Academic literature on the topic 'Painting, Modern 20th century Australia'
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Journal articles on the topic "Painting, Modern 20th century Australia"
Jun, Min-Kyung, and Kyung-Chul Jeong. "A Correlation between Expressionism and Neo Expressionism in 20th Century Modern Painting." Journal of the Korea Contents Association 11, no. 2 (February 28, 2011): 259–67. http://dx.doi.org/10.5392/jkca.2011.11.2.259.
Full textBrock, Fiona, Nicholas Eastaugh, Thierry Ford, and Joyce H. Townsend. "Bomb-pulse Radiocarbon Dating of Modern Paintings on Canvas." Radiocarbon 61, no. 1 (July 11, 2018): 39–49. http://dx.doi.org/10.1017/rdc.2018.55.
Full textChen, Jiajun. "The Style and Characteristics of Flower-and-Bird Painting in The Western Fujian Province in Modern Times." Scientific and Social Research 3, no. 6 (December 29, 2021): 157–63. http://dx.doi.org/10.36922/ssr.v3i6.1293.
Full textGultyaeva, Galina S. "Realistic Painting of the 20th Century China in the Context of Cultural Visualization." Observatory of Culture 18, no. 1 (May 24, 2021): 32–43. http://dx.doi.org/10.25281/2072-3156-2021-18-1-32-43.
Full textHoffmann, Frank. "20th Century Korean Art, and: Modern Korean Ink Painting (review)." Journal of Korean Studies 13, no. 1 (2008): 118–23. http://dx.doi.org/10.1353/jks.2008.0000.
Full textRadonjic, Ana, and Slobodan Markovic. "Judgement of paintings belonging to different tendencies in the 20th century painting." Psihologija 37, no. 4 (2004): 549–69. http://dx.doi.org/10.2298/psi0404549r.
Full textEskilson, Stephen. "Thomas Wilfred and Intermedia: Seeking a Framework for Lumia." Leonardo 36, no. 1 (February 2003): 65–68. http://dx.doi.org/10.1162/002409403321152347.
Full textMelessanaki, K., C. Stringari, C. Fotakis, and D. Anglos. "Laser Cleaning and Spectroscopy: A Synergistic Approach in the Conservation of a Modern Painting." Laser Chemistry 2006 (December 25, 2006): 1–5. http://dx.doi.org/10.1155/2006/42709.
Full textNikolovskaya, Yulia Vasilievna, and Galina Olegovna Semeyskaya. "Image and Style in a Modern Landscape Painting." Человек и культура, no. 6 (June 2022): 78–89. http://dx.doi.org/10.25136/2409-8744.2022.6.39496.
Full textPaz-Agras, Luz. "Creative processes in the Avant-Garde Movements." Estoa, no. 15 (2019): 21–30. http://dx.doi.org/10.18537/est.v008.n015.a02.
Full textDissertations / Theses on the topic "Painting, Modern 20th century Australia"
Hennig, Sybille. "The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945." Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1009435.
Full textLoayza-Lauffs, Mariana. "The art of Guillermo Kuitca." Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21021508.
Full textArcher, Carol. "Frames, flows, feminist aesthetics: paintingsby Judy Watson, Cai Jin and Marlene Dumas." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B3690787X.
Full textWang, Xuning. "Realist painting and its relationship to my creative practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2010. https://ro.ecu.edu.au/theses/122.
Full textDraguet, Michel. "Genèse et naissance de l'abstraction de Kandinsky à Malevitch: essai de définition de la notion de Permière abstraction, 1911-1918." Doctoral thesis, Universite Libre de Bruxelles, 1990. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213179.
Full textMiller, Jennifer Anne. "The Politics of Nazi Art: The Portrayal of Women in Nazi Painting." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5157.
Full textRobins, Amanda School of Arts UNSW. "Slow art : meditative process in painting and drawing." Awarded by:University of New South Wales. School of Arts, 2006. http://handle.unsw.edu.au/1959.4/31214.
Full textWise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.
Full textCzujack, Corinna. "An economic analysis of price behaviour in the market for paintings and prints." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212155.
Full textSeraphim, Mirian N. (Miriam Nogueira). "A catalogação das pinturas a óleo de Eliseu d'Angelo Visconti = o estado da questão." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280443.
