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Asipkova, Hanna. "Díla Maffea Pantaleoniho, vybrané otázky." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-17247.
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Diplomová práce je zaměřena na významnou italskou osobnost, Maffeo Pantaleoni, a na jeho velký vklad do italské a světové ekonomie. V práci jsou také popsané dva z mnohých problémů, kterými se zabýval italský ekonom na konci 19. a na počátku 20. století; jeho přátelství s Vilfredem Paretem a o skandálu Římské banky, ve kterém Pantaleoni hrál jednu z hlavních rolí. Maffeo Pantaleoni zdůrazňuje důležitost výchozích a konečných pozic pro ekonomické subjekty v díle Výchozí a konečná pozice. Kde ekonom analyzuje a snaží se aplikovat vzájemné působení výchozích a konečných bodů krátkodobých a dlouhodobých časových intervalů v ekonomickém aspektu pomocí příkladů a alegorie. Pomocí druhého díla Některé fenomény ekonomické dynamiky Maffeo Pantaleoni pokračuje ve studiu ekonomů neoklasiků, kteří přesně definovali pojem statiky, a uvádí a vysvětluje dynamiku druhého druhu. Tady autor klade důraz hlavně na vliv rostoucí poptávky na dimenzi podniku a na rozdělení hlavních a specifických výdajů. V obou případech Maffeo Pantaleoni je proti státnímu zásahu a vystupuje pro "svobodnou" ekonomii.
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Moreira, Ana Carolina Gamarano. "O Castelinho dos Bracher: herança arquitetônica e artística em Juiz de Fora." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6597.
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O Castelinho dos Bracher apresenta uma grande importância histórica e cultural para Juiz de Fora. A edificação foi projetada no início do século XX pelo arquiteto Raphael Arcuri - filho mais velho do imigrante italiano Pantaleone Arcuri - para ser a residência de sua família, ficando conhecida como: Castelinho do Pantaleone. O Castelinho pertenceu a diferentes famílias até ser adquirido, no ano de 1951, pelos Bracher. Essa família exerceu um importante papel no ambiente cultural e artístico da cidade; sua mudança para o Castelinho atribuiu a ele um novo significado, uma nova denominação, nome que permanece no imaginário da população. Com os Bracher, a importante edificação eclética passou a ser, além de tudo, um lugar aberto, democrático, acessível e de intensa produção de arte e cultura. O presente trabalho apresenta a importância do Castelinho, desde sua construção até os dias atuais, mostrando as modificações que a edificação sofreu para poder atender às necessidades dos diversos moradores. Além disso, evidencia a relevância da família Bracher retratada nos espaços da casa e analisa-se o Castelinho dos Bracher inserido no contexto urbano, observando suas singularidades que lhe conferem identidade e que auxiliaram na construção das memórias dos juiz-foranos.
The "Castelinho dos Bracher" has a great cultural and historical importance to the city of Juiz de Fora. At the beginning of the 20th century, the building was design by the architect Raphael Arcuri - the oldest son of the Italian immigrant Pantaleone Arcuri. It was projected to be the residence of his family, becoming known as "Castelinho dos Pantaleone". The structure belonged to different families until its acquirement, in 1951, by the Brachers. This family held an important role in the cultural and artistic environment of the city; your moving to "Castelinho" assigned it a new meaning, a new title, name that remains on the population’s mind. With the Brachers the important eclectic building became, above all, an open, democratic and accessible place, with an intense production of art and culture. This work aims to present the importance of the "Castelinho", from its construction until nowadays, showing the modifications the building suffered in order to meet the needs of individual residents. Furthermore, it emphasizes the relevance of Bracher family depicted in the house’s spaces and analysis the edifice placed in the urban context, noting its uniqueness that confers identity and helped constructing the memories of the population of Juiz de Fora.
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Pantaleo, Felice [Verfasser], and Alexander [Akademischer Betreuer] Schmidt. "New Track Seeding Techniques for the CMS Experiment / Felice Pantaleo ; Betreuer: Alexander Schmidt." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1163013633/34.
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April, Anik. "Discursos de autoridad y formación de identidades en Pantaleón y las visitadoras de Mario Vargas Llosa." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq36657.pdf.
