc. Such a task is usually formulated as an MCDM problem, in which the parameters are the Web service quality factors and the importance degree of these factors. The object of this research is a process of selection Web services using MCDM methods, taking into accounts the user’s preferences and requirements to the Web service quality characteristics. The subject of the research is the LSP method, which, in addition to the degree of importance of the criteria used in all MCDM methods, simulates the user’s reasoning about quality, taking into account, in particular, such characteristics of the criteria as mandatory, sufficiency, desirability, simultaneity and substitutability. Objective. The objective of the work is to develop an approach for comparing the result of using the LSP method with the results of using other MCDM methods. Method. A method for calculating the weights of input criteria that are not always explicitly specified in the LSP method was proposed. For this, the conjunctive coefficients of impact are used, which are calculated as a result of the sensitivity analysis of the Web service generalized quality criterion to changes the partial quality criteria. This method underlies the proposed approach to comparing the efficiency of the LSP method with other MCDM methods, which consists of using the obtained weights as the weights of the input criteria for the MCDM methods. Results. The developed method and approach was verified experimentally. The Web service ranking produced by the LSP method was compared with the ones produced by SAW, AHP, TOPSIS and VIKOR methods. This comparison confirmed the efficiency of the proposed method and approach. Conclusions. From the obtained results of comparing the LSP method and the MCDM methods considered in this study, it follows that the proposed method and approach provide the equivalent input conditions for these methods as for the LSP method, which is a necessary condition for the correct comparison of MCDM methods. The use of the proposed approach made it possible to study the sensitivities of the considered MCDM methods. In practical applications, this approach can be used to select a suitable MCDM method. The proposed method can be useful for creating professional evaluation systems in which it is necessary to assess the importance (weights) of tens and hundreds of quality criteria.

The paper discusses the syntactic-semantic and contextual features of a nonpredicate formal structure as an exponent of the basic temporal clause. It is a type of condensation of an extensive (developed) dependent sentence form that has no features of either nominalization or verbid processes of summarizing sentence formal structures, i.e. their propositions. It is a form of reduction, as a special type of condensation process in which certain elements of the basic sentence are omitted ? as a rule, the predicate constituent or its verb elements as carriers of grammatical data, so it is represented by the primary noun NN, which is in neither derivational nor semantic connection with the verb, and, in this case, in the syntactic connection with the formant KAO. This structure is identical in its formal characteristics to the comparative syntagm, which can develop into a comparative clause with a factual (KAO STO) or counterfactual (KAO DA) conjunction, but differs significantly from it, since it is realized under different lexical and grammatical conditions ? the formant KAO is not an exponent of a complex comparative conjunction, but corresponds to the temporal conjunction KADA (more often) or DOK (much less often). By applying the substitution metalanguage test on typical examples, as well as on the corpus of original linguistic material, the conditions are defined: lexical, syntactic-semantic and contextual, under which the structure KAO NN represents an exponent of the basic developed temporal clause (for example: AS a child, he was mischievous [? WHEN he was a child, he was mischievous]). The analysis showed that the following are responsible for the temporal meaning of this structure: (1) the semantics of the noun NN (nouns denoting the age / period of life, or professional or temporary social status of the animate entity are considered); (2) the relationship between the noun in the structure KAO NN (NN1) and the noun (NN2) in the function of the subject of the matrix sentence / subject of the developed temporal clause, which are identical, and although in appearance NN1 and NN2 are two different nouns, they have the same referent), as well as (3) the identity of the case form of both nouns (most often it is the nominative case in the structure KAO NN1, i.e. as the part of the predicate of temporal clause, and as the subject NN2 in the sentence and in the clause); (4) temporal framework: in terms of relative time, only the relationship of simultaneity (complete or partial) is considered, and in terms of absolute time, the sphere of the past is dominant and rarely and only under certain lexical conditions, the sphere of the future, but the sphere of the present is excluded (both referential and non-referential); (5) positioning: although all three possible positions are available to this structure, preposition in relation to the matrix sentence predominates, and in certain cases it is obligatory.

