Dissertations / Theses on the topic 'Paris'
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Fournier, Éric. "Paris en ruines : du Paris haussmannien au Paris communard /." Paris : Imago, 2007. http://catalogue.bnf.fr/ark:/12148/cb41196886v.
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Machtou, Julie Bertrand Frédéric. "Paris : industries urbaines /." [S. l.] : [s. n.], 2000. http://catalogue.bnf.fr/ark:/12148/cb40072679b.
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Trujillo, Alexandria. "Everything is Paris." Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/146688.
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I began formulating the subject matter for this thesis last semester while I was reading works of Classical Greek literature, everything from Homer to Aeschylus, and studying the myth and culture that surrounded them. I am already obsessed with media and popular culture and, while writing an early set of poems, Paris Hilton got injected into a poem about Clytemnestra. From there, I began to work on blending the classical with the contemporary to explore the nature of self-identity in such a media ravaged culture, where what you project successfully is the only image of you that people accept. I began writing in forms and then in solid prose paragraphs. I wanted to work to accomplish a melding of the prose we see in every magazine with traditional poetic lines and think that this successfully lends itself to making each stand out immediately based upon which it is in. The collection plays off the same themes and each poem bounces off of other poems, building up to a question, really, about how much of a single being we can pull ourselves into. In doing so, the collection stands on its own and possesses direction, not to mention some wonderful poetry.
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Saou-Dufrêne, Bernadette Nadia. "Art et médiatisation : le cas des grandes expositions inaugurales du Centre Georges Pompidou (Paris-New York, Paris-Berlin, Paris-Moscou)." Grenoble 3, 1998. http://www.theses.fr/1998GRE39026.
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Cette these traite de la mediatisation de l'art a travers le cas des expositions inaugurales du centre g. Pompidou : paris-new york, paris-berlin, paris-moscou. Elle envisage d'abord l'entree de l'exposition dans l'ere des medias a travers l'examen de l'evolution du concept d'exposition jusqu'aux expositions inaugurales de beaubourg : exposition-ostentation, exposition-vente, exposition-forum, exposition + elargie ; des institutionspilotes que sont le moma de new york et le stedelijk museum d'amsterdam. Dans le cadre des sciences de l'information et de la communication, elle s'interroge sur les conditions auxquelles une exposition peut etre consideree comme une mediatisation de l'art. L'etude de la mise en place d'un dispositf mediatique est l'objet de notre deuxieme partie. Elle commence par l'analyse des elements favorables a l'institutionnalisation du type de mediation que constitue la culture dont les expositions inaugurales sont le manifeste. Elle degage ensuite les deux caracteres principaux du dispositif mediatique comme configuration combinant logique de l'offre, de l'usage, logique technique, logique sociale : le role joue par la programmation et le type de museographie en jeu dans les expositions inaugurales pour forger tant l'identite du centre georges pompidou que la competence du public. La mise en place d'un dispositif mediatique entraine une reorganisation des fonctions du musee autour de l'activite d'exposition : developpement de la fonction de recherche, reglage du dispositif sur le public, instauration d'une dialectique entre deux formes de territorialites, locale et circulatoire. Elle envisage pour finir l'exportation du modele beaubourg et son adaptation tant en france qu'a l'etranger, dans des institutions publiques ou privees.
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NETO, WILSON REIS DE SOUZA. "THE PARIS-HARRINGTON THEOREM." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13399@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROSabemos pelo Teorema da Incompletude de Godel que existem afirmações verdadeiras sobre números naturais que não podem ser demonstradas na aritmética de Peano. Paris e Harrington deram um exemplo de uma variação do Teorema de Ramsey finito que não pode ser demonstrada em aritmética de Peano apesar de ser facilmente demonstrável na Teoria de Conjuntos usual. Este é geralmente considerado o primeiro exemplo matematicamente natural de uma sentença indecidível. Além da demonstração original, apresentamos nessa dissertação outra usando Teoria de Modelos.
From Godel’s Incompleteness Theorem we know that there are true sentences about natural numbers which can not be proved in Peano Arithmetic. Paris and Harrington gave an example of a variation of the finite Ramsey Theorem which can not be proved in Peano Arithmetic although it can be easily proved in usual Set Theory. This is usually considered the first example of a mathematically natural undecidable sentence. Besides the original proof, another one, using Model Theory, is presented in this dissertation.
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Lotz, Sarah. "Paris on a shoestring." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8096.
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Set in Paris in the late 1980s, Paris On a Shoestring is narrated progressively by the two main teenage protagonists, who, through a series of events, find themselves living on the streets of Paris and begging for money. The two narrators, Vicki and Sage, flee to France after deliberately vandalising their art college. Penniless, homeless and lost in an unfamiliar environment, they're easy prey for various opportunistic chancers. Although predominantly a character driven novel, it also explores the protagonists' relatively seamless acceptance of radically different norms and values, as the girls go from living a fairly benign British middle-class existence to a way of life dependent on other people for survival.
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Bláhová, Petra. "Imidž značky Kérastase Paris." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-192371.
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The aim of the diploma thesis is to determine a perception of the brand Kérastase Paris by consumers in Czech republic and Slovakia and compare it with the identity of the brand. I want to expose consumer habbits in the field of hair care and find out opinion about marketing communication of the brand Kérastase, that is supposed to correspondent with the brand strategy. I also want to expose main characteristics of loyal customer of the brand and propose some marketing recommendation for the brand Kérastase Paris.
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Doulet, Jean-François Flonneau Mathieu. "Paris-Pékin, civiliser l'automobile /." Paris : Descartes & Cie, 2003. http://catalogue.bnf.fr/ark:/12148/cb39015888g.
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Extr. de: Th. doct.--Aménagement de l'espace et urbanisme--Paris 10, 2001. Titre de soutenance : De la ville des vélos à la ville des autos : mobilité urbaine et politique de transport à Pékin durant les années quatre-vingt et quatre-vingt-dix. Extr. de: Th. doct.--Hist.--Paris 1, 2002. Titre de soutenance : L'automobile à la conquête de Paris, 1910-1977.Jean-François Doulet est l'auteur du texte sur Pékin et Mathieu Flonneau sur celui de Paris. Bibliogr. p. 75-79 et 133-136.
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Guichardet, Jeannine. "Balzac, archéologue de Paris." Genève : [Paris] : Slatkine ; [diff. H. Champion], 1999. http://catalogue.bnf.fr/ark:/12148/cb37044895v.
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Zuber, Annette-Eve. ""Bergère, Ô Tour Eiffel" : Ein Mythos in Literatur und Kunst /." Heidelberg : Neuphilologischen Fakultät der Universität Heidelberg, 2000. http://catalogue.bnf.fr/ark:/12148/cb390801921.
