Journal articles: 'Painting, Australian 21st century'

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Wilkin, Karen. "Kyle Staver: History Painting in the 21st Century." Hopkins Review 11, no. 1 (2018): 100–102. http://dx.doi.org/10.1353/thr.2018.0015.

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Birden, Hudson, and Sue Page. "21st century medical education." Australian Health Review 31, no. 3 (2007): 341. http://dx.doi.org/10.1071/ah070341.

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Australian universities provide good examples of how to meet the growing challenges to the training of doctors that have resulted from information overload in traditional curricula, new models of care, including multidisciplinary team dynamics, and the rigours of evidence-based practice.

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da Silva, Filipe Rocha. "Nanoscale and Painting." Leonardo 41, no. 4 (August 2008): 350–54. http://dx.doi.org/10.1162/leon.2008.41.4.350.

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Filipe Rocha da Silva creates very large paintings depicting extremely small, almost invisible figures. In this text he tries to explain why he does so and considers the possible relationship of these works to nanoscale phenomena and technology, which have been so influential in the 21st century.

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Whyte, Ann. "Positioning Australian Universities for the 21st Century." Open Learning: The Journal of Open, Distance and e-Learning 16, no. 1 (February 2001): 27–33. http://dx.doi.org/10.1080/02680510124902.

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Vanclay, J. K. "Educating Australian foresters for the 21st century." International Forestry Review 9, no. 4 (December 2007): 884–91. http://dx.doi.org/10.1505/ifor.9.4.884.

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Bishop, Paul, and Brad Pillans. "Introduction: Australian geomorphology into the 21st century." Geological Society, London, Special Publications 346, no. 1 (2010): 1–6. http://dx.doi.org/10.1144/sp346.1.

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Krylova, I. "Painting by electrodeposition on the eve of the 21st century." Progress in Organic Coatings 42, no. 3-4 (September 2001): 119–31. http://dx.doi.org/10.1016/s0300-9440(01)00146-1.

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Tennant, Marc, and John K. McGeachie. "Australian dental schools: Moving towards the 21st century." Australian Dental Journal 44, no. 4 (December 1999): 238–42. http://dx.doi.org/10.1111/j.1834-7819.1999.tb00226.x.

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Duckett, Stephen J. "Health workforce design for the 21st century." Australian Health Review 29, no. 2 (2005): 201. http://dx.doi.org/10.1071/ah050201.

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The Australian health workforce has changed dramatically over the last 4 years, growing in size and changing composition. However, more changes will be needed in the future to respond to the epidemiological and demographic transition of the Australian population. A critical issue will be whether the supply of health professionals will keep pace with demand. There are current recorded shortages of most health professionals, but this paper argues that future workforce planning should not be based on providing more of the same. Rather, the roles of health professionals will need to change and workforce planning needs to place a stronger emphasis on issues of workforce substitution, that is, a different mix of responsibilities. This will also require changes in educational preparation, in particular an increased emphasis on interprofessional work and common foundation learning.

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Meade, Bobby W., Theodore Hopwood, and Sudhir Palle. "Kentucky Transportation Cabinet Moves Its Bridge Painting into the 21st Century." Transportation Research Record: Journal of the Transportation Research Board 1795, no. 1 (January 2002): 51–56. http://dx.doi.org/10.3141/1795-06.

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Hamnett, Stephen, and Paul J. Maginn. "Australian Cities in the 21st Century: Suburbs and Beyond." Built Environment 42, no. 1 (March 1, 2016): 5–22. http://dx.doi.org/10.2148/benv.42.1.5.

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Bartholomew, Iain. "The australian minerals industry-resources for the 21st century." RESOURCES PROCESSING 42, no. 1 (1995): 44–49. http://dx.doi.org/10.4144/rpsj1986.42.44.

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WALL, T. F., A. L. SALUSINSZY, D. B. EBELING, G. R. DREWE, K. M. SULLIVAN, P. BEERAN, and G. B. SMITH. "Energy Options for the 21st Century—An Australian Perspective." Energy Sources 14, no. 3 (July 1992): 253–63. http://dx.doi.org/10.1080/00908319208908724.

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Harvey, Nick, and Beverley Clarke. "21st Century reform in Australian coastal policy and legislation." Marine Policy 103 (May 2019): 27–32. http://dx.doi.org/10.1016/j.marpol.2019.02.016.