Listeners rated the subjective difference between pairs of different synthesized orchestral instrumental timbres. They then reported their perception of variations on crossing ascending and descending musical scales played in different timbres. With little or no timbre difference between the scales, auditory streaming by pitch led to the perception of separate high and low halfscales. Increasing timbre difference led to the perception of the complete scales played by each instrument, particularly if the two scales were in distant keys or temporally interleaved rather than simultaneous. If the notes of each scale alternated between two instruments, then perceptual separation by timbre would result in the perception of the "jumping" sequence of notes played by each instrument. This sequence was perceived only if the scales were discordant or temporally interleaved. Multidimensional scaling of the difference ratings led to three dimensions, which were correlated with acoustic parameters resulting from spectral analysis of the sounds. The most important aspects of timbre for perceptual separation were the proportion of energy in the lower partials and, for discordant scales, the duration of the decay. Auditory streaming by timbre thus depends on particular dimensions of timbre and on musical factors such as harmonic relation, simultaneity, and continuity.

AbstractWe analyze the effectiveness of R&D subsidies on firms' R&D efforts in a developing country like Ecuador. We use the National Survey of Innovation Activities. Methodologically, we employ a structural framework that considers simultaneity and selection issues. Our results indicate that subsidies have an extensive margin effect, as they encourage firms to carry out R&D activities, and an intensive margin effect, as they increase firms' total innovation effort. However, this is compatible with partial crowding‐out of private efforts by public funds. One possible mechanism to explain this result is that, in developing countries with less developed capital markets, firms with financial constraints may divert part of the subsidy to invest in fixed capital. We find some support for this hypothesis, as the most financially constrained firms both explain the crowding‐out effect and increase their fixed capital investment when receiving a subsidy. For other firms, we observe crowding‐in, and their fixed capital investment remains insensitive to the subsidy.

The special theory of relativity holds significant interest for scientific perspectivists. In this paper, I distinguish between two related meanings of “perspectival,” and argue that reference frames are perspectives, provided that perspectival means “being conditional” rather than “being partial.” Frame-dependent properties such as length, time duration, and simultaneity, are not partially measured in a reference frame, but their measurements are conditional on the choice of frame. I also discuss whether the constancy of the speed of light depends on perspectival factors such as the idealized definition of the speed of light in a perfect vacuum and the Einstein synchronization convention. Furthermore, I argue for the view that the constancy of its speed is a robust property of light according to the conditions of currently acceptable experimental setups pertaining to special relativity, and conclude that this view supports perspectivism.

The subduction initiation associated with the beginning of accretionary orogens has been thought to be related to global plate reorganization. To characterize the initial subduction within the western Central Asian Orogenic Belt, this integrated study focuses on Cambrian tholeiitic to calc-alkaline plutons in the Barleik-Mayile-Saleinuohai area of West Junggar, NW China. Zircon U-Pb results of felsic plutons reveal a wide range (511−488 Ma) of ages with older ages up to 514−511 Ma. The felsic rocks exhibit variable SiO2 (53.0−77.4 wt%) and K2O (0.05−2.24 wt%) contents and can be classified as diorite, granodiorite, trondhjemite, and tonalite. On the basis of their low TiO2 (0.12−0.71 wt%) contents and characteristic trace element trends as well as high zircon εHf(t) (+10.5 to +14.5) and mantle-like zircon δ18O (5.0 ± 0.48‰ to 5.4 ± 0.43‰, two standard deviations) values, we interpret that the Cambrian felsic rocks have diverse origins, involving differentiation of arc basalts and partial melting of subducted oceanic crust, arc mafic crust, and metasomatized mantle wedge. The Saleinuohai gabbroic pluton shows zircon δ18O ratios from 4.2 to 4.7‰, which are lower than those of igneous zircons in equilibrium with mantle and thus reflect modification of their mantle source by hydrothermal fluids with seawater-like oxygen isotopes at high temperature. Combined with regional data, we propose that the West Junggar arc represents the extending of the Boshchekul-Chingiz arc in the Early Cambrian, defining a long (&gt;1000 km) E-W−trending subduction zone. The earliest island-arc tholeiitic felsic plutons in the West Junggar took place at ca. 514−511 Ma, which, coupled with other early subduction records (e.g., 530 Ma SSZ-type Kopu-relisay ophiolites) in the western Paleo-Asian Ocean, indicates that initial stages of subduction of the western Paleo-Asian Ocean probably occurred in the Early Cambrian. The simultaneity between the initial subduction of the western Paleo-Asian Ocean, Gondwana assembly, and Laurasia breakup suggests a causal link between the three, collectively correlated to a global plate adjustment event.