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Rajala, Johansson Desireé. "Paris, den trojanska prinsen : Jämförelse av Paris utifrån verket Iliaden och filmen Troy." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40154.
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The purpose of this essay is to analyze how the Trojan prince Paris is described in the Iliad and in the movie Troy in regard to love and bravery. Thereafter an analysis of the similarities and differences between the Iliad and the movie Troy will be made. There will also be a discussion why there are differences between an epic story which was made for over two thousand years ago and a modern movie made in the twenty-first century. The differences will be based on the perspective ancient Greek culture versus filmmaking of the twenty-first century. The method that has been used is narrative analysis where the primary data, the Iliad and the movie Troy, have been interpreted. The Trojan prince Paris is described as a young, handsome man driven by his passion for Helen. Because of his passion for Helen he started a war and sacrificed thousands of men of Troy for her sake. The study showed that Paris was described in both the Iliad and the movie Troy as a coward, although some of his actions were brave. One reason why there are differences between the Iliad and the movie Troy is Wolfgang Petersen’s decision to remove the interference of the gods but other reasons are also discussed in the essay.
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Hyacinthe, Sandrine. "L’École de Paris, une histoire sans histoire ? : l’Art à Paris de 1945 à 1980." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100097.
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La Nouvelle École de Paris est un objet à géométrie variable de l’histoire de l’art. Plus qu’une école nationale, elle est un concept résultant de la somme des discours qui n’ont de cesse de la définir de 1945 à 1980. L’École de Paris est une zone de transformation permanente au gré des projections et des interprétations des acteurs du monde de l’art (critiques, galeristes, artistes et historiens) ainsi que des intervenants extérieurs (politiques, milieux économiques). Chaque partie en a une lecture personnelle.Cette thèse, articulée en deux volets, revient sur les origines de ces interprétations contradictoires. Ainsi, la première partie concerne les lectures contemporaines de la Nouvelle École de Paris de 1945 à 1955. Cette période qui s’étend depuis la Libération de la France jusqu’au début de la guerre froide, revient sur les conditions d’émergence de la Nouvelle École de Paris et analyse les différentes acceptions qu’elle revêt. Le deuxième volet, intitulé l’École de Paris face à son histoire de 1955 à 1980, se concentre sur les réécritures de l’histoire de l’art. Au milieu des années 1950 la Nouvelle École de Paris atteint une stabilité qui relance la modernité et permet de réaffirmer la place de la France sur la scène internationale. Néanmoins, le modèle qui s’impose alors, va être fortement contesté tant au niveau national qu’international, alors que jusqu’ici l’École de Paris avait imposé un modèle historiographique basé sur la continuité des avant-gardes historiques françaises. À la fin des années 1960, l’école parisienne devenue trop embarrassante dans un monde de l’art internationalisé, devient un enjeu de relecture. L’histoire de l’art qui s’écrit dans les années 1970, frappée par la crise de l’avant-garde, réévalue les termes de son passé moderniste et ceux de la tradition nationale française. Il s’agit alors de déterminer la place et le rôle de l’École de Paris au sein du programme de refondation des politiques culturelles et de l’historiographie qui s’écrit de 1960 à 1980. Bien qu’officiellement condamnée, certains aspects de l’École de Paris entrent pourtant en résonnance avec la néo-avant-garde qui se développe entre 1970 et 1980, permettant de repenser et de dépasser les blocages engendrés par les définitions paradoxales de l’École de ParisThe Nouvelle École de Paris is a “geometrical object” with multiple facets that have evolved throughout the History of art. More than a national school, the Nouvelle École de Paris arose from cumulative discourses that have been trying to define it from 1945 to 1980. The École de Paris is a permanent morphing zone, changing upon two main components. The first one includes the interpretations and projections stemming from various actors constituting the artistic community (i.e. critics, gallery owners, historians, artists, etc.) and the second one involves independent contributors (i.e. political and economic protagonists). Each one has a different reading. This thesis contains two parts, both exploring the multiple conflicting interpretations to understand the resulting artistic heritage of the École de Paris. Thus, the first part of the thesis named “The contemporary readings from 1945 to 1955” investigates the conditions and contexts allowing the rise of École de Paris and analyzes the multiple acceptations it faces through contemporary readings from the end of the Second World War in 1945, after the Liberation, to the beginning of the Cold War in 1955. The second part, named “L’ École de Paris facing its history, from 1955 to 1980” is focused on the way of rewriting the History of art. The Nouvelle École de Paris reaches enough stability to revive the modernity in the middle of the 50’s, allowing reinforcing the international position of France on the artistic scene. Nevertheless, the historiographical model based on the French historical avant-garde that has been so far imposed by the École de Paris will be strongly contested at both national and international levels. Becoming too embarrassing in such an internationalized artistic world, the École de Paris is again subjected to further reinterpretations at the end of the 60’s. Stricken by the artistic avant-garde crisis of the 70’s, the History of art is constrained to reappraise the terms defining its Modernist past and those of the artistic French national tradition. The new issues to determine the place and the role of the École de Paris within the rebuilding program of French cultural policies and through the historiography writing come up from1960 to 1980. Although officially condemned, the resonance of some aspects of the École de Paris within the neo-avant-garde arising between 1970 and 1980, allows rethinking and surpassing the blockages formerly engendered by all paradoxical definitions of the École de Paris
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Frondizi, Alexandre. "Paris au-delà de Paris : urbanisation et révolution dans l’outre-octroi populaire, 1789-1860." Thesis, Paris, Institut d'études politiques, 2018. http://www.theses.fr/2018IEPP0044.