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Grabosky, P. N. "Crime Control in the 21st Century." Australian & New Zealand Journal of Criminology 34, no. 3 (December 2001): 221–34. http://dx.doi.org/10.1177/000486580103400302.

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This article speculates on what society's response to crime will look like in the year 2020. Following a brief discussion of the anticipated criminal environment, and trends which will influence the delivery of public services, the article will suggest some of the forms which future institutions of crime control are likely to take. In addition to the transformation of Australian police services, the paper will discuss private and non-profit institutions of crime control, and how these will interact with public institutions. The paper will conclude with a discussion of trade-offs between personal safety and individual freedom, and how these will shift over time. It predicts greater societal investment in personal safety at the expense of individual freedom.

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Stanowski, Mariusz. "Conceptual Art and Abstraction: Deconstructed Painting." Leonardo 53, no. 5 (October 2020): 485–91. http://dx.doi.org/10.1162/leon_a_01859.

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This article proposes a new conception of art and presents a form of painting that exemplifies that concept. Considering the developments in twentieth- and 21st-century art, the author notes that art created after the conceptual period has failed so far to take account of the profound transformation that occurred within it in the twentieth century. This change consisted in the identification of art with reality, achieved by incorporating into art all significant spheres/objects of reality. One result has been the dominance of referential art following the conceptualist period. Referential artworks are split into object and reference. This impedes untrammeled creativity, which would otherwise promote the integration of diverse formal elements. This article proposes painting that exemplifies such artistic creation.

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Almeida, Elisabete. "New anti-corrosive painting technologies at the beginning of the 21st century." Journal of Coatings Technology 72, no. 12 (December 2000): 73–84. http://dx.doi.org/10.1007/bf02720528.

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McDonald, DJ. "Temperate rice technology for the 21st century: an Australian example." Australian Journal of Experimental Agriculture 34, no. 7 (1994): 877. http://dx.doi.org/10.1071/ea9940877.

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Performance of the New South Wales rice industry is examined in the context of global rice production and demand into the 21st century. The need to double global production of rice by 2030 without major expansion of area will ensure strong export demand from temperate rice growing areas including southern New South Wales. Factors leading to the very high yields now achieved are discussed and the potential for further increasing average yields that are already the highest in the world is explored in terms of maintaining gains already made, raising the yield ceiling closer to the environmental limit, and reducing the gap between potential yield and those achieved by producers. Details are provided of the release and utilisation of varieties from the breeding program, and significant barriers to further yield increase are identified. The importance of 'Ricecheck' (a simple decision support system for farmers) is discussed. Problems of tailoring crop and land use practices to obtain environmental stability while at the same time substantially increasing productivity are highlighted.

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Na, Angelika F., Sharman PT Tanny, and John M. Hutson. "Circumcision: Is it worth it for 21st-century Australian boys?" Journal of Paediatrics and Child Health 51, no. 6 (February 12, 2015): 580–83. http://dx.doi.org/10.1111/jpc.12825.

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Klimkina, Tatiana V. "The Modern Religious architecture and monumental painting: synthesis (on the example of Russia and the Republic of Mordovia)." Finno-Ugric World 10, no. 4 (December 24, 2018): 88–97. http://dx.doi.org/10.15507/2076-2577.010.2018.04.088-097.

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Currently in Russia the development of church architecture poses many problems associated with the revival of the national school of monumental religious painting. The article analyzes the main features of the development of monumental decoration of church buildings. It also emphasizes importance of an integrated approach to the solution of the architectural and artistic ensemble of the cult construction. The synthesis of national religious architecture and monumental church painting is the object of research and its features аt the present stage is the subject. The goal of the article is the identification of the main tendencies of integrated approach to the religious architecture, both for Russia and the Republic of Mordovia. The empirical material of the work is the religious architecture and monumental church painting of Russia and the Republic of Mordovia. The research is based on observation, descriptive and comparative methods of analysis. The article is based on the published research on the church art of Russia and the Republic of Mordovia. The turn of the 21st century represents the active practice of creating a modern church decor. This is characterized by a complex multistage process of collective creativity, characterized by specific architectural environment of the building, development of the design of the decor and the means of monumental painting. The turn of the 21st century represents a new step in the development of religious architecture and monumental painting in Russia. It makes a conclusion that at the turn of the century the use of the artistic experience of the past is the leading tendency in the development of modern monumental church painting. The necessity of achieving the synthesis of the architectural building and its monumental and decorative solution is empasized.