Abstract Background To have better prognostic outcomes and minimize deaths due to nasopharyngeal cancer, it is vital to understand factors that motivate the public to undertake cancer preventive measures. The study investigated determinants of intention to adopt measures to reduce nasopharyngeal cancer risk using the Theory of Planned Behavior. Method A cross-sectional survey was conducted on Malaysians (n = 515) using a questionnaire on attitudes, subjective norm, perceived behavioral control, knowledge of nasopharyngeal cancer, past nasopharyngeal cancer preventive behavior, and intention to adopt preventive measures. The attitudes construct encompassed perceptions of susceptibility, severity, benefits and barriers. Hierarchical regression of mediation effect under structural equation model approach was used to test the theory. The model was re-estimated using the two-stage least square approach by instrumental approach. Next the Maximum Likelihood Estimation-Structural Equation Modeling was conducted to gauge the instrumentation and check the robustness of the model’s simultaneity. Results The respondents had moderate knowledge of nasopharyngeal cancer, and reported high levels of perceived risk, perceived severity and perceived behavioral control. The respondents were under little social pressure (subjective norm) to perform nasopharyngeal cancer preventive actions, marginally believed in the benefits of medical tests and reported few barriers. The Partial Least Squares-Structural Equation Modeling results show that the relationship between intention and four independent variables were significant (perceived behavioral control, perceived risk, perceived severity, marital status) at p < .05. Tests of Two-stage Least Square Approach and Maximum Likelihood Estimation-Structural Equation Modeling confirm the four key factors in determining the intention to reduce nasopharyngeal cancer risk. The variance explained by these factors is 33.01 and 32.73% using Two-stage Least Square Approach and Maximum Likelihood Estimation-Structural Equation Modeling respectively. Intention to undertake nasopharyngeal cancer risk-reducing behavior has no significant relationship with subjective norm, attitudes (perceived benefits and barriers to screening), knowledge of nasopharyngeal cancer and past behavior in enacting nasopharyngeal cancer preventive measures. The only demographic variable that affects intention is marital status. Gender, age, race, religion, education level, and income are not significantly associated with intention. Conclusions In contexts where knowledge of nasopharyngeal cancer is moderate, the factors associated with the intention to reduce risk are perceived risk and severity, perceived behavioral control, and marital status.

AbstractSystemic inflammation triggers protective as well as pro-inflammatory responses in the brain based on neuronal and/or cytokine signaling, and it associates with acutely and protractedly disrupted cognition. However, the multiple mechanisms underlying the peripheral–central inflammatory signaling are still not fully characterized. We used intraperitoneal (i.p.) injection of lipopolysaccharide (LPS) in freely moving mice with chronically implanted electrodes for recording of local field potentials (LFP) and electrocorticography (ECoG) in the hippocampus and neocortex, respectively. We show here that a sudden switch in the mode of network activity occurred in both areas starting at 10–15 min after the LPS injection, simultaneously with a robust change from exploration to sickness behavior. This switch in cortical mode commenced before any elevations in pro-inflammatory cytokines IL-1β, TNFα, CCL2 or IL-6 were detected in brain tissue. Thereafter, this mode dominated cortical activity for the recording period of 3 h, except for a partial and transient recovery around 40 min post-LPS. These effects were closely paralleled by changes in ECoG spectral entropy. Continuous recordings for up to 72 h showed a protracted attenuation in hippocampal activity, while neocortical activity recovered after 48 h. The acute sickness behavior recovered by 72 h post-LPS. Notably, urethane (1.3 mg/kg) administered prior to LPS blocked the early effect of LPS on cortical activity. However, experiments under urethane anesthesia which were started 24 h post-LPS (with neuroinflammation fully developed before application of urethane) showed that both theta–supratheta and fast gamma CA1 activity were reduced, DG delta activity was increased, and sharp-wave ripples were abolished. Finally, we observed that experimental compensation of inflammation-induced hypothermia 24–48 h post-LPS promoted seizures and status epilepticus; and that LPS decreased the threshold of kainate-provoked seizures beyond the duration of acute sickness behavior indicating post-acute inflammatory hyperexcitability. Taken together, the strikingly fast development and initial independence of brain cytokines of the LPS-induced cortical mode, its spectral characteristics and simultaneity in hippocampus and neocortex, as well as inhibition by pre-applied urethane, strongly suggest that the underlying mechanisms are based on activation of the afferent vagus nerve and its mainly cholinergic ascending projections to higher brain areas.