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Cette recherche entend revisiter l’histoire du Paris populaire du XIXe siècle par une appréhension locale et grand-parisienne des rapports entre urbanisation et révolution. L’exploration du cas de la fabrique socio-politique du quartier chapello-montmartrois de la butte des Moulins montre comment, en s’appuyant parfois illégalement sur des réformes fiscales, territoriales, foncières et financières de la fin du siècle précédent, des Parisiens de naissance et d’adoption construisent à partir des années 1820 la capitale des révolutions également hors de ses limites administratives. Tout en érigeant cet espace social en quartier d’une République insurgeante grand-parisienne, l’année 1848 révèle que, au lieu d’exprimer la longue crise d’une ville atone face à son impressionnante croissance démographique, les journées de Juin manifestent le succès d’une révolution urbaine silencieuse. Le succès d’une urbanisation qui, par la voie inédite des lotissements populaires par lesquels, avec la complicité puis le soutien des autorités locales, des promoteurs projettent efficacement leur ville au-delà d’elle-même, permet à une multitude de familles et d’individus d’origine majoritairement ouvrière de se loger à moindre coût dans des immeubles que des lotis au profil social similaire élèvent sur les terrains notamment acquis grâce au dynamique marché du crédit immobilier interpersonnel. En barricadant leur quartier et en descendant dans la vieille ville pour défendre avec leurs frères de l’intra-muros l’idéal de démocratie sociale de proximité qu’ils investissent dans les institutions républicaines localistes, ces Parisiens de l’outre-octroi transforment dès 1848 la butte des Moulins en l’un des Aventins de leur agglomération. L’analyse multiscalaire des pratiques et des itinéraires socio-spatiaux des bâtisseurs du quartier dévoile en définitive la précocité de la formation d’un Grand Paris populaire dont les voisins de certaines de ses marges urbaines n’attendent point les effets ségrégatifs de l’haussmannisation pour revendiquer leur appartenance à la capitale des révolutionsThis dissertation seeks to revisit Parisian popular history in the 19th century through a local and greater Parisian understanding of the relationship between urbanization and revolution. The exploration of the case of the socio-political construction of the suburban neighborhood of the butte des Moulins shows how, after the 1820s, Parisians of birth and adoption built the capital of revolutions outside of its administrative limits. While 1848 established this social space as a neighborhood of an insurgent greater-Parisian Republic, it also revealed that instead of expressing the long crisis of a city that was apathetic when facing its impressive demographic growth, the Days of June manifested the success of a silent urban revolution. The success of an urbanization that occurred through the unprecedented channel of popular subdivisions where real estate promoters projected their city beyond the city wall with the complicity and then the support of local authorities. This allowed a multitude of mostly working-class families and individuals to find cheaper housing than buyers with a similar social profile built on the lots acquired through the interpersonal mortgage market. In 1848, these suburban Parisians barricaded their neighborhood and descended into the old city to defend with their brothers the social democratic ideal of proximity that they gave to republican institutions, thus transforming the butte des Moulins into one of the Aventine hills of their city. The multi-scale analysis of the practices and socio-spatial itineraries of the builders of this neighborhood reveals the precocity of the formation of a popular Greater Paris, where the residents of certain urban margins did not wait for the segregative effects of Haussmanization to claim their belonging to the capital of revolutions
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Mahut, David. "Les bamakois diplômés de Paris." Phd thesis, Université René Descartes - Paris V, 2012. http://tel.archives-ouvertes.fr/tel-00708235.
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Ce travail est le résultat d'une enquête ethnographique menée entre 2007 et 2012 auprès de migrants bamakois et diplômés résidant à Paris. En mêlant récits d'observation et entretiens, j'ai cherché à saisir la manière dont mes interlocuteurs organisent et se représentent leur expérience migratoire. La migration marque une scission entre le passé bamakois des enquêtés et leur présent parisien, un changement de condition sociale et économique qui leur impose un intense travail d'adaptation. Quelle est la nature de ce travail ? Quelles ressources développent-ils pour faire face aux contraintes qui sont les leurs ? À quelle catégorie de l'entendement font-ils appel pour expliquer et s'expliquer qui ils sont et ce qu'ils font ? À travers cette série de questions, je me suis intéressé aux mécanismes par lesquels mes interlocuteurs prennent place dans l'espace social parisien. Pour en rendre compte, j'ai suivi trois axes de recherche qui ont structuré l'investigation : le capital pré-migratoire, les conditions d'immigration et la relation des bamakois diplômés aux "accueillants". " Le capital pré-migratoire " désigne l'ensemble des ressources dont dispose un individu et qui sont le résultat de sa socialisation avant son émigration. Pour le définir, plusieurs critères peuvent être pris en considération : l'origine sociale et familiale, l'origine géographique, le genre, l'origine ethnique, le degré de scolarité ou encore la religion. Et c'est parce que les enquêtés partagent des dispositions sociales similaires que j'ai choisi de les nommer " bamakois diplômés " : ils sont très majoritairement des hommes issus de la petite bourgeoisie urbaine, ils maîtrisent le français (tant à l'écrit qu'à l'oral) et tous ont obtenu leurs diplômes au Mali (du baccalauréat au doctorat). Par ailleurs, je précise que l'étude du capital pré-migratoire - et de son impact en situation d'immigration - a rapidement révélé la nécessité d'un travail de terrain à Bamako. Effectué entre octobre 2007 et janvier 2008, le séjour au Mali a été motivé par trois objectifs : déterminer avec plus de précision les origines sociales de mes interlocuteurs, appréhender les mécanismes de socialisation familiale et scolaire en milieu urbain (Bamako), mieux comprendre les raisons de leur immigration en France. " Les conditions d'immigration " qu'offrent Paris et sa banlieue aux étrangers demeurent marginales : occupations d'emplois peu ou pas qualifiés dans des secteurs d'activité souvent marginaux, ségrégation résidentielle durable, précarité du statut économique et juridique. Fragilisés dans des domaines essentiels de l'existence, il leur faut malgré tout " tenir ". Ici, je me suis intéressé aux conditions socioéconomiques de vie des enquêtés et aux moyens qu'ils mettent pour agir sur ces conditions. J'ai donc mené l'investigation à l'intérieur des lieux effectifs de leurs activités familiales, professionnelles et de loisirs. Ces lieux forment le cadre global au sein duquel l'expérience d'immigration est vécue et interprétée par mes interlocuteurs. C'est donc dans ce cadre que peuvent être compris les modes d'être et de pensée des bamakois diplômés rencontrés durant l'enquête. " La relation "aux accueillants" " vise à analyser les façons dont les enquêtés construisent le réel à partir des relations sociales de leur vie quotidienne à Paris. En effet, l'étude du capital pré-migratoire et des conditions d'immigration ne doit pas faire oublier que mes interlocuteurs sont pris dans un réseau de relations sociales. C'est dans et par l'interaction avec les autres qu'ils se forgent leur vision du monde et s'approprient les normes et les valeurs de la société française. Capital pré-migratoire, conditions d'immigration et relation aux " accueillants ", ces trois axes de recherche sont considérés comme interdépendants. Ils forment le système d'interprétation construit durant l'enquête pour appréhender l'expérience migratoire des bamakois diplômés de Paris.
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Floyd, Rebecca Athena. "Human decision making in Paris." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715808.
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Mordey, Delphine. "Music in Paris, 1870-1871." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586916.
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Yamazaki-Jamin, Harumi. "Jean-Jacques Rousseau et Paris." Paris 4, 1999. http://www.theses.fr/1998PA040207.
