Relevant bibliographies by topics / Paolo Milano

Academic literature on the topic 'Paolo Milano'

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Published: 11 March 2023

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Journal articles on the topic "Paolo Milano"

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Gentile, Marco. "Milano guelfa (1302–1310), by Paolo Grillo." English Historical Review 130, no. 545 (August 2015): 969–71. http://dx.doi.org/10.1093/ehr/cev170.

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Caballero Fernández, Marcial. "RAIMONDI, Fracesco Paolo (2016): Dalla ragione assoluta alla razionalità storica. Filosofia senza essere ed essenza. Milano-Udine: Mímesis Edizioni." Daímon, no. 76 (January 17, 2019): 233–38. http://dx.doi.org/10.6018/daimon/350731.

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Napora, Krzysztof. "La storia di Giacobbe." Verbum Vitae 28 (December 1, 2015): 475–82. http://dx.doi.org/10.31743/vv.1645.

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González Gullón, José Luis. "Marco Roncalli, Giovanni Paolo I. Albino Luciani, Edizioni San Paolo, Milano 2012, 734 pp." Anuario de Historia de la Iglesia 24 (May 26, 2015): 569. http://dx.doi.org/10.15581/007.24.1984.

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Pasolini, Pier Paolo. "O roteiro como "estrutura" que quer ser outra "estrutura"." Esferas 1, no. 21 (October 21, 2021): 17. http://dx.doi.org/10.31501/esf.v1i21.13458.

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Caponi, Paolo. "Non di solo lago L’immortale narrativa di Piero Chiara." Altre Modernità, no. 27 (May 30, 2022): 332–34. http://dx.doi.org/10.54103/2035-7680/17903.

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D'Ambrosio, Alfonso. "Paolo Mastrocola, Luca Ricolfi, Il danno scolastico. La scuola progressiva come macchina della disuguaglianza." Altre Modernità, no. 27 (May 30, 2022): 324–27. http://dx.doi.org/10.54103/2035-7680/17895.

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Tavaglione, Francesco Saverio. "L'arte del buono e dell'equo nella fantasia di un giovane Paolo Grossi." La Nuova Giuridica 2, no. 2 (January 19, 2023): 261–65. http://dx.doi.org/10.36253/lng-1998.

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Casas, Santiago. "Gisela Adornato, Giovanni Battista Montini - Paolo VI, San Paolo, Cinisello Balsamo (Milano) 2018, 1016 pp." Anuario de Historia de la Iglesia 28 (September 30, 2019): 561. http://dx.doi.org/10.15581/007.28.37614.

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Kluczek, Agata. "Nieustająca admiracja dla starożytnego Rzymu." Studia Europaea Gnesnensia, no. 9 (January 1, 2014): 250–57. http://dx.doi.org/10.14746/seg.2014.9.15.

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Recenzja książki: Atlante di Roma antica. Biogra! a e ritratti della Città, A cura di Andrea Carandini con Paolo Carafa, Mondadori Electa S.p.a., Milano 2012, 1: Testi e immagini, 638 s. + 216 il.; 2: Tavole e indici, 446 s.
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Dissertations / Theses on the topic "Paolo Milano"

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PAVESI, MAURO. "Giovan Paolo Lomazzo pittore milanese (1538-1592)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/262.

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L'attività pittorica di Giovan Paolo Lomazzo è stata fino ad ora poco considerata dalla critica, che si è per lo più concentrata sull'importanza del personaggio come poeta, scrittore in volgare e in "facchinesco" (una versione caricaturale del dialetto lombardo, Rime ad imitazione dei grotteschi, 1587; Rabisch 1587) e come critico d'arte (trattato dell'arte della pittura, 1584; idea del tempio della pittura, 1590). In realtà Lomazzo fu uno degli artisti milanesi più importanti negli anni tra la fine del sesto decennio e il 1571, quando una malattia agli occhi gli impedì di continuare l'attività pittorica; oltre ad un gran numero di ritratti di facoltosi personaggi legati a Carlo V e ai governatori spagnoli, oggi quasi del tutto perduti (ad eccezione dei due autoritratti di Brera e del Kunsthistorisches Museum di Vienna), Giovan Paolo eseguì anche numerose opere per le più prestigiose chiese milanesi, come le Due Crocifissioni per San Giovanni in Conca (ora rispettivamente nella parrocchiale di Valmadrera e a Brera), le pale per San Barnaba e la Pietà per San Vittore all'Olmo (oggi all'Ospedale Marchesi di Inzago). Lomazzo fu attivo anche a Piacenza, Lodi e Caronno, dove decorò l'abside di s. Maria Nuova.
The artistic activity of Giovan Paolo Lomazzo has been very little studied. Scholars have given their preference to his written work, published as a world famous poet (in Italian and in Lombard Dialect; the Grotteschi and the Rabisch, both published in 1587) and as art theorist (above all the Trattato dell'Arte della Pittura, 1584 and the Idea del Tempio della Pittura, 1590). Lomazzo was also a very important painter, one of the most Famous in Milan between 1560 and 1571, when he was compelled to stop his activity for a sudden eyes illness, which made him almost totally blind. He executed many portraits, which are almost totally lost (except from his two autoportraits, now in Brera and at the Kunsthistorisches Museum in Wien), and many religious paintings for important churches of Milan, such as two Crucifixions for S. Giovanni in Conca (now in Valmadrera, Parish Church and at Brera Gallery), the altarpiece in San Barnaba and the Pietà for San Vittore all'Olmo (now at the Hospital Church in Inzago). He worked also in Piacenza, Lodi and Caronno, near Varese.
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2

PAVESI, MAURO. "Giovan Paolo Lomazzo pittore milanese (1538-1592)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/262.

