Relevant bibliographies by topics / Pantãeo Nacional (Lisbon, Portugal)

Academic literature on the topic 'Pantãeo Nacional (Lisbon, Portugal)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "Pantãeo Nacional (Lisbon, Portugal)"

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de Meneses, Filipe Ribeiro. "The Origins and Nature of Authoritarian Rule in Portugal, 1919–1945." Contemporary European History 11, no. 1 (February 2002): 153–63. http://dx.doi.org/10.1017/s096077730200108x.

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Aniceto Afonso, História de uma conspiração: Sinel de Cordes e o 28 de Maio (Lisbon: Editorial Notícias, 2000), 222 pp., [euro]12.97, ISBN 972-46-1175-2. Manuel Baiôa, Elites políticas em Évora: Da I República à ditadura militar (1925–1926) (Lisbon: Edições Cosmos, 2000), preface by António Costa Pinto, xvi +344 pp., [euro]21.45, ISBN 972-762-199-6. Telmo Faria, Debaixo de fogo! Salazar e as forças armadas (1935–41) (Lisbon: Edições Cosmos & Instituto de Defesa Nacional, 2000), 286 pp., [euro]26.44, ISBN 972-762-220-8. João Medina, Salazar, Hitler e Franco: Estudos sobre a ditadura (Lisbon: Livros Horizonte, 2000), 308 pp., [euro]18.85, ISBN 972-24-1074-1. Fernando Rosas, Salazarismo e fomento económico: O primado do político na história económica do Estado Novo (Lisbon: Editorial Notícias, 2000), 259 pp., [euro]13.92, ISBN 972-46-1110-8. Pedro Aires Oliveira, Armindo Monteiro: Uma biografia política (Venda Nova: Bertrand Editora, 2000), 340 pp., [euro]17.96, ISBN 972-25-1122-X.Studies regarding the origins and nature of António Oliveira Salazar's New State are being published in Portugal at an impressive rate. New sources and methods are being employed by Portuguese historians in an attempt to come to grips with a dictatorship which lasted forty-eight years and which, although able to change its guise, was always reluctant to do so, and was never as successful in transforming itself as Francoist Spain.
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Gamito-Marques, Daniel. "The golden age (1862–1910) of the Zoological Section of the Museu Nacional de Lisboa (National Museum of Lisbon), Portugal." Archives of Natural History 49, no. 1 (April 2022): 160–74. http://dx.doi.org/10.3366/anh.2022.0765.

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This paper provides an overview of the organization and first decades of the Zoological Section of the Museu Nacional de Lisboa (National Museum of Lisbon), under the leadership of José Vicente Barbosa du Bocage (1823–1907), a Portuguese zoologist who attained international recognition. The article discusses the contributions made by a small community of zoologists, who joined transnational networks and gave projection to the institution by founding and disseminating the first Portuguese journal exclusively devoted to scientific research, the Jornal de sciencias mathematicas, physicas e naturaes, in which they published their original research. The animal collections of the Zoological Section were unique in that they had numerous specimens of previously unknown Southwestern African birds and reptiles, most of which were sent by José de Anchieta, who extensively travelled across the Angolan hinterland. From its inception, the museum was tied to a higher education institution, the Escola Politécnica de Lisboa (Lisbon Polytechnic School), and also fulfilled a pedagogical function. Although the Zoological Section survived the death of its founder, being renamed Museu Bocage (Bocage Museum) in 1905, it failed to gain more autonomy in subsequent decades, becoming a constrained institution that lacked premises and personnel to meet its rising demands. After a fire that destroyed almost all its specimens in 1978, the recently reformed Museu Nacional de História Natural e da Ciência (National Museum of Natural History and Science) is trying to write a new chapter by honouring its long history.
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Pizarro, Jeronimo. "Pequenas marcas em livros da desrazão: Fernando Pessoa, leitor da Biblioteca Nacional de Lisboa (hoje de Portugal)." FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 25 (December 7, 2020): 29–44. http://dx.doi.org/10.23925/1983-4373.2020i25p29-44.

