Relevant bibliographies by topics / Pantaleoni

Academic literature on the topic 'Pantaleoni'

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Published: 10 March 2023

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Journal articles on the topic "Pantaleoni"

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McNutt, James C. "Reply to Pantaleoni." American Music 3, no. 2 (1985): 229. http://dx.doi.org/10.2307/3051639.

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Donnez, J., and M. Nisolle. "Nd-YAG laser hysteroscopic surgery: endometrial ablation, partial endometrial ablation and myomectomy." Reproductive Medicine Review 2, no. 1 (March 1993): 63–71. http://dx.doi.org/10.1017/s0962279900000594.

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Hysteroscopy was first reported by Pantaleoni in 1869. He used a 12 mm diameter straight tube that was inserted into the uterine cavity with a concave mirror to reflect light into the uterus. Today, there are two main types of endoscopes in use: (1) the rigid endoscopie panoramic hysteroscope and (2) the flexible hysteroscope.
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Magnani, Italo. "Monopolio di beni durevoli: coase e pantaleoni a confronto." STUDI ECONOMICI, no. 115 (January 2016): 5–60. http://dx.doi.org/10.3280/ste2015-115001.

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Michelini, L., and T. Maccabelli. "Economics and Anti-Semitism: The Case of Maffeo Pantaleoni." History of Political Economy 47, no. 1 (January 1, 2015): 91–118. http://dx.doi.org/10.1215/00182702-2847327.

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FREEMAN, THOMAS S., and DAVID SCOTT GEHRING. "Martyrologists without Boundaries: The Collaboration of John Foxe and Heinrich Pantaleon." Journal of Ecclesiastical History 69, no. 4 (March 27, 2018): 746–67. http://dx.doi.org/10.1017/s002204691700272x.

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Amid the great Protestant martyrologies of the mid-sixteenth century, Heinrich Pantaleon's Martyrvm historia (1563) has been comparatively overlooked. This article argues that Pantaleon's martyrology acted as a capstone to the narrative framework of Protestant suffering and resistance. Pantaleon's command of vernacular languages gave him access to a wider range of material than other martyrologists, material which his Latin text made accessible to learned readers across Europe. This article also examines the collaboration between Pantaleon and John Foxe, which directly inspired Pantaleon's martyrology and enabled Foxe to give a cohesive, trans-European account of Protestant martyrs in his Acts and monuments.
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BADANO, DAVIDE, FERNANDO ACEVEDO, ROBERTO A. PANTALEONI, and VÍCTOR J. MONSERRAT. "Myrmeleon almohadarum sp. nov., from Spain and North Africa, with description of the larva (Neuroptera Myrmeleontidae)." Zootaxa 4196, no. 2 (November 22, 2016): 210. http://dx.doi.org/10.11646/zootaxa.4196.2.2.

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A new antlion (Neuroptera Myrmeleontidae Myrmeleontini), Myrmeleon almohadarum sp. nov., is described from southern Spain and Tunisia. The new taxon is closely related to the mostly sympatric M. inconspicuus Rambur and M. mariaemathildae Pantaleoni, Cesaroni & Nicoli Aldini but differing in body pattern, wing venation and larval chaetotaxy. The validity of the new species is also supported by a phylogenetic analysis based on COI sequences. The larva of this new species is described and compared with congeners. M. almohadarum appears to be associated with sandy environments.
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Pantaleoni, J. L., C. A. Longhurst, and L. A. Stevens. "The Value of Clinical Teachers for EMR Implementations and Conversions." Applied Clinical Informatics 06, no. 01 (2015): 75–79. http://dx.doi.org/10.4338/aci-2014-09-ie-0075.

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SummaryEffective physician training is an essential aspect of EMR implementation. However, it can be challenging to find instructors who can present the material in a clinically relevant manner. The authors describe a unique physician-training program, utilizing medical students as course instructors. This approach resulted in high learner satisfaction rates and provided significant cost-savings compared to alternative options.Citation: Stevens LA, Pantaleoni JL, Longhurst CA. The value of clinical teachers for EMR implementations and conversions. Appl Clin Inf 2015; 6: 75–79http://dx.doi.org/10.4338/ACI-2014-09-IE-0075
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PANTALEONI, ROBERTO A., and LAURA LORU. "Libelloidini, new name for an old tribe (Neuroptera Ascalaphidae)." Zootaxa 4438, no. 3 (June 22, 2018): 597. http://dx.doi.org/10.11646/zootaxa.4438.3.11.