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L'attività pittorica di Giovan Paolo Lomazzo è stata fino ad ora poco considerata dalla critica, che si è per lo più concentrata sull'importanza del personaggio come poeta, scrittore in volgare e in "facchinesco" (una versione caricaturale del dialetto lombardo, Rime ad imitazione dei grotteschi, 1587; Rabisch 1587) e come critico d'arte (trattato dell'arte della pittura, 1584; idea del tempio della pittura, 1590). In realtà Lomazzo fu uno degli artisti milanesi più importanti negli anni tra la fine del sesto decennio e il 1571, quando una malattia agli occhi gli impedì di continuare l'attività pittorica; oltre ad un gran numero di ritratti di facoltosi personaggi legati a Carlo V e ai governatori spagnoli, oggi quasi del tutto perduti (ad eccezione dei due autoritratti di Brera e del Kunsthistorisches Museum di Vienna), Giovan Paolo eseguì anche numerose opere per le più prestigiose chiese milanesi, come le Due Crocifissioni per San Giovanni in Conca (ora rispettivamente nella parrocchiale di Valmadrera e a Brera), le pale per San Barnaba e la Pietà per San Vittore all'Olmo (oggi all'Ospedale Marchesi di Inzago). Lomazzo fu attivo anche a Piacenza, Lodi e Caronno, dove decorò l'abside di s. Maria Nuova.
The artistic activity of Giovan Paolo Lomazzo has been very little studied. Scholars have given their preference to his written work, published as a world famous poet (in Italian and in Lombard Dialect; the Grotteschi and the Rabisch, both published in 1587) and as art theorist (above all the Trattato dell'Arte della Pittura, 1584 and the Idea del Tempio della Pittura, 1590). Lomazzo was also a very important painter, one of the most Famous in Milan between 1560 and 1571, when he was compelled to stop his activity for a sudden eyes illness, which made him almost totally blind. He executed many portraits, which are almost totally lost (except from his two autoportraits, now in Brera and at the Kunsthistorisches Museum in Wien), and many religious paintings for important churches of Milan, such as two Crucifixions for S. Giovanni in Conca (now in Valmadrera, Parish Church and at Brera Gallery), the altarpiece in San Barnaba and the Pietà for San Vittore all'Olmo (now at the Hospital Church in Inzago). He worked also in Piacenza, Lodi and Caronno, near Varese.
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Angeletti, Valerio. "La disciplina dell’esule: la letteratura comparata in America tra esilio e utopia e il caso studio Paolo Milano." Doctoral thesis, Università degli studi di Trento, 2022. http://hdl.handle.net/11572/349476.

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Lo studio ha riflettuto su alcune costanti della letteratura comparata che accomunano tale disciplina all’esilio, quando chi lo vive è in grado di contrastare i molti traumi che esso può comportare.L’emigrazione intellettuale avvenuta nel corso degli anni Trenta e Quaranta è l’evento storico a cui lo studio ha fatto riferimento. Costringendo molti intellettuali ad abbandonare i propri posti di lavoro e le proprie case, questa emigrazione ha contribuito a una notevole mobilitazione culturale soprattutto dall’Europa verso gli Stati Uniti d’America, dove ha cominciato a svilupparsi una nuova comparatistica sovranazionale e reazionaria. L’espressione “disciplina dell’esule” suggerisce un provocatorio inquadramento del modo di vedere e affrontare il testo come il mondo: crisi, apertura verso il nuovo e inclusività sono solo alcune parole chiave che, contraddistinguendo tanto la letteratura comparata quanto l’esilio, permettono di chiarire senso e prospettive di entrambe. Si è anche affermato che un tale atteggiamento ha come presupposto due processi culturali che sono caratterizzati da una spiccata dinamicità e disponibilità al cambiamento: la denazionalizzazione della scienza e l’ibridazione del sapere. Senza di essi non avrebbe potuto formalizzarsi una comparatistica “disciplina dell’esule”, da questo punto di vista intesa come un’utopica reazione a un percorso storico tendente sempre più al nazionalismo e all’esclusione. Lo studio ha infine individuato molte di queste idee e di questi valori nell’opera “americana” di Paolo Milano, intellettuale italiano esule negli Stati Uniti che lì si costruì una carriera come professore di letteratura comparata.
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Bonelli, Francesco. "Les “Réfractaires” de Milan. La “Scapigliatura democratica” entre littérature, journalisme et politique." Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAL011.