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Soares, Janara Laíza de Almeida. "Os aspectos epistemológicos da sátira e da paródia na obra Pantaleón y las visitadoras, de Mario Vargas Llosa." reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/23259.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2017.Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2017-04-10T15:05:25Z No. of bitstreams: 1 2017_JanaraLaízadeAlmeidaSoares.pdf: 1610754 bytes, checksum: 4a5aac83063a31439553ef81128687a0 (MD5)
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O objetivo dessa pesquisa é analisar os desdobramentos epistemológicos da sátira e da paródia na literatura, utilizando como corpus o livro Pantaleón y las visitadoras (1973), do peruano Mario Vargas Llosa. Partiu-se da noção de que a atividade estética é um jogo amplo, correspondente às relações estabelecidas entre obra, autor, leitor e mundo, que permite a reflexão acerca dessas relações, apresentadas através de elementos estéticos que oferecem outras visões não abarcadas pela objetividade. Analisaram-se, então, as relações específicas entre a arte literária e a produção de saberes, discutindo a noção de conhecimento proporcionada pela literatura e sua diferenciação dos demais tipos de conhecimento. Posteriormente, consideraram-se as particularidades da sátira e da paródia realizadas no corpus desta pesquisa, concluindo que tais manifestações possibilitam a desautomatização e a desconstrução dos discursos hegemônicos, a partir de onde se pode construir novas visões sobre as realidades às quais os discursos parodiados satiricamente se referem.
The objective of this research is to analyze the epistemological repercussions of satire and parody on literature considering the book Pantaleón y las visitadoras (1973) wrote by the Peruvian author Mario Vargas Llosa. From the idea of aesthetic activity as a wide game, which refers to the relations established between work, author and world, it is allowed a reflection on these relations presented through aesthetic elements that offer other visions not embraced by objectivity. So that, it was examined specific relations between literary art and the production of knowledge discussing the idea of awareness brought by literature and its distinction of other types of knowledge. Afterwards, it was regarded the characteristics of satire and parody analyzed on this research objects. It was concluded that these manifestations permit the desautomatization and the deconstruction of hegemonic speeches based on where is possible to build new visions over realities which parodied speeches satirically refers to.
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Estremadoyro, Tamayo Farah Evelyn, and Meza Valeria Milagros Mannucci. "Hacia un teatro musical limeño con la estructura dramatúrgica y musical de Broadway: El caso de Pantaleón y las visitadoras." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/16651.
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Turcios, Pantaleón Ariel Eliseo [Verfasser]. "Use of halophytes as biofilter to decrease organic and inorganic contaminants in water and their further use for biogas production / Ariel Eliseo Turcios Pantaleón." Hannover : Technische Informationsbibliothek (TIB), 2017. http://d-nb.info/1128666901/34.
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Turcios, Ariel [Verfasser]. "Use of halophytes as biofilter to decrease organic and inorganic contaminants in water and their further use for biogas production / Ariel Eliseo Turcios Pantaleón." Hannover : Technische Informationsbibliothek (TIB), 2017. http://d-nb.info/1128666901/34.
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Tumes, Salas Lucía Solange. "La representación del personaje del periodista en el cine peruano. Los casos de Pantaleón y las visitadoras, Tinta roja, Mariposa negra, Ojos que no ven y La última noticia." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/651646.
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El cine presenta personajes y hechos históricos que han marcado a la humanidad. La representación que se le dé a estos personajes determinados es importante, porque dentro de la realidad que construye una película, el espectador puede asumir como verdad todo lo que está observando. Además, el periodismo tiene un peso social al ser una disciplina que permite acceder a una información a la que ningún otro profesional tiene forma de llegar. Eso llama la atención para conocer de qué forma el personaje del periodista es representado en el cine peruano. Para ello se han elegido variables específicas que permitan conocer esta construcción en su totalidad y en cada aspecto de su vida que es trazado en las películas: el entorno personal, el profesional y la dimensión interna. De esta manera podremos aproximarnos a esta representación cinematográfica.The cinema presents historical characters and facts that have marked humanity. The representation given to a particular character is important, because within that reality built in a film, the viewer assumes as true what he is observing. Journalism, has its own social weight, because it is a profession that has access to information that no other professional has and therefore, it is important to know what is the representation that is given to this character in Peruvian cinema. Specific variables have been chosen that adapt to this and allow us to know this character in its entirety, in every aspect of his life: personal, professional and internal. In this way we can approach to know what characterizes this representation.
