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Journal articles on the topic 'Panopticon'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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1

Lukovenkov, Sergei G. "THE BENTHAM BROTHERS’ PANOPTICON. A MYTHICAL MONSTER OR A USEFUL PROJECT?" RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2021): 38–49. http://dx.doi.org/10.28995/2073-6401-2021-2-38-49.

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The article analyzes the concept of the Panopticon and panoptic space, developed in the 18th century by Samuel and Jeremy Bentham. The po- pular image of the “mechanism” is presented as one of the “monsters” of dysto- pian thought, similar to “Big Brother”. Contrary to the original idea, the Pan- opticon and panoptic architecture in general have become synonymous with the exploitation and suppression of the will of human beings. The historical context of the appearance of the Panopticon concept and its philosophical core are considered. There are two “insights” that reveal the immanent connection of two elements of social life – the power and knowledge. In the concept of the Panopticon, the role of the cognizing gaze in the named connection, as an act of domination and control, was captured and reflected. In an era of accomplished digital expansion, when surveillance practices have become a mass phenome- non, the Panopticon can and should be rethought. It is shown that, contrary to popular beliefs, the “insights” of the Panopticon can become a “road map” for informational civilization. A culture, in which the imperative gaze has become a mass phenomenon, needs its own “panoptic” tools that can protect people from the abuse of power by the anti-panoptic overseers of the 21st century.

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Liagkou, Vasiliki, Panayotis E. Nastou, Paul Spirakis, and Yannis C. Stamatiou. "How Hard Is It to Detect Surveillance? A Formal Study of Panopticons and Their Detectability Problem." Cryptography 6, no. 3 (August 20, 2022): 42. http://dx.doi.org/10.3390/cryptography6030042.

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The Panopticon (which means “watcher of everything”) is a well-known prison structure of continuous surveillance and discipline studied by Bentham in 1785. Today, where persistent, massive scale, surveillance is immensely facilitated by new technologies, the term Panopticon vaguely characterizes institutions with a power to acquire and process, undetectably, personal information. In this paper we propose a theoretical framework for studying Panopticons and their detectability status. We show, based on the Theory of Computation, that detecting Panopticons, modelled either as a simple Turing Machine or as an Oracle Turing Machine, is an undecidable problem. Furthermore, we show that for each sufficiently expressive formal system, we can effectively construct a Turing Machine for which it is impossible to prove, within the formal system, its Panopticon status. Finally, we discuss how Panopticons can be physically detected by the heat they dissipate each time they acquire, effortlessly, information in the form of an oracle and we investigate their detectability status with respect to a more powerful computational model than classical Turing Machines, the Infinite Time Turing Machines (ITTMs).

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Gianto, Gianto. "Ujian Nasional sebagai Panoptikon Bangsa." SYAMIL: Jurnal Pendidikan Agama Islam (Journal of Islamic Education) 2, no. 2 (December 1, 2014): 16. http://dx.doi.org/10.21093/sy.v2i2.496.

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National Examination is the assessment of learning outcomes by the government which aims to assess the achievement of national competency on specific subjects in the group of subjects in science and technology. The results are used as one of the considerations for mapping the program quality or the educational unit, as the basic selection to the next education level, determining students' graduation, and giving scholarship for improving the quality of education. Panopticon was originally a concept of the prison building designed by English philosopher and social theorist Jeremy Bentham in 1785. The design concept was allowing a guard to watch prisoners everywhere. Later, Panopticon not merely architectural designs, but he became a model of community supervision and discipline, which also applied today. National Exam as State Panoptikon is a philosophical concept where the values in National Examination is examined or analyzed using the concepts and values of Panoptikon

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4

Dahan, Michael. "The Gaza Strip as Panopticon and Panspectron." International Journal of E-Politics 4, no. 3 (July 2013): 44–56. http://dx.doi.org/10.4018/jep.2013070104.

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This paper explores the different yet complementary aspects of the panopticon and the panspectron using the case study of the Israeli controlled Palestinian territory, the Gaza Strip. Beginning with a brief theoretical discussion of the concept of panopticon and panspectron expanding on the existing literature, the paper moves on to discuss the implementation of panoptical and panspectral technologies and practices in the Gaza Strip and situates these within a larger framework of control of the Palestinian population under Israeli occupation, and discusses seepage of these surveillance technologies into Israeli society proper and beyond into the international arena.

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5

Gad, Christopher, and Peter Lauritsen. "Overvågning som situeret praksis – et teoretisk bidrag til overvågningsforskningen." Dansk Sociologi 21, no. 2 (April 24, 2010): 31–46. http://dx.doi.org/10.22439/dansoc.v21i2.3280.