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Mon travail de thèse porte sur la « Scapigliatura democratica », un mouvement littéraire italien qui se développa à Milan entre les années 60 et 80 du XIXe siècle. Par rapport au plus large mouvement de la « Scapigliatura », la « Scapigliatura democratica » se caractérise par le lien étroit entre littérature et politique qui est à la base de son projet culturel. Mon étude a pour objectif d’analyser ce phénomène de politisation dans la production narrative et journalistique des représentants les plus significatifs du mouvement (Arrighi, Bizzoni, Tronconi, Valera, Cameroni).Après un chapitre introductif sur l’état de l’art concernant ce sujet, la thèse s’articule en deux parties principales. Dans la première, nous avons cherché à donner une description du rapport entre « Scapigliatura » et politique de la fin des années 1850, au moment où le terme « Scapigliatura » paraît pour la première fois dans le fragment signé par Cletto Arrighi La scapigliatura, jusqu’à « La Farfalla » de Angelo Sommaruga, un des derniers journaux liées au mouvement ; en passant aussi par l’expérience cruciale du « Gazzettino Rosa » (1867-1873) de Achille Bizzoni et Felice Cavallotti. Afin d’éviter toute confusion terminologique avec les études critiques précédentes, nous avons privilégié les usages du mot « Scapigliatura » qui venaient de l’intérieur du mouvement, notamment des articles-manifestes à la première personne que l’on retrouve souvent dans les journaux « scapigliati » de l’époque. En ce sens, une des tâches principales de notre travail à été d’évaluer, selon l’auteur ou le journal concerné, l’évolution et le différent degré de politisation du terme.Dans la deuxième partie, en revanche, l’objectif a été d’étudier en parallèle la production littéraire et journalistique du mouvement, en essayant d’en montrer la contiguïté aussi bien au niveau formel qu’au niveau de contenus. L’hypothèse que nous avons voulu vérifier, en particulier, est qu’un même courant « pamphlétaire » (Angenot, La parole pamphlétaire, 1982) traverse l’ensemble de cette production, tous genres littéraires ou pragmatiques confondus. Il en découle que le trait distinctif de la « Scapigliatura democratica » réside moins dans sa configuration artistique ou littéraire que dans sa disposition rhétorique. A cet égard, nous avons montré que même la tendance littéraire du réalisme, majoritaire au sein du mouvement, se caractérise dans son application concrète par la forte influence de catégories éthiques et idéologiques qui sont extralittéraires. Dans le dernier chapitre de cette partie, nous avons mis à l’épreuve cette idée de littérature hybride en analysant quelques-unes parmi les batailles à la fois culturelles et politiques menées par le mouvement tout au long de son activité, comme celles concernant le militarisme, la morale bourgeoise ou la question sociale dans l’univers urbain.En conclusion, nous avons souligné l’importance de la réflexion politique dans la construction de l’identité du mouvement, ainsi que le rôle novateur d’intellectuel-agitateur que les écrivains-journalistes « scapigliati » eurent dans la crise politique et culturelle de l’Italie de premières années après l’Unité. Cela se fit notamment par la proposition d’une littérature de combat qui allait montrer toute sa puissance et sa capacité d’incidence sur la société à partir de la fin du XIXe siècle
My thesis work focuses on the “Scapigliatura democratica”, an Italian literary movement that developed in Milan between the 60s and 80s of the 19th century. Compared to the broader Scapigliatura movement, the Scapigliatura democratica is characterized by the close link between literature and politics that underlies its cultural project. My research aimed to investigate this phenomenon of politicization in the narrative and journalistic production of the most significant representatives of the movement (Arrighi, Bizzoni, Tronconi, Valera, Cameroni).After an introductory chapter on the state of the art, the thesis is divided into two main parts. In the first, we sought to describe the relationship between “Scapigliatura” and politics, from the late 1850s, when the term “Scapigliatura” first appeared in Cletto Arrighi’s fragment La scapigliatura, to the journal called «La Farfalla» by Angelo Sommaruga, one of the last newspapers linked to the movement; and also passing through the crucial experience of «Gazzettino Rosa» (1867-1873) by Achille Bizzoni and Felice Cavallotti. In order to avoid any terminological confusion with previous critical studies, we favoured the use of the word “Scapigliatura” from within the movement, in particular the articles written in the first person that were often published in the “scapigliati” journals of the time. In this sense, one of the main tasks of our work has been to evaluate, according to the author or journal concerned, the evolution and the different degree of politicization of the term.In the second part, our goal has been to show the contiguity between literary production and the journalistic activity of the movement, both formally and in terms of content. The hypothesis we wanted to verify was, in particular, the presence of some features related to the pamphlet genre (Angenot, La parole pamphlétaire, 1982) in all this production. It follows that the distinctive feature of the “Scapigliatura democratica” lies less in its artistic or literary configuration than in its rhetorical disposition. In this respect, we shown that even the literary trend of realism, which is the majority within the movement, is characterized in its concrete application by the strong influence of extraliterary ethical and ideological categories. In the last chapter of this section, we tested this idea of hybrid literature by analyzing some of the battles, both cultural and political, waged by the movement throughout its activity, such as those concerning militarism, bourgeois morality or the social question.In conclusion, we underlined the importance of political reflection in building the identity of the movement, as well as the innovative role of intellectual-agitator that the “scapigliati” writer-journalists had in Italy’s political and cultural crisis in the first years after Unity. This was done in particular by the proposal of a combat literature, which would show all its power and its capacity to have an impact on society from the end of the 19th century onwards
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Matera, Sérgio. "Carlos Millan: um estudo sobre a produção em arquitetura." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-28062006-163436/.