Full textAcompanha no v. 1 1 CD-ROM
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-16T10:33:17Z (GMT). No. of bitstreams: 1 Seraphim_MirianN.(MiriamNogueira)_D.pdf: 12638976 bytes, checksum: e9c65ea2af43869cc442737e0ffb85ac (MD5) Previous issue date: 2010
Resumo: O pintor Eliseu d'Angelo Visconti (Salerno, Itália, 1866 - Rio de Janeiro, 1944), apesar de ser precursor do modernismo brasileiro, pioneiro do design no Brasil, e ainda decorador de diversos edifícios importantes do Rio de Janeiro, não tem sua obra conhecida nem valorizada na justa medida, como também grande parte dos artistas brasileiros. A catalogação sistemática da obra de um artista é o procedimento que visa sanar essas faltas e também prevenir e combater a falsificação, que progride na medida em que o mercado de artes plásticas no Brasil é insipiente e o conhecimento do seu objeto é precário. Foi feito, então, um levantamento das pinturas a óleo e de cavalete atribuídas a Visconti, num recorte que exclui toda a sua produção de desenho, pinturas em outras técnicas, projetos para as indústrias artísticas e os grandes painéis decorativos. Para definir o estágio de autenticação de cada pintura e ordená-las cronologicamente, foi realizada uma grande coleta de documentos e críticas publicadas por ocasião das muitas exposições que Visconti participou. Além disso, as características individuais do autor - em termos de cor, fatura, desenho e composição - observadas em suas obras de autoria comprovada, quando estão evidentes em outras pinturas, servem de base para a sua aprovação. Assim, foram destacadas 501 pinturas a óleo, em sua grande maioria comprovadas e aprovadas, num Elenco Cronológico e Iconográfico; acompanhadas de seus dados essenciais e históricos, e de um símbolo de caracterização da obra, que as define em cinco variáveis: autoria, título, imagem, data e coleção. Em separado, são apresentadas mais 115 pinturas, ainda em estudos ou não aprovadas, e acompanhadas dos mesmos elementos. Visconti alcançou uma linguagem plástica pessoal harmonizando elementos de sua formação acadêmica com as tendências do final do século XIX: pré-rafaelismo, impressionismo, simbolismo, artnouveau. Assim, foi inovador e ousado, sem ser contestador ou revoltado
Abstract: The painter Eliseu d'Angelo Visconti (Salerno, Italy, 1866 - Rio de Janeiro, 1944), despite being a precursor of modernism in Brazil, and a pioneer of design in Brazil, and decorator of several important buildings in Rio de Janeiro, his work is neither known nor appreciated in full measure, as happens to most Brazilian artists. The systematic cataloguing of the work of an artist is the procedure that aims to remedy those deficiencies and prevent and combat counterfeiting, which progresses to the extent that the market for visual arts in Brazil is incipient and knowledge of its object is poor. Then it was made a survey of oil paintings attributed to Visconti, a clipping that excludes all of its production design, paintings in other techniques, artistic projects for industries and large decorative panels. To set the stage for authentication of each painting and arrange them chronologically, we performed a large collection of documents and reviews published during the many exhibitions that Visconti participated. In addition, the author's individual characteristics - in terms of color, making, design and composition - seen in his works of authorship verified, once evident in other paintings, are the basis for its approval. Thus, there were 501 outstanding oil paintings, mostly verified and approved, in an Iconographic and Chronological List and, accompanied by their essential data and history; a symbol of characterization of the work, that sets in five variables: author, title, image, date and collection. Separately, more than 115 paintings are displayed, still in studies or non approved and accompanied by the same elements. Visconti reached a personal visual language harmonizing elements of their academic training with the trends of the late nineteenth century: pre-Raphaelitism, impressionism, symbolism, art nouveau. Thus, it was innovative and daring, without being disruptive or revolted
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Books on the topic "Painting, Modern 20th century Australia"
Dutkiewicz, Adam. Alexander Sádlo: Experimental journey : an artist in three countries. Norwood, S. Aust: Moon Arrow Press, 2007.
Find full textInstitute of Contemporary Arts (London, England), Third Eye Centre, and Orchard Gallery, eds. Imants Tillers: Works, 1978-1988. [London]: Institute of Contemporary Arts, 1988.
Find full text1959-, Hart Deborah, and National Gallery of Australia, eds. Imants Tillers: One world many visions. [Canberra]: National Gallery of Australia, 2006.
Find full textTillers, Imants. Imants Tillers: One world many visions. Edited by Hart Deborah 1959- and National Gallery of Australia. [Canberra]: National Gallery of Australia, 2006.
Find full textJanet, McKenzie. Arthur Boyd at Bundanon. London: Academy Editions, 1994.
Find full textNeue Galerie am Landesmuseum Joanneum, ed. Alois Mosbacher: Outside fiction. Graz: Neue Galerie Graz, 2010.
Find full textGrishin, Sasha. Franz Kempf: Thinking on paper, 1955-2002. Kent Town, S. Aust: Wakefield Press, 2002.
Find full textRon, Radford, Trumble Angus, Chapman Christopher, and Art Gallery of South Australia., eds. Still-life, still lives. Adelaide: Art Gallery of South Australia, 1997.
Find full textNicholls, Christine. Kathleen Petyarre: Genius of place. Kent Town, S. Aust: Wakefield Press, 2001.
Find full textGalleries, Salander-O'Reilly. A selection of 20th-century American paintings. New York: Salander-O'Reilly Galleries, 2000.
Find full textBook chapters on the topic "Painting, Modern 20th century Australia"
Méndez Baiges, Maite. "“We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze." In Les Demoiselles d'Avignon and Modernism, 67–101. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-656-8.07.
Full textDundyak, Iryna. "TRANSFORMATIONAL TENDENCIES OF THE UKRAINIAN DIASPORA ECCLESIASTICAL PAINTING." In Art Spiritual Dimensions of Ukrainian Diaspora, 54–74. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-3.
Full textGigante, Lorenzo. "Incontri, scontri, confronti Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo." In Taking and Denying Challenging Canons in Arts and Philosophy. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-462-2/007.
Full textBobilewicz, Grażyna. "Obraz Afryki w malarstwie rosyjskim XX i początku XXI wieku." In Afryka i (post)kolonializm. Wydawnictwo Uniwersytetu Łódzkiego, 2016. http://dx.doi.org/10.18778/8088-260-7.07.
Full textConference papers on the topic "Painting, Modern 20th century Australia"
Moghassemi, Golshan, and Peyman Akhgar. "The Advent of Modern Construction Techniques in Iran: Trans-Iranian Railway Stations (1933-1938)." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3986pe808.
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