In a listicle on becomingminimalist.com, Joshua Becker argues that advances in personal computing have contributed to the growing popularity of the minimalist lifestyle. Becker explains that computational media can efficiently absorb physical artefacts like books, photo albums, newspapers, clocks, calendars, and more. In Nawapol Thamrongrattanarit’s Happy Old Year (2019, ฮาวทูทิ้ง ทิ้งอย่างไร..ไม่ให้เหลือเธอ) the protagonist Jean also argues that material possessions are wasteful and unnecessary in the era of cloud storage. In the film, she redesigns her old-fashioned and messy childhood home to create a minimalist home office. In decluttering their material possessions through a partial reliance on computational storage, Jean and Becker conveniently dispense with the materiality of informational infrastructures and digital archives. Informational technology’s ever-growing capacity for storage and circulation also intensify anxieties about clutter. During our online interactions, we inadvertently leave an amassing trail of metadata behind that allows algorithms to “personalise” our interfaces. Consequently, our interfaces are “cluttered” with recommendations that range from toothpaste to news, movies, clothes, and more, based on a narrow and homophilic comparison of datasets. Notably, this hypertrophic trail of digital clutter threatens to overrepresent and blur personal identities. By mindfully reducing excessive consumption and discarding wasteful possessions, our personal spaces can become tidy and coherent. On the other hand, there is little that individuals can do to control nonhuman forms of digital accumulation and the datafied archives that meticulously record and store our activities on a micro-temporal scale. In this essay, I explore archive fever as the prosthetic externalisation of memory across physical and digital spaces. Paying close attention to Sianne Ngai’s work on vernacular aesthetic categories and Susanna Paasonen’s exploration of equivocal affective sensations, I study how advocates of minimalist design seek to recuperate our fraught capacities for affective experience in the digital era. In particular, I examine how Thamrongrattanarit problematises minimalist design, prosthetic memory, and the precarious materiality of digital media in Happy Old Year and Mary Is Happy, Mary Is Happy (2013, แมรี่ อีส แฮปปี้, แมรี่ อีส แฮปปี้). Transmedial Minimalist Networks and Empty Spaces Marie Kondo famously teaches us how to segregate objects that spark joy from material possessions that can be discarded (Kondo). The KonMari method has a strong transmedial presence with Kondo’s bestselling books, her blog and online store, a Netflix series, and sticky memes that feature her talking about objects that do not spark joy. It is interesting to note the rising popularity of prescriptive minimalist lifestyle blogs that utilise podcasts, video essays, tutorials, apps, and more to guide the mindful selection of essential material possessions from waste. Personal minimalism is presented as an antidote to late capitalist clutter as self-help gurus appear across our computational devices teach us how we can curb our carbon footprints and reduce consumerist excess. Yet, as noted by Katherine Hayles, maximal networked media demands a form of hyper-attention that implicates us in multiple information streams at once. There is a tension between the overwhelming simultaneity in the viewing experience of transmedial minimalist lifestyle networks and the rhetoric of therapeutic selection espoused in their content. In their ethnographic work with minimalists, Eun Jeong Cheon and Norman Makoto Su explore how mindfully constructed empty spaces can serve as a resource for technological design (Cheon and Su). Cheon and Su note how empty spaces possess a symbolic and functional value for their respondents. Decluttered empty spaces offer a sensuous experience for minimalists in coherently representing their identity and serve as a respite from congested and busy cities. Furthermore, empty spaces transform the home into a meaningful site of reflection about people’s objects and values as minimalists actively work to reduce their ownership of physical artefacts and the space that material possessions occupy in their homes and minds: the notion of gazing upon empty spaces is not simply about reading or processing information for minimalists. Rather, gazing gives minimalists, a visual indicator of their identity, progress, and values. (Cheon and Su 10) Instead of seeking to fill and augment empty space, Cheon and Su ask what it might mean to design technology that appreciates the absence of information and the limitation of space. The Interestingness of “Total Design and Internet Plenitude” Sianne Ngai argues that in a world where we are constantly hailed as aesthetic subjects, our aesthetic experiences grow increasingly fragile and ineffectual (Ngai 2015). Ngai further contends that late capitalism makes the elite exaggeration of the autonomy of art (at auction houses, mega-exhibitions, biennales, and more) concurrently possible with the hyper-aestheticisation of everyday life. The increase in inconsequential aesthetic experiences mirrors a larger habituation to aesthetic novelty along with the loss of the traditional friction between art and the commodity form: in tandem with these seismic changes to longstanding ideas of art’s vocation, weaker aesthetic categories crop up everywhere, testifying in their very proliferation to how, in a world of “total design and Internet plenitude”, aesthetic experience while less rarefied also becomes less intense. (Ngai 21) Ngai offers us the cute, interesting, and zany as the key vernacular categories that describe aesthetic experience in “the hyper-commodified, information-saturated, and performance-driven conditions of late-capitalist culture” (1). Aesthetic experience no longer subscribes to an exceptionally single feeling but is located at the ambiguous mixture of mundane affect. Susanna Paasonen notes how Ngai’s analysis of an everyday aesthetic experience that is complex and equivocal helps explain how seemingly contradictory and irreconcilable affective tensions might in fact be mutually co-dependent with each other (Paasonen). By critiquing the broad and binary generalisations about addiction and networked technologies, Paasonen emphasises the ambivalent and fleeting nature of affective formation in the era of networked media. Significantly, Paasonen explores how ubiquitous networked infrastructures bind us in dynamic sensations of attention and distraction, control and helplessness, and boredom and interest. For Ngai, the interesting is a “low, often hard-to-register flicker of affect accompanying our recognition of minor differences from a norm” (18). There is a discord between knowledge and feeling (and cognition and perception) at the heart of the interesting. We are drawn to the interesting object after noticing something peculiar about it and yet, we are simultaneously at a loss of knowledge about the exact contents of that peculiarity. The "interesting" is embodied in the seriality of constant circulation and a temporal experience of in-betweenness and anticipation in a paradoxical era of routinised novelty. Ngai notes how in the 1960s, many minimalist conceptual artists were preoccupied with tracking the movement of objects and information by transport and communication technologies. In offering a representation of networks of circulation, “merely interesting” conceptual art disseminates information about itself and makes technologies of distribution central to its process of production. The interesting is a pervasive aesthetic judgment that also explains our affectively complex rapport with information in the context of networked technologies. Acclimatised to the repetitive tempos of internet browsing and circular refreshing, Paasonen notes we often oscillate between boredom and interest during our usage of networked media. As Ngai explains, the interesting is “a discursive aesthetic about difference in the form of information and the pathways of its movement and exchange” (1). It is then “interesting” to explore how Thamrongrattanarit tracks the circulation of information and the pathways of transmedial exchange across Twitter and cinema in Mary Is Happy, Mary Is Happy. Digital Memory in MIHMIH Mary Is Happy, Mary Is Happy is adapted from a set of 410 consecutive tweets by Twitter user @marymaloney. The film instantiates the phatic, ephemeral flow of a Twitter feed through its deadpan and episodic narrative. The titular protagonist Mary is a fickle-headed high-school senior trying to design a minimalist yearbook for her school to preserve their important memories. Yet, the sudden entry of an autocratic principal forces her to follow the school administration’s arbitrary demands and curtail her artistic instincts. Ultimately, Mary produces a thick yearbook that is filled with hagiographic information about the anonymous principal. Thamrongrattanarit offers cheeky commentary about Thailand’s authoritarian royalist democracy where the combination of sudden coups and unquestioning obedience has fostered a peculiar environment of political amnesia. Hagiographic and bureaucratic informational overload is presented as an important means to sustain this combination of veneration and paranoia. @marymaloney’s haphazard tweets are superimposed