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Pardayev, Bakhtiyor A., and Mirolim I. Khudoiberdiyev. "TO DEVELOP THE SKILLS AND COMPETENCIES OF WATERCOLORS FOR FUTURE TEACHERS OF FINE ARTS." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 02 (February 1, 2022): 18–25. http://dx.doi.org/10.37547/history-crjh-03-02-04.

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Watercolor is a Latin word that means water-based paint, as well as watercolor painting. Watercolor was widely used in ancient Egypt, Japan, and from the 21st century the work of major works of art in watercolor is highly developed. Working with watercolors was developed in England a century and a half ago. The following is a description of the origin and processing technology of watercolors.

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Bahfen, Nasya. "1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity." Pacific Journalism Review : Te Koakoa 25, no. 1&2 (July 31, 2019): 29–38. http://dx.doi.org/10.24135/pjr.v25i1and2.479.

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The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey.

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Saee, John. "INTERNATIONALISATION STRATEGY FOR EDUCATION IN THE 21ST CENTURY." Journal of Business Economics and Management 5, no. 2 (June 30, 2004): 77–84. http://dx.doi.org/10.3846/16111699.2004.9636071.

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There has been a sea change in the world economy with perceived far‐reaching consequences on all aspects of human civilization. This dramatic transformation is largely precipitated by the phenomenon of globalization. Baylis and Smith (1997) put forward the notion that globalization has accelerated the process of increasing interconnectedness between societies so much that events in one part of the world have more and more effect on peoples and societies far away. A globalized world, they argue, is one in which political, economic, cultural, and social events become more and more interconnected, and also one in which they have a wider impact. It is a truism to state that globalization means different things to different people. For some, the term is entirely benign; it portrays a process that accelerates economic prosperity for the nations engaged in globalization. However, for others globalization is a plot by multinational companies, which want to exploit third‐world countries’ resources in terms of cheap labor and raw materials. At the same time, these multinational companies undermine national sovereignty of the third‐world countries due to their enormous economic and political powers (Saee, 2004). In this research paper, an attempt is made to critically explore the drivers and the rationale behind the globalization that has also led educational institutions in most countries around the world to develop internationalization strategies for launching their degree offerings internationally. However, the focus of this research paper is on internationalization strategies by the Australian educational institutions that have important lessons for educational institutions of other countries interested in gaining an insight into internationalization strategies of Australian educational institutions.

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Khlystun, Yuliia. "Reasons for Changing the Painting Style of Orthodox Churches in Eastern Ukraine at the Turn of the 20th–21st Centuries." NaUKMA Research Papers. History and Theory of Culture 5 (September 6, 2022): 38–46. http://dx.doi.org/10.18523/2617-8907.2022.5.38-46.

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Orthodox churches in the east of Ukraine, built (or restored) during the period of the state independence, are painted either in the style of academic painting or in the Byzantine style. Moreover, the style of academic painting is more typical of temples painted in the 1990s and the early 21st century; and in the last two decades, the customers and icon painters prefer the Byzantine style of painting. Answering the questions related to the reasons for changing the style of painting of Orthodox churches in the east of Ukraine at the turn of the 20th–21st centuries, the author offers her point of view from the standpoint of culturology. In contrast to the style of academic painting, the Byzantine style of painting conveys through visible images the invisible, spiritual, mystical, spiritual, which was the subject of search in the analyzed historical period.The author of the article analyzes the processes taking place in the religious culture and art of our state after gaining independence and comes to the following conclusions.There are several main reasons for the change in the style of painting Orthodox churches in the east of Ukraine at the turn of the 20th–21st centuries: the search for national identity as one of the important and defining processes in the culture of Ukraine, which is relevant for all regions of Ukraine (both for the West and for the East); the perception of Kyivan Rus as the main (in historical retrospect) monument in the history of Ukrainian statehood (the time of Rus, of course, is associated with the Byzantine style of temple painting); the spread of icon-painting schools and the increased interest in canonical (Byzantine) iconpainting; the desire to adhere to the ancient Byzantine statutes in monastic life; the development of religious tourism and exchange of experience between masters.The prospect of further research on this topic can be considered the study of regional features of church painting, creativity, and various components of the work of individual Ukrainian artists, including icon painters.

