Relevant bibliographies by topics / Paris (France) History Commune

Academic literature on the topic 'Paris (France) History Commune'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Paris (France) History Commune"

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Gaido, Daniel. "The First Workers’ Government in History: Karl Marx’s Addenda to Lissagaray’s History of the Commune of 1871." Historical Materialism 29, no. 1 (March 19, 2021): 49–112. http://dx.doi.org/10.1163/1569206x-12341972.

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Abstract In Marxist circles it is common to refer to Karl Marx’s The Civil War in France for a theoretical analysis of the historical significance of the Paris Commune, and to Prosper-Olivier Lissagaray’s History of the Commune of 1871 for a description of the facts surrounding the insurrection of the Paris workers and its repression by the National Assembly led by Adolphe Thiers. What is less well-known is that Marx himself oversaw the German translation of Lissagaray’s book and made numerous additions to it. In this article we describe Marx’s addenda to Lissagaray’s work, showing how they contribute to concretising his analysis of the Paris Commune and how they relate to the split in the International Working Men’s Association between Marxists and anarchists that took place after the Commune’s defeat. We also show how Marx’s additions to the German version of Lissagaray’s book were linked to his involvement with the recently created Socialist Workers’ Party of Germany and to his criticism of the programme it had adopted at the congress celebrated in the city of Gotha.
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Lebel, Olivier. "Éric CAVATERRA, La Banque de France et la Commune de Paris (1871)." Revue d'histoire du XIXe siècle, no. 23 (December 1, 2001): 234–36. http://dx.doi.org/10.4000/rh19.322.

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Richet, Denis, and Marie-Claude Lapeyre. "Les barricades à Paris, le 12 mai 1588." Annales. Histoire, Sciences Sociales 45, no. 2 (April 1990): 383–95. http://dx.doi.org/10.3406/ahess.1990.278841.

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Ce texte est le dernier que nous ait donné Denis Richet, quelques mois avant sa mort, survenue brusquement en septembre dernier. Il témoigne du projet qui l'animait : comprendre les ruptures du tissu politique et social de la France moderne. Comme tel il témoigne d'une attitude, que Denis Richet a su enseigner : « Aimer l'histoire pour elle-même… ». Sa chaleur nous manque.Isoler le fait-barricades de l'histoire générale de Paris est une nécessité et une gageure. Les barricades ne sont pas comme un élément chimiquement pur ; elles supposent une convergence de données historiques qu'il serait fastidieux de rappeler. Je note seulement que la Commune de 1871 a joué un grand rôle dans l'intérêt porté au 12 mai 1588. Dans la Revue des Deux Mondes, dès septembre 1871, A. Maury publiait un article sur «La commune de Paris de 1588». Et Paul Robiquet, en écrivant de 1884 à 1904 ses trois volumes de l'Histoire municipale de Paris, qui demeure la meilleure synthèse accessible, ne manque pas de faire allusion, avec une certaine prudence, au printemps tragique de 1871. Il est, à mon sens, intéressant de constater que l'historiographie actuelle — disons : trentenaire — de la journée du 12 mai 1588 s'est enrichie grâce à des recherches menées par des historiens français et non français. En Union Soviétique, à Lvow plus précisément, en cette partie de la Biélorussie naguère polonaise, où le professeur Lozinsky a mené un travail d'autant plus exemplaire qu'il n'a jamais pu bénéficier du contact direct avec les archives parisiennes; en Israël, où Elie Barnavi, après un long séjour en France, a pu éclairer l'histoire de la Ligue ; aux États-Unis, grâce aux recherches des professeurs Salmon et Ascoli; en France même, les recherches de Robert Descimon ont largement déblayé le terrain.
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Lepetit, Bernard. "L'échelle de la France." Annales. Histoire, Sciences Sociales 45, no. 2 (April 1990): 433–43. http://dx.doi.org/10.3406/ahess.1990.278845.