in the film as intertitles and every scene also draws inspiration from the tweet displayed in an offhand manner. We see Mary swiftly do several random and unexplained things like purchase jellyfishes, sleep through a sudden trip to Paris, rob a restaurant, and more in rapid succession. The viewer is overwhelmed because of a synchronised engagement with two different informational currents. We simultaneously read the tweet and watch the scene. The durational tension between knowing and feeling draws our attention to the friction between conceptual interpretation and sensory perception. Like the conceptual artists of the 1960s, Thamrongrattanarit also shows “information in the act of being circulated” (Ngai 157). Throughout the film, we see Mary and her best friend Suri walk along emptied railway tracks that figuratively represent the routes of informational circulation across networked technologies. With its quirky vignettes and episodic narrative progression, MIHMIH closely mirrors Paasonen’s description of microevents and microflow-like movement on social media. The film also features several abrupt and spectacular “microshocks” that interrupt the narrative’s linear flow. For example, there is a running gag about Mary’s cheap and malfunctioning phone frequently exploding in the film while she is on a call. The repetitive explosions provide sudden jolts of deadpan humour. Notably, Mary also mentions how she uses bills of past purchases to document her daily thoughts rather than a notebook to save paper. The tweets are visually represented through the overwhelming accumulation of tiny bills that Mary often struggles to arrange in a coherent pattern. Thamrongrattanarit draws our attention to the fraught materiality of digital memory and microblogging that does not align with neat and orderly narrativisation. By encouraging a constant expression of thoughts within its distinctive character limit, Twitter promotes minimal writing and maximal fragmentation. Paasonen argues that our networked technologies take on a prosthetic function by externalising memory in their databases. This prosthetic reserve of datafied memory is utilised by the algorithmic unconscious of networked media for data mining. Our capacities for simultaneous multichannel attention and distraction are increasingly subsumed by capital’s novel forms of value extraction. Mary’s use of bills to document her diary takes on another “interesting” valence here as Thamrongrattanarit connects the circulation of information on social media with monetary transactions and the accumulation of debt. While memory in common parlance is normally associated with acts of remembrance and commemoration, digital memory refers to an address for storage and retrieval. Wendy Chun argues that software conflates storage with memory as the computer stores files in its memory (Chun). Furthermore, digital memory only endures through ephemeral processes of regeneration and degeneration. Even as our computational devices move towards planned obsolescence, digital memory paradoxically promises perpetual storage. The images of dusty and obsolete computers in MIHMIH recall the materiality of the devices whose databases formerly stored many prosthetic memories. For Wolfgang Ernst, digital archives displace cultural memory from a literary-based narrativised framework to a calculative and mathematical one as digital media environments increasingly control how a culture remembers. As Jussi Parikka notes “we are miniarchivists ourselves in this information society, which could be more aptly called an information management society” (2). While traditional archives required the prudent selection and curation of important objects that will be preserved for future use on a macro temporal scale, the Internet is an agglomerative storage and retrieval database that records information on a micro temporal scale. The proliferation of agglomerative mini archives also create anxieties about clutter where the miniarchivists of the “information-management society” must contend with the effects of our ever-expanding digital trail. It is useful to note how processes of selection and curation that remain central to minimalist decluttering can be connected with the design of a personal archive. Ernst further argues that digital memory cannot be visualised as a place where objects lay in static rest but is better understood as a collection of mini archives in motion that become perceptible because of dynamic signal-based processing. In MIHMIH, memory inscription is associated with the “minimalist” yearbook that Mary was trying to create along with the bills where she documents her tweets/thoughts. At one point, Mary tries to carefully