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Journal articles on the topic 'Parisian owners'

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1

Lisitsyna, Alina V. "Former Owners of Manuscripts from the Günzburg Family Collection: Identification Attempt." Bibliotekovedenie [Russian Journal of Library Science] 69, no. 4 (2020): 375–86. http://dx.doi.org/10.25281/0869-608x-2020-69-4-375-386.

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This article is devoted to the analysis of owners’ stamps and inscriptions on manuscripts from the Günzburg family collection stored in the Russian State Library (RSL). The author did not set out to provide exhaustive information about the previous owners, part of whom still remains unidentified. The purpose of the article is to highlight the blocks of manuscripts that were previously part of other private libraries and later were acquired by the Günzburgs, as well as to focus on the most famous former owners of books. Information about them can be discovered in the owner’s inscriptions or, le
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Haine, W. Scott. "The Priest of the Proletarians: Parisian Café Owners and the Working Class, 1820–1914." International Labor and Working-Class History 45 (1994): 16–28. http://dx.doi.org/10.1017/s0147547900012436.

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Lipovsky, Caroline, and Wei Wang (王玮). "Wenzhou Restaurants in Paris’s Chinatowns." Journal of Chinese Overseas 15, no. 2 (2019): 202–33. http://dx.doi.org/10.1163/17932548-12341402.

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Abstract In light of the large number of Chinese immigrants in Paris originally from the Wenzhou region in China’s Zhejiang Province, this research focuses on two case studies of Wenzhou restaurants situated in different Paris Chinatowns. It seeks to identify the ways in which the Wenzhou owners mark their presence in the Parisian linguistic landscape through the signage of their shopfronts and premises. By infusing existing multimodal analysis with ethnographic linguistic landscape analysis (ELLA), this study examines the ways in which two Wenzhou restaurateurs display their specific cultural
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Kornilieva, Liliia. "The Signifying Role of the Dress in the Novel “In Search of Lost Time” (A La Recherche Du Temps Perdu) by Marcel Proust." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 54, no. 1 (2022): 181–91. http://dx.doi.org/10.36770/bp.674.

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Marcel Proust knew how to write fashion. A fashionable dress makes a fashionable woman, and vice versa; a gorgeous, elegant woman makes her dress fashionable. The outfits of the best-dressed women in Parisian society are at one with their beautiful owners. As a result, the description of fine clothing in Marcel Proust’s novel “In Search of Lost Time” (A La Recherche Du Temps Perdu) is much more than just the accurate recreation of various dress codes and popular fashions of the time. The aim of the article is to explore how a costume “performs” in a work of literature. We assume that the attir
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Apenko, Olga. "Where does the Kyivan Rubens come from The Khanenko’s modello provenance as work in progress." Text and Image: Essential Problems in Art History, no. 2 (2024): 109–36. https://doi.org/10.17721/2519-4801.2024.2.08.

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Purpose. This study is aimed to verify the conflicting versions of the Peter Paul Rubens modello «God of Scheldt, Cybele and the Goddess of Antwerp» (ca. 1615) provenance, and to compile the most complete documentary dossier for this artwork. Methods. During the research, we followed the provenance list published by Niels Buttner in 2018 step by step, and were looking to broaden and complete it. To do so, we analysed primary sources, namely annotated copies of auction catalogues and minutes of Parisian auctioneers from the late nineteenth century. In addition, to recreate the broader context o
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Weintraub, J. "The Restaurants of Paris." Gastronomica 14, no. 1 (2014): 33–43. http://dx.doi.org/10.1525/gfc.2014.14.1.33.

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A brief introduction summarizing the author's professional career and his literary style and procedure precedes this annotated translation of the chapter “The Restaurants of Paris” from Eugène Briffault's 1846 text, Paris à table. Along with an historical discussion and a look back at the glorious days of the Empire's establishments, the chapter examines the specialties, the décor, and the patrons of the grand restaurants of the author's time and before. Looking at the changing restaurant scene since the fall of Napoleon, Briffault criticizes, in particular, the contemporary preference for the
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Yates, Alexia. "Selling Paris: The Real Estate Market and Commercial Culture in the Fin-de-siècle Capital." Enterprise & Society 13, no. 4 (2012): 773–89. http://dx.doi.org/10.1017/s1467222700011460.