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To metaforer, Big Brother og panoptikon, dominerer diskussioner om overvågnings generelle karakteristika. På trods af forskelle bidrager de begge til at skabe en bekymret og kritisk indstilling til fænomenet og rummer derved nogle væsentlige analytiske begrænsninger. Med udgangspunkt i Donna Haraways begreb om ”situeret viden” og Bruno Latours begreb om ”oligoptikon” udvikler artiklen en alternativ forståelse, hvor overvågning ses som et situeret fænomen. Begrebet ”situeret overvågning” udvikles videre gennem et empirisk studie af overvågningspraksis på det danske fiskerikontrolskib Vestkysten. Det viser sig, at overvågning på Vestkysten ikke lader sig indfange med Big Brother og panoptikon som udgangspunkt. På Vestkysten handler overvågning også om omsorg, modstand, friktion og om en situation, hvor forholdet mellem overvåger og overvåget udviskes. Søgeord: Situeret viden, Big Brother, panoptikon, oligopticon, overvågning, fiskerikontrol. ENGELSK ABSTRACT: Christopher Gad and Peter Lauritsen: Surveillance as Situated Practice Two ideas dominate the debates about the general characteristics of surveillance: Big Brother and the panopticon. These ideas foster a critical stance towards surveillance and have important analytical limitations. This paper develops an alternative understanding of surveillance as a situated phenomenon. Drawing on the work of Donna Haraway and Bruno Latour the concept of “situated surveillance” is developed through a case study of surveillance activities onboard the Danish fisheries inspection vessel Vestkysten. The case study shows how surveillance in this context is different from what one would imagine if Big Brother or the panopticon was chosen as starting point for analysis. Surveillance onboard Vestkysten is about care, resistance and friction in a situation in which the distinction between the observer and the observed is blurred. Key words: Situated knowledge, Big Brother, panopticon, oligopticon, surveillance, fisheries inspection.

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6

Shoemaker, Robert. "Lekcja z „Cyfrowego Panoptikonu”." Sztuka Edycji 23, no. 1 (September 2, 2023): 43–54. http://dx.doi.org/10.12775/se.2023.0005.

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Niedawno uruchomiona strona internetowa Cyfrowego Panoptikonu (Digital Panopticon) to wynik 15 lat wspólnej pracy naukowców nad tworzeniem zasobów cyfrowych opartych na zdigitalizowanych raportach i postępowaniach prowadzonych w sądzie Old Bailey. Po uruchomieniu w 2003 roku Old Bailey Online wspomniane raporty i postępowania włączono do rozszerzonych baz danych wzbogaconych o specjalistyczne wyszukiwarki. Cyfrowy Panoptikon to więc kompendium 50 zbiorów danych, które pozwala na prześledzenie życia 100 tysięcy skazańców od narodzin aż do śmierci. Projekt pokazuje, co można osiągnąć, stosując innowacyjne metodologie cyfrowe. Cyfrowy Panoptikon jest doskonałym przykładem pracy zespołowej humanistów cyfrowych, ponownego wykorzystania danych i już istniejących zasobów udostępnianych online, opracowania nowych metod łączenia ze sobą rekordów i wizualizacji oraz stworzenia ważnego i otwartego zasobu publicznego. W ciągu niecałego roku cieszył się zainteresowaniem 50 tysięcy użytkowników i był wykorzystywany w nauczaniu uniwersyteckim i szkolnym; umożliwił także zainicjowanie i prowadzenie przełomowych badań historycznych. Jednak wskutek ograniczeń związanych z działalnością platformy internetowej, wpływem społecznym oraz niewystarczającym finansowaniem w projekcie nie zrealizowano wszystkich założonych celów. W artykule wskazano więc najlepsze rozwiązania na przyszłość, zwłaszcza stworzenie elastyczniejszych platform cyfrowych zorientowanych na badania wykorzystujące wiele baz danych, skupiające naukowców z różnych dziedzin naukowych i łączące ze sobą odmienne metodologie.

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7

Poochigian, Aaron. "Panopticon." Hopkins Review 14, no. 1 (2021): 55–56. http://dx.doi.org/10.1353/thr.2021.0011.

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8

Shaughnessy, Brenda. "Panopticon." Ecotone 12, no. 1 (2016): 177. http://dx.doi.org/10.1353/ect.2016.0070.

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9

Dueck, Gunter. "Panopticon." Informatik-Spektrum 29, no. 6 (October 27, 2006): 442–46. http://dx.doi.org/10.1007/s00287-006-0116-6.

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10

Boynudelik, Beyza. "Panopticon." TranscUlturAl: A Journal of Translation and Cultural Studies 12, no. 1 (August 6, 2020): 47. http://dx.doi.org/10.21992/tc29478.

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11

Manokha, Ivan. "Surveillance, Panopticism, and Self-Discipline in the Digital Age." Surveillance & Society 16, no. 2 (July 15, 2018): 219–37. http://dx.doi.org/10.24908/ss.v16i2.8346.