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Le 7 septembre 1789, Sieyès proposait à l'Assemblée nationale de nommer un comité pour préparer « un plan de municipalités et de provinces tel qu'on puisse espérer de ne pas voir le royaume se déchirer en une multitude de petits États sous forme républicaine; et qu'au contraire la France puisse former un seul tout, soumis uniformément, dans toutes ses parties, à une législation ou une administration commune». Ce plan, élaboré en trois semaines fut présenté le 29 septembre par Thouret à l'Assemblée nationale. On en connaît la teneur. La France devait être partagée, selon le modèle proposé quelques années plus tôt par le géographe Robert de Hesseln en 81 «carrés uniformes ». Le découpage devait s'effectuer en direction des frontières terrestres et maritimes à partir de Paris, et il était prévu que la capitale devrait former un département particulier.
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Welch, Cheryl B. "Tocqueville and the French." Tocqueville Review 15, no. 1 (January 1994): 159–65. http://dx.doi.org/10.3138/ttr.15.1.159.

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For contemporary political theorists, the events of nineteenth-century France – the "bourgeois" revolution of 1830, the revolutionary eruption of 1848 with its dénouement in Bonapartism, and the "heroic" moment of the Paris Commune – have entered the domain of reflection on modern politics through Marx. Not only for Marxists, but for those who learned political theory in a Marxist tradition or whose primary acquaintance with nineteenth-century France came from Marx's trenchant dissection of its class struggles, this was a story fraught with universal significance. Indeed, French historical events have long functioned as dramatic signs or markers of the modern relationship between state and civil society, and between democracy and revolution.
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TYRE, JESS. "Music in Paris during the Franco-Prussian War and the Commune." Journal of Musicology 22, no. 2 (2005): 173–202. http://dx.doi.org/10.1525/jm.2005.22.2.173.

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ABSTRACT The years 1870––71 marked the beginning of dramatic changes in French political and cultural life. A few short months witnessed defeat to Germany in the Franco-Prussian War and the fall of the Second Empire, as well as the rapid rise of the Paris Commune and its subsequent violent suppression through the establishment of republican government. The Parisian musical world, while severely affected by the events of war and deprived of performers and audiences, did not come to a standstill. Indeed, these years ushered in a remarkable increase in the number of institutions and concert societies dedicated to supporting French music and to making what would become the standard repertoire more accessible to the average citizen. Music heightened reactions to the turmoil of war and revolution in Paris at this crucial moment in France's history. Because of their stringent governmental control and largely middle- and working-class audiences, entertainments organized initially by wartime concert societies, and then under the aegis of the Commune, provide us with the greatest opportunity for understanding the political and social contexts in which music operated. Through investigation of the contemporary French press it can be shown that: (1) the perceived function of musical performance was adjusted to suit the practical and symbolic needs of a besieged city; (2) all the factions competing for power during the war and the post-war insurrection in Paris appropriated the connotations of civilization, social stability, and good taste that surrounded ““art music””; (3) the Commune's sudden rejection of the Austro-German musical tradition marked a brief but significant moment in which nationalistic preoccupations supplanted historically cosmopolitan attitudes toward foreign art. The study concludes with a meditation on Alfred Roll's painting of the execution of a Communard trumpeter, in which we find one of the strongest images relating war and rebellion to music in the France of 1871.
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Tombs, Robert. "Review: La Commune de Paris: Révolution sans images? Politique et représentations dans la France républicaine (1871–1914)." English Historical Review 120, no. 487 (June 1, 2005): 794–96. http://dx.doi.org/10.1093/ehr/cei263.

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Chen, Dongyang. "Marx's Idea of The People's Subject and Its Value of The Times from the Perspective of The French Civil War." International Journal of Education and Humanities 5, no. 2 (October 25, 2022): 158–63. http://dx.doi.org/10.54097/ijeh.v5i2.2130.