arrange her overflowing bills across her wall in a pattern to make sense of her growing emotional crisis. Yet, she is overwhelmed by the impossibility of this task. Networked media’s storage of prosthetic memory also makes self-representation ambiguous and messy. As a result, Mary’s story does align with cathartic and linear narrativisation but a messy agglomerative database. Happy Old Year: Decluttering to Mend Prosthetic Memories Kylie Cardell argues that the KonMari method connects tidiness to the self-conscious design of a curated personal archive. Marie Kondo associates decluttering with self-representation. "As Kondo is acutely aware, making memories is not simply about recuperating and preserving symbolic objects of the past, but is a future-oriented process that positions subjects in a peculiar way" (Cardell 2). This narrative formation of personal identity involves carefully storing a limited number of physical artefacts that will spark joy for the future self. Yet, we must segregate these affectively charged objects from clutter. Kondo encourages us to make intuitive judgments of conviction by overcoming ambivalent feelings and attachments about the past that are distributed over a wide set of material possessions. Notably, this form of decluttering involves archiving the prosthetic memories that dwell in our (analogue) material possessions. In Happy Old Year, Jean struggles to curate her personal archive as she becomes painfully aware of the memories that reside in her belongings. Interestingly, the film’s Thai title loosely translates as “How to Dump”. Jean has an urgent deadline to declutter her home so that it can be designed into a minimalist home office. Nevertheless, she gradually realises that she cannot coldly “dump” all her things and decides to return some of the borrowed objects to her estranged friends. This form of decluttering helps assuage her guilt about letting go of the past and allows her to (awkwardly and) elegantly honour her prosthetic memories. HOY reverses the clichéd before-after progression of events since we begin with the minimalist home and go back in flashbacks to observe its inundated and messy state. HOY’s after-before narrative along with its peculiar title that substitutes ‘new’ with ‘old’ alludes to the clashing temporalities that Jean is caught up within. She is conflicted between deceptive nostalgic remembrance and her desire to start over with a minimalist-blank slate that is purged of her past regrets. In many remarkable moments, HOY instantiates movement on computational screens to mirror digital media’s dizzying speeds of circulation and storage. Significantly, the film begins with the machinic perspective of a phone screen capturing a set of minimalist designs from a book. Jean refuses to purchase (and store) the whole book since she only requires a few images that can be preserved in her phone’s memory. As noted in the introduction, minimalist organisation can effectively draw on computational storage to declutter physical spaces. In another subplot, Jean is forced to retrieve a photo that she took years ago for a friend. She grudgingly searches through a box of CDs (a cumbersome storage device in the era of clouds) but ultimately finds the image in her ex-boyfriend Aim’s hard disk. As she browses through a folder titled 2013, her hesitant clicks display a montage of happy and intimate moments that the couple shared together. Aim notes how the computer often behaves like a time machine. Unlike Aim, Jean did not carefully organise and store her prosthetic memories and was even willing to discard the box of CDs that were emblematic of defunct and wasteful accumulation. Speaking about how memory is externalised in digital storage, Thamrongrattanarit notes: for me, in the digital era, we just changed the medium, but human relationships stay the same. … It’s just more complicated because we can communicate from a distance, we can store a ton of memories, which couldn’t have ever happened in the past. (emphasis added) When Jean “dumped” Aim to move to Sweden, she blocked him across channels of networked communicational media to avoid any sense of ambient intimacy between them. In digitising our prosthetic memories and maintaining a sense of “connected presence” across social media, micro temporal databases have made it nearly impossible to erase and forget our past actions. Minimalist organisation might help us craft a coherent and stable representation of personal identity through meticulous decluttering. Yet, late-capitalist clutter takes on a different character in our digital archives where the algorithmic unconscious of networked media capitalises on prosthetic storage to make personal