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RESUMO: Sabemos que há autores que Pessoa leu e que influenciaram a sua obra, mas nem todos os livros lidos estavam na sua Biblioteca particular. Alguns foram lidos na Biblioteca Nacional de Lisboa (hoje de Portugal), outros na biblioteca de Henrique Rosa, irmão do seu padrasto; e ainda outros na Biblioteca da Academia das Ciências de Lisboa. Tendo por base a edição crítica dos Escritos sobre Génio e Loucura (2006), procura-se aqui referir leituras relacionadas com a desrazão e dar continuidade a uma metodologia referida neste artigo, lançando, assim, uma série de reptos para futuras investigações: o cruzamento do espólio pessoano com a biblioteca particular (ou com outras públicas ou privadas), do escritor com o leitor, da teorização com a aprendizagem. É através desses cruzamentos que se poderá aprofundar a crítica e o conhecimento de alguns textos, assim como do contexto em que foram escritos.ABSTRACT: We know there are authors that Pessoa read and that influenced his work, but not all the books he read were in his private library. Some he read in the National Library of Lisbon (now of Portugal), others in the library of Henrique Rosa, his stepfather’s brother; and others yet in the Library of the Lisbon Academy of Sciences. Based on the critical edition of the Writings on Genius and Madness (2006), this article seeks to refer to readings related to unreason and to give continuity to a methodology mentioned in this article, thus launching a series of challenges for future research: the connection of the Pessoan archive with the private library (or with other public or private ones), of the writer with the reader, of theorization with learning. It is through these connections that the critique and knowledge of some texts can be deepened, as well as the context in which they were written.PALAVRAS-CHAVE: Fernando Pessoa, desrazão, psicopatologia, Biblioteca Nacional (BN), espólio pessoano, notas de leitura, marginália.KEYWORDS: Fernando Pessoa, unreason, psicopathology, National Library (BN), Pessoa’s literary estate, reading notes, marginalia.
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Brysch, Thomas P. "When the universe became infinite (Workshop “Universum Infinitum”, 17th-18th June 2016, Biblioteca Nacional de Portugal, Lisbon)." Mediaevalia Textos e estudos 35 (2016): 141–47. http://dx.doi.org/10.21747/21836884/med35a7.

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Quinaz Romana, Guilherme, Irina Kislaya, Mário Rui Salvador, Susana Cunha Gonçalves, Baltazar Nunes, and Carlos Dias. "Multimorbilidade em Portugal: Dados do Primeiro Inquérito Nacional de Saúde com Exame Físico." Acta Médica Portuguesa 32, no. 1 (February 1, 2019): 30. http://dx.doi.org/10.20344/amp.11227.

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Introduction: The simultaneous presence of multiple chronic diseases in the same individual is recognized as an important public health problem. Patients with multimorbidity have greater healthcare needs, which represents a higher burden on health services. Although there is no consensual definition of this concept, multimorbidity is usually defined as the presence of two or more chronic diseases in the same patient. The existence of evidence regarding multimorbidity will lead to more efficient management and treatment of these patients.Material and Methods: In order to estimate the prevalence of multimorbidity and to identify the associated factors, a cross-sectional epidemiological study was developed based on data from the INSEF, a population-based survey conducted on a representative probability sample of the Portuguese population (n = 4911). The prevalence of multimorbidity was estimated for the total population and separately for men and women, stratified by age group, region, education and income. The magnitudes of the associations were measured by the adjusted prevalence ratios calculated by the Poisson regression model.Results: Prevalence of multimorbidity was 38.3% (95% CI: 35.4% to 41.3%), with higher frequency in women, older people, Lisbon and Tagus Valley; Northern Portugal; Algarve and Alentejo regions and in those with lower academic qualifications. No association was found between multimorbidity and income.Discussion: Multimorbidity affects more than one third of the Portuguese population. Epidemiological data about multimorbidity in Portugal allows the identification of population groups with higher multimorbidity prevalence.Conclusion: Our results, which highlight the greater risk of multimorbidity among older and less instructed people, are in line with the literature. These results show the relevance of multimorbidity patients and are especially important in the way how healthcare is organized and provided.
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Santos, José Nuno Dias Crespo Martins dos, Carmen de Jesus Geraldo Carvalheira, Luís Guilherme de Picado Santos, and Radmila Magušić. "Evaluation of the Speed Control Cameras in the City of Lisbon." Safety 5, no. 1 (January 15, 2019): 4. http://dx.doi.org/10.3390/safety5010004.

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In Portugal, urban areas still have a high number of fatalities as a result of road crashes. In 2016, 78% of road crashes with victims, 62% with serious injuries and 54% with fatalities occurred in urban areas. Knowing where crashes occur and what circumstances contributed to these occurrences is the key to finding solutions that minimize injuries and deaths. At the end of 2016, as a safety measure, speed control cameras from SINCRO (Sistema Nacional de Controlo de Velocidade, the national speed control system), began to be installed in different parts of the country. The first application was in 2006 at several spots in the urban area of Lisbon. Cameras were installed in 20 of these locations. This study, using the location of the speed control cameras (which were only effective in 19 spots) and the 2004–2011 crash databases, sought to assess the effectiveness of the measure. The results showed that there was a positive effect on crash rates soon after implementation, but it was also perceived that this effect was attenuated in subsequent years. It is assumed that the reasons for this are due to the familiarization with the system, together with inefficient sanctioning of the violators, and additionally due to malfunctioning equipment not being repaired in a timely manner, which was evident to the users.
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Muller, Caroline, Helena Barbosa, and Ronaldo De Oliveira Corrêa. "A comunicação visual de roupas brancas: uma pesquisa exploratória no Museu Nacional do Traje, Lisboa – Portugal (1900-1930) | Visual communication of undergarment: an exploratory research at the Museu Nacional do Traje, Lisbon – Portugal (1900-1930)." InfoDesign - Revista Brasileira de Design da Informação 16, no. 2 (August 19, 2019): 278–95. http://dx.doi.org/10.51358/id.v16i2.718.