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The objective of this paper is to revisit the metaphor of the Panopticon, borrowed by Michel Foucault from Jeremy Bentham to describe the development of disciplinary institutions in Western societies from the early nineteenth century, and to examine its relevance for the analysis of modern electronic means of surveillance. Widely used in the early stages of the study of new surveillance technologies, the metaphor of the Panopticon, particularly in the field of ‘surveillance studies,’ is growingly seen as inadequate to understand the impact of the latest surveillance tools and practices. This paper seeks to show that dominant interpretations of Foucault’s use of Panopticon as referring to techniques of domination or to ‘power over,’ while legitimate as regards some of his earlier writings, overlook Foucault’s later works on technologies of the self. That is, in Panoptic dispositifs in particular, as well as in settings involving power/knowledge configurations defining ‘normality’ more generally, individuals may end up exercising power over themselves without any coercion. It is argued here that the development of modern information and communication technologies may be said to produce a setting, the description of which as ‘panoptic’ is even more pertinent than was the case with respect to Western societies of the nineteenth and twentieth centuries. Building upon recent empirical works on the ‘chilling effect,’ particularly in the wake of Edward Snowden’s revelations in 2013, the article discusses modern technologies of the self—self-restraint and self-censorship—that new technologies, enabling different forms of surveillance, produce in Western societies. It also outlines the areas in which the notion of the Panopticon may be useful in terms of guiding research into self-discipline and self-restraint in the context of the proliferation of modern techniques of surveillance.

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Cardozo, Elloit. "Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign." CINEJ Cinema Journal 6, no. 2 (April 25, 2018): 112–28. http://dx.doi.org/10.5195/cinej.2017.174.

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Foucault, in his seminal work Discipline and Punish: The Birth of the Prison (1975) discusses Bentham’s architectural design of the Panopticon as a means to exercise power and enforce discipline. He extends this metaphor to speak of Panopticism as a social phenomenon used to discipline work forces through covert strategies. Shoshana Zuboff, in In the Age of the Smart Machine: The Future of Work and Power (1988) contextualizes Foucault’s discussion in an age where the work culture uses Information Systems extensively for surveillance. She calls such a structure an “Information Panopticon”. This paper aims to bring out the various nuances of the Information Panopticon in Cameron and Colin Cairnes’ film Scare Campaign (2016) and how it facilitates the exercise of power. The paper firstly looks at Zuboff’s Information Panopticon in light of Foucault’s discussion before evaluating the Information Panopticon created in the film and its hierarchal structure. Next it endeavours to demonstrate how the Information Panopticon in the film is not solely reliant on literal visibility. It wraps up with a discussion on the relation between spatiality, visibility and power in the film’s Information Panopticon.

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Manokha, Ivan. "The Implications of Digital Employee Monitoring and People Analytics for Power Relations in the Workplace." Surveillance & Society 18, no. 4 (November 30, 2020): 540–54. http://dx.doi.org/10.24908/ss.v18i4.13776.

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Jeremy Bentham’s panopticon prison project was based on three central assumptions: the omnipresence of the “watcher”; the universal visibility of objects of surveillance; and the assumption, by the “watched,” that they are under constant observation. While the metaphor of the panopticon, following Michel Foucault’s work, was often applied to workplace and workplace surveillance to highlight the “disciplining” power of the supervisor’s “gaze,” this paper argues that it is only with the recent advent of digital employee monitoring technology that the workplace is becoming truly “panoptic.” With modern electronic means of surveillance, the supervisor is always “looking”—even when not physically present or not actually watching employees—as all worker actions and movements may now be recorded and analyzed (in real time or at any time in the future). This paper argues that the modern workplace approximates Bentham’s panoptic prison much more than the “traditional” workplace ever did and examines the implications of this fundamental historical change in the paradigm of employee monitoring for power relations in the modern workplace.

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14

Shabri, Sayyidah, Susilo Kusdiwanggo, and Yusfan Adeputera Yusran. "DARI REALITA MENJADI WACANA: REPRESENTASI PANOPTISISME PADA PERENCANAAN KOTA PROBOLINGGO." LANGKAU BETANG: JURNAL ARSITEKTUR 10, no. 1 (April 30, 2023): 29. http://dx.doi.org/10.26418/lantang.v10i1.55858.