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Jean-Jacques Rousseau fait à Paris trois séjours : le premier en 1731, le deuxième de 1742 à 1756 et enfin le troisième de 1770 à 1778. Le premier séjour n'est que de courte durée. Nous étudions dans la première partie l'aspect général de Paris. Le deuxième séjour est le plus long et le plus important. C'est dans cette capitale que l'homme totalement inconnu devient homme célèbre dans le monde des lettres. Suivant chronologiquement l'itinéraire de Rousseau à Paris, nous nous promenons, comme l'aurait fait Rousseau autrefois, dans les quartiers parisiens : le quartier latin, le quartier du Faubourg Saint-Germain, le quartier du Louvre, le quartier du Palais Royal et le quartier de Saint-Eustache. Nous découvrons le paysage de chaque quartier avec ses habitants. Le troisième séjour est le plus pathétique de la vie de Rousseau. Le célèbre proscrit mène un combat solitaire dans le plus grand secret. La grandeur de Paris lui permet de se dissimuler dans la foule, où Rousseau n'est qu'un homme âgé de milieu artisanal. Nous découvrons enfin la rue Plâtrière, telle que Rousseau a dû la connaitre dans les années 1770. Nous trouvons la maison des Dupin et les maisons qu'habita Rousseau.
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Gaillard, Jeanne Bourillon Florence Pinol Jean-Luc. "Paris, la ville : 1852-1870 /." Paris : l'Harmattan, 1997. http://catalogue.bnf.fr/ark:/12148/cb406262614.
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Harkett, Daniel. "Exhibition culture in Restoration Paris." View online version; access limited to Brown University users, 2005. http://catalog.hathitrust.org/api/volumes/oclc/73488260.html.
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Thesis (Ph.D.)--Brown University, 2005.Vita. Thesis advisor: Kermit S. Champa. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 271-289).
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Losserand, Léonore. "Les chantiers d’églises paroissiales à Paris aux XVIIe et XVIIIe siècles." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040222.
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Paris sous les premiers Bourbons voit fleurir nombre d'édifices religieux, parmi eux, les églises paroissiales forment un cas à part. Édifice de culte dévolu à un territoire urbain, l'église paroissiale est édifiée et financée par un maître d'ouvrage aux multiples facettes, aux intérêts parfois contradictoires : marguilliers, curés et paroissiens. Tenu par des contraintes financières spécifiques au cas paroissial, le chantier de ces églises doit s’insérer dans la comptabilité des fabriques et dans le quotidien des paroissiens pendant de nombreuses décennies. Les chantiers de construction ou reconstruction totales sont l’objet de cette étude : Saint-Jacques-du-Haut-Pas (1630 – vers 1690), Saint-Sulpice (1646 – vers 1791), Saint-Roch (1633 et 1653 – 1740), Saint-Nicolas-du-Chardonnet (1656 – vers 1720), Saint-Louis-en-l’Île (1656 – vers 1735), et Sainte-Marguerite (à partir de 1624). L’établissement du projet, qu'il soit d'ensemble ou partiel, commence parfois longtemps avant le début des travaux et la consécration de l'église ne signifie pas toujours l'achèvement du gros œuvre. Du projet aux adjonctions finales (façade, chapelles, etc.), en passant par le creusement des fondations ou encore les suspensions des travaux, le chantier paroissial révèle un aspect pérenne, qui le distingue des autres chantiers de son temps. Ces églises sont néanmoins mises en œuvre selon les techniques et avec les matériaux communément utilisés à l’époque dans le bassin parisien et par des artisans nombreux, bien que mal documentés. À travers la restitution des différentes phases du chantier, c'est l'histoire de la construction moderne qui trouve ici un visageParis under the first Bourbons is a flourishing time for religious building, amongt which parish churches form a category of their own. As worships related to a urban territory, parish churches are funded and built by many-faceted clients, with sometimes conflicting interests : marguilliers, priests, parishioners. Held by financial constraints specific to their case, projects for these churches needed to adjust to the accounts of factories and to the day-to-day activity of parishioners, for decades. Projects of buildfing or total rebuilding are the subject of this study : Saint-Jacques-du-Haut-Pas (1630 – c.1690), Saint-Sulpice (1646 –c.1791), Saint-Roch (1633 and 1653 – 1740), Saint-Nicolas-du-Chardonnet (1656 – c.1720), Saint-Louis-en-l’Île (1656 – vers 1735), and Sainte-Marguerite (from 1624). Establishing the project, whether it is global or partial, sometimes precede the start of the construction by far, and the church’s consecration does not always mean that the shell has been finished. From the project until the final adjunctions (façade, chapel, etc.) through the digging of foundations or discontinuations of work, the process of parish building reveals a permanent aspect, on perpetual renewal. However, these churches are built with techniques and materials of common use at the time in the Parisian basin, by a great number of craftmen, although not well documented.Through the restitution of the different stemps of the project, a face is given to history of modern construction
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Romo, Malin. "Public Green Space in Paris : Sustainable Development Discourses in the Objective of Le Grand Paris." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-259227.
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Sustainable Development challenges will increasingly concentrate in cities as the urbanization in Europe and the rest of the world continues and governments must implement policies to ensure benefits of urban growths are shared sustainably. When more people move into the cities, the intimate contact with nature is lost since nature has not always been a priority in the history of urban planning. A biophilic approach is considered in this study, where the concept of inclusion of nature is perceived essential for the human life and previous empirical evidence supports the theory of presence of nature being substantial to human wellbeing. Because of the population density, Paris is an interesting example of the development of a megacity in a post-Kyoto context. The development project for the Paris urban area, called Le Grand Paris, intends to develop Paris on several levels. The aim with this study is to examine driving forces for nature as a part of an urban setting that can contribute to the development of intelligent sustainable urban planning for the future. Using qualitative methods to gather empirical data and a discourse analytical framework, this study intends to increase the understanding of perspectives, incentives and discords in the perceptions of urban green space and Sustainable Development. The problem statement is: How is urban green space carried out in the perspectives of cultural, economical and ecological values of citizens and planning documents in the context of Le Grand Paris project? The results establish that that need of increasing vegetation in the city of Paris is pressing in order to enhance quality of life and increase effects of ecological services. The continuing urbanization of Paris will intensify the need of social-ecological interactions, which require approaches through processes of democracy and participation in order to contribute to intra- and intergenerational socio-ecological justice for a sustainable Paris.
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Smith, Donna Gayle. "A Historical Study of the Paris Small Business Development Center in Paris, Texas: 1986-2006." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699861/.