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Almost a half century ago, Tjeder (1972) stated that the genus Ascalaphus had been interpreted in a sense other than that defined by its type species (see Pantaleoni and Loru 2018). So, the generic name Ascalaphus Fabricius, 1775, became the senior synonym of Helicomitus McLachlan, 1871, and the genus Libelloides, Schäffer, 1763, was reserved for the Palearctic diurnal coloured owlflies, which until then were considered to belong to the genus Ascalaphus. Even though Tjeder’s proposition produced a dramatic change in a long-term “prevailing usage”, it was immediately and universally accepted as necessary. However, surprisingly, this change was never followed by the consequent necessary nomenclatural changes at the family-group name level.
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Mosca, Manuela. "Emil Sax and Italy. Three episodes." HISTORY OF ECONOMIC THOUGHT AND POLICY, no. 2 (March 2011): 47–62. http://dx.doi.org/10.3280/spe2010-002003.

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The paper deals with the historical reconstruction of the relation between the Austrian economist Emil Sax and the Italian economists of his generation. It is focused on three episodes. The first concerns the introduction of marginal analysis in public finance, seeing the works of Maffeo Pantaleoni (1883) and Sax (1887) as of primary significance. The second is about the reception accorded to the 1887 Sax's work in Italy by Giuseppe Ricca-Salerno (1887), and by Augusto Graziani (1887). The third relates to the development of a pure theory of public finance, and concerns the works of Sax (1887) and Antonio De Viti De Marco (1888). This analysis indicates that school rivalries were responsible for the different reactions of Italian economists to Sax's work.
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Wagner, Richard E. "Parasitical Political Pricing, Economic Calculation, and the Size of Government: Variations on a Theme by Maffeo Pantaleoni*." Journal of Public Finance and Public Choice 15, no. 2 (October 1, 1997): 135–46. http://dx.doi.org/10.1332/251569298x15668907782888.

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Abstract Il lavoro estende 1’originate intuizione di Maffeo Pantaleoni che vede due distinti meccanismi del prezzo nelle contemporanee economie miste. Da una parte, vi è il meccanismo del prezzo del mercato, caratterizzato da diritti di proprietà esclusivi. Dall’altra, vi è il meccanismo di prezzo del sistema politico, distinto, fra le altre cose, da comitati amministrativi e proprietà comune. Si enfatizza come il sistema di prezzo politico può esistere solo in presenza del mercato ma non viceversa.Tramite una semplice illustrazione si suggerisce che i «mercati politici» sono parassitari nei confronti di quelli privati. A volte questo parassitismo può essere benefico, come nel caso dei beni pubblici; mentre altre volte è nocivo, come nel caso dei sussidi pubblici che promuovono imprese inefficienti.
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Dissertations / Theses on the topic "Pantaleoni"

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Asipkova, Hanna. "Díla Maffea Pantaleoniho, vybrané otázky." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-17247.