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Kota Probolinggo merupakan salah satu kota peninggalan zaman penjajahan Belanda. Menurut Hidayat & Widriyakara (2018), Kota Probolinggo menerapkan bentuk pengawasan panoptikon. Namun definisi panopticon tersebut tidak sepenuhnya terepresentasikan secara fisik pada tata Kota Probolinggo. Penelitian ini bertujuan untuk mengungkapkan bahwa Kota Probolinggo tidak hanya merupakan bentuk kota yang menerapkan pengawasan fisik tetapi juga menggambarkan panoptisisme. Dengan menggunakan analisis deskriptif sinkronis-diakronis, penelitian ini mendeskripsikan sejarah perkembangan Kota Probolinggo sebelum tahun 1743, 1743-1850, 1850-1880an, dan 1880an-1940 untuk menggambarkan bentuk kekuasaan dan kendali panoptisisme pada masa itu dan kaitannya dengan morfologi Kota Probolinggo saat ini.FROM REALITY TO DISCOURSE: REPRESENTATION OF PANOPTICISM IN PROBOLINGGO CITY’S PLANNING Probolinggo City is one of the heritage cities of the Dutch colonial era. According to Hidayat & Widriyakara (2018), the City of Probolinggo represents a form of panopticon surveillance. However, the definition of the panopticon only partially means physically in the form of Probolinggo City. This research aims to reveal that the City of Probolinggo is not only a form of city that applied physical surveillance but also portrays panopticism. Using synchronic-diachronic descriptive analysis, this study describes the history of the development of Probolinggo City before 1743, 1743-1850, 1850-the 1880s, and 1880s-1940 to describe the form of power and control of panopticism at that time and its relation to the morphology of Probolinggo City today.

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Krips, Henry. "The Politics of the Gaze: Foucault, Lacan and Žižek." Culture Unbound 2, no. 1 (March 5, 2010): 91–102. http://dx.doi.org/10.3384/cu.2000.1525.102691.

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Joan Copjec accuses orthodox film theory of misrepresenting the Lacanian gaze by assimilating it to Foucauldian panopticon (Copjec 1994: 18–19). Although Copjec is correct that orthodox film theory misrepresents the Lacanian gaze, she, in turn, misrepresents Foucault by choosing to focus exclusively upon those aspects of his work on the panopticon that have been taken up by orthodox film theory (Copjec 1994: 4). In so doing, I argue, Copjec misses key parallels between the Lacanian and Foucauldian concepts of the gaze. More than a narrow academic dispute about how to read Foucault and Lacan, this debate has wider political significance. In particular, using Slavoj Žižek’s work, I show that a correct account of the panoptic gaze leads us to rethink the question of how to oppose modern techniques of surveillance.

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Kietzmann, Jan, and Ian Angell. "Panopticon revisited." Communications of the ACM 53, no. 6 (June 2010): 135–38. http://dx.doi.org/10.1145/1743546.1743582.

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Hahn, Thomas. "Zirzensisches Panopticon." Bühnentechnische Rundschau 117, Sonderband-2023 (2023): 56–59. http://dx.doi.org/10.5771/0007-3091-2023-sonderband-2023-056.

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Protonenströme, eine doppelte Wendeltreppe, ein Tornado im Silo und Tanz durch Stromschläge: Boris Gibé ist ein Tüftler im maßgeschneiderten Zirkuszelt. Porträt eines sanften Exzentrikers. von Thomas Hahn

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Pourya Asl, Moussa, and Nurul Farhana Low bt Abdullah. "Patriarchal Regime of the Spectacle: Racial and Gendered Gaze in Jhumpa Lahiri’s Fiction." International Journal of Applied Linguistics and English Literature 6, no. 2 (January 4, 2017): 221. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.2p.221.

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This article attempts to evince the political, cultural and affective consequences of Jhumpa Lahiri’s diasporic writings and their particular enunciations of the literary gaze. To do so, it details the manner in which the stories’ exercise of visual operations rigidly corresponds with those of the Panopticon. The essay argues that Lahiri’s narrative produces a kind of panoptic machine that underpins the ‘modes of social regulation and control’ that Foucault has explained as disciplinary technologies. By situating Lahiri’s stories, “A Real Durwan” and “Only Goodness,” within a historical-political context, this essay aims at identifying the way in which panopticism defines her fiction as both a record of and a participant in the social, sexual and political ‘paranoia’ behind the propaganda of America’s self-image as the land of freedom. We maintain that Lahiri’s fiction situates itself in complex relation to the postcolonial concerns of the late twentieth century, suggesting that through their fascination with a visual literalization of the panoptic machine, and by privileging the masculine gaze, the stories legitimate the perpetuation of socially prescribed notion of sexual difference. Keywords: Gaze, Sexual difference, Panopticon, A Real Durwan, Only Goodness

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Lyon, David. "An Electronic Panopticon? A Sociological Critique of Surveillance Theory." Sociological Review 41, no. 4 (November 1993): 653–78. http://dx.doi.org/10.1111/j.1467-954x.1993.tb00896.x.

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The concept of an electronic Panopticon is making increasingly frequent appearances within analyses of electronic surveillance. This paper traces briefly the history of the Panopticon from Jeremy Bentham to Michel Foucault and through a series of case studies shows how the idea seems relevant in the context of computer databases. It is argued that while the Panopticon has some salience to electronic surveillance, particularly through its enhanced capacity for invisible monitoring of personal details, the notion of a ‘societal Panopticon’ is sociologically mistaken. Nonetheless, where vestiges of the Panopticon are present within electronic surveillance, they present a challenge to social analysis and to political practice.