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This historical study chronicled events of the development and implementation of the Paris Small Business Development Center at Paris Junior College in Paris, Texas from 1986-2006. Data was collected from primary and secondary sources and oral histories through personal interviews. The analysis included a brief history of higher education and the service mission and situated the study in the broader context as an extension program in higher education. This study provided a brief history of the U.S. Small Business Administration and America’s Small Business Development Center Network as a background for the study. This study is significant to scholars in the field of higher education for a number of reasons. It provides a historical analysis of a service program that extends the college to the community and demonstrates higher education and its role in economic development. It adds to the current body of research by advancing an understanding of a past to contemporary knowledge. Finally, by integrating historical perspectives from multiple disciplines in higher education, what happened and the context in which it happened can be more fully appreciated. This study also contributes to practical knowledge as it deepens the understanding of significant events and processes that contributed to the success of an outreach program in higher education.
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Parent-Lardeur, Françoise. "Lire à Paris au temps de Balzac : les cabinets de lecture à Paris, 1815-1830 /." Paris : Éd. de l'École des hautes études en sciences sociales, 1999. http://catalogue.bnf.fr/ark:/12148/cb37092989r.
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Swahnström, Sara, and Agnes Hultén. "“Paris Measurements” : The Inertia of the Thin Ideal on the Runways of Paris Fashion Week." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22001.
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Background - Welcome to the 2010’s and its visual information culture informing about the century-old ideal of thinness, by sending (almost) exclusively thin bodies down the runway of Paris Fashion Week (PFW). This, while at the same time the academia and mass media are repeatedly articulating the necessity of a more ethical aesthetic within the fashion industry, while the argument that “thinness sells” lack empirical support, while measures are taken around Europe to discourage media bias and encourage healthy bodies walking the, and while the body positivity movement – applauding the diversity of body types – is on the rise in the Western society. Problem - How can it be explained that PFW, as an event organized to communicate the latest trends, and as an institution of a concept that thrives on change, is being stuck in an inertia of thin models? The purpose of this qualitative study is to explore the explanations for the idealization of thin bodies in regard to female runway models, to be found in visual representations of PFW. Examining the paradox of the idealization of thin bodies has the potential to reveal the measures necessary to establish practices of ethical representation in the realm of PFW. Method - The search for explanations to the inertia of the thin ideal on the runways of PFW is based upon a qualitative research design and a method of semi-structured interviews. The sample consisted of fourteen people involved in the event of PFW. It is framed within three theoretical perspectives: the trickle-down, trickle-across and trickle-up theories – associated with authors such as Simmel (1957), King (1963) and Blumer (1969a; 1969b); a theoretical view of the relation between fashion, clothes and the body provided by Barnard (2014) and, lastly, the Organizational Ecology Theory presented by Hannan and Freeman (1977; 1989). Findings - The findings suggest that the inertia of the thin ideal on the runways of PFW is explained by the thin body not only being part of a long history and tradition of creating and showing fashion, but also being dressed in aesthetic value. At the same time, the explanations to the idealization, or inertia, of thin bodies on PFW are found to be multiple as well as paradoxical, a conclusion serving as an explanation in itself. Conclusion – It is difficult to point out the explanation to the inertia of the thin ideal – both in terms of factors and actors – not at least due to the explanations stemming from both social and cultural as well as economic aspects of fashion. As a consequence, every actor part the fashion industry need to understand the effects as well as the extent of idealization of thin bodies, and start to realize that public health is more important than profits.
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Becker, Marc Oliver. "Les paris sur les compétitions sportives : un antagonisme conciliable entre intégrité du sport et profits économiques ? Regards croisés sur les droits allemand et français." Thesis, Toulouse 1, 2018. http://www.theses.fr/2018TOU10003.
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L'affaire des paris sportifs fait la une de l'actualité sportive et judiciaire depuis quelques années. L'importance du sujet a été récemment rappelée en France par le Conseil d'Etat, en Allemagne par la Cour constitutionnelle et à l'échelle européenne par la Cour de justice. Les parties prenantes sont invitées, au moment où les contingences économiques mondiales se précipitent, de trouver l'équilibre entre financement stable et développement durable du sport. Les cas français et allemand montrent la grande dynamique inhérente au sujet dans les années à venirSport betting has one of the highest impacts on the integrity of sport. The decisions of the highest courts, as in France by the Conseil d’Etat, and in Germany by theBundesverfassungsgericht, as well in Europe by the European Court of Justice show the importance of this activity also in legal matters. The parties concerned are invited, in a time of rapid economic growth, to find balance between financial stability and the sustainable development in the field of sport. The provided examples show the high dynamic of this field of law in the upcoming years
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Renaudie, Olivier. "La préfecture de police /." Paris : LGDJ-Lextenso éd, 2008. http://catalogue.bnf.fr/ark:/12148/cb413737603.
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Bennett, Lewis Peter. "Sacred repertoires in Paris, 1630-43 : Paris, BibliotheÌ€que National de France, Vma reÌs.571." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413015.
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Coleman, Jeremy George Lonsdale. "Wagner in Paris : translation, identity, modernity." Thesis, King's College London (University of London), 2016. https://kclpure.kcl.ac.uk/portal/en/theses/wagner-in-paris(082d7dba-db82-4625-9924-26e5b6b7e73d).html.
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My thesis aims to re-evaluate Richard Wagner’s relationship with Paris from his earliest residence (1839-1842) to the Paris Tannhäuser (1861) through the lens of translation in multiple senses of the word. The phenomenon of late nineteenth- and early twentieth-century French Wagnerism has long attracted diverse interpretations in musicology and cultural history; less well known is Wagner’s own perennial ambition of an operatic success in the “capital city of the nineteenth century” (Walter Benjamin), the better to launch his career on an international platform, and the paradoxical consequences of that ambition upon its failure. My point of departure is twofold: on the one hand, I engage in a number of ideas in the so-called “Wagner debate” as an ongoing philosophical project that has sought to come to terms with the problematic of the composer’s Germanness; and on the other hand, I hope to shed new light on some of these very questions via critical interrogation of hitherto neglected sources, including translations and adaptations between French and German produced or supervised by the composer himself. My argument proceeds in a chronological series of dialectical “moments”, if not in a continuous narrative of linear development: Chapters 1 and 2 concern two different phases of Wagner’s early Paris years, 1839-42, a formative period in his life that has yet to receive sustained investigation; Chapters 3 and 4 examine his view of Paris as it were “at a distance”, respectively his period as Kapellmeister in Dresden and his post-May 1849 exile; finally, in Chapter 5, I offer a genuine reappraisal of Wagner’s much-discussed 1859-1861 Paris period, with particular focus on the 1860 concerts at the Théâtre-Italien and Baudelaire’s Wagner appreciation.