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“Selling Paris” explores the cultural, economic, and spatial parameters of private construction in the French capital at the turn of the twentieth century. In contrast to the state-centered accounts that currently characterize our understanding of Paris as a capital of modernity, this project looks to private property owners, real estate brokers, and speculative developers, as well as the moral economy in which their projects took place, in order to understand the elaboration of the built landscape of the modern metropolis. I argue that new classes of market intermediaries—namely estate agents
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Chesney, Marc, Monique Jeanblanc-Picqué, and Marc Yor. "Brownian Excursions and Parisian Barrier Options." Advances in Applied Probability 29, no. 1 (1997): 165–84. http://dx.doi.org/10.2307/1427865.

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In this paper we study a new kind of option, called hereinafter a Parisian barrier option. This option is the following variant of the so-called barrier option: a down-and-out barrier option becomes worthless as soon as a barrier is reached, whereas a down-and-out Parisian barrier option is lost by the owner if the underlying asset reaches a prespecified level and remains constantly below this level for a time interval longer than a fixed number, called the window. Properties of durations of Brownian excursions play an essential role. We also study another kind of option, called here a cumulat
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Chesney, Marc, Monique Jeanblanc-Picqué, and Marc Yor. "Brownian Excursions and Parisian Barrier Options." Advances in Applied Probability 29, no. 01 (1997): 165–84. http://dx.doi.org/10.1017/s000186780002783x.

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In this paper we study a new kind of option, called hereinafter a Parisian barrier option. This option is the following variant of the so-called barrier option: a down-and-out barrier option becomes worthless as soon as a barrier is reached, whereas a down-and-out Parisian barrier option is lost by the owner if the underlying asset reaches a prespecified level and remains constantly below this level for a time interval longer than a fixed number, called the window. Properties of durations of Brownian excursions play an essential role. We also study another kind of option, called here a cumulat
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10

Vidas, Marina. "Resemblance and Devotion: Image and Text in a Parisian Early Fourteenth–Century Book of Hours Made for a French Noblewoman." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 33. http://dx.doi.org/10.7146/fof.v53i0.118820.

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Marina Vidas: Resemblance and Devotion: Image and Text in a Parisian Early Fourteenth-Century Book of Hours (Copenhagen, Royal Library, Ms Thott 534 4º) Made for a French Noblewoman
 The focus of this article is Ms Thott 534 4º, a small Parisian early fourteenth-century illuminated Book of Hours in the collection of the Royal Library, Copenhagen, about which up until now, very little has been published. Firstly, the textual and pictorial contents of the manuscript are listed. Secondly, the specific elements in the book which indicate that it was made for a woman are analysed. The article
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Vidas, Marina. "Devotion, Remembrance, and Identity. The Hagiographic Entries and Obituaries in a Parisian Thirteenth-Century Illuminated Psalter Made for Jakob Sunesen." Fund og Forskning i Det Kongelige Biblioteks Samlinger 54 (March 3, 2015): 183. http://dx.doi.org/10.7146/fof.v54i0.118881.

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Marina Vidas: Devotion, Remembrance, and Identity: The Hagiographic Entries and Obituaries in a Parisian Thirteenth-Century Illuminated Psalter Made for Jakob Sunesen
 The focus of the article is a handsomely illuminated Parisian thirteenth-century Psalter (London, British Library, MS Egerton 2652), which includes in the Calendar feasts of saints venerated in Denmark and, more specifically, in the diocese of Roskilde. A brief description of the manuscript is provided and the scholarly literature about the Psalter is discussed. Then a fresh look is taken at the significance of the hagiogra
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12

Jeong, Dong-Jun. "Historical Research on the Parisian Café Procope." Korea Association of World History and Culture 64 (September 30, 2022): 179–206. http://dx.doi.org/10.32961/jwhc.2022.09.64.179.

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The visit of Soliman Aga(1669) is the starting-point of the development of coffee culture in Paris. As the ambassador of Ottoman Empire, he was granted an audience with Louis XIV in Versailles. His task was to read the king’s thoughts : If my empire attacks Vienna, Louis will intervene in the war? But Soliman Aga did not accomplish his mission. He went and stayed in Paris for 10 months with more than two dozen attendants. During that time, in a Turkish room he served Turkish coffees very carefully to the ladies of Paris high society. Soliman Aga could infer information about Louis’s mind from
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13

Cedro, Adam. "Friends of Norwid from Maria de Bonneval’s album." Studia Norwidiana 37 English Version (2020): 161–80. http://dx.doi.org/10.18290/sn.2019.37-9en.