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Monogramas, inscrições, ornamentos e representações de elementos gráficos eram características recorrentes e constituintes das roupas brancas do início do século XX. Este trabalho tem como objetivo apresentar considerações sobre a comunicação visual presente neste tipo de artefato entre os anos 1900 e 1930. Para isso, foram analisadas peças tridimensionais, catálogos e periódicos pertencentes ao arquivo do Museu Nacional do Traje, em Lisboa – Portugal. Busca-se, a partir das fontes tridimensionais, associado a fontes textuais e iconográficas, apresentar as múltiplas formas e usos da comunicação visual nas roupas brancas, tais como os tipos de inscrição, localização de representações e marcas nas peças, bem como discorrer sobre questões simbólicas e históricas que determinam a importância dessas características na configuração das vestimentas.*****Monograms, inscriptions, ornaments and representations of graphic elements were recurring features and constituents of the undergarments of the early twentieth century. This paper aims to present considerations about the visual communication found on this type of artifact between 1900 and 1930. To achieve such, three-dimensional pieces, catalogs and periodicals from the archive of the National Museum of the Costume, in Lisbon – Portugal, were analyzed. In this sense, from the three-dimensional sources, associated with textual and iconographic sources, this study sought to present the multiple forms and uses of visual communication in undergarments, such as types of inscription, location of representations and marks on the pieces, as well as to discuss questions symbolic and historical factors that determine the importance of these characteristics in the configuration of clothing.
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WEIWEI (China), Ai, and Augusto SARMENTO-PANTOJA (UFPA). "AI WEIWEI: RESISTÊNCIA DAS ARTE E O MATERIAL CULTURAL." Margens 16, no. 27 (December 23, 2022): 307. http://dx.doi.org/10.18542/rmi.v16i27.13625.

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The photo essay I present below was carried out in 2021 at the exhibition “Rapture”, by the Chinese activist and artist Ai Weiwei, held at Cordoaria Nacional, in Lisbon. Living in Portugal, this was the artist's first and largest exhibition with 85 pieces produced in various formats, materials and sizes, including cork, straw, paper, marble, clay, cloth, metal, ceramics and tiles. His versatility turns everything into art and activism, as human rights are a constant in his work, which seeks to reveal a particular way of questioning the world. Whether in the face of tragedies, war, political persecution, the environmental crisis, censorship, the pandemic, the refugee crisis or his own fight for freedom, when the Chinese government kept him imprisoned for 81 days in 2011, due to his intense criticism mainly of the disrespect for human rights. I reflect on the materials used by Weiwei as part of his culture and how this same process can be thought of in Amazonian art.
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Lopes de Carvalho, I., and M. S. Núncio. "Laboratory diagnosis of Lyme borreliosis at the Portuguese National Institute of Health (1990-2004)." Eurosurveillance 11, no. 10 (October 1, 2006): 5–6. http://dx.doi.org/10.2807/esm.11.10.00650-en.

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Lyme borreliosis is considered to be an emerging infection in some regions of the world, including Portugal. The first Portuguese human case of Lyme borreliosis was identified in 1989. Since 1999, this disease is considered a notifiable disease (DDO) in Portugal, but only a few cases are reported each year, which does not allow consistent analysis of risk factors and the impact on public health. In this study the authors analyse the data available at the Centre for Vectors and Infectious Diseases Research (CEVDI) laboratory, at the Instituto Nacional de Saúde Dr. Ricardo Jorge (National Institute of Health, INSA) during the past 15 years (1990-2004) and evaluate them against the registry of national reported cases (1999-2004). Serological tests were the basis for laboratory diagnosis. Data on year of diagnosis, sex, age, geographical origin and clinical signs are available for 628 well documented Portuguese positive cases. The number of cases per year varied between 2 and 78, with the highest number of cases reported in 1997. Of the positive cases, 53.5% were female and the age group most affected was 35-44 years old. Neuroborreliosis was the most common clinical manifestation (37.3%). Human cases were detected in 17 of the 20 regions of Portugal, and the highest number of laboratory confirmed cases were from the Lisbon district. The comparison of the number of notified cases and the number of positive cases confirmed by our laboratory show that Lyme borreliosis is clearly an underreported disease. Due to the scattered distribution of the positive cases and the low prevalence of the tick species Ixodes ricinus, the most effective prevention measure for Lyme borreliosis in Portugal is education of the risk groups on how to prevent tick bites.
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Santos, Sérgio de Moura. ""Lembrança de Getúlio Vargas." Remate de Males 27, no. 2 (November 13, 2012): 295–305. http://dx.doi.org/10.20396/remate.v27i2.8636012.