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Bisley, Nick, Robyn Eckersley, Shahar Hameiri, Jessica Kirk, George Lawson, and Benjamin Zala. "For a progressive realism: Australian foreign policy in the 21st century." Australian Journal of International Affairs 76, no. 2 (March 4, 2022): 138–60. http://dx.doi.org/10.1080/10357718.2022.2051428.

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Kelley, D. I., and S. P. Harrison. "Enhanced Australian carbon sink despite increased wildfire during the 21st century." Environmental Research Letters 9, no. 10 (October 1, 2014): 104015. http://dx.doi.org/10.1088/1748-9326/9/10/104015.

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Baur, Louise A. "Child and adolescent obesity in the 21st century: an Australian perspective." Asia Pacific Journal of Clinical Nutrition 11 (December 2002): S524—S528. http://dx.doi.org/10.1046/j.1440-6047.11.supp3.9.x.

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Wang, Bin, De L. Liu, Garry J. O'Leary, Senthold Asseng, Ian Macadam, Rebecca Lines-Kelly, Xihua Yang, et al. "Australian wheat production expected to decrease by the late 21st century." Global Change Biology 24, no. 6 (January 15, 2018): 2403–15. http://dx.doi.org/10.1111/gcb.14034.

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Pepler, Acacia S., Alejandro Di Luca, Fei Ji, Lisa V. Alexander, Jason P. Evans, and Steven C. Sherwood. "Projected changes in east Australian midlatitude cyclones during the 21st century." Geophysical Research Letters 43, no. 1 (January 6, 2016): 334–40. http://dx.doi.org/10.1002/2015gl067267.

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Zhang, Xuebin, John A. Church, Didier Monselesan, and Kathleen L. McInnes. "Sea level projections for the Australian region in the 21st century." Geophysical Research Letters 44, no. 16 (August 16, 2017): 8481–91. http://dx.doi.org/10.1002/2017gl074176.

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Frederiksen, Jorgen S., and Stacey L. Osbrough. "Tipping Points and Changes in Australian Climate and Extremes." Climate 10, no. 5 (May 19, 2022): 73. http://dx.doi.org/10.3390/cli10050073.

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Systematic changes, since the beginning of the 20th century, in average and extreme Australian rainfall and temperatures indicate that Southern Australian climate has undergone regime transitions into a drier and warmer state. South-west Western Australia (SWWA) experienced the most dramatic drying trend with average streamflow into Perth dams, in the last decade, just 20% of that before the 1960s and extreme, decile 10, rainfall reduced to near zero. In south-eastern Australia (SEA) systematic decreases in average and extreme cool season rainfall became evident in the late 1990s with a halving of the area experiencing average decile 10 rainfall in the early 21st century compared with that for the 20th century. The shift in annual surface temperatures over SWWA and SEA, and indeed for Australia as a whole, has occurred primarily over the last 20 years with the percentage area experiencing extreme maximum temperatures in decile 10 increasing to an average of more than 45% since the start of the 21st century compared with less than 3% for the 20th century mean. Average maximum temperatures have also increased by circa 1 °C for SWWA and SEA over the last 20 years. The climate changes in rainfall an d temperatures are associated with atmospheric circulation shifts.

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West, J. G. "Floristics and biodiversity research in Australia: the 21st century." Australian Systematic Botany 11, no. 2 (1998): 161. http://dx.doi.org/10.1071/sb97044.

