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Relevant bibliographies by topics / Parma (Italy) – Court and courtiers

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Academic literature on the topic 'Parma (Italy) – Court and courtiers'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Parma (Italy) – Court and courtiers"

1

Rivero Rodríguez, Manuel. "Italian Madrid: Ambassadors, Regents, and Courtiers in the Hospital de San Pedro y San Pablo." Culture & History Digital Journal 11, no. 1 (June 21, 2022): e003. http://dx.doi.org/10.3989/chdj.2022.003.

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The Court…, more accurately, the city where the Court resided, was a microcosm of the Monarchy that was governed from it. That was the case in Madrid. This paper deals with a little-known institution, the Hospital and the Church of the Italians, analysing above all its transformation in the 17th century through two important documents, the personal diary of a Neapolitan regent and a record of a conflict of powers between the Council of Italy and the nunciature in Madrid containing the hospital’s founding documents.

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Mccall, Timothy. "Charles M. Rosenberg, ed. The Court Cities of Northern Italy: Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini. Artistic Centers of the Italian Renaissance. Cambridge: Cambridge University Press, 2010. xxvii +424 pp. $175. ISBN: 978–0–521–79248–6." Renaissance Quarterly 65, no. 1 (2012): 236–38. http://dx.doi.org/10.1086/665870.

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Gatti, Andrea. "On Cultural Transmission. A Case Study: Condillac and Italy." Diciottesimo Secolo, October 28, 2022, 1–16. http://dx.doi.org/10.36253/ds-14166.

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The period that Étienne Bonnot de Condillac (1715-80) spent in Parma at the court of Philip and Louise Elizabeth (1758-67), as tutor to their son Ferdinand 1 , offers an interesting model for inquiring under what specific assumptions the concept of “cultural migrations”, or intellectual transmission, between different philosophical cultures should be considered. The difficulties for the historian of ideas in formulating hypotheses about the relevance and modes of cultural transmission are evident even in a case such as Condillac’s, whose actual presence in Parma and Italy seems to support the obvious belief that such transmission necessarily occurred through the philosophers direct action: his conversations with local scholars, contacts with other philosophers, intellectual exchanges and so on. However, one may legitimately question this sort of easy conclusion. For the philosophical novelties that the French philosopher introduced and which met with favor in the rest of Europe were sometimes dismissed or neglected in the Duchy of Parma and throughout Italy, even by scholars less conservative and orthodox in their philosophical positions who were more open to novelty. Moreover, the migration of authors does not entail the migration of their ideas. Given such questions, a preliminary analysis of some of the methodological assumptions underlying this type of inquiry is worthwhile.

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Gisolfi, Diana. "Diana Gisolfi. Review of "The Court Cities of Northern Italy: Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini" by Charles M. Rosenberg." caa.reviews, February 2, 2012. http://dx.doi.org/10.3202/caa.reviews.2012.13.

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Marchetti, Cristina, Anna Maria Cantoni, Luca Ferrari, Giovanni Maria Pisani, and Attilio Corradi. "Use of the international classification of diseases (ICD)-11 method applied to veterinary forensic pathology for coding the cause and manner of death in wildlife." Frontiers in Veterinary Science 9 (July 19, 2022). http://dx.doi.org/10.3389/fvets.2022.898721.

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The growth of human population has led, in recent years, to increasingly frequent contacts with the wild animals with which we share the territory, sometimes leading to negative interactions with them. The purpose of the study is to apply the codes contained in the 11th Revision of the International Classification of Diseases (ICD-11) method to investigate the cause and the manner of death, also to entrust the veterinarian with the task of recognizing and describing a suspected animal abuse as a sentinel indicator of violence toward humans and non-humans, thus expanding the concept of “One Health” from a forensic investigation perspective. The subjects recruited are wild mammals submitted for autopsy to the Pathology Unit of the Department of Veterinary Science, University of Parma, Italy, from 2015 to 2018. The manner and the cause of death of 167 wild animals of 16 different species have been investigated. When possible, an on-site inspection where the corpse was found was performed. Injuries were classified according to the on-line 11th Revision of the International Classification of Diseases method. Section 22 (Injury, poisoning or certain other consequences of external causes) was used to record the “immediate cause of death” (cause of death) and Section 23 (External causes of morbidity or mortality) was used to record the “underlying cause of death” (manner of death) for each animal. In most cases, death occurred as a result of road trauma but in some cases, abuse and voluntary killing were investigated. The recognition of non-accidental injuries is particularly important for both the defense in court of animals and for the connection between crimes committed against animals and against humans, known as “The Link”. The use of the ICD-11 method, as a sort of summary of the autopsy report, was confirmed to be of great value for the clarity and simplicity of processing the data collected also by veterinary pathologists. The veterinary pathologists can use this evidence-based method with the aim of creating a national register and therefore, to understand the real extent of the human impact on wildlife and document it in a scientific and statistically usable way.

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Dissertations / Theses on the topic "Parma (Italy) – Court and courtiers"

1

Cassella, Dean Marcel. "Culture and Self-Representation in the Este Court: Ercole Strozzi's Funeral Elegy of Eleonora of Aragon, a Text, Translation, and Commentary." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33223/.