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Lee, Juho. "Analysis of the relationship between self-expression in social media and the concept of subjectification: social media as an apparatus and self-expression as practives of the self for the subjectifica." Koreanisch-Deutsche Gesellschaft Fuer Erziehungswissenschaft 28, no. 1 (April 30, 2023): 25–46. http://dx.doi.org/10.26894/kdge.2023.28.1.25.

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This study aims to a theoretical analysis of the relationship between self-expression in social media and the concept of subjectification. For this purpose, the panoptical structure, which was invented by Bentham and reinterpreted by Foucault, is introduced briefly, and the panoptical structure of social media is analyzed in this study, based on the research of Jörissen(2011), Münte-Goussar(2008) and Wiedemann(2011), in which the concept of ‘inverted panopticon’ and ‘democratized panopticon’ was introduced. After that, the research trend of the concept of subjectification in German pedagogy is examined. Therefore, the research point of the concept of subjectification is discovering the process of a specific form of subjectification through the combination between specific social apparatus, norms, discourses, and specific practices of the self. On the basis of this discovery the research point, social media is understood as a social apparatus, which conducts the expression of dramatized or ideal self of each user. In addition, it is emphasized in this study that each user expresses only dramatized self intentionally as the practices of the self for the subjectification. Finally, the conclusion of this study is drawn that the subjectification for Birth of the Subject, who internalized the gaze of other people voluntarily, is constituted through the combination of social media as a social apparatus and expression of dramatized self of each user as the practices of the self.

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Gallagher, Micheal. "Are schools panoptic?" Surveillance & Society 7, no. 3/4 (July 6, 2010): 262–72. http://dx.doi.org/10.24908/ss.v7i3/4.4155.

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Schools are often understood by social researchers as panoptic spaces, where power is exercised through constant surveillance and monitoring. In this paper, I use Foucault’s notorious account of the Panopticon as a point of departure for a detailed empirical investigation of the specificities of surveillance in schools. Drawing on ethnographic data from fieldwork in a primary school, I argue that how surveillance actually operated in this context diverged from the panoptic programme in two crucial ways: surveillance was (i) discontinuous rather than total, and therefore open to resistance and evasion, and (ii) exercised through sound and hearing as much as through vision.

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Strub, Harry. "The theory of Panoptical control: Bentham's Panopticon and Orwell'sNineteen Eighty-Four." Journal of the History of the Behavioral Sciences 25, no. 1 (January 1989): 40–59. http://dx.doi.org/10.1002/1520-6696(198901)25:1<40::aid-jhbs2300250104>3.0.co;2-w.

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Elden, Stuart. "Plague, Panopticon, Police." Surveillance & Society 1, no. 3 (September 1, 2002): 240–53. http://dx.doi.org/10.24908/ss.v1i3.3339.

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This article resituates the Panopticon in Foucault’s work, showing how it emerged from research on social medicine in the early to mid 1970s, and relating it to discussions of the plague and the police. The key sources are lectures and seminars from this period, only partly translated in English. What is of interest here is how Foucault’s concerns with surveillance interrelate with concerns about society as a whole – not in the total institution of the prison, but in the realm of public health. This is pursued through detailed readings of Foucault’s analyses of urban medicine and the hospital. The article closes by making some general remarks about situating Foucault’s books in the context of his lecture courses, and about how the analysis of medicine may be a more profitable model for surveillance than the Panopticon.

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Gill, Stephen. "Das globale Panopticon." PROKLA. Zeitschrift für kritische Sozialwissenschaft 31, no. 124 (September 1, 2001): 353–82. http://dx.doi.org/10.32387/prokla.v31i124.734.

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After the Cold war new analytic and information-processing capability o f the world’s intelligence communities are linked to new ideologies of national competitiveness. It is in this context that we outline new mechanisms of public and private surveillance in finance - or in the terminology coined by Jeremy Bentham, “panopticism”. A t the same t ime we c an o bserve the massive growth of the “informal”, secret, often illegal offshore political economy which escapes the systems of accountability and regulation. When combined in the global financial system, these structures facilitate both legal and illegal, formal and informal transfers of resources from the Third World to the affluent West, as well as money laundering, financial fraud, tax evasion and other ways that serve to redistribute wealth from the poor to the rich. This is shown by our case study the collapse of the Bank of Credit and Commerce International (BCCI). US Congressional indicated how American government and security officials using the BCCI may have plundered international financial structures to privatise foreign policy and (clandestine) warfare.