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As the first proletarian regime in human history, the Paris Commune put "people" on its banner for the first time, turning Marx's idea of the people's subject from science to reality. In The Civil War of France, Marx scientifically defined the scope of the people's subject and elaborated the concrete embodiment and practical principles of the people's subject in social life from economic, political and cultural aspects. In the new era, it is of great value to dig deeper into the idea of the people's subject contained in The French Civil War, clarify its evolution and connotation, and to deeply understand this idea and implement the concept of "people first".
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Daszkiewicz, Piotr, and Dominika Mierzwa-Szymkowiak. "Henri Marmottan (1832–1914), przyjaciel i korespondent Władysława Taczanowskiego (1819–1890) i Antoniego Wagi (1799–1890) – przyczynek do historii Warszawskiego Gabinetu Zoologicznego." Kwartalnik Historii Nauki i Techniki 67, no. 4 (December 19, 2022): 97–102. http://dx.doi.org/10.4467/0023589xkhnt.22.037.16968.

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Henri Marmottan (1832–1914), Friend and Correspondent of Władysław Taczanowski (1819–1890) and Antoni Waga (1799–1890). A Contribution to the History of the Warsaw Zoological Cabinet The article presents Henri Marmottan and his cooperation with the Warsaw Zoological Cabinet. Marmottan, a correspondent of Antoni Waga and Władysław Taczanowski, sent bird specimens to Warsaw. From Poland, he received both birds and insects for his collections. The text also includes an analysis of Marmottan’s correspondence with Konstanty Branicki. In the collections of the National Museum of Natural History in Paris, where the Marmottan collections are kept, the authors found specimens sent from Poland, and in the collections of the Museum and Institute of the Polish Academy of Sciences, specimens sent by him from Paris. Marmottan’s scientific cooperation with Polish zoologists is presented in the context of the epoch, the Russian occupation of Warsaw, the Franco-Prussian war, and the Paris Commune.
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Grémion, Pierre. "La réception d’Albert O. Hirschman à Paris." Tocqueville Review 31, no. 2 (January 2010): 97–115. http://dx.doi.org/10.3138/ttr.31.2.97.

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L’œuvre d’Albert Hirschman est aujourd’hui internationalement reconnue. Que La Revue Tocqueville lui consacre un numéro spécial en est un nouveau témoignage. Pour ce numéro, il m’a été demandé de traiter de sa réception en France. Aussi examinerai-je comment cette œuvre s’est frayée un chemin dans la ville capitale à partir du milieu de la décennie 1960. Les livres d’Hirschman ont été traduits et édités par différents éditeurs.
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Dissertations / Theses on the topic "Paris (France) History Commune"

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Wemp, Brian A. (Brian Alan). "The Paris Commune and the French right : the reaction of the bourgeoisie." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23857.

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The historiographic struggle over the representation of the Paris Commune, as begun by the daily press in 1871 and continued in the works of many subsequent scholars, is in fact part of a larger ideological battle. This thesis argues that in order to understand the significance of the Commune, it is necessary to return to contemporary writings. It studies the bourgeois reaction to the Paris Commune using as source material diaries, correspondence and monographs of upper class observers of the Commune. Through these writings, the Commune is seen as a socialist threat to bourgeois stability, and a sign of the disintegration of the ideals of the French Revolution.
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Boisseau, Pierre. "La Commune de Paris de 1871 à l'épreuve du droit constitutionnel." Tours, 1998. http://www.theses.fr/1998TOUR1007.

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La commune de paris n'a guere retenu jusqu'ici l'interet des juristes. Pourtant, l'action des communards souleve de nombreuses questions juridiques. Cette these s'efforce donc de pallier cette carence en etudiant, sous l'angle constitutionnel, la mise en place de l'ephemere regime parisien, son organisation, son fonctionnement, son activite normative et le projet de federation de communes defini au prtntfmps 1871 dans la capitale francaise. Et cette demarche conduit notamment l'auteur a relativiser la filiation entre la commune de paris de 1871 et le droit constitutionnel des anciens etats socialistes
The commune of paris (1871) had escaped jurists however communnards action set maany juridical problems. This thesis palliates this default, studing the creation of the parisian regime, its functionning, theses rules, the project of a federation of communes, and the ties between the french revolution of 1871 and the constitutionnal organization of socialist states
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Jones, Emily M. "The Political Nature of the Paris Commune of 1871 and Manifestations of Marxist Ideology in the Official Publications of the Central Committee." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5417.