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Spash, Clive L. "The Paris Agreement to Ignore Reality." WU Vienna University of Economics and Business, 2016. http://epub.wu.ac.at/4802/1/sre%2Ddisc%2D2016_01.pdf.
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At the 21st session of the Conference of the Parties to the United Nations Framework
Convention on Climate Change held in Paris, France, 30 November to 11 December 2015, an
Agreement was reached by the international community including 195 countries. The
Agreement has been hailed, by participants and the media, as a major turning point for policy
in the struggle to address human induced climate change. The following is a short critical
commentary in which I briefly explain why the Paris Agreement changes nothing. I highlight
how the Agreement has been reached by removing almost all substantive issues concerning
the causes of human induced climate change and offers no firm plans of action. Instead of
substantive cuts in greenhouse gas emissions, as soon as possible, the intentions of the parties
promise escalation of damages and treat worst case scenarios as an acceptable 50:50 chance.
The Paris Agreement signifies commitment to sustained industrial growth, risk management
over disaster prevention, and future inventions and technology as saviour. The primary
commitment of the international community is to maintain the current social and economic
system. The result is denial that tackling greenhouse gas emissions is incompatible with
sustained economic growth. The reality is that Nation States and international corporations
are engaged in an unremitting and ongoing expansion of fossil fuel energy exploration,
extraction and combustion, and the construction of related infrastructure for production and
consumption. The targets and promises of the Paris Agreement bear no relationship to
biophysical or social and economic reality. (author's abstract)Series: SRE - Discussion Papers
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Armstrong, Megan Cathleen. "The Franciscans in Paris, 1560-1600." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ35101.pdf.
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Gough, Harriet. "Interpretations of May 1968 in Paris /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09arg692.pdf.
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Coduti, C. Leonard. "Giuseppe Verdi| The Paris Opera commissions." Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523336.
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This thesis examines the relationship between Giuseppe Verdi and the Paris Opera and the stage works that Verdi composed or reworked as a result of this business venture. Between 1847 and 1867, Verdi accepted four formal commissions for Paris: Jerusalem (1847), Les vêpres siciliennes (1855), Le trouvère (1857) and Don Carlos (1867). After a brief introduction discussing Verdi's career before Paris, each commission is discussed in detail from the genesis of the work through its premiere, and the eventual outcome of each opera. This study also evaluates the benefit of this collaboration to Verdi's international career given the requirements and time expended to produce each commission. It explores Verdi's adaptation to cultural differences, his handling of foreign business affairs, and his personal feelings toward French society. Much of the source material is drawn from Verdi's own writings and correspondence, as well as the writings of several Verdi scholars.
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Place, E. M. "Wehrmacht soldiers in Paris, 1940-1944." Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512074.
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Jamin, Mikael Jan. "Sociolinguistic variation in the Paris suburbs." Thesis, University of Kent, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529312.
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This thesis investigates linguistic variation, diffusion and change in two suburban towns of Paris (La Courneuve and Fontenay-sous-Bois), using quantitative methods to analyse innovative accent forms presently developing. After an introductory chapter which sets out the origins and objectives of the study, Chapter 2 gives the background to the Paris banlieues as well as a description of the research sites. Banlieues are ideal places of investigation for the linguist interested in sociolectal variation in that they accommodate a population which is relatively isolated from the linguistic norm of the dominant society. As a result of this isolation, a recognisable localised vernacular has emerged. This is in itself unsurprising, as similar phenomena have been observed elsewhere in low-contact contexts. What is particularly interesting here is that this vernacular has emerged in an urban context, generally characteristised by a relatively high degree of sociolectal contact, especially with prestigious varieties. Chapter 3 aims at showing how previous research has tackled the study of sociolinguistic variation in urban contexts. We then discuss the sociolinguistic literature more specifically focused on banlieues. From this, three linguistic variables thought to be potentially interesting are selected. In Chapter 4, the methodology used to obtain the linguistic data is discussed and the social characteristics of the sample are described. We then proceed to analyse the linguistic data collected. Chapter 5 focuses on the sociolinguistic distribution of palatalisation in the corpus. Chapter 6 investigates /r/-realisation and Chapter 7 variation between /a/ and /a/. Generally, the same social group seems to lead the adoption of non-standard variants for most variables: working-class youngsters from immigrant backgrounds. Interestingly, the adoption seems to be spreading to other social and ethnic groups, especially amongst the younger age group of the sample. This diffusion is quantitatively explained in terms of integration and identification with the street-culture which has developed in the banlieues and of the nature of social network ties that the street creates. What is also interesting is that for all age groups and for all the linguistic variables concerned, a generational increase is observed. This in tum suggests that this possible diffusion of non-standard forms in the banlieues might be introducing a change in progress in contemporary metropolitan French.
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Caddy, D. L. "Music and dance : Paris, 1900-1914." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597208.
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This thesis offers three case studies of theatrical and recreational dance in early twentieth-century Paris: operatic, balletic and music-hall variations on Salome’s Dance of the Seven Veils; the reception of the cake walk as concert music, circus entertainment and on film; and the conception and realisation of La Fête chez Thérèse, a ballet staged at the Opéra during the years of the Ballets Russes. My critique, which draws on theories of post-colonialism, feminism and subjectivity (to name a few), offers a ‘thick description’ of these dance spectacles, tracing a peculiar line through the cultural and aesthetic determinants of early twentieth-century art and entertainment whilst exploring an encounter between French modernism, elite and popular culture. More important, though, is the fact that my thesis considers the role or function of music in dance performance. Such an approach inevitably invokes audio-visual theory, as well as recent musicological concerns with the moving body and its complex if ephemeral signification: how music helps dance to move beyond gymnastics and begin to ‘speak’ is becoming well-covered terrain. In my case studies the question extends in new and unfamiliar directions. As well as considering the relation between music, narrative and balletic ‘voice’ (an interpretative reading), I engage in a more acutely historical study, exploring the reception of dance in the Parisian press: what this might reveal about ways of watching, listening, thinking and writing about dance and its accompanying music. The different works and genres offered up for consideration by my case studies, as well as the variety of aesthetic levels that they mark out, enable me to expose new perspectives on the contemporary dance scene and its cultural motivations.
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Willson, Flora. "Operatic futures in Second Empire Paris." Thesis, King's College London (University of London), 2013. https://kclpure.kcl.ac.uk/portal/en/theses/operatic-futures-in-second-empire-paris(d87419af-cd1c-4ae5-a2fd-569a20fb2c15).html.