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Diplomová práce je zaměřena na významnou italskou osobnost, Maffeo Pantaleoni, a na jeho velký vklad do italské a světové ekonomie. V práci jsou také popsané dva z mnohých problémů, kterými se zabýval italský ekonom na konci 19. a na počátku 20. století; jeho přátelství s Vilfredem Paretem a o skandálu Římské banky, ve kterém Pantaleoni hrál jednu z hlavních rolí. Maffeo Pantaleoni zdůrazňuje důležitost výchozích a konečných pozic pro ekonomické subjekty v díle Výchozí a konečná pozice. Kde ekonom analyzuje a snaží se aplikovat vzájemné působení výchozích a konečných bodů krátkodobých a dlouhodobých časových intervalů v ekonomickém aspektu pomocí příkladů a alegorie. Pomocí druhého díla Některé fenomény ekonomické dynamiky Maffeo Pantaleoni pokračuje ve studiu ekonomů neoklasiků, kteří přesně definovali pojem statiky, a uvádí a vysvětluje dynamiku druhého druhu. Tady autor klade důraz hlavně na vliv rostoucí poptávky na dimenzi podniku a na rozdělení hlavních a specifických výdajů. V obou případech Maffeo Pantaleoni je proti státnímu zásahu a vystupuje pro "svobodnou" ekonomii.
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Moreira, Ana Carolina Gamarano. "O Castelinho dos Bracher: herança arquitetônica e artística em Juiz de Fora." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6597.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-03-27T12:10:05Z No. of bitstreams: 1 anacarolinagamaranomoreira.pdf: 14020774 bytes, checksum: 74a9c57b717b2d4e8a3a407df3240bf9 (MD5)
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O Castelinho dos Bracher apresenta uma grande importância histórica e cultural para Juiz de Fora. A edificação foi projetada no início do século XX pelo arquiteto Raphael Arcuri - filho mais velho do imigrante italiano Pantaleone Arcuri - para ser a residência de sua família, ficando conhecida como: Castelinho do Pantaleone. O Castelinho pertenceu a diferentes famílias até ser adquirido, no ano de 1951, pelos Bracher. Essa família exerceu um importante papel no ambiente cultural e artístico da cidade; sua mudança para o Castelinho atribuiu a ele um novo significado, uma nova denominação, nome que permanece no imaginário da população. Com os Bracher, a importante edificação eclética passou a ser, além de tudo, um lugar aberto, democrático, acessível e de intensa produção de arte e cultura. O presente trabalho apresenta a importância do Castelinho, desde sua construção até os dias atuais, mostrando as modificações que a edificação sofreu para poder atender às necessidades dos diversos moradores. Além disso, evidencia a relevância da família Bracher retratada nos espaços da casa e analisa-se o Castelinho dos Bracher inserido no contexto urbano, observando suas singularidades que lhe conferem identidade e que auxiliaram na construção das memórias dos juiz-foranos.
The "Castelinho dos Bracher" has a great cultural and historical importance to the city of Juiz de Fora. At the beginning of the 20th century, the building was design by the architect Raphael Arcuri - the oldest son of the Italian immigrant Pantaleone Arcuri. It was projected to be the residence of his family, becoming known as "Castelinho dos Pantaleone". The structure belonged to different families until its acquirement, in 1951, by the Brachers. This family held an important role in the cultural and artistic environment of the city; your moving to "Castelinho" assigned it a new meaning, a new title, name that remains on the population’s mind. With the Brachers the important eclectic building became, above all, an open, democratic and accessible place, with an intense production of art and culture. This work aims to present the importance of the "Castelinho", from its construction until nowadays, showing the modifications the building suffered in order to meet the needs of individual residents. Furthermore, it emphasizes the relevance of Bracher family depicted in the house’s spaces and analysis the edifice placed in the urban context, noting its uniqueness that confers identity and helped constructing the memories of the population of Juiz de Fora.
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Pantaleo, Felice [Verfasser], and Alexander [Akademischer Betreuer] Schmidt. "New Track Seeding Techniques for the CMS Experiment / Felice Pantaleo ; Betreuer: Alexander Schmidt." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1163013633/34.

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April, Anik. "Discursos de autoridad y formación de identidades en Pantaleón y las visitadoras de Mario Vargas Llosa." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq36657.pdf.