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Australian botany has reached the point where the vascular flora of this country is relatively well documented; we have sound basic information on what species are present, and where they occur (geographically and ecologically). The real challenge facing plant systematists now is to grasp the inspiring opportunities that exist in the areas of floristics and biodiversity research. The time has come to capitalise on the enormous existing knowledge base. This includes ‘mobilising’ the data we have and promoting potential usage by making clients aware of the quality and nature of the information. Australia has the international-level expertise and the institutional mechanisms to make this happen. We need to build political goodwill within State and Commonwealth agencies to develop strong national linkages. This would enhance the accessibility and applicability of existing baseline datasets, e.g. specimen and taxon databases should be transparently interchangeable and readily available to all potential clients. Although our basic floristic knowledge is good, our understanding of phylogenetic, evolutionary and biogeographic patterns of major Australian plant groups is lacking. Such analyses will ensure accurate predictions and advice on conservation and exploitation of elements of the flora. Future research should concentrate on understanding the processes operating at the genetic and species level in order to answer critical questions about ecosystem functioning. Modern technology will be utilised, particularly in information systems and molecular techniques. Systematists have a clear obligation under the National Biodiversity Strategy to contribute information essential to conservation of biodiversity and to land-use decision making.

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Alexander, Elinor, and Alan Sansome. "Shaping the Cooper Basin's 21st century renaissance." APPEA Journal 52, no. 2 (2012): 690. http://dx.doi.org/10.1071/aj11104.

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The Department of Manufacturing, Innovation, Trade, Resources and Energy (DMITRE) SA has been successfully using competitive acreage releases to manage highly prospective Cooper Basin acreage since 1998. The expiry of long-term exploration licenses enabled the most significant structured release of onshore Australian acreage in the industry’s history—it has generated: 32 petroleum exploration licences (PELs) from ~70,000 km2 acreage; $432 million in guaranteed work program bids; 70 new field discoveries; $107.6 million royalties and $1.4 billion sales;and, increased gas supply-side competition. Cooper acreage turnover has also changed the makeup of Australia’s onshore exploration industry from numerous company-making discoveries. Since 1998, 10 acreage releases have been staged, enabled by the Petroleum Act 2000 (now the Petroleum and Geothermal Energy Act 2000), conjunctive agreements with Native Title claimants, access to multiple-use Innamincka and Strzelecki Regional Reserves, and transparent application and bid assessment processes. Despite delays, most recently due to flooding, all but three of the original PELs are in their second term and relinquished acreage has been incorporated into subsequent releases. All work-program variations have been kept above the second bid score (except one, where the second ranked bidder was consulted and approved the change) preserving bidding system integrity. DMITRE is planning new Cooper Basin acreage releases while contemplating acreage management options for emerging unconventional plays. Industry input to map the best possible future for the SA Cooper Basin continues to be welcomed.

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Gracheva, Svetlana M. "Portrait in Contemporary Russian Painting in the Context of World Art: A Typology of the Genre." Vestnik of Saint Petersburg University. Arts 11, no. 4 (2021): 636–48. http://dx.doi.org/10.21638/spbu15.2021.404.

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In Russian fine art, portrait painting has been traditionally distinguished by extraordinary variety and depth, reflecting the figurative and stylistic searches of artists of different periods. Russian art historians have comprehensively studied the portrait genre in the history of art. At the same time, the well-established classification of genres does not allow to take into account completely the variety of trends and approaches to the depiction of a person in contemporary art. The understanding of the portrait genre’s boundaries in contemporary art is extremely blurred. Sometimes it means either any image of a person, or even the absence of one at all. It appears essential and important to consider the work of Russian artists in the context of international visual art practices to compose a more holistic picture connected with general cultural development. The article proposes to expand the established typology of the portrait genre adopted in Russian art. The already well-known typology of portrait painting can be updated with other types of portrait based on the semantic and semiotic analysis of artistic works of the late 20th — 21st century. It is important to study contemporary Russian portrait painting from the perspective of a variety of typological models, and to use the new language of contemporary art history to understand the processes taking place in Russian painting of the late 20th — 21st century, in order to facilitate the entry of Russian art into the international cultural context. An idea has been matured to create a National Portrait Gallery in Russia which would collect portraits and self-portraits of the greatest personalities of our era in a real and virtual space.

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Gunapala, Matara, Alan Montague, Sue Reynolds, and Huan Vo-Tran. "Managing Change in University Libraries in the 21st Century: An Australian Perspective." Journal of the Australian Library and Information Association 69, no. 2 (April 2, 2020): 191–214. http://dx.doi.org/10.1080/24750158.2020.1756598.