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The article offers a general description of the contents of a 19th century photo album belonging to Maria de Bonneval née Gerlicz, the niece of Konstancja Górska. Along with the history of photography and CdV photos, which revolutionised the market and customs at that time, the figure of the owner of the album is presented – with the use of previously unknown materials. Norwid had been guest to her Parisian house for several decades, almost as a household member. It turns out that in this 200-photograph album currently owned by the Bloch Family Foundation, more than 70 people were known to Nor
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14

Kirillova, Ekaterina. "Working Hours in 13th Century Paris." ISTORIYA 14, no. 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840026924-5.

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Methods for determining the exact time by artisans and merchants of Paris in the 13th century considered in the paper on the material of the regulations of the “Book of Crafts” and the statutes on Parisian trade duties. The focus is on “hours” (“hour” as a synonym for “time”, the first, third and ninth hours of the dayetc.) and their relationship with other criteria that determined the start and end of the working day: the bell ringing, the cry of the herald, the actions of other artisans and townspeople. This allowed the author to correct ideas about natural cycles and “church time” as key wa
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15

Rodhiah, Anggun Aisyah, and Iis Nuraisyah. "PENYUSUNAN STANDAR KUALITAS PRODUK PADA KOPERASI USAHA RUMAH BATIK SETU DI TANGERANG SELATAN." PRIMA : PORTAL RISET DAN INOVASI PENGABDIAN MASYARAKAT 1, no. 4 (2022): 53–62. http://dx.doi.org/10.55047/prima.v1i4.192.

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Standard Operating Procedures are the backbone of a successful business, allowing us to work whenever we choose. Standard operating procedures (SOPs) are a vital component of quality management practice. The effectiveness of SOP is highly dependent on the owner and all employees' commitment to enhancing the quality of the manufactured goods. At the Setu batik house business cooperative in South Tangerang, Student Creativity Program (PKM) is conducted. Setu batik house, often known as RBS, is a collection of company cooperatives that manufacture a variety of written batik products and stamps. I
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16

Borisov, Maksim Yu. "Marginalia in Parisian Historical Publications of the Second Half of the 16th Century in Russian and Franch Libraries." Observatory of Culture 18, no. 3 (2021): 326–35. http://dx.doi.org/10.25281/2072-3156-2021-18-3-326-335.

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The article is devoted to the study of reader’s practices related to the several centuries of existence of French historical books of the second half of the 16th century, the books’ place in people’s lives and attitude to them. The study’s source base is represented by a body of identified book marginalia from the copies of Parisian publications stored in the National Library of France and the Rare Books Department (Book Museum) of the Russian State Library. The handwritten notes (396 marginalia have been identified and are being introduced into scientific circulation) that are dated belong to
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17

Lacombrade, Philippe. "Chronique d'une réforme avortée : l'échec de la suppression des octrois parisiens à la Belle Époque (1897-1914)." Recherches contemporaines 5, no. 1 (1998): 77–107. https://doi.org/10.3406/bchfc.1998.1916.

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Chronicle of an aborted reform ; the failure to suppress the Paris city tolls during the Belle Epoque (1897-1914) The law voted by the French Parliament on 29 December 1897 to suppress city tolls (octrois) on so-called "hygienic" drinks represented an opportunity for public opinion in Paris to express its opposition to the principle of this form of taxation, inherited from the Middle Ages. The Paris municipal council, with its left-wing majority, supported the proposition put forward by the socialist Veber, councillor for the 15th arrondissement, to abolish totally the Paris city tolls, but th
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18

Ragozin, German S. "The Manifestation of Austrian Freedom by Joseph von Hormayr." Vestnik of Saint Petersburg University. History 69, no. 3 (2024): 709–23. http://dx.doi.org/10.21638/spbu02.2024.310.

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The paper examines the issue of legitimation of Habsburg sovereignty by means of historical myth. The dissolution of the Old Reich and reformist discussion forced Austria to form a new self-representation. It was shaped by the historical knowledge as a political instrument for all ethnic communities of the Habsburg Empire. The challenge of conceptualization of AustrianGerman community and “the Austrian Freedom” was undertaken by a romanticist-historian Joseph von Hormayr. The article analyzes the works by Hormayr, e. g., “The Austrian Plutarch”, “Austria and Germany”; “The Army of Inner Austri
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19

Generaliuk, Lesia. "LES NABIS AND MAX VOLOSHIN: GAME MODELS." CONTEMPORARY LITERARY STUDIES, no. 18 (December 13, 2021): 21–29. http://dx.doi.org/10.32589/2411-3883.18.2021.246753.

