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Books on the topic 'Parameters of a musical recording'

Author: Grafiati

Published: 28 June 2021

Last updated: 5 February 2022

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1

Gibson, Bill. Instrument and vocal recording. 2nd ed. Milwaukee, WI: Hal Land Corp., 2011.

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2

Nyre, Lars. Sound media: From live journalism to musical recording. New York, NY: Routledge, 2008.

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3

Walker, Dan. Roland D-20: Sequencing & recording handbook. Newbury Park, CA: P.L. Alexander Pub., 1989.

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4

Lewry, Peter. Fleetwood Mac: The complete recording sessions, 1967-1997. London: Blandford, 1998.

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5

Joseph, Cosgriff, ed. World on a string: A musical memoir. Hoboken, New Jersey: John Wiley & Sons, Inc., 2012.

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6

Dictionary of musical technology. New York: Greenwood Press, 1992.

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7

Mixing a musical: Broadway theatrical sound mixing techniques. Boston: Focal Press, 2011.

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8

Keisha, Kalfin, ed. Soul mining: A musical life. New York: Faber and Faber, 2010.

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9

Illustrated compendium of musical technology. London: Faber and Faber, 1992.

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10

A never-ending groove: Johnny Sandlin's musical odyssey. Macon, Ga: Mercer University Press, 2012.

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11

Sandlin, Anathalee. A never-ending groove: Johnny Sandlin's musical odyssey. Macon, Ga: Mercer University Press, 2012.

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12

Diberder, Alain Le. Crise et mutation du domaine musical. Paris: Documentation française, 1987.

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13

Quinzi, Steve. Synthesizer orchestration: A creative approach for the arranger and synthesist : includes cassette recording of musical examples. Miami, Fla: Studio 224, 1987.

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14

Novos modelos de produção musical e consumo: Um estudo sobre as mudanças ocorridas com o advento das plataformas digitais. Niterói: Editora da UFF, 2014.

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15

Marcelo, Wanderley, ed. New digital musical instruments: Control and interaction beyond the keyboard. Middleton, Wis: A-R Editions, 2006.

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16

Fflach o Ail Symudiad. Talybont: Y Lolfa, 2014.

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17

Bruns, Don. St. Barts Breakdown: A novel. Ipswich, Mass: Oceanview Pub., 2008.

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18

Mitchell, McGeary, ed. Every little thing: The definitive guide to Beatles recording variations, rare mixes & other musical oddities, 1958-1986. Ann Arbor, Mich., USA: Popular Culture, Ink., 1990.

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19

Hubbard, Freddie. Freddie Hubbard: Play-a-long book & recording set for all instruments. New Albany, IN: Jamey Aebersold, 1993.

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20

Gauss, Stefan. Nadel, Rille, Trichter: Kulturgeschichte des Phonographen und des Grammophons in Deutschland (1900-1940). Köln: Böhlau, 2009.

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21

Perfecting sound forever: An aural history of recorded music. New York: Faber and Faber, 2009.

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22

Forrest, Peter. The A-Z of analogue synthesisers. Crediton, Devon, England: Susurreal, 1994.

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23

Forrest, Peter. The A-Z of analogue synthesisers. Crediton: Susurreal Publishing, 2003.

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24

Sarah, Jones, ed. Essentials of music for audio professionals: A concise course in music fundamentals for engineers, producers, directors, editors, managers, and other audio recording professionals. Vallejo, CA: Mix Books, 2000.

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25

Maempel, Hans-Joachim. Klanggestaltung und Popmusik: Eine experimentelle Untersuchung. Heidelberg: Synchron, 2001.

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26

The digital delay handbook. New York: Amsco Publications, 1985.

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27

Durman, Laura. Pop bands. London: Franklin Watts, 2011.

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28

Macleay, Ian. Malcolm McLaren: The Sex Pistols, the anarchy, the art, the genius-- the whole amazing legacy. London: J. Blake, 2010.

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29

Berger, Melvin. The science of music. New York: Crowell, 1989.

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30

Hawthorn, Philip. 200 easy recorder tunes. London: Usborne Publishing Limited, 1992.

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31

Copeland, Sheila. Diamond life. Washington DC: Sepia Books, 2003.

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32

Bao dao hui xiang qu: Zhou Lanping yu si hai chang pian = Musical recollection in Formosa : the legend of Zhou Lan-Ping and Four Seas Records. Taibei Shi: Taiwan da xue tu shu guan, 2013.

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33

Cann, Simon. Becoming a synthesizer wizard: From presets to power user. Boston: Course Technology, 2010.

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34

Becoming a synthesizer wizard: From presets to power user. Boston: Course Technology, 2010.

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35

Since records began: EMI, the first hundred years. London: Batsford, 1997.

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36

Martland, Peter. Since records began: EMI, the first hundred years. Portland, Ore: Amadeus Press, 1997.

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37

Furia, Steve De. The sampling book. Pompton Lakes, N.J: Third Earth Pub., 1987.

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38

Holsinger, Erik. How music and computers work. Emeryville, Calif: Ziff-Davis Press, 1994.

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39

Murphy, C. M. Murphy: The making of CM Murphy : the son, the father, the goals, the wins and the triumph of INXS. Richmond, New South Wales: Murphy Media Academy, 2014.

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40

Martland, Peter. Since records began: EMI, the first 100 years. Portland, Ore: Amadeus Press, 1997.

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41

Michael, Ford, ed. Philadelphia chickens: A too-illogical zoological musical revue : deluxe illustrated lyrics book of the original cast recording of the unforgettable (though completely imaginary) stage spectacular. New York: Workman Pub., 2002.

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42

Sound synthesis and sampling. Oxford ; Boston: Focal Press, 1996.

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43

Sound synthesis and sampling. 2nd ed. Boston: Focal Press, 2004.

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44

Petersen, George. Tech terms: A practical dictionary for audio and music production. [S.l.]: Hal Leonard Pub. Corp., 1993.

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45

Minchin, Tim. Groundhog Day: The musical : original Broadway cast recording. 2017.

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46

Oberacker, Richard. Bandstand: A new musical : original Broadway cast recording. 2017.

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47

Adams, Yolanda, Kyle Jarrow, Tom Kitt, David Bowie, Tom Kenny, Andy Paley, and Jonathan Coulton. SpongeBob SquarePants: The new musical : original cast recording. 2017.

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48

Jackson, Andy. Instruments around the world [sound recording]. London : Guilford, Conn, 1990.

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49

R�veillac, Jean-Michel. Musical Sound Effects: Analog and Digital Sound Processing. Wiley & Sons, Incorporated, John, 2017.

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50

Fellowes, Julian, Andrew Lloyd Webber, and Glenn Slater. School of rock: The musical : original Broadway cast recording. 2015.

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