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Tengroth, Vibeke. "La masculinidad en la literatura de Vargas Llosa : Análisis de la masculinidad en los dos protagonistas de Pantaleón y las visitadoras y Travesuras de la niña mala." Thesis, Stockholms universitet, Institutionen för spanska, portugisiska och latinamerikastudier, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-28572.
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A través de un análisis de dos protagonistas en dos libros diferentes de Mario Vargas Llosa: Pantaleón de Pantaleón y las visitadoras y Ricardo de Travesuras de la niña mala, se investiga en este estudio si los personajes del análisis tienen rasgos que, según las teorías elegidas pueden verse como masculinos. Al principio del trabajo se presentan algunos estudios científicos y sus resultados de la investigación sobre lo que es la masculinidad. Luego, en el análisis, se investigan las características de los dos personajes en relación a tres puntos teóricos (relaciones extramatrimoniales con mujeres de clase subordinada, confirmación de la masculinidad teniendo relaciones extramatrimoniales y logos y el hombre racional), cada cual conteniendo diferentes aspectos de la masculinidad. En oposición a nuestra hipótesis, que el Pantaleón de Pantaleón y las visitadoras iba a tener más rasgos comunes con la teoría que Ricardo en Travesuras de la niña mala, hemos visto que, Pantaleón se aparta bastante de la teoría, sobre todo en cuanto a la racionalidad. Existen, tanto semejanzas entre los dos personajes y la teoría, como diferencias. En cuanto al concepto de la masculinidad, hemos visto en el análisis que, al igual que lo que dicen los teóricos presentados, la masculinidad puede cambiar o variarse con el tiempo, ya que los libros fueron escritos en dos épocas diferentes.
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Terrones, Félix. "Les maisons closes dans la littérature latino-américaine, un lieu de métamorphoses." Bordeaux 3, 2011. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2011BOR30062.
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Ce travail propose une étude des maisons closes romanesques dans la littérature latino-américaine à partir de quatre romans faisant partie du Boom : Juntacadáveres (1964) du romancier uruguayen Juan Carlos Onetti, El lugar sin límites (1965) du romancier chilien José Donoso, ainsi que La Casa Verde (1966) et Pantaleón y las visitadoras (1973) du romancier péruvien Mario Vargas Llosa. A travers l’analyse textuelle, nous cherchons à mettre en évidence les diverses modalités narratives utilisées pour représenter ces espaces, et notamment les enjeux de leurs apparitions dans les textes, l’ordre alternatif qu’ils proposent ainsi que les faux-semblants qui leur sont inhérents. Espaces promus par l’ordre établi mais en même temps rejetés par la société, les lupanars parviennent à rapprocher les contraires : le bas corporel et les hauteurs de l’imagination, le dehors et le dedans, le passage et l’enfermement, l’ordre rationnel et l’anarchie des instincts… Le caractère exceptionnel des lupanars romanesques tient non seulement à leur dimension carnavalesque, mais aussi aux activités inattendues qu’ils abritent. Véritables mises en abyme des espaces englobants qui les accueillent, ils se révèlent au cours de l’analyse comme les lieux de toutes les métamorphoses qu’elles soient d’ordre individuel, sexuel, social, professionnel ou politique. La conclusion présente une réflexion sur le « roman de maison close » comme forme romanesque à part entière dans la littérature latino-américaineThis work proposes a study of fictional whorehouses in Latin American literature based on four novels of the Boom : Juntacadáveres (1964) by the Uruguayan novelist Juan Carlos Onetti, and El lugar sin límites (1965) by the Chilean novelist José Donoso as well as La Casa Verde (1966) and Pantaleón y las visitadoras (1973) by the Peruvian novelist Mario Vargas Llosa. Through textual analysis, we strive to highlight the diverse narrative modalities utilized to represent these spaces and notably the stakes behind their appearances in the texts, and the alternative order they propose as well as the pretenses inherent to them. Spaces promised by the established order while at the same time rejected by society, whorehouses succeed in bringing together opposites: bodily lowliness and the heights of imagination, the outside and the inside, passage and imprisonment, rational order and instinctual anarchy… The exceptional character of fictional whorehouses is due not only to their carnivalesque character, but also to the unexpected activities that they house. Real « mises en abyme » of encompassing spaces that welcome them, they reveal themselves in the course of analysis as places of all metamorphosis, whether they are on the individual, sexual, social, professional or political. The conclusion presents a reflection on the whorehouses novels as a novelistic form unto itself in Latin American literature
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OTTONELLI, OMAR. "Dalla storia delle istituzioni al corporativismo. La vicenda scientifica di Gino Arias (1879-1940." Doctoral thesis, 2010. http://hdl.handle.net/2158/535456.