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Historians originally claimed that the 1871 Paris Commune was inspired by Karl Marx. Since the 1960s, however, this assertion has been rejected by scholars who either claim that Marx had no influence over the Paris Communards or do not address the possibility that this influence existed. Many scholars have also claimed that the Commune was not political in any way, but was a rebellion inspired by patriotism, bitterness for the Versailles government’s capitulation of Paris to Prussia, or a spontaneous reaction to hostility from the national army’s attempt to disarm the indignant, rapidly organizing Parisian workers who called for municipal authority under their own socialist government. This thesis analyzes the official publications of the governing body of the Paris Commune and argues that these sources demonstrate that this movement was political in nature, and that Marxist ideology helped to shape the political minds of the revolutionary working class in Paris.
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Fournier, Éric. "Paris en ruines (1851-1882) : entre flânerie et apocalypse : regards, acteurs, pratiques." Paris 1, 2005. http://www.theses.fr/2005PA010568.

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Dans la seconde moitié du XIXe siècle, Paris s'affirme comme le creuset d'une modernité urbaine et culturelle. Mais, la ville se couvre aussi de ruines éphémères lors des travaux haussmanniens, puis pendant " l'année terrible". A travers le prisme des destructions et des ruines, les différents acteurs révèlent leur rapport à la ville, leur géographie sensible de la capitale. L'étude des destructions de la ville, essentiellement lors du bombardement prussien de 1870 et pendant la Commune, révèle comment Paris et les Parisiens supportent le paroxysme de la guerre. Le XIXe siècle est le siècle des ruines. Leur surgissement dans le bâti parisien met en scène la confrontation entre la culture érudite et l'incongruité d'une catastrophe inédite. Mais, par les ruines, entre fascination et volonté d'élision, les Parisiens montrent par leurs pratiques leur attachement à la cité. Poétique des ruines et poésie de Paris rentrent en résonance et consacrent, après 1871, le Paris haussmannien.
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Almeida, Jane Barros 1979. "Educação e luta de classes : a experiência da educação na Comuna de Paris (1871)." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281162.

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Orientador: Jesus José Ranieri
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-25T13:09:20Z (GMT). No. of bitstreams: 1 Almeida_JaneBarros_D.pdf: 5705010 bytes, checksum: af659b08f920224fab05b5d198719227 (MD5) Previous issue date: 2014
Resumo: Esta tese realizou uma análise, a partir da relação entre educação e luta de classes, tendo como objeto de estudos a experiência da Educação na Comuna de Paris de 1871. Esta curta experiência foi capaz de revelar a contribuição da educação no processo de construção de uma consciência de classe dos trabalhadores, mediante os debates e disputas políticas em prol de melhores condições de vida e direitos, travados no período anterior à Comuna, a antessala, quando a educação assumiu papel central ao canalizar os elementos de descontentamento e denúncia do projeto aplicado pelo Império de Napoleão III, ao mesmo tempo em que revelou elementos de um novo projeto de sociedade. A experiência da educação na Comuna de Paris foi capaz de apontar rupturas com o projeto de educação republicano, no sentido de indicar elementos para uma educação verdadeiramente democrática, emancipadora, omnilateral, laica, integral, crítica e reflexiva, para ambos os sexos. Assim como resignificou a ideia de público através da educação, desvinculando-o da lógica atribuída pelo particularismo burguês. A educação pública e popular criticou o papel do Estado, delegando aos trabalhadores organizados a tarefa de direção e formulação do novo projeto educacional. Avanços capazes de revelar a importância da educação no interior da luta dos trabalhadores, na construção de um novo projeto societal
Abstract: This thesis conducted an analysis, starting from the relationship between education and class struggle, using as the object of study the experience of education at Paris Commune in 1871. This short experience was able to reveal the contribution of education in building a class consciousness of workers through the debates and political disputes in favor of better living conditions and rights, conducted in the period that preceded the Commune, the precursor, when education assumed a central role, channeling the elements of discontent and denunciation of the project implemented by the Empire of Napoleon III, at the same time that it revealed elements of a new project of society. The experience of education at Paris Commune was able to indicate breaks with the republican educational project, in order to suggest elements for a truly democratic, emancipator, comprehensive, secular, critical and reflective education, for both sexes. It also redefined the idea of public, through education, separating it from the logic given by bourgeois particularism. The public and popular education criticized the role of the state, delegating to the organized workers the task of leadership and formulation of the new educational project. Advances able to reveal the importance of education within the struggle of workers in the construction of a new societal project
Doutorado
Sociologia
Doutor em Sociologia
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Gacon, Stéphane. "L'amnistie et la République en France : de la Commune à la Guerre d'Algérie." Paris, Institut d'études politiques, 2000. http://www.theses.fr/2000IEPP0018.