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Millmow, Alex. "A BRIEF NOTE ON AUSTRALIAN ECONOMICS DEGREE ENROLMENTS IN THE 21st CENTURY." Economic Papers: A journal of applied economics and policy 23, no. 3 (September 2004): 211–12. http://dx.doi.org/10.1111/j.1759-3441.2004.tb00366.x.

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Cokley, John. "Journalism at the Speed of Bytes: Australian newspapers in the 21st century." Digital Journalism 1, no. 2 (June 2013): 287–89. http://dx.doi.org/10.1080/21670811.2012.744562.

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Levy, Florence, and Florence Levy. "Project for a Scientific Psychiatry in the 21st Century." Australian & New Zealand Journal of Psychiatry 36, no. 5 (October 2002): 595–602. http://dx.doi.org/10.1046/j.1440-1614.2002.01051.x.

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Objective: To discuss potential advances in neuroscientific knowledge in the 21st century, enabling the realization of Freud's original vision of a basic biological science and an associated metapsychology. Results: The Australian Twin Study of Attention Deficit Hyperactivity Disorder (ADHD) has demonstrated the high heritability of the core symptoms of ADHD, as well as showing important genetic and environmental influences on comorbid conditions. Brain mapping techniques suggest that working memory, as measured by an A–X Continuous Performance Task, is important in ADHD. Methods: To outline the development of our own clinical research into ADHD, and the potential for future behaviour and molecular genetic approaches. Conclusions: The 21st century promises new and exciting developments in phenomenology, genetics, and neuroscientific understandings in Child Psychiatry.

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Clark, Jane E. "Pentimento: A 21st Century View on the Canvas of Motor Development." Kinesiology Review 6, no. 3 (August 2017): 232–39. http://dx.doi.org/10.1123/kr.2017-0020.

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How we understand the emergence and development of motor behavior and skillfulness has itself developed over the last 50 years. In reflecting on the history of motor development, it is important to recognize that these ‘reflections’ are much like the painter’s “pentimento.” That is, the ‘canvas’ we paint today of what our science was decades ago is actually a painting with many layers—each representing where our views have changed along the journey. I do not “repent” with these reflections, as suggested by the term, pentimento, but rather I seek to bring a developmental perspective to our scientific inquiries into motor development with an element of a revisionist’s approach. What were the key discoveries and the seminal papers that influenced our canvas of motor development that we view today? Almost three decades ago, we (Clark & Whitall, 1989) outlined an historical framework for the field of motor development. Today, we can look back at that framework and the ensuing science and consider where we have been and what we have learned and ask: What does the pentimento of our motor development canvas reveal?

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Baltaziuk, Iryna. "The Sacred in the Symbols of Ukrainian Painting at the Turn of the 21st Century." Roczniki Kulturoznawcze 12, no. 2 (June 17, 2021): 143–56. http://dx.doi.org/10.18290/rkult21122-9.

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Contemporary art as a measure of social consciousness becomes a reference point for finding the boundary between the sacred and the anti-sacred, the aspect that acting as a mirror becomes a reflection of reality, and only at first glance, it speaks of identity but is not true in its essence. Through the semantic key of the symbols of mirroring and reflecting, in the knowledge of the true picture, from divine emptiness to holy fullness, a dialogue of contemporary Ukrainian artists with Kazimir Malevich is formed. The most powerful example of this dialogue is created in the works of Ukrainian classics Oleksandr Dubovyk, Oleksandr Roitburd, and Oleksandr Klymenko. On this path, artists are helped by the heritage of the Ukrainian ethnos, which harmoniously combines the memory of Trypillia culture, national symbols, traditions of icon painting, the school of Mykhailo Boychuk and much more. This article focuses on the sacred in the symbols of contemporary Ukrainian painting that absorbs the most characteristic signs, codes, and ciphers of the previous centuries, transferring spirituality into the 21st century. The transformation of religious symbols into contemporary ones, in consequence of building a discourse with mass culture, generates them into a new cultural code. The semantics of mass culture gives the visual material that forms the sacredness of the 21st century, which exists on the border of the material and the spiritual, as a reflection of the myth. The works of art by Nina Murashkina, Andriy Tsoy, and Mykyta Tsoy are a striking example of that. The sacred in which the mystery of real life is concentrated can endow thinking with a true, rather than an imaginary essence and provide a tool for solving the problem of individuality, freedom, and existence, which the new century is filled with.