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Soares, Janara Laíza de Almeida. "Os aspectos epistemológicos da sátira e da paródia na obra Pantaleón y las visitadoras, de Mario Vargas Llosa." reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/23259.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2017.
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O objetivo dessa pesquisa é analisar os desdobramentos epistemológicos da sátira e da paródia na literatura, utilizando como corpus o livro Pantaleón y las visitadoras (1973), do peruano Mario Vargas Llosa. Partiu-se da noção de que a atividade estética é um jogo amplo, correspondente às relações estabelecidas entre obra, autor, leitor e mundo, que permite a reflexão acerca dessas relações, apresentadas através de elementos estéticos que oferecem outras visões não abarcadas pela objetividade. Analisaram-se, então, as relações específicas entre a arte literária e a produção de saberes, discutindo a noção de conhecimento proporcionada pela literatura e sua diferenciação dos demais tipos de conhecimento. Posteriormente, consideraram-se as particularidades da sátira e da paródia realizadas no corpus desta pesquisa, concluindo que tais manifestações possibilitam a desautomatização e a desconstrução dos discursos hegemônicos, a partir de onde se pode construir novas visões sobre as realidades às quais os discursos parodiados satiricamente se referem.
The objective of this research is to analyze the epistemological repercussions of satire and parody on literature considering the book Pantaleón y las visitadoras (1973) wrote by the Peruvian author Mario Vargas Llosa. From the idea of aesthetic activity as a wide game, which refers to the relations established between work, author and world, it is allowed a reflection on these relations presented through aesthetic elements that offer other visions not embraced by objectivity. So that, it was examined specific relations between literary art and the production of knowledge discussing the idea of awareness brought by literature and its distinction of other types of knowledge. Afterwards, it was regarded the characteristics of satire and parody analyzed on this research objects. It was concluded that these manifestations permit the desautomatization and the deconstruction of hegemonic speeches based on where is possible to build new visions over realities which parodied speeches satirically refers to.
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Estremadoyro, Tamayo Farah Evelyn, and Meza Valeria Milagros Mannucci. "Hacia un teatro musical limeño con la estructura dramatúrgica y musical de Broadway: El caso de Pantaleón y las visitadoras." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/16651.

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Turcios, Pantaleón Ariel Eliseo [Verfasser]. "Use of halophytes as biofilter to decrease organic and inorganic contaminants in water and their further use for biogas production / Ariel Eliseo Turcios Pantaleón." Hannover : Technische Informationsbibliothek (TIB), 2017. http://d-nb.info/1128666901/34.

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Turcios, Ariel [Verfasser]. "Use of halophytes as biofilter to decrease organic and inorganic contaminants in water and their further use for biogas production / Ariel Eliseo Turcios Pantaleón." Hannover : Technische Informationsbibliothek (TIB), 2017. http://d-nb.info/1128666901/34.

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Tumes, Salas Lucía Solange. "La representación del personaje del periodista en el cine peruano. Los casos de Pantaleón y las visitadoras, Tinta roja, Mariposa negra, Ojos que no ven y La última noticia." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/651646.

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El cine presenta personajes y hechos históricos que han marcado a la humanidad. La representación que se le dé a estos personajes determinados es importante, porque dentro de la realidad que construye una película, el espectador puede asumir como verdad todo lo que está observando. Además, el periodismo tiene un peso social al ser una disciplina que permite acceder a una información a la que ningún otro profesional tiene forma de llegar. Eso llama la atención para conocer de qué forma el personaje del periodista es representado en el cine peruano. Para ello se han elegido variables específicas que permitan conocer esta construcción en su totalidad y en cada aspecto de su vida que es trazado en las películas: el entorno personal, el profesional y la dimensión interna. De esta manera podremos aproximarnos a esta representación cinematográfica.
The cinema presents historical characters and facts that have marked humanity. The representation given to a particular character is important, because within that reality built in a film, the viewer assumes as true what he is observing. Journalism, has its own social weight, because it is a profession that has access to information that no other professional has and therefore, it is important to know what is the representation that is given to this character in Peruvian cinema. Specific variables have been chosen that adapt to this and allow us to know this character in its entirety, in every aspect of his life: personal, professional and internal. In this way we can approach to know what characterizes this representation.
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Tengroth, Vibeke. "La masculinidad en la literatura de Vargas Llosa : Análisis de la masculinidad en los dos protagonistas de Pantaleón y las visitadoras y Travesuras de la niña mala." Thesis, Stockholms universitet, Institutionen för spanska, portugisiska och latinamerikastudier, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-28572.