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L'amnistie est une pratique fréquente dans l'histoire de France, et particulièrement dans l'histoire de la République. Elle se distingue des autres formes de clémence parce qu'elle est un acte souverain relevant de la loi. Refusant d'être un simple pardon, elle se pose en moyen de réaffirmer l'unité mythique de la nation en une sorte de procédure magique de réconciliation autour des principes républicains. C'est pourquoi elle a été adoptée après les grandes crises politiques comme la Commune de Paris, l'affaire Dreyfus, la Collaboration, la guerre d'Algérie dont elle constitue le terme juridique. Toutefois, l'usage de l'amnistie s'est banalise. Devenue rituelle au moment de l'entrée en fonction du président de la République, elle concerne surtout les crimes et délits de droit commun. Geste autoritaire qui impose le silence des débats, elle reste largement illusoire car l'oubli ne se décrète pas. Mais elle permet néanmoins à la société de retrouver un mode de fonctionnement serein jusqu'à la crise suivante. Elle est précédée de campagnes passionnées ou les enjeux politiques se mêlent aux considérations morales. Ces débats qui poursuivent la lutte civile sous d'autres formes et qui génèrent des mémoires concurrentes de l'évènement sont l'occasion de reclassements politiques. Ils permettent de revenir par la parole à une vie démocratique normale. Le vote de la loi répond souvent à des considérations électorales, mais il est rare que les grandes amnisties ne soulignent pas des mutations majeures dans la vie politique, économique ou sociale. Si les arrières pensées ne sont jamais absentes, l'amnistie a des objectifs plus hauts. Amenée à lutter contre ses oppositions, la République est conduite à brimer la liberté d'expression et à exclure de la communauté civique une partie des siens. L'amnistie constitue alors, après le désordre civil ou la répression, le moment privilégié de la refondation de l'unité nationale, la mise en cohérence des principes et des actes.
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Breaugh, Martin. "L'expérience plébéienne : les pratiques politiques de la plèbe entre révolution et démocratie." Paris 7, 2005. http://www.theses.fr/2005PA070007.