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25

Saari, Antti. "Elinikäisen oppimisen Panopticon." Aikuiskasvatus 26, no. 4 (December 1, 2006): 296–303. http://dx.doi.org/10.33336/aik.93720.

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Kirjoittaja tuo elinikäisestä oppimisesta käytyyn kriittiseen keskusteluun sitä täydentävän, valtateoreettisen näkökulman, joka nojaa Michel Foucaultin ja foucault’laisten kasvatustieteilijöiden tuotantoon. Tätä foucault’laisen elinikäisen oppimisen analyysiä hän luonnehtii Kenneth Wainia lainaten epäilyn politiikaksi. Se etsii vallankäyttöä juuri sieltä, missä sen olemassaolo vahvimmin kielletään. Elämme modernissa Panopticon-yhteiskunnassa, jonka tarkoituksena on tuottaa ja lisätä yksilön hyödyllisiä voimia ja joka hyvää elämää määritellessään ulottuu myös yksityisen elämän alueelle.

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Dusty Lavoie. "Escaping the Panopticon:." Utopian Studies 22, no. 1 (2011): 52. http://dx.doi.org/10.5325/utopianstudies.22.1.0052.

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27

Wallerius, D. "Beyond the Panopticon." Anglistik 30, no. 2 (2019): 137–54. http://dx.doi.org/10.33675/angl/2019/2/14.

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28

Philo, Chris, Hester Parr, and Nicola Burns. "The rural panopticon." Journal of Rural Studies 51 (April 2017): 230–39. http://dx.doi.org/10.1016/j.jrurstud.2016.08.007.

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29

Dueck, Gunter. "Das Netz-Panopticon." Informatik-Spektrum 38, no. 6 (October 19, 2015): 568–71. http://dx.doi.org/10.1007/s00287-015-0929-2.

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van Nuenen, Tom. "Playing the Panopticon." Games and Culture 11, no. 5 (July 2016): 510–27. http://dx.doi.org/10.1177/1555412015570967.

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SPEARS, RUSSELL, and MARTIN LEA. "Panacea or Panopticon?" Communication Research 21, no. 4 (August 1994): 427–59. http://dx.doi.org/10.1177/009365094021004001.

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Crawford, Robert. "The Impossible Panopticon." Journal of Scottish Thought 8, no. 1 (January 1, 2016): 19–31. http://dx.doi.org/10.57132/jst.47.

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Qadzafi, Syafawi Ahmad. "Praktik Panoptikon pada Liputan Narasi TV tentang Tragedi Kanjuruhan." Kalijaga Journal of Communication 4, no. 2 (December 31, 2022): 109–32. http://dx.doi.org/10.14421/kjc.42.01.2022.

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This article shows the practice of panopticon in the Kanjuruhan Stadium tragedy through coverage of Narasi TV's “Brutal Moments Approaching Mass Death”. The deaths of 135 people at the Kanjuruhan Stadium in Malang during the match between Arema FC and Persebaya Surabaya drew various opinions and news points of view. Through data journalism that relies on open sources on the internet, Narasi TV gets 4,500 to 5,000 photos/videos from netizens as eyewitnesses. These data are used by Narasi TV to monitor and view the Kanjuruhan Tragedy in a comprehensive manner. The large amount of data shows that panopticon practices from spectators at the Kanjuruhan Stadium have occurred. This Narasi TV coverage evidences that the authorities such as security officers can now also be monitored through panopticon netizens with complete validation and verification from the mass media. If previously the panopticon was in the form of top-down, with the presence of panopticon netizens, monitoring practices are now more balanced. This article uses the method of cybermedia analysis and interviews with producers of coverage to see how Narasi TV produces and at the same time looks at the practice of panopticon in this coverage.

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Sharma, Pradeep. "Panoptic Life in Orwell's Nineteen Eighty Four." Humanities and Social Sciences Journal 14, no. 2 (March 27, 2023): 50–61. http://dx.doi.org/10.3126/hssj.v14i2.58090.

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This article discusses panopticon as a controlling mechanism that moulds the conduct of Winston Smith and Julia in George Orwell's political novel 1984. It aims at examining the government tactics; panopticon, that exerts power for controlling and constructing the subjectivity. Taking the reclose to Jeremy Bentham’s penal theory of panopticon, Michel Foucault appropriates his notion of biopolitics to remap how power constitutes the subjectivity of the population. This article probes into the state paradigms that indoctrinates and makes people docile via panopticon in 1984 to subject Julia and Smith to power and their rendering of self-subjection as the political outcasts. Finally, the surveillance telescreen of the Big Brother instantiates to fortify absolute regime leading it to institutionalized punishment and outlawry of Smith and other in Orwellian novel.

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PARK, Jung-Hee. "Digital Society : Mobile Panopticon." Journal of the Daedong Philosophical Association 85 (December 31, 2018): 223–47. http://dx.doi.org/10.20539/deadong.2018.85.10.