identity ambiguous and untidy. It is interesting to note that Jean initially gets in touch with Aim to return his old camera and apologise for their sudden breakup. The camera can record events to “freeze” them in time and space. Later in the film, Jean discovers a happy family photo that makes her reconsider whether she has been too harsh on her father because of how he “dumped” her family. Yet, Jean bitterly finds that her re-evaluation of her material possessions and their dated prosthetic memories is deceptive. In overidentifying with the frozen images and her affectively charged material possessions, she is misled by the overwhelming plenitude of nostalgic remembrance. Ultimately, Jean must “dump” all her things instead of trying to tidy up the jumbled temporal frictions. In the final sequence of HOY, Jean lies to her friend Pink about her relationship with Aim. She states that they are on good terms. Jean then unfriends Aim on Facebook, yet again rupturing any possibility of phatic and ambient intimacy between them. As they sit before her newly emptied house, Pink notes how Jean can do a lot with this expanded space. In a tight close-up, Jean gazes at her empty space with an ambiguous yet pained expression. Her plan to cathartically purge her regrets and fraught memories by recuperating her prosthetic memories failed. With the remnants of her past self expunged as clutter, Jean is left with a set of empty spaces that will eventually resemble the blank slate that we see at the beginning of the film. The new year and blank slate signify a fresh beginning for her future self. However, this reverse transition from a minimalist blank slate to her chaotically inundated childhood home frames a set of deeply equivocal affective sensations. Nonetheless, Jean must mislead Pink to sustain the notion of tidy and narrativised coherence that equivocally masks her fragmented sense of an indefinable loss. Conclusion MIHMIH and HOY explore the unresolvable and conflicting affective tensions that arise in an ecosystem of all-pervasive networked media. Paasonen argues that our ability to control networked technologies concurrently fosters our mundane and prosthetic dependency on them. Both Jean and Mary seek refuge in the simplicity of minimalist design to wrestle control over their overstimulating spaces and to tidy up their personal narratives. It is important to examine contemporary minimalist networks in conjunction with affective formation and aesthetic experience in the era of “total design and internet plenitude”. In an information-management society where prosthetic memories haunt our physical and digital spaces, minimalist decluttering becomes a form of personal archiving that simultaneously empowers unambiguous aesthetic feeling and linear and stable autobiographical representation. The neatness of minimalist decluttering conjugates with an ideal self that can resolve ambivalent affective attachments about the past and have a coherent vision for the future. Yet, we cannot sort the clutter that resides in digital memory’s micro temporal archives and drastically complicates our personal narratives. Significantly, the digital self is not compatible with neat and orderly narrativisation but instead resembles an unstable and agglomerative database. References Cardell, Kylie. “Modern Memory-Making: Marie Kondo, Online Journaling, and the Excavation, Curation, and Control of Personal Digital Data.” a/b: Auto/Biography Studies 32.3 (2017): 499–517. DOI: 10.1080/08989575.2017.1337993. Cheon, Eun Jeong, and Norman Makoto Su. “The Value of Empty Space for Design.” Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, 2018. DOI: 10.1145/3173574.3173623. Ernst, Wolfgang, and Jussi Parikka. Digital Memory and the Archive. U of Minnesota P, 2013. Happy Old Year. Dir. Nawapol Thamrongrattanarit. Happy Ending Film, 2019. Hayles, N. Katherine. “How We Read: Close, Hyper, Machine.” ADE Bulletin (2010): 62-79. DOI: 10.1632/ade.150.62. Kondo, Marie. The Life-Changing Magic of Tidying Up. Ten Speed Press, 2010. Kyong, Chun Wendy Hui. Programmed Visions: Software and Memory. MIT P, 2013. Mankowski, Lukasz. “Interview with Nawapol Thamrongrattanarit: Happy Old Year Is Me in 100% for the First Time.” Asian Movie Pulse, 9 Feb. 2020. <http://asianmoviepulse.com/2020/02/interview-with-nawapol-thamrongrattanarit-2/>. Mary Is Happy, Mary Is Happy. Dir. Nawapol Thamrongrattanarit. Pop Pictures, 2013. Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Harvard UP, 2015. Paasonen, Susanna. Dependent, Distracted, Bored: Affective Formations in Networked Media. MIT P, 2021. Stephens, Paul. The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing. U of Minnesota P, 2015.