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Dans le sillage de la pensée de Hannah Arendt et de celle de Claude Lefort, la présente thèse cherche à montrer la persistance de liberté politique au sein de la modernité occidentale. À travers une analyse critique des pratiques politiques de la "plèbe", c'est-à-dire du "dèmos", nous constatons la présence d'une véritable "politique du peuple" qui se déploie sous la forme d'une pratique radicale de la démocratie. La thèse se présente en trois parties. La première cherche à répondre, sur un plan historique et philosophique, à la question "Qu'est-ce que la plèbe ?". La deuxième propose une analyse des "formes d'organisation politique" de la plèbe lors de la Révolution française (les sans-culottes parisiens), de la formation de la classe ouvrière anglaise (les jacobins anglais) et de la Commune de Paris de 1871 (les communards). Enfin, dans un troisième temps, la thèse offre une analyse des figures du "lien humain" mises en œuvre lors de ces trois expériences plébéiennes. L'intérêt de cet "exercice de pensée politique", pour reprendre une formule de H. Arendt, est dans la prévention de deux opérations intellectuelles problématiques qui semblent êtres dominantes aujourd'hui : d'une part, la réduction de la démocratie à son expression institutionnelle et procédurale, et, d'autre part, l'idée que la participation politique du "dèmos" est impropre à la modernité politique. Or, "l'expérience plébéienne" est précisément celle d'une démocratie qui déborde le cadre institutionnel grâce à l'affirmation politique d'une composante de la cité trop souvent traitée d'apolitique, la plèbe. "Animal laborans" certes, la plèbe se dévoile aussi comme "zoon politikon"
In the wake of the political philosophy of Hannah Arendt and Claude Lefort, the present thesis seeks to demonstrate the continuance of political freedom within modern times. Through a critical analysis of the political practices of the “plebrians”, that is to say the “demos”, we attempt to establish the existence of a “politics of the people” that manifests itself through a practice of radical democracy. The thesis is made up of three parts. The first is a historical and philosophical answer to the question “Who are the plebeians?”. The second analyses the types of plebeian political organisations created during the French Revolution (the Parisian Sans-Culottes), the making of the English working class (the English Jacobins), and the Paris Commune of 1871 (the Communards). The third and last part examines the question of the “human bond” produced during the different plebeian political experiences. The interest of this thesis resides in the possibility of escaping two problematic intellectual operations that seem to be dominant today: on the one hand, the reduction of democracy to a set of institutions and procedures, and, on the other hand, the idea that modernity excludes the possibility of the political participation of the people. The “plebeian experience” is precisely that of a democratic practice that goes beyond institutional framework through the political affirmation of the plebs, an essential component of political communities too often seen as being apolitical. Plebeians are indeed “animal laborans” but they are also “zoon politikons”, to use two distinctions present in H. Arendt's thought
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Verhaeghe, Sidonie. "De la Commune de Paris au Panthéon (1871-2013) : célébrité, postérité et mémoires de Louise Michel Sociologie historique de la circulation d’une figure politique." Thesis, Lille 2, 2016. http://www.theses.fr/2016LIL20010/document.

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Née d’une interrogation sur les dynamiques d’intégration républicaine des radicalités politiques, cette recherche au carrefour de la sociologie historique du politique, de l’histoire sociale des idées et de la sociologie politique des mémoires collectives,s’attache à expliquer les conditions dans lesquelles Louise Michel, une femme et une anarchiste du XIXe siècle, devient une figure éligible à la panthéonisation en 2013. L’analyse longitudinale de la carrière de la figure de Louise Michel interroge plus généralement les processus de canonisation, de circulation et de transmission qui caractérisent les dispositifs de célébration politique. A partir de l’étude monographique des multiples occurrences de lafigure de Louise Michel du dernier tiers du XIXe siècle au début du XXIe siècle (presse, discours, pratiques commémoratives, biographies ou encore manuels scolaires), ce travail montre comment une personnalité marquée par la marginalité politique devient une référence commune de la gauche. Les formes et les espaces de la célébration ne peuvent alors se comprendre qu’au regard des positions occupées par ses traducteurs et de la structure de l’espace politique et social dans lequel ils s’inscrivent. Le processus de reconnaissance institutionnelle de Louise Michel doit d’une part à la pacification d’une mémoire officielle de la Commune de Paris, et d’autre part à l’intégration de l’histoire des femmes au sein d’un féminisme d’Etat. Ce double mouvement explique l’élargissement de l’identification collective et individuelle dans la figure de Louise Michel. Il autorise l’hypothèse d’une entrée de Louise Michel au Panthéon républicain. Pourtant, cette thèse montre également que des mécanismes de résistance aux processus de reconnaissance institutionnelle demeurent. Loin d’un processus linéaire la construction de la figure Louise Michel fait l’objet d’appropriations multiples qui coexistent aujourd’hui. L’inscription d’une figure historique dans les mémoires collectives constitue dès lors un dispositif conflictuel, marqué par des conjonctures mouvantes qui met aux prises des acteurs à la croisée des espaces politiques, militants, universitaires et intellectuels
At the crossroads of political historical sociology, social history of ideas, and political sociology of collective memories, this research starts from an interrogation on the republican integration dynamics of political radicalism. Itfocuses on explaining the conditions in which Louise Michel, a 19th century woman and anarchist, has become an eligible icon for pantheonisation in 2013. The longitudinal analysis of Louise Michel's career broadly questions the processes of canonization, circulation and transmission which characterize the schemes of political celebration. Initiated by the monographic study of Louise Michel's numerous apparitions, from the last third of the 19th century to the early21st century (press, speeches, memorial events, biographies or textbooks), this essay highlights how a politically marginalized character turns into a leftist icon. It's only by apprehending the political posture and social background ofher interpreters that one can acknowledge the different areas and forms of commemoration. The process of institutional recognition of Louise Michel's legacy is made possible on the one hand by the pacification process of the officialremembrance of the Paris Commune, and on the other hand by the incorporation of Women History in state feminism. It explained the enlargement of both collective and individual identification to Louise Michel's figure. It also authorizedthe hypothesis of Louise Michel's entry to the republican Pantheon. However, this thesis demonstrates as well that some resistance mechanisms remains. The edification of Louise Michel's emblematic figure isn't a linear process but issubject to multiples appropriations that coexist nowadays. Historical figure in collective memories poses a divisive mechanism, characterized by shifting conjunctures that confront forces at the crossroads of different political, activist, academic and intellectual spaces
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Petitjean, Joël. "Recherches sur la photographie et la Commune /." [Paris] : J. Petitjean, 1995. http://catalogue.bnf.fr/ark:/12148/cb35842330h.