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Poncela, Pierrette. "Le mirage du Panopticon." Revue de science criminelle et de droit pénal comparé N° 1, no. 1 (April 12, 2022): 101–12. http://dx.doi.org/10.3917/rsc.2201.0101.

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Coulter, Steve. "Cyborgs in the panopticon." Teknokultura. Revista de Cultura Digital y Movimientos Sociales 16, no. 2 (October 9, 2019): 255–64. http://dx.doi.org/10.5209/tekn.51998.

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The pervasive and incessant use of smartphones by adolescents has created a generation of cyborgs, as if they have acquired a new sense organ or appendage, and has radically changed for them what it means to be human. Their constant connection to cyberspace facilitates what Foucault called “the means of correct training”: hierarchical observation, normalizing judgement, and the examination. The effectiveness of these methods of social control has been exponentially increased as observation is now both hierarchical and horizontal, normalizing judgement is accomplished efficiently through social media, and the examination is a continuous process occurring online. Jeremy Bentham’s panopticon is no longer an imaginary architectural edifice, but instead an online hive-mind with each smartphone acting as a mobile node in a surveillance system. The prescient science fiction series, Star Trek, foresaw these developments in their portrayal of the Borg, a collective of interlinked humanoid drones intent on assimilating all the other races in the universe through the addition of cybernetic enhancements. Are we becoming cyborg drones trapped in an online web of addiction and consumption, subtly surveilled, certainly manipulated, and perhaps even controlled by our prized panopticon appendages? Or will we use our technological connectivity to revolutionize the way we live on Earth and create a sustainable future?

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Chae, Jiyen, Jai Clarke-Binns, France Ewen, and Stacey Matthews. "Exhibition: Panopticon – Surveillance explored." Criminal Justice Matters 81, no. 1 (September 2010): 42–44. http://dx.doi.org/10.1080/09627251.2010.505382.

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Wicker, Stephen B., and Dipayan Ghosh. "Reading in the panopticon---." Communications of the ACM 63, no. 5 (April 20, 2020): 68–73. http://dx.doi.org/10.1145/3376899.

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Talmor, Sascha. "The concert: Mao's panopticon." History of European Ideas 12, no. 6 (January 1990): 843–51. http://dx.doi.org/10.1016/0191-6599(90)90217-3.

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Stojanović, Aleksandra. "Orwellʼs Panoptic Society: Methods of Gaining and Maintaining Power in Nineteen Eighty-Four." Филолог – часопис за језик књижевност и културу 22, no. 22 (December 30, 2020): 299–319. http://dx.doi.org/10.21618/fil2022299s.

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The goal of the paper is to demonstrate Orwell’s society as a panoptic one, employing all of the elements of Jeremy Bentham’s Panoptical model, as well as presenting it through Foucault’s conception of the shift from punishment to discipline as stated in Discipline and Punish: The Birth of the Prison. Panopticon will be presented not as a model of a prison as it was initially intended to be, but as a concept which can be applied to the entire society. The two types of power, the power of sovereignty and disciplinary power shall be applied to the novel with the aim of finding parallels between the two mentioned systems, as well as some possible contraditions and deciding which system is in place in Nineteen Eighty-Four. Constant surveillance, establishing routines and controlling activity will be discussed in terms of mechanisms for gaining and maintaining power. Hate is seen as another mechanism for establishing power and one of the key emotions implemented in group psychology of a totalitarian regime. We shall discuss the role of the collective and the individual in power relations and the way they form ”collective individualism” – a society in which one may notice both a unity of the group and an isolated individual.

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Waghorn, Neil J. "Watching the watchmen: resisting drones and the "protester panopticon"." Geographica Helvetica 71, no. 2 (May 27, 2016): 99–108. http://dx.doi.org/10.5194/gh-71-99-2016.

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Abstract. The skies as sites of protest are opening up. Protester-operated drones are beginning to appear in the skies above protests: watching the watchmen, installing an additional layer of surveillance, increasing accountability and self-discipline amongst the police. In this way protester drones could be seen as establishing a "protester panopticon", with the police as subjects. This article explores the potential panoptic effect of the gaze upon the police, drawing on sousveillance theory, before using counter-surveillance as a way to explore potential options for police resistance to the gaze of the protester drone. These resistive efforts are broken down into four categories, legislation and regulation, obscuring the gaze, electronic countermeasures and kinetic and physical force.

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Ningtyas, Sulistya. "POWER RELATIONS ON FEMALE BODY IN SENO GUMIRA AJIDARMA’S SHORT STORY." Poetika 9, no. 1 (July 26, 2021): 52. http://dx.doi.org/10.22146/poetika.v9i1.56477.