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My dissertation focuses on Paris during the latter decade of Napoleon III’s Second Empire (1852-1870). It concentrates particularly on the status of opera in the period, placing contemporary operatic discourse and practice within a cultural and political landscape marked by both identification with the past and fascination with the future. While opera continued to be a central part of Paris’s social life and its self-image as the pre-eminent modern metropolis, the period offers the first sustained evidence of operatic canon-formation, with increasing numbers of old works revived. In part because such revivals were often believed to be replacing new commissions, the emerging canon provoked much discussion. Responding to this debate, I ask how opera’s turns to the past in the 1860s related to the period’s preoccupation with the idea of ‘progress’: my enquiry thus aims to contribute to existing scholarship on mid-century musical historicism while also tracing how operatic practices related to contemporary cultural and technological change. After a brief introduction, the dissertation focuses on four moments: the 1859 revival of Gluck’s Orphée, a significant step in the transition towards the operatic ‘imaginary museum’ of the future; three concerts conducted by Richard Wagner in 1860 to showcase his ‘musique de l’avenir’, heard as an explicit instance of operatic soothsaying; the 1867 premiere of Verdi’s Don Carlos, a work whose mixed reception bears witness to changing modes of operatic listening; and commentary surrounding the Parisian funeral celebrations of Meyerbeer in May 1864 and Rossini in November 1868, occasions that foregrounded numerous anxieties about what was to come after the demise of two deeply symbolic figures – one embodying opera’s glorious past, the other believed to have held the key to its future.
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Danneman, Michaela. "The Paris Agreement´s compliance mechanism." Thesis, Stockholms universitet, Juridiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-135868.
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Halloran, Brian Michael. "The Scots College Paris, 1653-1792." Thesis, University of St Andrews, 1996. http://hdl.handle.net/10023/13645.
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The aim of this dissertation is to present a composite picture and evaluation of the Scots College Paris from the establishment of a Prefecture Apostolic in Scotland in 1653, until the eclipse of the college in 1792. In order to show the Mission needs that a Scottish college would have to meet, this study began with a preliminary survey of aspects of Catholicism from the creation of the Jesuit mission in 1584 until the appointment of a secular Prefect in 1653, followed by an exposition of what little is known about the first foundation of the College (1325-1603) and the first fifty years of the second foundation (1603-1653), This review showed that the Scots College in Paris was in an excellent position to further the aims of the Scottish Catholic Mission. The history of the college was then examined chronologically by principalships, but it was found necessary to devote separate chapters to three topics, Jacobitism, Jansenism, and the College archives. The investigation indicated that the Scots College Paris had given considerable beneficial service to the Scottish Catholic Mission, but preoccupation with the Jacobite cause, and a reactionary stance as regards the Constitution Unigenitus deflected the staff from the task of preparing students for the priesthood and ultimately led to baneful consequences for Scottish Catholicism. Quarrels with the Jesuits and internal quarrels amongst the secular clergy contributed to the decline of the college. The college did, however, assist in the education of about seventy priests, provided three of our earliest Bishops, played a major role in the establishment of seminaries on Scottish soil, and built up a library and archives of which even the remnant is an invaluable resource for historians.
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Vadillo, Aida. "OLIVIER. GEORGES. Practique Anthroplogique. Paris, 1960." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/114346.
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Rasoloniaina, Brigitte. "Pratiques linguistiques des Malgaches de Paris." Tours, 1992. http://www.theses.fr/1992TOUR2026.
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Cet ouvrage concerne l'étude des compétences, performances et atittudes linguistiques de Malgaches bilingues et adultes vivant à Paris et en banlieue parisienne. Après une présentation de la langue et de la culture malgaches, on décrit le travail de terrain, au double point de vue théorique et méthodologique. Vingt-quatre informateurs sont analysés et quatre méthodes de recueil des données utilisées : tests linguistiques écrits et oraux, observation ethnographique, entretiens et récits de vie. Les résultats sont corrélés à des variables sociologiques dont les plus pertinents sont le sexe et la durée du séjour en France. Le dernier chapitre décrit la forme syntaxique et les fonctions de la "langue métissée" franco-malgache. La principale découverte porte sur la specificité linguistique des Malgaches de FranceThis book concerns with linguistic competence, performance and attitudes of the bilingual adult malagasy people living in Paris and suburbs. The fieldwork is described from the theoretical (mainly labovian) and methodological point of view. Four methods of data collection are used : linguistic testing on both languages, ethnographic approach, interviewing and live stories. The results are correlated with sociological variables among which are mainly significant sex and time of abroad residence. The last chapter describes the form and fonction of the mixed frenchmalagasy language called "variaminanana". The main finding focus on the specific linguistic behavior of malagasy migrants in france, which differs from other migrants
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Bory, José. "Les changements de préfets à Paris." Paris 2, 1991. http://www.theses.fr/1991PA020043.
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L'etude des changements de prefets a paris porte sur les conditions et les modalites parfois a la frontiere de la legalite, qui ont pu accompagner la fin des fonctions des prefets de la seine ou de paris et de la region d'ile-defrance, de 1800 a 1984. Cette recherche souhaite repondre a l'une des preoccupations du colloque qui s'est tenu au conseil d'etat, le 23 avril 1977, sous l'egide de l'institut francais de sciences administratives et de l'ecole pratique des hautes etudes et qui avait porte sur les epurations administratives aux xixe et xxe siecles. Les developpements s'articulent autour de quatre parties : 1) les conditions de la nomination du prefet de paris; 2) le role du prefet de paris; 3) les circonstances de la cessation des fonctions des prefets de paris; 4) le sort et la carriere ulterieure des anciens prefets de parisThe study of the change of prefects in paris deals with the conditions and modulations - sometimes at the very border oh the law-, witch are connected with the end of the role of the prefects of the seine, of paris or of the ile-defrance region, from 1800 to 1984. This research seeks to respond to one of the preoccupations of the symposium which was held at the "conseil d'etat" on april 23rd, 1977, under the auspices of "l'institut francais de sciences administratives" and of "l'ecole pratique des hautes etudes" and which dealt with the administrative purges of the 19th and 20th centuries. The developments are based on four main parts: 1) the manner of nominating the paris prefect; 2) the paris prefect's role; 3) the circumstances surrounding the terminations of the paris prefectsfunction; 4) the fate and ultimate career of the old paris prefects
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Nakajima, Toshikatsu. "Industrie mécanique à Paris, 1847-1914." Paris 4, 1985. http://www.theses.fr/1985PA040139.