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IN MEMORY OF GETÚLIO COSTAGetúlio Moreira da Costa played an important role in publishing books in the first half of the last century. Since his youth he was attracted to these activities, having founded some little publishing houses in S.Paulo, like Editora Popular and Rochea. Then he worked for Monteiro Lobato and Octales Marcondes Ferreira at Companhia. Editora Nacional in São Paulo, which he left in 1931 to go to Rio de Janeiro and found the Livraria Civilização Brasileira. He went to Lisbon where he founded the Livros do Brasil, which distributed books of the Civilização and the Nacional. Both houses were later sold to the Companhia Editora Nacional. In 1938 he founded The Editora Getulio Costa which lasted until 1950 and also published a great deal of books of important poets, novelists and essaysts, like Jorge de Lima, Ribeiro Couto, Malba Tahan, Viriato Correia, Alceu Amoroso Lima, Gustavo Barroso, etc. His passion for books and his view of them as means of man improvement and happiness brought him no few problems, including some imprisonments. He was a pioneer in publishing books in Brazil, since during the first two decades of the twentieth century, most of the important Brazilian authors, like Machado de Assis and Coelho Neto, had their works published in Portugal. This article deals with some biographical information of Getulio Costa, his activities of publisher and businessman, his efforts to develop reading in Brazil and some aspects of his optimistic view of life.
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Books on the topic "Pantãeo Nacional (Lisbon, Portugal)"

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Portugal), Panteão Nacional (Lisbon, ed. A igreja de S.ta Engrácia no Campo de S.ta Clara: Os tempos do lugar. Lisboa: Caleidoscópio, 2019.

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Melo, Isabel, and Maria João Neto. Obras de Santa Engrácia: O Panteão na República. Lisbon]: Ministério de Cultura, 2010.

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Arquitectura, Congresso Nacional de. 1. Congresso Nacional de Arquitectura. Lisboa: Ordem dos Arquitectos, Conselho Directivo Nacional, 2008.

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D'Orey, Leonor. Five centuries of jewellery: National Museum of Ancient Art, Lisbon. London: Zwemmer, 1995.

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Abecasis, Maria Isabel Braga. A real Barraca: A residência na Ajuda dos Reis de Portugal após o terramoto (1756-1794). Lisboa: Tribuna, 2009.

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Frank, Herreman, and Bruyninx Elze, eds. In the presence of spirits: African art from the National Museum of Ethnology, Lisbon. New York: Museum for African Art, 2000.

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Fernandes, Lídia. Museu de Lisboa, Teatro Romano: Guia = guide. Lisboa: Museu de Lisboa - Teatro Romano/EGEAC, 2021.

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D'Orey, Leonor, and Michèle Bimbenet-Privat. A custódia de Belém: 500 anos. Lisboa: Instituto dos Museus e da Conservação, 2010.

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Barbosa, Luís. Palácio dos Condes d'Óbidos: Sede nacional da Cruz Vermelha Portuguesa : história e património = National headquarters of the Portuguese Red Cross : history and heritage. Lisboa: By the Book, 2015.

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Oriente, Fundação. Presença portuguesa na Ásia: Testemunhos, memórias, coleccionismo. 2nd ed. Lisboa: Fundação Oriente, 2008.

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Book chapters on the topic "Pantãeo Nacional (Lisbon, Portugal)"

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MASSING, JEAN MICHEL. "From Marco Polo to Manuel I of Portugal: The Image of the East African Coast in the Early Sixteenth Century." In Racism and Ethnic Relations in the Portuguese-Speaking World. British Academy, 2012. http://dx.doi.org/10.5871/bacad/9780197265246.003.0015.

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Less than twenty years after Vasco da Gama joined the commercial perimeter of the Indian Ocean (1497–8), European artists had developed a view of the newly discovered lands, ranging from highly exotic and sometimes quite fanciful renderings based on medieval sources (the ‘Tapestries of the Indies’) to careful ethnographic illustrations based on written and visual sources (Hans Burgkmair's large woodcut frieze, People of Africa and India, of 1508). These few years, in which the monstrance of Belém of 1506 (Museu Nacional de Arte Antiga, Lisbon) was produced with the gold of Kilwa, also saw an interesting development in Portuguese gold coinage. All these ventures record a brief moment of European fascination with the east coast of Africa and its multicultural inhabitants, which is the object of this study.
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