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This study explored the practice of power relations and the panopticon as a disciplinary mechanism in Seno Gumira Ajidarma’s Istana Tembok Bolong short story. ‘Istana tembok bolong’ in this literary work refers to a place near a train station that is separated from the outside area by a perforated wall, which turns to be a palace for the lower class of society occupying the space. By using Foucauldian analysis, this study examined the case of ‘selling matches’ as the central issue of the story being discussed. This phenomenon that occurred in Yogyakarta in the 1970s became the media of the manifestation of power over street prostitutes. The results showed that power relations operate as a means to control the body, particularly female bodies. This is because female bodies become commodities as a result of capitalism. However, in a certain situation, these street prostitutes can also hold power in a way how their bodies are enjoyed. Besides, social norms outside the palace function as a panopticon that makes the inhabitants have self-awareness as they feel constantly monitored. Penelitian ini mengeksplorasi praktik relasi kuasa dan panoptikon sebagai mekanisme pendisiplinan dalam cerita pendek Istana Tembok Bolong karya Seno Gumira Ajidarma. ‘Istana tembok bolong’ dalam karya sastra ini merujuk pada sebuah tempat di dekat stasiun kereta api yang terpisahkan dari area luarnya oleh dinding yang berlubang, yang dianggap sebagai istana oleh masyarakat kelas bawah yang menempati ruang tersebut. Dengan menggunakan analisis Foucauldian, penelitian ini melihat fenomena ‘jual korek api’, yang merupakan isu utama dari cerita yang dibahas di sini. Fenomena yang terjadi di Yogyakarta pada tahun 1970-an tersebut menjadi media perwujudan kuasa terhadap pekerja seks jalanan. Hasil penelitian menunjukkan bahwa relasi kuasa beroperasi sebagai alat untuk mengendalikan tubuh, terutama tubuh perempuan. Hal ini karena tubuh perempuan menjadi komoditas sebagai akibat dari kapitalisme. Namun, dalam situasi tertentu, pekerja seks jalanan tersebut juga dapat memegang kekuasaan terkait bagaimana tubuh mereka dinikmati. Selain itu, norma-norma sosial di luar istana berfungsi sebagai panoptikon yang membuat penghuninya memiliki kesadaran diri karena mereka merasa terus-menerus diawasi.

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Zahra, Momal. "Dynamics of Surveillance and Discovery of Self in Musharraf Ali Farooqi's The Story of a Widow." Journal of English Language, Literature and Education 1, no. 04 (May 18, 2020): 16. http://dx.doi.org/10.54692/jelle.2020.01049.

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This qualitative research identifies Foucault's idea of panoptical surveillance (1995) based on Jeremy Bentham's ideal prison in The Story of a Widow by Musharraf Ali Farooqi. Research draws parallel between 'panopticon' and societal surveillance which is in the form of traditions, norms, male gaze and resistance strategies and traces behaviour of characters in response to surveillance. The character of novel's protagonist – Mona is particularly analyzed through panoptic lens of theory. This study traces notion of “ideology” and “interpellation” from Althusser's essay “Ideology and Ideological State Apparatuses” (1971) in order to depict struggle of Mona against ideological surveillance. Social ideologies form identity of individuals and thrust their power and subjection on Mona who in turn fights for creating her own identity. The research endeavours to explore struggle of women in finding 'Self' under societal surveillance and ideologies which hail people as 'subjects'. It also aims to study whether it is possible for a woman to attain self-satisfaction by rebelling against prevailing societal notions which act as hurdle in practicing their rights or not. This research will further help to discover dynamics of power and authority for both genders and shall establish humanistic approach of gender equality. It will aid in inculcating the notion that societal surveillance should be beneficial for growth of all individuals rather than restricting the autonomy of some (women) in society which leads to social unrest.

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Bueno, Maria José. "Le Panopticon érotique de Ledoux." Dix-huitième Siècle 22, no. 1 (1990): 413–21. http://dx.doi.org/10.3406/dhs.1990.1772.

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Sharpe, Matthew. "The plague and the Panopticon." Thesis Eleven 133, no. 1 (March 10, 2016): 59–79. http://dx.doi.org/10.1177/0725513616636383.

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Kerr, Joan. "Panopticon Versus New South Wales." Fabrications 1, no. 1 (December 1989): 4–32. http://dx.doi.org/10.1080/10331867.1989.10525043.

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Butler, Declan. "Earth Monitoring: The planetary panopticon." Nature 450, no. 7171 (December 2007): 778–80. http://dx.doi.org/10.1038/450778a.

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Rosen, Lea. "Drones and the digital panopticon." XRDS: Crossroads, The ACM Magazine for Students 19, no. 3 (March 2013): 10. http://dx.doi.org/10.1145/2425676.2425678.

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Rodrigues, Adriano Duarte. "Communication machines and the panopticon." Communicatio 12, no. 2 (January 1986): 44–46. http://dx.doi.org/10.1080/02500168608537688.

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