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Galera, Maria Claudia. "Esthétiques urbaines : le mythe de Paris." Paris 8, 2012. http://www.theses.fr/2012PA083661.
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Saiki, Shinichi. "Paris dans le roman de Proust." Paris 3, 1990. http://www.theses.fr/1991PA03A005.
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Dans a la recherche du temps perdu de marcel proust, un grand nombre de scenes ont pour cadre la ville de paris. Si chacun des lieux parisiens est relie a un personnage ou a une situation pour constituer un des elements indispensables du recit, c'est a travers sa signification culturelle et historique aussi bien que les images evoquees par son nomIn remembrance of things past by marcel proust, a large numvber of scenes have their setting in paris. Each location in paris is connected specifically with a character or a novelistic situation through its cultural and historic significance as well as the images evoked by its name, and constitue one of the indispensable elements of the narrative
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Riemenschnitter, Kathrin. "Urban segregation | clichy-sous-bois | paris." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/32389.
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this thesis investigates, whether or not, and to what degree architecture effects the urban and social segregation of suburbs which are built primarily to house industrial labor in times of economic growth. the city of clichy-sous-bois, which became well known because of its riots in 2005 was the particular focus of this study. the work informs the reader about the historical background of clichy and its dedicated french metropolis paris. it gives background information about the riots of 2005 and todayâ s situation of the banlieue. then, the thesis follows some general examples about the â haussmannisationâ of paris and gives a short insight in the statistical coherences of crime and urbanism. after that, it takes a quick look at special housing examples in east-germany and vienna. it concludes with a summary and comparison of researched information and a possible proposal to improve the conditions in clichy-sous-bois.Master of Architecture
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Santini, Maud. "Paris, librairie arabe : Lieux, réseaux, objet." Aix-Marseille 1, 2003. http://www.theses.fr/2003AIX10009.
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A partir des années 1970, et de façon plus marquée encore dans les années 1980, Paris accueille un nombre croissant d'intellectuels arabes du Moyen-Orient. Parmi les activités variées, qu'ils y déploient, leurs initiatives dans le domaine du livre et de l'édition ont particulièrement retenu l'attention. La période a en effet caractérisée l'ouverture, à Paris, de librairies proposant à la vente des ouvrages en langue arabe. Par ailleurs quelques années plus tard, s'observe dans l'édition française un mouvement de traduction de la littérature arabe contemporaine, mouvement que ces intellectuels arabes établis à Paris ont contribué à lancer. Ainsi par l'étude de ces deux objets, le commerce des livres arabes en France et la traduction en français de la littérature arabe, ont été isolés des fonctionnements et des pratiques dont les moteurs se situent en même temps dans le monde arabe et en France
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Jean-Marie, Audry. "La Propriété des logements à Paris." Paris 8, 1990. http://www.theses.fr/1990PA080467.
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La structure de la propriete des logements est identifiee a partir d'une exploitation des fichiers d'imposition locale (1987). Il apparait que les particuliers sont les principaux proprietaires (73 % du parc d'habitation) devant les organismes publics (15 %) et prives (12 %). L'analyse porte sur l'evolution des formes de la propriete (en copropriete ou par immeubles entiers), et sur la localisation et la qualite des patrimoinesThe housing ownership structure is identified by analysing the 1987 local tax files. It appears that housing range is owned mainly by individual owners (73%) followed by civil services (15%) and private organisms (12%). The analysis is related to the evolution of different forms of property ownership (joint ownership or ownership) and on the location and quality of patrimonies
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Lee, You-Sook. "L'activité picturale à Paris en 1945." Université Marc Bloch (Strasbourg) (1971-2008), 1996. http://www.theses.fr/1996STR20045.
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En 1945 l'activite picturale s'est vivement amplifiee. Dans l'ambiance particuliere de reouverture du musee du louvre et des galeries, les tendances modernes et classiques sont toutes bien accueillies. Parmi les expositions, la tendance de l'art abstrait a le vent en poupe. Les jeunes artistes travaillent sous l'influence du fauvisme et du cubisme, de leurs aines matisse et picasso. Les principaux peintres de cette deuxieme generation de l'art abstrait sont alors bazaine, esteve et lapicque, qui exposent a la galerie louis carre, jean fautrier avec sa serie des otages a la galerie de rene drouin, et les participants a l'exposition de l'art concret ou s'affirme l'abstraction geometrique. L'emergence de l'abstraction lyrique a paris en 1945 resulte a la fois du cubisme, du fauvisme et du surrealisme, dont les recherches et les apports sont ressaisis en de nouvelles formes par les jeunes peintres abstraitsIn 1945 the artistic activity has briskly amplified. In the particular reopening atmosphere of the museum of the louvre and galleries, classic and modern trends are all well welcomed. Among exhibitions, the tendency of the abstract art has the wind in stern. The young artists work under the influence of the fauvism and the cubism, their elders matisse and picasso. The main painters of this second generation of the abstract art are then bazaine, esteve and lapicque, that expose to the gallery louis carre, john fautrier with its series of otages to the gallery of rene drouin, and participants to the exhibition of the concrete art where is asserting the geometrical abstraction. The emergence of the lyrical abstraction to paris in 1945 results at once from the cubism, the fauvism and the surrealism, whose researches and contributions are recaptureed in new forms by the young abstract painters
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Cohen, Évelyne. "Paris dans l'imaginaire national (1918-1934)." Paris 1, 1996. http://books.openedition.org/psorbonne/1236.
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Bonnet, Vincent. "Act Up-Paris : analyse d'une militance." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1001.
Full textAbstract:
Historiquement, l'apparition du sida a opéré des branchements inédits entre l'intime et lepolitique. Investiguer les motivations des militants d'Act Up-Paris, association de lutte contrele sida « issue de la communauté homosexuelle », leurs façons d'user de la mort dans lavisibilisation du combat ou les artifices inventés pour maintenir « vive et inspirée » l'identitédu groupe jette un éclairage particulier sur ce qu'on peut entendre par empowerment, entre unrapport récalcitrant aux savoirs constitués de la science et de la médecine et uneexpérimentation autour du commun, comme ce qui fonde et ce que vise tout à la fois l'actionpolitiqueHistorically, the emergence of AIDS operated unprecedented connections between theintimate and the political. Investigating the motivations of the activists of the « born of thegay community » anti-AIDS association Act Up-Paris, their ways to make use of death in aneffort to make their fight visible or the artifices devised in order to maintain « the livelinessand inspirational force » of the group's identity sheds a peculiar light on what empowermentcould mean, somewhere between a reluctant relationship with science and medicines'spowers-that-be and an experimentation around the community, envisioned as both theground and the aim of political action