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Boisseau, Pierre. "La Commune de Paris de 1871 à l'épreuve du droit constitutionnel /." Clermont-Ferrand : [Paris] : Presses universitaires de la Faculté de droit de Clermont-Ferrand ; LGDJ, 2000. http://catalogue.bnf.fr/ark:/12148/cb37659085s.

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Books on the topic "Paris (France) History Commune"

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The Paris Commune, 1871. Harlow, Essex, U.K: Addison Wesley Longman, 1999.

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1818-1883, Marx Karl, Lenin Vladimir Ilʹich 1870-1924, and Fedorovskiĭ N, eds. The Civil war in France: The Paris Commune. 2nd ed. New York: International Publishers, 1988.

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Paris Babylon: The story of the Paris Commune. New York, N.Y: Pengiun Books, 1996.

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Paris Babylon: The story of the Paris Commune. New York, N.Y., U.S.A: Viking, 1994.

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GLUCKSTEIN, DONNY. The Paris Commune: A revolution in democracy. Chicago, Ill: Haymarket Books, 2011.

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Unruly women of Paris: Images of the commune. Ithaca: Cornell University Press, 1996.

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Cavaterra, Eric. La Banque de France et la Commune de Paris (1871). Paris: L'Harmattan, 1998.

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Commemorating trauma: The Paris commune and its cultural aftermath. New York: Fordham University Press, 2006.

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Second empire and commune: France 1848-1871. London: Longman, 1985.

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Smith, W. H. C. Second Empire and Commune: France, 1848-1871. 2nd ed. London: Longman, 1996.

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Book chapters on the topic "Paris (France) History Commune"

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Popkin, Jeremy D. "The Paris Commune and the Origins of the Third Republic." In A History of Modern France, 141–50. Fifth edition. | New York, NY : Routledge/Taylor & Francis Group, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315150727-16.

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Sowerwine, Charles. "The Franco-Prussian War and the Paris Commune, 1870–1." In France since 1870, 11–24. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-01385-9_2.

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Sowerwine, Charles. "The Franco-Prussian War and the Paris Commune, 1870–71." In France since 1870, 12–24. London: Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-137-40611-8_2.

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Ginoux, Jean-Marc. "The First International Conference on Nonlinear Processes: Paris 1933." In History of Nonlinear Oscillations Theory in France (1880-1940), 165–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55239-2_7.

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Rougerie, Jacques, and Robert Tombs. "12. La Commune de Paris." In Histoire des mouvements sociaux en France, 141–51. La Découverte, 2014. http://dx.doi.org/10.3917/dec.pigen.2014.01.0141.

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"The Paris Commune and the Origins of the Third Republic." In A History of Modern France, 141–49. Routledge, 2016. http://dx.doi.org/10.4324/9781315508214-17.

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Popp-Madsen, Benjamin Ask. "Political Theory of Council Democracy from Bakunin to Luxemburg." In Visions of Council Democracy, 44–72. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456319.003.0002.