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A dissertação aborda os projetos de arquitetura desenvolvidos por Carlos Barjas Millan a partir de 1951 até 1964, durante aproximadamente quinze anos de atividade profissional, assim como o desenvolvimento de sua formação pessoal e acadêmica. O objeto de estudo é o conjunto desta produção em arquitetura, analisado a partir da sua inserção no momento político e cultural, desde o segundo governo de Getúlio Vargas e a democratização do país até o Golpe Militar de 1964. O trabalho estabelece um instrumento para uma reflexão sistemática sobre a obra do arquiteto Carlos Millan e da Arquitetura Moderna paulista e brasileira, dado que a bibliografia referente à sua carreira e produção arquitetônica é pequena e pouco específica. O estudo da evolução profissional e dos projetos desenvolvidos por Millan pertencentes ao acervo do arquivo de desenhos da biblioteca da FAUUSP tem como objetivo uma melhor compreensão da carreira do arquiteto, que atuou nas áreas de arquitetura, desenho urbano, desenho de mobiliário, como docente da FAUM e da FAUUSP e transitou em momentos distintos entre os dois grupos polarizados da arquitetura moderna em São Paulo nas décadas de 50 e 60, representados por Miguel Forte e Vilanova Artigas. Carlos Millan produziu uma obra não muito numerosa, relativamente circunscrita a São Paulo, a maioria de residências unifamiliares, o que não reduz a importância de sua produção. Por meio do resgate da carreira do arquiteto, do estudo da biografia profissional e dos projetos deste trabalho, a incorporação desse instrumental como base de dados organizada caracteriza-se como etapa importante para futuros estudos da Arquitetura Moderna paulista e brasileira. Este trabalho visa um melhor entendimento do desenvolvimento da arquitetura brasileira, considerando que hipóteses já identificadas pela historiografia se refletem nos projetos em estudo: a preocupação de um grupo de arquitetos brasileiros com o desenvolvimento tecnológico, buscando soluções formais, técnicas e estéticas próprias com raízes culturais inseridas em um projeto de modernização do país. A dissertação reúne em único estudo informações sobre os projetos desenvolvidos por Millan durante sua atividade profissional, por meio de uma compilação de desenhos e fotos dos trabalhos mais significativos de sua carreira, permitindo melhor acesso aos projetos através de um instrumento de pesquisa com dados detalhados e organizados e análises relacionando os projetos entre eles e com o momento histórico de sua produção.
The dissertation approaches the architecture projects developed by Carlos Barjas Millan (1927/1964) from 1951 to 1964, during approximately 15 years of professional work, as well as his personal and academic formation. The study object is the set of this architectural production analyzed from its insertion in the cultural and political moment, since the second Getúlio Vargas government and the country’s democratization until the 1964 Military Coup. This study provides an instrument for a systematic reflection about the architect Carlos Millan’s work and about the Brazilian Modern Architecture, once the literature concerning his career and architectonic production is scarce and little specific. The study concerning Millan’s professional development and his projects from the drawing archives holdings of the FAUUSP library aims at a better understanding of the architect’s career, who worked with architecture, urban planning, furniture design, as a professor of FAUM and FAUUSP, and passed along two polarized groups of modern architecture in São Paulo, in the 50’s and 60’s, represented by Miguel Forte and Vilanova Artigas. Carlos Millan’s work was not very numerous, relatively restrict to São Paulo city, being the great majority of residences, which does not reduce the importance of his production. Through the rescue of the architect’s career, the study of the professional biography and of the projects of this research, the incorporation of this instrument as an organized database characterizes an important stage for future studies about the Modern Architecture of São Paulo and Brazil. This study aims at a better comprehension of the Brazilian architecture development considering that hypothesis that have already been identified by the historiography are reflected in the projects studied here: the concern of a group of Brazilian architects about the technologic development, searching for formal solutions, for techniques and esthetics with cultural roots inserted in a project of modernization of the country. The dissertation gathers in a single research information about projects developed by Millan during his professional activity by a compilation of drawings and pictures of the most significant work of his career, allowing a better access to the projects by means of a research instrument with detailed and organized data, and with analyses relating the projects among themselves and with the historical moment of their production.
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CORSI, ALESSANDRO. "TRA PALLADE E BACCO. PROFILO ISTITUZIONALE E ASPIRAZIONI UMANISTICHE NELLE ACCADEMIE LETTERARIE MILANESI DURANTE IL PERIODO SPAGNOLO (1548-1715)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/59474.

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Il presente elaborato esamina la trasformazione degli assetti istituzionali adottati dalle accademie letterarie milanesi nell’arco cronologico racchiuso fra la comparsa delle adunanze tra le mura cittadine e l’avvicendamento della dinastia regnante conseguente al trattato di Utrecht. La ricostruzione della fisionomia assunta dal fenomeno associativo nel periodo considerato è compiuta attraverso l’individuazione delle personalità che alimentarono gli sforzi eruditi, il riconoscimento dei gruppi che componevano la costellazione delle élite intellettuali attive nella compagine urbana, la contestualizzazione dei progetti culturali, nonché delle frizioni politiche, poste a sostrato delle iniziative intraprese e la definizione dei tratti spiccatamente ambrosiani progressivamente stratificatisi nei recinti accademici. La proposta esegetica dei componimenti ad opera dall’Accademia della Val di Blenio, mossa a partire dai rilievi storici effettuati intorno alla parabola bio-bibliografica del Facchino Cosme de Aldana, precede lo studio documentario relativo alle fondazioni accademiche occorse nei centri scolastici cittadini, frutto della sinergia tra la curia arcivescovile, gli ordini religiosi coinvolti nell’educazione dei giovani e gli organi di rappresentanza patrizia milanesi. I rinvenimenti archivistici relativi alle riunioni degli Inquieti introducono quindi alla disamina del percorso di consolidamento di un “sistema di virtù”, metronomo delle radunanze barocche, nella sua declinazione ambrosiana, che entrerà in crisi allo scadere del XVII secolo.
By adopting a long-term period chronological perspective, this research analyses the institutional frameworks’ development of Milanese literary academies between their appearance in the city area and the beginning of Austrian government’s jurisdiction after the Peace of Utrecht. Key objectives of the phenomenon’s historical reconstruction are: the identification of patrons who promoted the academies’ dissemination; the description of associational networks made up by different intellectual elite groups operating in Milan; the contextualization of cultural projects - and resulting under covered political tensions - that influenced the academical pattern’s expansion process; finally, the gradual constitution of a peculiar Ambrosian identity related with this associations’ typology. The exegesis of the “Badia della Val di Blenio” academy’s literary production, deduced by the historical examine of the “Facchino” Cosme de Aldana’s bio-bibliographical experience, introduces the enquiry on students’ academical foundations, which were the result of the cooperation between the archiepiscopal curia, religious orders involved in the educational programs and representative bodies of Milanese patricians. Archival discoveries on Inquieti’s meetings contribute in depicting the progressive composition of a coherent Ambrosian “system of virtues” (the baroque reference point for academical activities), that got into a substantial crisis at the end of seventeenth century.
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CORSI, ALESSANDRO. "TRA PALLADE E BACCO. PROFILO ISTITUZIONALE E ASPIRAZIONI UMANISTICHE NELLE ACCADEMIE LETTERARIE MILANESI DURANTE IL PERIODO SPAGNOLO (1548-1715)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/59474.