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The article draws parallels between the variants of the play-drama and the forms of self-representation of the Les Nabis and the «Parisian» Maximilian Voloshin. All of them tested the concepts of play, performance, and artistic transformation of reality, which are organic in the aesthetics of symbolism, based on the tradition of French culture from T. Gauthier, J. Barbey d’Aurevilly to J. Péladan, F. Khnopff. In the stream of theatrical utopia of the late XIX – early XX centuries Les Nabis and Voloshin used the style of symbolism in everyday life and creativity. They were united by an understa
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Behzadi, Emily. "Cassirer v. Thyssen-Bornemisza Collection Foundation (U.S. Sup. Ct.)." International Legal Materials, October 4, 2022, 1–10. http://dx.doi.org/10.1017/ilm.2022.44.

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During the winters of 1897 and 1898, from the window of his Parisian hotel, Camille Pisarro painted one of his first urban scenes, Rue Saint-Honoré in the Afternoon. Effect of Rain (the Painting). The Painting marks a significant deviation from Pissarro's prior works, which primarily consisted of au plein air country landscapes. In addition to the Painting's art historical significance, it has now become one of Pissarro's most infamous paintings. Currently sitting in the Museo Nacional Thyssen-Bornemisza (TBC) in Madrid, this artwork has been the subject of a decades-long court battle over its
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21

Hemelaar, Iza. "Joyce and his Apostles: The Exchange of Capital between Joyce and transition." Journal of European Periodical Studies, June 23, 2022. http://dx.doi.org/10.21825/jeps.81967.

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In the interwar Parisian literary field, transition was among the most influential expatriate magazines, promoting forms of new, avant-garde literature. Its main feature was the serialisation of James Joyce’s Work in Progress, which was to be published as Finnegans Wake in 1939. Joyce and transition had become closely connected to each other through their literary exchange and the representation of Joyce by transition was beneficial to both the author’s and the literary magazine’s success. Simultaneously, Sylvia Beach, the owner of the bookshop Shakespeare and Company, represented a key factor
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22

Bazarova, Tatiana, and Aleksandra Chirkova. "Peter the Great’s Lost Letter to Georg Wilhelm de Henning: On the History of Expert Thought and the Antiques Market." Quaestio Rossica 9, no. 3 (2021). http://dx.doi.org/10.15826/qr.2021.3.619.

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The elements of expert analysis established in Russian academic circles by the late nineteenth century, when auxiliary historical disciplines became an indispensable part of the academic base of historical knowledge, are described in this article with reference to a lost letter by Peter I to Georg Wilhelm de Henning sent on 24 December 1724. These elements include the study of the letter, the stages and methods of introducing it into scholarly circulation, and the assessment of its significance and value in monetary terms. It is established that the original of the letter ended up in a private
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23

Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end
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24

Mudie, Ella. "Unbuilding the City: Writing Demolition." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1219.

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IntroductionUtopian and forward looking in tenor, official narratives of urban renewal and development implicitly promote normative ideals of progress and necessary civic improvement. Yet an underlying condition of such renewal is frequently the very opposite of building: the demolition of existing urban fabric. Taking as its starting point the large-scale demolition of buildings proposed for the NSW Government’s Sydney Metro rail project, this article interrogates the role of literary treatments of demolition in mediating complex, and often contradictory, responses to transformations of the b
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See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.
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26

McCosker, Anthony, and Rowan Wilken. "Café Space, Communication, Creativity, and Materialism." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.459.

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IntroductionCoffee, as a stimulant, and the spaces in which it is has been consumed, have long played a vital role in fostering communication, creativity, and sociality. This article explores the interrelationship of café space, communication, creativity, and materialism. In developing these themes, this article is structured in two parts. The first looks back to the coffee houses of the seventeenth and eighteenth centuries to give a historical context to the contemporary role of the café as a key site of creativity through its facilitation of social interaction, communication and information
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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos
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Mac Con Iomaire, Máirtín. "Towards a Structured Approach to Reading Historic Cookbooks." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.649.

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Introduction Cookbooks are an exceptional written record of what is largely an oral tradition. They have been described as “magician’s hats” due to their ability to reveal much more than they seem to contain (Wheaton, “Finding”). The first book printed in Germany was the Guttenberg Bible in 1456 but, by 1490, printing was introduced into almost every European country (Tierney). The spread of literacy between 1500 and 1800, and the rise in silent reading, helped to create a new private sphere into which the individual could retreat, seeking refuge from the community (Chartier). This new technol
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