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The chapter reconstructs the intellectual history of council democracy from early anarchist interpretations of the Paris Commune over Karl Marx famous analysis of the Commune in The Civil War in France and Vladimir Lenin’s writings on the Russian Soviets to the Interwar council communists’ engagement with the German workers’ councils. The chapter argues, firstly, that Marx’ interpretation of the Commune sets the parameter for many subsequent theories of council democracy, and secondly, that Lenin’s analysis of the Russian soviets delivers an alternative theory of council democracy, insofar as he subordinates the councils to the Bolshevik party. The chapter ends with a preliminary discussion of the relation between the historical councils, theories of council democracy and the concept of the constituent power.
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Nelson, Brian. "7. Down the mine." In Émile Zola: A Very Short Introduction, 83–92. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198837565.003.0008.

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‘Down the mine’ considers the role of the mining community on Zola. The bloody events of the Paris Commune of 1871, when a revolutionary uprising of citizens declared the city independent from the government, convinced Zola that he should write a novel that addressed revolutionary activity in a contemporary setting. Germinal describes a strike in a mining community in northern France, led by Gervaise Macquart’s son Étienne Lantier. The novel was influenced by the socialist ideas that were becoming widespread, with characters representing militant, moderate, and anarchist ideals. Germinal depicts a moment in history when the workers begin to find a political voice. But the strike fails, and the ending is ambiguous, with Étienne leaving for Paris to continue his struggle there.
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Mercer, Wendy S. "A Decade of Tumult (1870–9)." In The Life and Travels of Xavier Marmier (1808-1892). British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197263884.003.0013.

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The year 1870 proved momentous both in terms of French life and history and for Marmier personally. His joy at being elected to the Académie française was set against the grim backdrop of the Franco–Prussian War, the Siege of Paris, and the bloodbaths at the end of the Commune. Marmier suffered from pneumonia, which kept him in bed for two months. On 19 May, he was elected to fill the seat vacated by Pongerville in the Academy.
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"Document 1.10 The Paris Commune and Socialism." In The Third Republic in France 1870-1940, 26–33. Routledge, 2002. http://dx.doi.org/10.4324/9780203133842-6.

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Conference papers on the topic "Paris (France) History Commune"

1

Ponce Gregorio, Pedro. "La forme du temps à Moscou." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.582.

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Resumen: Sería el 2 de septiembre de 1931, mediante carta privada remitida por un tal B. Breslow en calidad de Representante Comercial de la URSS en Francia, cuando Le Corbusier recibe la invitación a participar en el concurso del que sería para muchos el edificio esencial del país, el Palacio de los Soviets de Moscú. Un edificio que en consecuencia, además de encarnar la voluntad de las masas trabajadoras rusas, debía convertirse de manera análoga, allí donde ya se hallaba construida la catedral de El Salvador, en el monumento artístico-arquitectónico de la todavía maltrecha capital soviética. Este y no otro es el punto en el que la presente «forma del tiempo» se inscribe: en el continuo devenir que el proyecto desarrolla dentro del número 35 de la rue de Sèvres de París, a fin de desempolvar parte de aquel rastro creativo velado por la historia, esto es, desandar la línea de los Soviets. Abstract: It was around september the second, 1931, on a private letter dispatched by some B. Breslow acting as Comercial Representative of the URSS in France, when Le Corbusier received the invitation to participate in the contest of the one that would be for many the essential building of the country, the Palace of the Soviets in Moscow. A building that for that matter would not only enbodies russian´s working class will, but also should become in the same way, there where the El Salvador cathedral was built, the artistic-architectural monument of the still struggling soviet capital. This and not else is the point in which the actual "shape of the time" it is enrolled: on the developed by the project inside the number 35 of the rue de Sèvres in Paris, in order to dust off part of that creative trace veiled by history, this is, to walk back along the line of the Soviets. Palabras clave: Tiempo; composición; simbología; circulación; técnica; Palacio de los Soviets. Keywords: Time; composition; symbology; circulation; technique; Palace of the Soviets. DOI: http://dx.doi.org/10.4995/LC2015.2015.582
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