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Mehra, Bharat, and Rebecca Davis. "A strategic diversity manifesto for public libraries in the 21st century." New Library World 116, no. 1/2 (January 12, 2015): 15–36. http://dx.doi.org/10.1108/nlw-04-2014-0043.

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Purpose – The purpose of this research-based philosophical piece is to present a progressive manifesto for public libraries in the 21st century to address gaps in embracing diversity in its holistic dimensions and representing such information in their strategic planning and web documentations. Design/methodology/approach – Content analysis of public library websites in the USA informed the development of a Strategic Diversity Manifesto that includes the “who”, the “what” and the “how” components to describe and discuss diversity-related matters in their strategic planning and web representations. Findings – The Strategic Diversity Manifesto provides a mechanism for individual public library agencies, in their localized context and environment, to strategically inquire, describe, discuss, reflect, analyze and translate into concretized actions their picture of diversity as grounded in the reality of their representative communities. Originality/value – The Strategic Diversity Manifesto presents a more a comprehensive and consolidated picture of diversity beyond isolated strategies seen in past efforts. It is a broader level of analysis and “picture painting” of the agency’s context, which may not be as detailed as compared to other modes of description, though as a result, it is more holistic instead of fragmentary. The aim is first and foremost to provide a basis for reflective thought and discussion.

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Watson, Michelle. "Concerns for Skills Shortages in the 21st Century: A Review into the Construction Industry, Australia." Construction Economics and Building 7, no. 1 (November 22, 2012): 45–54. http://dx.doi.org/10.5130/ajceb.v7i1.2977.

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The Australian Construction Industry is now facing skills shortages in all trades. As an industry focused on the skill of its workforce, there is now concern the Australian standard in quality, workmanship, and productivity will inhibit both at national and international level.This research paper addresses the underlying, influential factors concerning skills shortages in the Australian construction industry. The influential factors addressed include funding, training statistics, employer expectations, financial limitations, Industrial Relations and immigration. Given the reference to skills shortages within the industry, and documented in related literature, if skills shortages are to continue to exist, their effect will impact upon the overall performance of construction companies throughout Australia.

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Miles, N. G., C. T. Walsh, G. Butler, H. Ueda, and R. J. West. "Australian diadromous fishes – challenges and solutions for understanding migrations in the 21st century." Marine and Freshwater Research 65, no. 1 (2014): 12. http://dx.doi.org/10.1071/mf12340.

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Diadromous fishes are a frequent but poorly understood component of coastal riverine fish communities in Australia. There are ~33 diadromous fishes found in Australian waters, mainly catadromous and amphidromous species. An extensive review of the literature identified major information gaps about the lifecycles and ecology of many of these species, with information on facultative diadromy, navigation, marine and early life stages being particularly limited. In many cases, this lack of information has led to poor management decisions and consequently many of the Australian diadromous species are under increasing threat from a range of environmental impacts. Much of the required information is difficult to obtain with traditional field surveys and, as a result, new and improved research tools and technologies, including telemetry, otolith chemistry, stable-isotope analysis (SIA) and functional magnetic resonance imaging (fMRI) are increasingly being applied. Key areas for research on Australian diadromous fishes should involve: (1) use of telemetry and otolith chemistry to determine the level of facultative diadromy and variation in diadromous movements across a species range; (2) use of otolith chemistry and SIA to gain a greater understanding of larval and juvenile marine life stages of catadromous and amphidromous species; and (3) use of fMRI or traditional techniques such as electroolfactogram (EOG) to determine the role of olfaction in spawning and migration, and the impact of impoundments and agricultural run-off on these critical life history stages.

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Sharaeva, Tatyana I. "Особенности иконографии в калмыцкой вышивке: традиционные и современные практики." Oriental Studies 14, no. 2 (July 20, 2021): 314–36. http://dx.doi.org/10.22162/2619-0990-2021-54-2-314-336.

