Relevant bibliographies by topics / Palazzo Canino (Naples, Italy)

Academic literature on the topic 'Palazzo Canino (Naples, Italy)'

Author: Grafiati
Published: 27 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "Palazzo Canino (Naples, Italy)"

1

Semyonova, A. L. "Maxim Gorky: Russian ideological contexts and Italian realia. Proceedings of the conference marking Maxim Gorky’s 150th birth anniversary." Voprosy literatury, no. 6 (March 22, 2022): 256–61. http://dx.doi.org/10.31425/0042-8795-2021-6-256-261.

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The review discusses the collection of papers submitted for the international scholarly conference ‘Maxim Gorky: Russian ideological contexts and Italian realia,’ which took place in Italy, hosted by L’Istituto Italiano per gli Studi Filosofici in Palazzo Serra di Cassano, Naples. Articles by Russian and Italian scholars appear in two sections — ‘Maxim Gorky and Russian ideological contexts’ and ‘Maxim Gorky and Italian realia’ — and are printed in Russian and Italian. The papers are accompanied by bilingual abstracts. The volume contains an extensive supplement with excerpts from the early-20th-c. Italian periodicals concerned with Gorky and his stay in Italy. The book ends with a bilingual author bio section. The monograph is an example of high-quality book printing, with some of the papers featuring excellent illustrations. It unites Russian and Italian scholars to uncover new contemporary focuses in the studies of Maxim Gorky’s legacy.
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2

Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (November 12, 2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblematic ellipse plan of the Baroque, such as the churches Santa Maria della Sanita` and San Giovanni dei Fiorentini by Fra’ Nuvolo prove. Fanzago’s architectonic research was followed by the studies by Bartolomeo and Francesco Antonio Picchiatti, father and son, up to Domenico Antonio Vaccaro that was the most representative director of the Baroque sacred space scene. Moving from the analysis and comparison of the most representative churches of Neapolitans Baroque era, the paper proposes an unedited studio about the evolution of sacred space’s idea related to decoration, symbology and allegory, with a focus on Domenico Antonio Vaccaro’s works, such as the churches of Santa Maria della Concezione in Montecalvario neighbourhood, San Michele Arcangelo in Naples’ Piazza Dante, San Michele in Anacapri (on Capri Island), the Palazzo Abbaziale di Loreto and Saviour Church in San Guglielmo al Goleto Monastery, both near Avellino.
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Aucelli, P., A. Cinque, G. Mattei, G. Pappone, and M. Stefanile. "Coastal landscape evolution of Naples (Southern Italy) since the Roman period from archaeological and geomorphological data at Palazzo degli Spiriti site." Quaternary International 483 (July 2018): 23–38. http://dx.doi.org/10.1016/j.quaint.2017.12.040.

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Books on the topic "Palazzo Canino (Naples, Italy)"

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Antonella, Di Luggo Aversa, ed. Palazzo Canino e la Mostra delle terre d'oltremare. Roma: Officina, 2009.

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2

Franco, Strazzullo, ed. Palazzo di Capua. Napoli: Arte tipografica, 1995.

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3

Petroni, Giulio. Del gran palazzo di giustizia a Castel Capuano in Napoli. Napoli: Grimaldi &c., 1996.

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4

Borrelli, Gennaro. Il Palazzo Penne: Un borghese a corte. Napoli: Arte tipografica, 2000.

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5

Epifani, Mario. Dante a Palazzo reale. Roma: Editori Paparo, 2021.

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6

Nicola, Spinosa, ed. Il palazzo e la collezione d'arte della Tirrenia. [Naples]: Electa Napoli, 2001.

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Italy), Palazzo reale (Naples, ed. La quadreria di Palazzo reale nell'Ottocento: Inventari e museografia. Napoli: Arte tipografica, 1999.

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8

Irollo, Alba. Palazzo Salerno: Dai complessi religiosi ai comandi militari. Sassari: Carlo Delfino editore, 2017.

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Belli, Pietro. Palazzo Donn'Anna: Storia, arte e natura. Torino: Allemandi, 2017.

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10

D'Arbitrio, Nicoletta. Il Palazzo Reale di Napoli negli anni di Ferdinando II: La riforma generale, le tappezzerie. Napoli: Edisa, 1999.

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Book chapters on the topic "Palazzo Canino (Naples, Italy)"

1

Tyler, James, and Paul Sparks. "Naples and the Origins of a New Instrument." In The Early Mandolin, 81–84. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198163022.003.0006.

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Abstract The entry of Charles Bourbon into Naples in 1734 at the head of his Spanish army signalled the beginning of a golden age of Neapolitan culture. Although Naples was the third largest city in Europe (after London and Paris), and the Neapolitan kingdom comprised the whole of the south of Italy (including Sicily), the region had languished under foreign rule for centuries until Charles established an autonomous kingdom and encouraged the emergence of a distinctive Neapolitan style in art and music. The next few years saw the building of the San Carlo opera house, the porcelain factory at Capodimonte, and the enlargement of the Palazzo Reale, while increased artistic patronage led to a flowering of Neapolitan painting.1
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