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Il presente elaborato esamina la trasformazione degli assetti istituzionali adottati dalle accademie letterarie milanesi nell’arco cronologico racchiuso fra la comparsa delle adunanze tra le mura cittadine e l’avvicendamento della dinastia regnante conseguente al trattato di Utrecht. La ricostruzione della fisionomia assunta dal fenomeno associativo nel periodo considerato è compiuta attraverso l’individuazione delle personalità che alimentarono gli sforzi eruditi, il riconoscimento dei gruppi che componevano la costellazione delle élite intellettuali attive nella compagine urbana, la contestualizzazione dei progetti culturali, nonché delle frizioni politiche, poste a sostrato delle iniziative intraprese e la definizione dei tratti spiccatamente ambrosiani progressivamente stratificatisi nei recinti accademici. La proposta esegetica dei componimenti ad opera dall’Accademia della Val di Blenio, mossa a partire dai rilievi storici effettuati intorno alla parabola bio-bibliografica del Facchino Cosme de Aldana, precede lo studio documentario relativo alle fondazioni accademiche occorse nei centri scolastici cittadini, frutto della sinergia tra la curia arcivescovile, gli ordini religiosi coinvolti nell’educazione dei giovani e gli organi di rappresentanza patrizia milanesi. I rinvenimenti archivistici relativi alle riunioni degli Inquieti introducono quindi alla disamina del percorso di consolidamento di un “sistema di virtù”, metronomo delle radunanze barocche, nella sua declinazione ambrosiana, che entrerà in crisi allo scadere del XVII secolo.
By adopting a long-term period chronological perspective, this research analyses the institutional frameworks’ development of Milanese literary academies between their appearance in the city area and the beginning of Austrian government’s jurisdiction after the Peace of Utrecht. Key objectives of the phenomenon’s historical reconstruction are: the identification of patrons who promoted the academies’ dissemination; the description of associational networks made up by different intellectual elite groups operating in Milan; the contextualization of cultural projects - and resulting under covered political tensions - that influenced the academical pattern’s expansion process; finally, the gradual constitution of a peculiar Ambrosian identity related with this associations’ typology. The exegesis of the “Badia della Val di Blenio” academy’s literary production, deduced by the historical examine of the “Facchino” Cosme de Aldana’s bio-bibliographical experience, introduces the enquiry on students’ academical foundations, which were the result of the cooperation between the archiepiscopal curia, religious orders involved in the educational programs and representative bodies of Milanese patricians. Archival discoveries on Inquieti’s meetings contribute in depicting the progressive composition of a coherent Ambrosian “system of virtues” (the baroque reference point for academical activities), that got into a substantial crisis at the end of seventeenth century.
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Milani, Orly Marion Webber. "Tecnologia aplicada à educação superior nos cursos de licenciatura / Orly Marion Webber Milani ; orientador, Paulo Roberto Alcântara." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2002. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1603.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, 2002
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Esta investigação buscou delinear caminhos de inovação tecnológica para a ação docente a partir das experiências vivenciadas pelos professores dos cursos de Licenciatura da Pontifícia Universidade Católica do Paraná. Este estudo analisou e interpretou a i
This investigation sought to outline technological innovation ways to the teaching action starting from the experiences lived by the teachers of the Licentiateship courses at the Pontifícia Universidade Católica do Paraná. This study analyzed and interpre
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Boito, Andrea <1982&gt. "Social housing: interventions of densification in urban regeneration (1995-2010). Critical analysis of strategies adopted in Milan, London, São Paulo." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/6132/1/PhD_ANDREA_BOITO.pdf.

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The prospect of the continuous multiplication of life styles, the obsolescence of the traditional typological diagrams, the usability of spaces on different territorial scales, imposes on contemporary architecture the search for new models of living. Limited densities in urban development have produced the erosion of territory, the increase of the harmful emissions and energy consumption. High density housing cannot refuse the social emergency to ensure high quality and low cost dwellings, to a new people target: students, temporary workers, key workers, foreign, young couples without children, large families and, in general, people who carry out public services. Social housing strategies have become particularly relevant in regenerating high density urban outskirts. The choice of this research topic derives from the desire to deal with the recent accommodation emergency, according to different perspectives, with a view to give a contribution to the current literature, by proposing some tools for a correct design of the social housing, by ensuring good quality, cost-effective, and eco-sustainable solutions, from the concept phase, through management and maintenance, until the end of the building life cycle. The purpose of the thesis is defining a framework of guidelines that become effective instruments to be used in designing the social housing. They should also integrate the existing regulations and are mainly thought for those who work in this sector. They would aim at supporting students who have to cope with this particular residential theme, and also the users themselves. The scientific evidence of either the recent specialized literature or the solutions adopted in some case studies within the selected metropolitan areas of Milan, London and São Paulo, it is possible to identify the principles of this new design approach, in which the connection between typology, morphology and technology pursues the goal of a high living standard.
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Boito, Andrea <1982&gt. "Social housing: interventions of densification in urban regeneration (1995-2010). Critical analysis of strategies adopted in Milan, London, São Paulo." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/6132/.