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Introduction. The Kalmyks are a Mongolic Buddhist people that arrived in the Volga region in the 17th century. The specific ethnic features of Buddhism professed by the Kalmyks took shape over centuries of Russian suzerainty and were determined by various historical factors, including prolonged remoteness from Buddhist centers, the total eradication of Buddhist monasteries and centuries-long ban on spiritual guidance experienced in the 20th century, and the official Buddhist restoration by the early 21st century. Goals. The work aims at identifying and comparing traditional and contemporary Buddhist thangka patterns as elements to mirror particular features of Kalmyk iconography, as essential objects of religious cult and cultural heritage at large. Results. The paper shows that in the pre-20th century period Kalmyks used different techniques for producing thangkas — painting, embroidery, and applique ones. In the late 18th century onwards, imports of religious attributes from Tibet and Mongolia were restricted, and the role of art workshops affiliated to local Buddhist temples increased. That resulted in further development of thangka painting schools and the shaping of somewhat ethnic style in depicting Buddhist deities characterized by certain differences from canonical images. The old thangkas from private and public collections have served a basis for the restoration of ethnic painting traditions integral to Kalmykia’s Buddhism proper. The contemporary practices of producing divine images are closely related to stages in the regional development of Buddhism from the late 20th century to the present, lay Buddhist experiences, women’s leisure-time activities, and ethnic entrepreneurship. The study concludes contemporary Kalmyk needlewomen are guided by traditional rules of religious craftsmanship.

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Findlay, JK. "Reproductive biology and the Australian Society for Reproductive Biology in the 21st century." Reproduction, Fertility and Development 7, no. 5 (1995): 1021. http://dx.doi.org/10.1071/rd9951021.

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Dunstan, David. "Australian Local Government and Community Development: From Colonial Times to the 21st Century." Australian Historical Studies 45, no. 1 (January 2, 2014): 133–34. http://dx.doi.org/10.1080/1031461x.2014.877785.

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Vromen, Ariadne, and Anika Gauja. "The study of Australian politics in the 21st century: a comment on Melleuish." Australian Journal of Political Science 51, no. 2 (April 2, 2016): 355–60. http://dx.doi.org/10.1080/10361146.2016.1174056.

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Williams, Theresa Maureen, and Geoffrey Paul Smith. "Laying new foundations for 21st century community mental health services: An Australian perspective." International Journal of Mental Health Nursing 28, no. 4 (March 22, 2019): 1008–14. http://dx.doi.org/10.1111/inm.12590.

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Fleischmann, Andreas. "The huge scientific footprint of Allen James Lowrie (1948 – 2021)." Carnivorous Plant Newsletter 51, no. 1 (March 1, 2022): 22–39. http://dx.doi.org/10.55360/cpn511.af192.

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Allen Lowrie was a not a university trained botanist. He was a botanist by passion. His studies and observations of Australian carnivorous plants and triggerplants for about a half-century will inevitably impact every person with an interest in those plants from the Australian flora. It is not an exaggeration to claim that he was probably the most influential person regarding our recent understanding and knowledge of the carnivorous plant flora of Australia. No other botanist – neither 20th or 21st Century nor before – discovered and described to science more new carnivorous plant species or triggerplants.

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Joseph, Dawn, and Bradley Merrick. "Australian music teacher’ reflections and concerns during the pandemic: Resetting the use of technologies in 21st century classroom practice." Teachers' Work 18, no. 2 (December 10, 2021): 109–26. http://dx.doi.org/10.24135/teacherswork.v18i2.325.

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Classroom practice around the globe has changed considerably due to the global pandemic. Although ICT (information and communication technology) is at the heart of 21st century teaching and learning, many teachers and students had to make significant adjustments shifting from face-to-face to remote (online) delivery in response to lockdowns and government restrictions since March 2020. This paper focuses on one focal question: ‘What were some of the concerns using ICT during Covid-19 pandemic?’ which was part of a wider Australian study ‘Re-imaging the future: music teaching and learning, and ICT in blended environments in Australia’. The authors seek to understand how music teachers look to employ technology in ways that connect teaching frameworks to 21st century classroom practice. As part of the ongoing study, they present preliminary survey data gathered between March–June 2021 from a range of music teachers around the country. Using thematic analysis, they discuss advantages, disadvantages, opportunities, and challenges in relation to responses that thematically relate three key elements: pedagogy, social interaction, and technology. They identify concerns and call on music educators to reset what, how, and why they teach when using technology to develop 21st century competencies, as the future of schooling continues to change its landscape due to the pandemic.

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Journal articles on the topic 'Painting, Australian 21st century'

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