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La presente tesi di dottorato mira a ricostruire, sin dagli studi giovanili che precedettero la sua laurea, l’intera vicenda scientifica di Gino Arias (1879-1940). Fiorentino, docente universitario di discipline economiche e accademico georgofilo (fu vicepresidente della gloriosa istituzione fiorentina), egli entrò nel mondo accademico come storico delle istituzioni-economiche giuridiche, per poi contraddistinguersi come celebre esponente del nazionalismo economico e, più tardi, durante il ventennio fascista, quale personalità centrale e assai influente della cultura economico-corporativa.
L’opera è aperta da un’introduzione, cui segue la ricostruzione biografica – sinora inedita – delle vicende dell’autore. Il lavoro si sofferma poi su tre ampie parti, ciascuna delle quali dedicata agli indirizzi – cronologicamente susseguentisi – più cari alla ricerca del professore fiorentino, ovvero:
- gli studi giovanili sulla storia delle istituzioni giuridico-economiche, che consentono ad Arias di avvicinarsi a Salvemini e con cui tenta altresì l’inserimento – poi rivelatosi fallimentare – entro il gruppo degli storici dell’Istituto di Studi Superiori di Firenze;
- i lavori successivi, nei quali, sotto l’iniziale guida di Achille Loria e Maffeo Pantaleoni, Arias transita con crescente consapevolezza dagli studi storici a quelli più squisitamente economici, fino a giungere, nel clima che precedette e seguì il primo conflitto mondiale, a proporre un’articolata visione economico-nazionalista (premessa per la successiva adesione al fascismo);
- gli studi sull’economia corporativa, che permettono ad Arias di affermarsi prima come autore di riferimento nel panorama della più intransigente cultura economica del regime.
Ciascuna delle tre parti è chiusa da paragrafi che intendono offrire sintesi specifiche e concatenate dei tre macro-indirizzi presi in esame.
Esaurisce il lavoro, infine, una nota conclusiva.
Alla tesi seguono quattro appendici documentarie, dove sono pubblicati:
- l’inventario dell’archivio delle carte di Gino Arias (l’organizzazione e la catalogazione dell’archivio sono state curate dallo stesso tesista);
- la trascrizione delle lettere di Gino Arias con Achille Loria (il carteggio consta di 132 missive, in larga misura risalenti al 1904-19, recuperate presso l’Archivio di Stato di Torino e sinora sfuggite all’attenzione degli storici);
- l’inedita bibliografia di Gino Arias, che conta 639 titoli;
- la bibliografia degli scritti secondari consultati.
Chiudono il lavoro l’indice dei nomi degli autori citati e il sommario.
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Chen, Li-Chun, and 陳俐君. "The Analysis and Interpretation of Histoire du Tango by Ástor Pantaleón PiazzollaThe Analysis and Interpretation of Histoire du Tango by Ástor Pantaleón Piazzolla." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/w8m855.
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碩士國立臺灣師範大學
音樂學系
107
Ástor Pantaleón Piazzolla was an Argentine composer, conducter and bandoneon player in the 20 century. The “Histoire du Tango’’ was a duo for flute and guitar, composed in 1985. Piazzolla used his music to write down the Tango's historical development, by dividing it into four movements- each movement represents a 30-year period of history- in which they are “bordel 1900”, “café 1930”, “Night club 1960” and “Concert d’aujourd’hui” respectively. Along with the development of the change between movements describe how tango develop its popular scenario in the different performing occasion. The thesis consists five chapters: the first chapter is the introduction of the research motivation, scope and methods. The second chapter introduces the history of tango, and the background of Piazzolla. The third chapter is an analysis of “Histoire du Tango”. The four chapter is the exploration of the performance interpretation of “Histoire du Tango”. The final chapter is the conclusion.
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Chen, Hui-hsuan, and 陳蕙萱. "The Analysis and Practice of Astor Pantaleon Piazzolla’s《Histoire du Tango》for Flute and Guitar." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/75505560935049227172.