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A través de un análisis de dos protagonistas en dos libros diferentes de Mario Vargas Llosa: Pantaleón de Pantaleón y las visitadoras y Ricardo de Travesuras de la niña mala, se investiga en este estudio si los personajes del análisis tienen rasgos que, según las teorías elegidas pueden verse como masculinos. Al principio del trabajo se presentan algunos estudios científicos y sus resultados de la investigación sobre lo que es la masculinidad. Luego, en el análisis, se investigan las características de los dos personajes en relación a tres puntos teóricos (relaciones extramatrimoniales con mujeres de clase subordinada, confirmación de la masculinidad teniendo relaciones extramatrimoniales y logos y el hombre racional), cada cual conteniendo diferentes aspectos de la masculinidad. En oposición a nuestra hipótesis, que el Pantaleón de Pantaleón y las visitadoras iba a tener más rasgos comunes con la teoría que Ricardo en Travesuras de la niña mala, hemos visto que, Pantaleón se aparta bastante de la teoría, sobre todo en cuanto a la racionalidad. Existen, tanto semejanzas entre los dos personajes y la teoría, como diferencias. En cuanto al concepto de la masculinidad, hemos visto en el análisis que, al igual que lo que dicen los teóricos presentados, la masculinidad puede cambiar o variarse con el tiempo, ya que los libros fueron escritos en dos épocas diferentes.
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Books on the topic "Pantaleoni"

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Baldassarri, Mario, ed. Maffeo Pantaleoni. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9.

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Piccioni, Riccardo. Diomede Pantaleoni. Roma: Edizioni dell'Ateneo, 2003.

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Pantaleoni, Ideo. Ideo Pantaleoni: Un percorso verso l'astrazione. Milano: Cortina arte edizioni, 2015.

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Michelini, Luca. Marginalismo e socialismo: Maffeo Pantaleoni, 1882-1904. Milano: F. Angeli, 1998.

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Bellanca, Nicolò. Maffeo Pantaleoni: Il principe degli economisti italiani. Firenze: Polistampa, 1998.

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Pantaleoni, Ideo. Ideo Pantaleoni: Opere anni '50 e '70. Legnago (VR): FerrarinArte, 2014.

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Grasso, Gioacchino. Romilda Pantaleoni: Una friulana nel mondo della lirica. [Gorizia, Italy]: Biblioteca statale Isontina, 2008.

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Grasso, Gioacchino. Romilda Pantaleoni: Una friulana nel mondo della lirica. [Gorizia, Italy]: Biblioteca statale Isontina, 2008.

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Grasso, Gioacchino. Romilda Pantaleoni: Una friulana nel mondo della lirica. [Gorizia, Italy]: Biblioteca statale Isontina, 2008.

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Pantaleoni, Dante. 100 anni di ricerca, 1000 attimi di vita, 100 opere di Dante Pantaleoni. Rimini: NFC edizioni, 2015.

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Book chapters on the topic "Pantaleoni"

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Bini, Piero. "When Economics Talked to Society: The Life, Thought and Works." In Maffeo Pantaleoni, 11–46. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9_1.

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Magnani, Italo. "Marginalism and the Role of the State in the Economy." In Maffeo Pantaleoni, 47–96. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9_2.

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Bellanca, Nicolò. "From Principii to Erotemi An Organic Interpretation." In Maffeo Pantaleoni, 97–153. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9_3.

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Chauvel, Louis, and Jean-Paul Fitoussi. "Pareto and Pantaleoni: Parallel Lives and Secant Lives." In Maffeo Pantaleoni, 155–75. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9_4.

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Ciocca, Pierluigi. "Market and Competition: The Contribution of the Italian School." In Maffeo Pantaleoni, 177–86. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9_5.

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De Cecco, Marcello. "The Role of Institutions in Pantaleoni’s Thought." In Maffeo Pantaleoni, 187–95. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9_6.

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Labini, Paolo Sylos. "Ideas on Economic Dynamics." In Maffeo Pantaleoni, 197–203. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14537-9_7.

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Becattini, G. "Pantaleoni, Maffeo (1857–1924)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1816-1.

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Becattini, G. "Pantaleoni, Maffeo (1857–1924)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1816-2.

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Becattini, G. "Pantaleoni, Maffeo (1857–1924)." In The New Palgrave Dictionary of Economics, 10009–10. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1816.

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