Dissertations / Theses on the topic 'Painting – United States – Exhibitions'
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Grunenberg, Christoph. "The politics of presentation : museums, galleries and exhibitions in New York, 1929-1947." Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283893.
Full textUchill, Rebecca 1978. "Developing experience : Alexander Dorner's Exhibitions, from Weimar Republic Germany to the Cold War United States." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100327.
Full textCD-ROM contains PDF of Addenda section, quarterly report and 5 PDFs of images for thesis.
Cataloged from PDF version of thesis. Pages 237 to 428 of original thesis for Addenda section are removed and copied onto CD-ROM.
Includes bibliographical references (pages 429-446).
Following the work of German-American curator Alexander Dorner (1893-1957) from his early curatorial career in Niedersachsen to professorships in New England, this dissertation explores the intersections of Euro-American modernism and developing ideations of experience within aesthetic philosophy. Dorner's work was formulated in deep engagement with (and often intentional contradiction to) the art theory being incubated in contemporaneous art institutions, pedagogies, and practices. His written texts and museum praxis responded to emerging notions of subjectivity, restoration, and perception in the aesthetic theory of Alois Riegl and Erwin Panofsky, art restoration mandates advocated by German museum leaders such as Max Sauerlandt and Kurt Karl Eberlein, and the artistic productions of El Lissitzky and Herbert Bayer. Against shifting expressions of democracy in Weimar Germany and the mid-century United States, Dorner's polemical focus on museum experience was, in effect, an attempt to train citizens for collective but heterogeneous social life.
by Rebecca K. Uchill.
Ph. D. in History and Theory of Art
Pena, Nicholas. "Land of the American condition." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/5834.
Full textThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (January 24, 2007) Vita. Includes bibliographical references.
McMahon, Cliff Getty. "The sublime in Rothko, Newman and Still." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/11002.
Full textGordon, Alan H. "What happens to a dream deferred? /." Online version of thesis, 1993. http://hdl.handle.net/1850/11749.
Full textHolland, Nicole Murphy. "Worlds on view visual art exhibitions and state identity in the late Cold War /." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397171.
Full textTitle from first page of PDF file (viewed March 30, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
Nesbit, G. H. H. "Current practice in the field of architectural and autonomous stained glass in Europe and the United States of America." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1012955.
Full textAlvarez, Leticia. "The Influence of the Mexican Muralists in the United States. From the New Deal to the Abstract Expressionism." Thesis, Virginia Tech, 2001. http://hdl.handle.net/10919/32407.
Full textMaster of Arts
Hoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada." Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.
Full textThompson, Mary E. "The furrowed face : the depiction of the elderly in painting, England and the United States, 1870-1910." Thesis, Oxford Brookes University, 2017. https://radar.brookes.ac.uk/radar/items/9c6b3ee4-80f0-44dc-a0a4-70399c36f001/1/.
Full textCooks, Bridget Rochelle. "Seen and not seen : a history of Black representation and self-representation in art exhibitions in the United States, 1893-1998." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Coll_Diss_02.
Full textBalic, Iva. "Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.
Full textBalic, Iva Foertsch Jacqueline. "Always painting the future utopian desire and the women's movement in selected works by United States female writers at the turn of the twentieth century /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-11060.
Full textLincoln, Margaret L. "The Online and the Onsite Holocaust Museum Exhibition as an Informational Resource." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5407/.
Full textMosco, Natalie. "On creating : A brush with Georgia O'Keeffe." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/43722.
Full textLindley, Anne Hollinger. "Relating to relational aesthetics." Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.
Full textPotot, Charlotte. "Les féminismes de Lucy Lippard en quatre expositions (1966-1977)." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080119.
Full textLucy Lippard produced her first exhibition, Eccentric Abstraction, in 1966. From that moment on, the North American curator never stopped questioning the modalities of what the exhibition had to offer artists in terms of expression, experience and political action. Lucy Lippard first helped to think critically about a particular conceptual moment in art. Concurrently, her political commitments developed through protest against the Vietnam war, support for artist communities, revealing discriminatory institutional policies, and creating a little-documented connection between conceptual and political art. We explore how Lucy Lippard developed diverse feminist issues by organizing exhibitions, echoing the theories that emerged during this period. It is through her work as a curator that we see her feminism in action. Four exhibitions structure our trajectory: Eccentric Abstraction (1966) in New York, 955,000 (1971) in Vancouver, c'7500 (1973) in Valencia, California and other itinerant locations, and Strata (1977) in Vancouver. By imagining the works in these four exhibitions their situated character emerges. There are three key axis: a historical approach to the context of exhibitions and social struggles related to the personal journey of Lucy Lippard and a phenomenological approach to the works presented in the four exhibitions, allowing an aprehension of the last axis, a feminist approach to these exhibition events. The redescription of works that were not immediately associated with feminism, although belonging to the curator's corpus, will allow us to think of another reception for these exhibitions
Webster, Daniel Joseph. "Experiencing the World of Franklin: The Making of an Immersive and Interactive Historical Exhibit." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5562.