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碩士國立臺北教育大學
音樂學系碩士班
101
Abstract This thesis is a research of Histoire du Tango for Flute and Guitar by Astor Pantaleon Piazzolla. It includes fourth chapters. The first chapter is a introduction includes research purpose, literature review, research limitation and the methods. The second chapter describes a short biography of Piazzolla and introduces his living background. Then, the characteristic and compositional technique of Histoire du Tango are discribed. The third chapter is the analysis of Histoire du Tango in aspects of form structure, motive development, pitch, rhythm, special compositional technique, etc. The fourth chapter raises the view of interpretation to the composition. In the conclusion, it summarizes the personality and the time which had influence on Astor Piazzolla. It presents the orchestration of Flute and Guitar and characteristic of Histoire du Tango. Key words: Astor Piazzolla, Histoire du Tango, Argentina composer, Flute, Guitar
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Frimlová, Petra. "Humor a kritika v díle Pantaleón a jeho ženská rota Maria VargaseLlosy." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-339890.
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OF THE THESIS: The novel Captain Pantoja and the Special Service introduces the second period of Mario Vargas Llosa's literary production, which is caracterized by the simplification of the narration and the discovery of humour. The thesis focuses on the formal and thematic analysis of the novel with the objective to prove that despite the novel is in general humorous and parodic, there could be found some constant topics, known to the readers from Llosa's previous novels, which he had always treated very critically, and he also did so in this erotic and humorous work. Therefore, apart from the analysis of humour the thesis also examines the critical approach to the social problems present in the novel. The analysis also shows that the narration is slightly simplified in comparison to the author's formers works, but it still perfectly demonstrates the unconventional narrative techniques, which Vargas Llosa has used since the 1960's, since the period of the new hispano-american novel. KEY WORDS: Mario Vargas Llosa, Captain Pantoja and the Special Service, The Time of the Hero, The Green House, Latin American boom, Hispano-American new novel, total novel, experimental narrative techniques, types of humour and irony, humorous prose, parody, erotic novel, libertine prose, rainforest, criticism of the...
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Yin, Chen Tzu, and 陳姿尹. "The Analysis and Practice of Ástor Pantaleón Piazzolla《Tango Etude》for Bassoon and Piano." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/11913309424733643314.
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碩士國立臺北教育大學
音樂學系碩士班
98
Astor Piazzolla has known in Argentina as “El Gran Astor”. Because of his revolution and creation, Argentina Tango began appearing worldwide and gains the reputation throughout the world. The purpose of this thesis is to examine Piazzolla’s unique compositional style and personal sensual essence, and to research the emergence, development and style of Argentina music. This thesis includes four chapters with the Introduction and the conclusion. Chapter by chapter, the thesis presents the biographical sketch of the composer, the origin of compositional style, the historical background and the characteristic of Argentina music, and the stylistic analysis and interpretation on “Tango Etude for Bassoon and piano”. Chapter one is the introduction, which describes the purpose of this thesis, the research materials and the discussion of literature. Chapter two is to discuss the biographical background and compositional style of the composer and to provide the general overview of “Tango Etude for Bassoon and piano” as well as the information of editors and publishers. Chapter three is to conduct the research on Argentina Tango, including the origin of Tango, the history of development, stylistic characteristics. Chapter Four is to analyze the form structure, motive figure, rhythmic device, and harmonic language. Chapter five is the interpretation on the relationship between thematic motives and Argentina Tango which is the main characteristic of the piece. Piazzolla’s revolutionary Tango reawakens interests in traditional Tango which was nearly replaced by Rock ’n’ Roll. Piazzolla’s unique compositional style is an important vehicle for the development of Argentina Tango music, and it helps Argentina Tango earn the place in the world.
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chen, Yu-wen, and 陳幼汶. "The Study and Interpretation of Astor Pantaleon Piazzolla’s Histoire du Tango for Flute and Guitar/Yu-wen chen flute concert." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/29658738672465570281.