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This dissertation presents a previously unedited text by one of the most distinguished- yet neglected-Latin writers of the Italian Renaissance, Ercole Strozzi (1471-1508), a poet and administrator in the court of Ferrara. Under the Este Dukes, Ferrara became a major center of literary and artistic patronage. The Latin literary output of the court, however, has received insufficient scholarly scrutiny. The text is a verse funeral elegy of Eleonora of Aragon (1450-1493), the first Duchess of Ferrara. Eleonora was a remarkable woman whose talents and indefatigable efforts on behalf of her husband, her children, and her state, won her accolades both at home and abroad. She also served as a prototype for the remarkable careers of her two daughters, Isabella d'Este, and Beatrice d'Este, who are celebrated for their erudition and patronage of arts and letters. The text is a mirror of the Estense court and reveals to us how its members no doubt saw themselves, at the very peak of its temporal power and the height of its prestige as a center of cultural creativity. It is also important for the striking portrait it presents of Eleonora. Ercole Strozzi chose to call his poem an epicedium, an ancient minor literary genre that had received attention in the two decades prior to its composition, due to the discovery and printing of the silver age Roman poet Statius, whose text includes several epicedia. Strozzi deftly adapts and transcends both his ancient and contemporary models (especially Poliziano), and in the process, creates a new Latin literary genre, the Renaissance epicedium. It is a fine poem, full of both erudition and creativity, and as such is the first fruits of what would be Ercole Strozzi's illustrious poetic career. The work is genuinely worthy of study on both esthetic and historical grounds.

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2

Parizot, Olivia. "Les écuyers tranchants et la découpe des aliments dans les péninsules ibérique et italienne à la fin du Moyen Age et à la Renaissance." Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2012/document.

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À la croisée de l’histoire sociale, culturelle et des techniques, ma thèse porte sur la fonction de l’écuyer tranchant, un office majeur de l’hôtel royal à qui incombait la tâche délicate de découper et servir les mets à la table du seigneur. Exercé au départ par les grands du royaume, l’office se professionnalise à la fin du Moyen Âge et au début de la Renaissance, comme l’atteste la multiplication des traités de découpe en Espagne et en Italie durant cette période. Le présent travail permet de mesurer, d'une part, les interférences textuelles entre les traités de découpe ibériques et italiens et de s'interroger, d'autre part, sur la correspondance entre les normes et la pratique. A la fin de comprendre la place occupée par l'écuyer tranchant au sein de l'hötel royal, et le rôle qu'il a pu jouer dans l'entourage du roi, un travail prosopographique a été mené durant les règnes des rois aragonais Ferdinand Ier et Alphonse le Magnanime
My thesis is at the crossroads of social, cultural and technical history. It deals with the duties of the Carver who was entrusted with a major assignment at the Royal Court: he was given the delicate task of carving the food and serving up the dishes for his Lord. This office, first performed by the royal officers, became a profession at the end of the middle ages and at the beginning of the renaissance period, as may be attested by the multiplication of treaties on carving in Spain and Italy issued at that time. The antiquity of the "arte Cisaria" (1423) led me to wonder about its influence on the Catalan and Italian treaties on carving which were the established later on. I also wondered afterwards to what extent these treaties complied with the established norms. Finally, in order to understand the place occupied by the Carver within the Royal Court, I focused my prosopographic research on the reigns of the Aragonese kings Ferdinand I, and his son Alphonse V

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3

SABBADINI, Roberto. "Il patriziato parmigiano tra la citta e la corte dialettica tra principe e ceti dirigenti nei Ducati Farnesiani (secc XVI-XVIII)." Doctoral thesis, 1994. http://hdl.handle.net/1814/5965.

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Defence date: 21 April 1995
Examining board: Prof. Franco Angiolini, Università di Pisa (supervisore) ; Prof. Jean Boutier, E.H.E.S.S.-Marseille ; Prof. Gaetano Cozzi, Università di Venezia (co-supervisore) ; Prof. Gérard Delille, I.U.E. ; Prof. Cesare Mozzarelli, Università Cattolica Gemelli, Milano
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017

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4

FANTONI, Marcello. "La citta del Principe :Spazio urbano e potere principesco nell'Italia dei secoli XIV-XVII." Doctoral thesis, 1991. http://hdl.handle.net/1814/5756.

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Books on the topic "Parma (Italy) – Court and courtiers"

1

Courts and courtiers in Renaissance northern Italy. Burlington: Ashgate, 2003.

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2

A Renaissance court: Milan under Galeazzo Maria Sforza. Berkeley: University of California Press, 1994.

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3

Bevilacqua, Orazio. Piacenza, Parma e Colorno nel diario di Orazio Bevilacqua (1663-1694): Con profili biografici dei duchi Farnese e Borbone (1545-1802). Piacenza: Parallelo 45, 2013.

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4

Bertoia, Mirola, and the Farnese court. [Bologna]: Nuova Alfa editoriale, 1991.

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5

Rosenberg, Charles M. The court cities of northern Italy: Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini. Cambridge: Cambridge University Press, 2010.

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Rosenberg, Charles M. The court cities of northern Italy: Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini. Cambridge: Cambridge University Press, 2010.

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7

Music at the Aragonese court of Naples. Cambridge [Cambridgeshire]: Cambridge University Press, 1985.

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8

The Stuarts in Italy, 1719-1766: A royal court in permanent exile. Cambridge: Cambridge University Press, 2011.

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9

The renaissance of marriage in fifteenth-century Italy. Cambridge, Mass: Harvard University Press, 2004.

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10

Isabella de' Medici: The glorious life and tragic end of a Renaissance princess. London: Faber and Faber, 2008.

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