Full textID: 031001287; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Title from PDF title page (viewed February 26, 2013).; Thesis (M.A.)--University of Central Florida, 2012.; Includes bibliographical references (p. 111-120).
M.A.
Masters
History
Arts and Humanities
History; Public History
Hefner, Cody Nicholas. "An Evocation of the Revolution: The Paintings of John Trumbull and the Perception of the American Revolution." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1259821977.
Full textGENNARI, SANTORI Flaminia. "The melancholy of masterpieces : the creation of an American social space for European old master paintings 1900-1914." Doctoral thesis, 2001. http://hdl.handle.net/1814/5765.
Full textExamining board: John Brewer, California Institute of Technology (supervisor) ; Neil Harris, University of Chicago ; Luisa Passerini, European University Institute ; Pat Rubin, Courtland Institute of Art
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Elliott, Rebecca Leigh Jennifer. "Two decades of American painting : art, politics and the Cold War." Phd thesis, 2009. http://hdl.handle.net/1885/151615.
Full textHoward, David Brian. "Bordering on the new frontier : modernism and the military industrial complex in the United States and Canada, 1957-1965." Thesis, 1993. http://hdl.handle.net/2429/2859.
Full textBlundell, Geoffrey. "The politics of public rock art: a comparative critique of rock art sites open to the public in South Africa and the United states of America." Thesis, 2016. http://hdl.handle.net/10539/20863.
Full textSouth African and American public rock art sites are in a predicament. In both countries, there is a lack of an adequate, theoretically informed but practically implementable, conceptual approach to presenting these sites. This lack leads to the reproduction of stereotypes of rock art and the indigenous people who made it. This thesis suggests a way of rectifying the present situation. It is argued that any suggested reconstruction of public rock art sites must recognise that they are implicated in identity-formation. Following this premise, a strategy, entitled metaphoric pilgrimage, is suggested, developed and applied to four rock art sites - two in South Africa and two in America.
Stelowska-Morgulec, Diana. "Art exhibitions as a tool of American Cultural Diplomacy Towards Poland, 1956-2016." Doctoral thesis, 2017. https://depotuw.ceon.pl/handle/item/2848.
Full textDyplomacja kulturalna stanowi zaniedbane narzędzie dyplomacji publicznej, zarówno w teorii, jak i w praktyce. Stany Zjednocznone doskonale wykorzystały kulturę i sztukę w ramach propagandy podczas drugiej wojny światowej oraz zimnej wojny, jednak po jej zakończeniu obcięły dotacje na działania kulturalne za granicą. Dyplomacja kulturalna USA została zbadana w sferach muzyki oraz filmu, natomiast wykorzystanie sztuki jako narzędzia dyplomacji kulturalnej jest obszarem, który stanowi lukę badawaczą. W czasie, gdy dyplomacja kutluralna cieszy się coraz większym zainteresowaniem, zarówno badaczy, jak i praktyków, szczególnie istotna jest analiza dotychczasowych działań w tym zakresie, by odpowiednio zaplanować inicjatywy w przyszłości. Celem autorki było zbadanie w jaki sposób Stany Zjednoczone wykorzystały sztukę (w formie wystaw) jako narzędzie dyplomacji kulturalnej wobec Polski w latach 1956-2016 oraz próba wykrycia prawidłowości w procesie decyzyjnym zachodzącym przy organizacji tychże wystaw. Zakres badań obejmuje wszystkie wystawy sztuki amerykańskiej w Polsce oraz szczegółowo analizuje sześć z tych wystaw: Dwieście lat malarstwa amerykańskiego, (Muzeum Narodowe w Warszawie, 1976), Willem de Kooning & Robert Rauschenberg, (Muzeum Narodowe w Warszawie i Krakowie, 1978) oraz wystawa Lata 70-te: Nowe malarstwo amerykańskie, (galeria BWA w Toruniu, Muzeum Narodowe w Warszawie, 1980/81), Twarze Ameryki: Portrety z kolekcji Terra Foundation for American Art 1770-1940 (Międzynarodowe Centrum Kultury, Kraków, 2006), American Dream - Amerykański Sen, jako część projektu muzealnego zatytuowanego Ameryka, Ameryka… (Muzeum Narodowe w Krakowie, 2009) oraz Frank Stella i polskie synagogi, (Muzeum Historii Żydów Polskich, POLIN, Warszawa, 2016).
Relyea, Lane. "Model citizens and perfect strangers: American painting and its different modes of address, 1958-1965." Thesis, 2004. http://hdl.handle.net/2152/1250.
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