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碩士東吳大學
音樂學系
99
Astor Pantaleon Piazzolla was an Argentine tango composer, conductor and bandoneon player in the 19th century. This thesis explores mainly one of his masterpieces: Histoire du Tango. The 4 movements with titles in this composition are closely associated with Tango’s historical evolution, regional transformation and the occasions of performance. Thus the time range of research would be focused on the period between 1900 and 1960. The thesis was divided into 6 sections. The first section is introduction, which examines the motive, the scope, the methods, and the literature of the research. The second section narrates Piazzolla’s biography and the domain of his music. The third section briefly talks about the history of Tango music and the Tango musicians who influenced Piazzolla through literatures and periodicals. The fourth section is the analysis of Histoire du Tango which made up of the musical form and structure, tempo and accent melodies analysis, and special sound effects. The fifth section integrates the first 4 sections to discuss the interpretation of this composition. The sixth section is the conclusion. This composition is highly related to the history of Tango music. Through the evolution of history we can explore deep into it. Key Words : Histoire du Tango, Astor Piazzolla, flute Yu-wen Chen Flute Concert Program: Friedrich Kuhlau (1786-1832): Introduction et Rondo, Op. 98a Astor Piazzolla (1921-1992): Histoire du Tango for flute and guitar Philippe Gaubert (1879-1941): Sonate in A major for flute et piano, No. 1 Henri Dutilleux (1916-): Sonatine pour flute et piano Gary Schocker (1956-): Regrets and Resolutions for flute and piano
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Tylová, Kateřina. "Toskánské cisterciácké kláštery: filiace San Galgana vzniklé ve 13. století." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404658.
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The topic of the diploma thesis is the activity of the Cistercian monastic order in the area of Tuscany. During the main wave of founding the Cistercian monasteries in Italy, the area of Tuscany, whose medieval boundaries roughly correspond to its current ones, was under major political influence of Florence, Siena, Pisa and Lucca. Most monasteries in the region were founded in the vicinity of these cities. This work aims to contribute to the discoveries about the influence of these cities and their elites on the establishing of foundation of the white monks in Tuscany. The goal of this work is an analysis of circumstances and causes of the arrival of the Cistercians in the Tuscany region, where they arrived relatively late, compared to other Italian regions. The work focuses on the specificities of the Cistercian movement of the foundation of monasteries. The fist Cistercian foundation in Tuscany was the monastery San Galgano. Most of the Cistercian abbeys in the region predominantly from the 13th century was affiliated with San Galgano. The diploma thesis aims to describe the development of the Cistercian order and its monasteries in the area by exploring specific Cistercian foundations in Tuscany. Possibly the most important monastery in the region was San Galgano, which served as the maternal monastery...
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DE, VIVO TOMMASO. "La fortuna europea dello Zodiacus vitae di Marcello Palingenio Stellato." Doctoral thesis, 2015. http://hdl.handle.net/2158/1006634.
Full textAbstract:
The work primarily provides a new, wide bibliography (more than 200 pages) of the Zodiacus vitae of Marcello Palingenio Stellato, also enlighting his life and work (specifically in relation to its audience). Also, the work provides useful information aimed to scholars about a number of not well-known authors, like Giovita Rapicio, Lilio Gregorio Giraldi, Nicolas Bourbon (see the ‘tag’ section below for a more comprehensive list). However, the work should be considered an essay of a bibliographical work in itself, as well as an anthology of excerpts of great beauty and interest.
L'opera fornisce primariamente una nuova, vasta bibliografia (oltre 200 pagine) dello Zodiacus vitae di Marcello Palingenio Stellato, anche illuminandone la vita e l'opera (specialmente in relazione al suo pubblico). Inoltre, questo lavoro fornisce informazioni utili a studiosi di un certo numero di autori non ben noti, come Giovita Rapicio, Lilio Gregorio Giraldi, Nicolas Bourbon (v. la voce ‘tag’ sotto, per una lista più comprensiva). Nel complesso, quest'opera dovrebbe anche essere considerata sia un saggio di lavoro bibliografico, sia un'antologia di passi di grande bellezza e interesse.
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Pantaleon, Stemberg Gesa Carola [Verfasser]. "Tue Gutes und stifte darüber : pflichtteilsreduzierende Zuwendungen in Form des Stifterbriefes ; unter besonderer Berücksichtigung des BGH Urteils zur Dresdner Frauenkirche (BGH, Urt. v. 10.12.2003 - IV ZR 249/02) / vorgelegt von Gesa Carola Pantaleon genannt Stemberg." 2006. http://d-nb.info/979001234/34.
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