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The prospect of the continuous multiplication of life styles, the obsolescence of the traditional typological diagrams, the usability of spaces on different territorial scales, imposes on contemporary architecture the search for new models of living. Limited densities in urban development have produced the erosion of territory, the increase of the harmful emissions and energy consumption. High density housing cannot refuse the social emergency to ensure high quality and low cost dwellings, to a new people target: students, temporary workers, key workers, foreign, young couples without children, large families and, in general, people who carry out public services. Social housing strategies have become particularly relevant in regenerating high density urban outskirts. The choice of this research topic derives from the desire to deal with the recent accommodation emergency, according to different perspectives, with a view to give a contribution to the current literature, by proposing some tools for a correct design of the social housing, by ensuring good quality, cost-effective, and eco-sustainable solutions, from the concept phase, through management and maintenance, until the end of the building life cycle. The purpose of the thesis is defining a framework of guidelines that become effective instruments to be used in designing the social housing. They should also integrate the existing regulations and are mainly thought for those who work in this sector. They would aim at supporting students who have to cope with this particular residential theme, and also the users themselves. The scientific evidence of either the recent specialized literature or the solutions adopted in some case studies within the selected metropolitan areas of Milan, London and São Paulo, it is possible to identify the principles of this new design approach, in which the connection between typology, morphology and technology pursues the goal of a high living standard.
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Books on the topic "Paolo Milano"

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1950-, Grassi Francesca, and Magli Antonietta, eds. Milano e Paolo Grassi: Un teatro per la città. Bagno a Ripoli (Firenze): Passigli, 2011.

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Martini, Carlo Maria. Paolo VI di Floriano Bodini nel Duomo di Milano. Milano: Puntoelinea, 1989.

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Belleggia, Lino. Lettore di professione fra Italia e Stati Uniti: Saggio su Paolo Milano. Roma: Bulzoni, 2000.

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Contena, Roberto. Ichnos: Concerto a Milano : i suoni della solidarietà : interviste a Paolo Pillonca ... [et al.]. Villanova Monteleone, Sassari: Soter, 1997.

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Artisti industriosi e speculativi: Paolo Morigia e il quinto libro della "Nobiltà di Milano". Milano: LED Edizioni universitarie di lettere economia diritto, 2020.

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VI, Istituto Paolo, and Università cattolica del Sacro Cuore. Facoltà di economia e commercio., eds. Il Magistero di Paolo VI nell'enciclica "Populorum progressio": Giornata di studio, Milano, 16 marzo 1988. Brescia: Istituto Paolo VI, 1989.

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Paolo Grassi e Jean Vilar: Due esperienze in Europa tra economia e conoscenza. Milano: Ledizioni, 2013.

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Francesco, Sanvitale, Palazzo Farnese, Museo teatrale alla Scala, and Istituto nazionale per lo sviluppo musicale del Mezzogiorno., eds. Francesco Paolo Tosti e il suo tempo: Palazzo Farnese, Ortona 1986 : Museo teatrale alla Scala, Milano 1987. [Rome]: Istituto nazionale per lo sviluppo musicale del Mezzogiorno, 1986.

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Università cattolica del Sacro Cuore. Dipartimento di Pedagogia., ed. Educazione, intellettuali e società in G.B. Montini-Paolo VI: Giornate di studio, Milano, 16-17 novembre 1990. Brescia: Istituto Paolo VI, 1992.

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Giorgio, Picasso, ed. Paolo Angelo Ballerini: Arcivescovo di Milano : atti della Giornata di studio in occasione del 1. centenario della morte : 1887-1997 : Milano, Seminario di Corso Venezia, 22 marzo 1997. Milano: NED, 1998.

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Book chapters on the topic "Paolo Milano"

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Pasolini, Pier Paolo. "Bandung Man / L’uomo di Bandung." In The Scandal of Self-Contradiction, 279–301. Vienna: Turia + Kant, 2012. http://dx.doi.org/10.37050/ci-06_16.

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‘L’uomo di Bandung’ was published first in the journal Julia Gens in 1964, then in Pier Paolo Pasolini, Bestemmia. Tutte le poesie, ed. by Graziella Chiarcossi and Walter Siti, and finally among the ‘Appendici a Poesia in forma di rosa’ in Tutte le poesie, ed. by Walter Siti, 2 vols (Milan: Mondadori, 2003), i, pp. 1305–13 (from which it is quoted and translated). This is the first time the poem appears in English and the translation is by Robert S.C. Gordon.
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Murano, Giovanna. "Ludovica Torelli e lo Specchio interiore di fra’ Battista da Crema." In Le vestigia dei gesuati, 315–37. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-228-7.23.

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The Specchio interiore (Interior Mirror) is a work by the dominican Fra' Battista da Crema partly dedicated to the theme of mystical union. Written close to the foundation, in 1522, of the Hospital of the Incurables in Venice, it remained unpublished for almost two decades and it was first published in 1540 thanks to Ludovica Torelli, countess of Guastalla (1499-1569), alias Paola Maria. Widow, for the second time at age twenty-eight, Ludovica Torelli enjoyed an unusually powerful position for a women. Forced to sell her small state to Ferrante Gonzaga, she spent the second part of her life founding religious institutions and hospitals in Milan and other cities in northern Italy.
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"Paolo Bisciola: Relatione verissima del progresso della peste di Milano, Bologne, Alessandro Benacci, 1577." In Les styles du savoir, 56–65. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00154.

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Ferri, Paolo Maria, and Susanna Mantovani. "Children and Computers." In Digital Literacy, 126–39. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-798-0.ch007.

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This chapter describes the design, the methodology, and the preliminary results of the research Children and Computer. Experience and Conceptual Frameworks (3-6). The research, started in 2004, is supported by IBM Foundation Italy and University of Milan-Bicocca—Dipartimento di Scienze Umane per la Formazione “Riccardo Massa.” The research team, led by Professor Susanna Mantovani, includes: Chiara Bove, Paolo Ferri, Valentina Garzia, Susanna Mantovani, Anna Poli, Donata Ripamonti, and Angelo Failla (IBM Foundation Italy), Morgana Stell (IBM Foundation Italy).
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Gatti, Hilary. "The Freedom of the Press." In Ideas of Liberty in Early Modern Europe. Princeton University Press, 2015. http://dx.doi.org/10.23943/princeton/9780691163833.003.0005.

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This chapter first turns to the problem of writing histories, beginning with a major figure in the Catholic culture of France, Jacques Auguste de Thou, whose way of writing history brought him into conflict with his own church in terms that presaged future events such as the story of Paolo Sarpi or the ordeal of Galileo. It then turns to the poet and polemicist John Milton, a controversial figure who was closely identified with the English parliamentary struggles and civil war. The chapter reviews his works, particularly his Areopagitica: A Speech of Mr. John Milton for the Liberty of Unlicens'd Printing (1644), a pamphlet written in favor of the freedom of the press. It draws attention to one of the major themes of his Areaopagitica: his treatment throughout the work of the problem of schisms and sects.
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Greeley, Anne. "de Chirico, Giorgio (1888–1978)." In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2051-1.

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The modern Italian painter Giorgio de Chirico was born in the port city of Volos in the Grecian province of Thessaly. After training in Athens and Munich, he lived briefly in Milan and Florence before moving to Paris in 1911. There, between 1911 and 1915, he developed the highly original, ‘metaphysical’ style of painting on which his reputation is chiefly founded. With this singular idiom––epitomised in his 1914 painting The Enigma of a Day––and the critical support of Guillaume Apollinaire, he established himself as one of the luminaries of the Parisian avant-garde, alongside Pablo Picasso and André Derain.
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Regazzoni, Susanna. "Da Neruda, Asturias, Borges e Carpentier a Rigoberta Menchú: l’America Latina a Ca’ Foscari." In Le lingue occidentali nei 150 anni di storia di Ca’ Foscari. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-262-8/014.

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This essay outlines the history and development of Spanish-American Literature as a subject of university teaching at Ca’ Foscari University of Venice. It has a fairly recent history which began when Franco Meregalli, after a long tour in Southern America, sponsored by the Italian Ministry of Foreign Affairs, for some lectures in several universities, started a course on Spanish-American literature. During his first period as a university teacher, Meregalli had met Giuseppe Bellini in Milan. So in 1969 he called his former student Bellini, who was by then an expert on Spanish-American authors, to teach Spanish-American Literature in Venice. Bellini stayed in Venice for 16 years and left Ca’ Foscari to go back to his home university (Milan) in 1985. Between 1969 and 1984, many important Spanish-American writers, such as Miguel Angel Asturias, Pablo Neruda, Jorge Luis Borges and several others, came to Venice to lecture on their own works. After Bellini, the Uruguyan poetess Martha Canfield and, later on, Susanna Regazzoni, a former student of Bellini’s, took over the courses of Spanish-American literature, thus keeping alive, with the help of Margherita Cannavacciuolo, the Venetian tradition of Spanish-American Studies.
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"Appendix 1 Contract between Giovanni Paolo Lomazzo and Giulio Claro, Reggente in Milan, dated 1561." In Giovanni Paolo Lomazzo’s Trattato dell’Arte della Pittura: Color, Perspective and Anatomy, 221–22. BRILL, 2017. http://dx.doi.org/10.1163/9789004330269_011.

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"Geschlossene „irrenanstalten“ als Ressourcen der Stadterneuerung. Paolo Pini, Mailand, und San Giovanni, Triest / “Prisons of Madness” as Sources of Urban Innovation. Paolo Pini, Milan, and San Giovanni, Trieste." In urbanRESET, 146–55. Birkhäuser, 2011. http://dx.doi.org/10.1515/9783034610377.146.

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Gariboldi, Leonardo. "Handling with Pontremoli's memory at the Institute of Physics in Milan during the Fascist regime." In Atti del XXXIX Convegno annuale = Proceedings of the 39th Annual Conference ; Pisa, 9-12 Settembre 2019 ; Società Italiana degli Storici della Fisica e dell'Astronomia (SISFA) / edited by Adele La Rana, Paolo Rossi. Pisa University Press, 2020. http://dx.doi.org/10.12871/978883339402210.

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Conference papers on the topic "Paolo Milano"

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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.
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Gomes, Felipe Adriano, and Juliana Marcondes Bussolotti. "PANORAMA DAS PRÁTICAS EMACIPADORAS SEGUNDO REFERECIAL TEÓRICO DE MILTON SANTOS E PAULO FREIRE." In Anais do 2 Congresso Internacional de Investigação e Experiência Educativa. Recife, Brasil: Even3, 2021. http://dx.doi.org/10.29327/145275.2-26.

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Teixeira, Janaina Angelina, Andréia Mello Lacé, Lívia Veleda de Sousa e. Melo, Moises Silva de Sousa, Thiago Dos Santos Brandão, and Denysberg Carvalho Alves de Resende. "O ambiente virtual de aprendizagem Moodle na Poiese: Possibilidades de convergência entre presencialidade e virtualidade." In III Seminário de Educação a Distância da Região Centro-Oeste. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/seadco.2020.14678.

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Este trabalho intenciona apresentar o ambiente virtual de aprendizagem Moodle na metodologia da Poiese, considerando a utilização de tecnologias educacionais na prática educativa e suas possibilidades de convergência entre as modalidades presencial e a distância. A Poiese é uma metodologia de aprendizagem construída por professoras da Faculdade de Educação da Universidade de Brasília, no âmbito do Programa Aprendizagem para o 3º Milênio (A3M), na Universidade de Brasília, e envolveu estudantes dos cursos de Pedagogia, Artes Visuais, Licenciatura e Ciência da Computação e Engenharia de Redes de Comunicações. Os procedimentos metodológicos priorizaram grupos de discussões intempestivos que resultaram na implementação do projeto piloto (versão beta) do ambiente virtual de aprendizagem Moodle e depois a versão alpha, que se encontra em andamento. A Poiese apoia-se, entre outros, nos estudos de Paulo Freire (1989), Vygotski (1991) e Dewey (2010). O desenvolvimento da metodologia, no ano de 2019, ressignificou a utilização da sala de aula, sugeriu maior envolvimento dos estudantes com o processo educativo e evidenciou potencial de convergência das modalidades presencial e a distância com o uso das TDICS.
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Valdaliso Casanova, Teresa. "El concepto de "Estación Creativa"; un proyecto reticular basado en el proceso creativo compartido." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5860.

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A partir de la idea de metrópolis como un nudo de conexiones donde la localización geográfica del núcleo central se propone temporal y de carácter itinerante, quedando prioritariamente desplazado a la periferia, se plantea un proyecto de intercambio creativo cuya estructura de actuación viene definida en modo reticular, fomentando la regeneración y reutilizo de espacios en desuso, o bien utilizando nuevos espacios situados en territorios que no disfrutan de la consideración que merecen.La descentralización de los lugares de creación y divulgación artística implica la reconfiguración de una identidad territorial perdida que, presentándose como irrecuperable, decide reinventarse a partir de un nuevo concepto de espacio de fusión y fruición, un punto de encuentro y de adición de diversas realidades que se encuentran en un ámbito local, procedentes a su vez de otros ámbitos locales, pertenecientes todos a una misma red de intercambios.Dicha idea se materializa a partir del concepto de "Estación Creativa", desarrollado teóricamente por los italianos Paolo Rosa (artista y docente) y Andrea Balzola (dramaturgo y docente), siendo llevada a cabo por primera vez en el espacio MIL de Sesto San Giovanni (Milán) en los meses de Abril-Mayo de 2016. Creativos, artistas y estudiosos de diversas disciplinas actuaron como agentes culturales a la vez que sociales, a partir de una perspectiva de arte político entendiendo la polis como la extensión de lugar en donde todos cohabitamos. Activadores de imaginarios compartidos, incluyen al visitante como parte integrante del proceso creativo, un proceso basado en la formación, la investigación y la producción. Donde el aura no pertenece ya a la obra de arte, sino a la experiencia artistica común. http://www.spaziomil.org/evento/stazione-creativa-2/http://dx.doi.org/10.4995/ANIAV.2017.5860
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Moreira, William Caracas, Juliana Kelly Batista da Silva, Luciana Maria Bernardo Nóbrega, Jamira Martins dos Santos, Renata Olivia Gadelha Romero, Jordana Almeida Nobrega, and Oriana Deyze Correia Paiva Leadebal. "Aspectos epidemiológicos dos casos de sífilis em gestantes no Brasil." In XIII Congresso da Sociedade Brasileira de DST - IX Congresso Brasileiro de AIDS - IV Congresso Latino Americano de IST/HIV/AIDS. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/dst-2177-8264-202133p019.

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Introdução: A sífilis é uma infecção infectocontagiosa transmitida por via sexual ou vertical por meio da gestação. No mundo, acredita-se que existam cerca de um milhão de gestantes portadoras de sífilis ainda não diagnosticadas. Portanto, estima-se que cerca de um terço dessas gestações irão cursar com sérias complicações. Objetivo: Descrever os aspectos epidemiológicos dos casos de sífilis em gestantes no Brasil. Métodos: Estudo descritivo do tipo retrospectivo. Os dados foram extraídos do Departamento de Informática do Sistema Único de Saúde do Brasil acerca dos casos notificados de sífilis em gestantes no período de 2011 a 2020. Por meio da análise descritiva simples, abordaram-se as seguintes variáveis: frequência absoluta do número de casos, raça, faixa etária, escolaridade, idade gestacional no momento do diagnóstico, unidade federativa, região do país. Resultados: No Brasil, nos últimos 10 anos, foram notificados 344.070 casos de sífilis em gestantes, com prevalência nas regiões Sudeste (47,02%), Nordeste (20,50%) e Sul (15,30%) e destaque para os municípios de São Paulo e Rio de Janeiro, que somam 127.387 casos. Observou-se que houve um crescimento percentual médio de pelo menos 28% em cada ano entre o período de 2011 a 2018 e decréscimo do número de casos em 2019 (3,80%) e 2020 (67,85%). Do total de casos, 53,44% têm de 20 a 29 anos, 49,34% são pardos e cerca de 29% possuem baixa escolaridade (ensino fundamental incompleto). Quanto aos aspectos clínicos, cerca de 29% são diagnosticados no primeiro trimestre da gestação. Conclusão: Percebeu-se que há uma concentração no hemisfério ao Sul do país. Além disso, acredita-se que a identificação dos aspectos envolvidos nos casos de sífilis em gestantes seja o primeiro passo para a programação de intervenções e de atualizações nas políticas de saúde pública do país.
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Vilano, W. F., and M. A. A. Pinheiro. "RELAÇÃO DO PESO PELA LARGURA DA CARAPAÇA E DINÂMICA DO FATOR DE CONDIÇÃO EM EPIALTUS BITUBERCULATUS H. MILNE EDWARDS, 1834 (BRACHYURA:EPIALTIDAE), EM UBATUBA, LITORAL NORTE DO ESTADO DE SÃO PAULO." In X Congresso Brasileiro sobre Crustáceos. Sociedade Brasileira de Carcinologia, 2018. http://dx.doi.org/10.21826/2178-7581x2018029.

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