Dissertations / Theses on the topic 'Painters'
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Herbert, Lynley Anne. "Duccio di Buoninsegna icon of painters, or painter of 'icons'? /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 4.69 Mb., 57 p, 2006. http://wwwlib.umi.com/dissertations/fullcit/1435856.
Full textBrewer, Rhett, of Western Sydney Nepean University, of Performance Fine Arts and Design Faculty, and School of Design. "Paint, painters and primary perception." THESIS_FPFAD_SD_Brewer_R.xml, 1996. http://handle.uws.edu.au:8081/1959.7/300.
Full textMaster of Arts (Hons)
Brewer, Rhett. "Paint, painters and primary perception." Thesis, View thesis, 1996. http://handle.uws.edu.au:8081/1959.7/300.
Full textBrewer, Rhett. "Paint, painters and primary perception." View thesis, 1996. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030903.175546/index.html.
Full textWinterbottom, Susan. "Mantegna and Venetian painters c. 1440-1516." Thesis, Courtauld Institute of Art (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392096.
Full textCARDOSO, FERNANDA DE ABREU. "VERNACULAR GRAPHIC DESIGN: ART OF THE LETTER PAINTERS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2003. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4201@1.
Full textThis dissertation intends to analyse the production of graphical material proceeding from popular social groups, which is herein named Graphic Vernacular Design. The focus of the work is to analyse this phenomenon through theoretical research, surveys, observation and graphical analyses of the object at issue, observing the social context in which that production arises, what defines it and the use of such objects. The object of study is based on a set of signs featured by three categories of business and services, such as: bars, restaurants and snack-bars; hairdressers and locksmiths registered in the city of Rio de Janeiro. From the observation and analysis of a handmade set of signs made by skilled professionals in that area of production, the so-called letter painters, this piece of work also investigates the existence of a particular language in that kind of production. The research takes as principle the fact that legitimation instances proceeding from different social groups impose values and rules of judgement which affect the production of a field of production of symbolic goods as occurs with the design. The importance of this study is based on the fact that the production of graphic vernacular design, even though characterizing a handmade production in a post- industrial society is still a regular practice in the country. That kind of production lives together with the production of cultured graphic design inside the same society: however, both fields of production are formed to attend the needs of distinct social groups.
Wheatley, Debra Jane. "The metaphysical works of David Scott, RSA "the Scottish Blake" and his symbolist tendencies." Thesis, University of Aberdeen, 2008. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=211388.
Full text羅淑敏 and Suk-mun Sophia Law. "In pursuit of classical professionalism: a consistent feature of Zhang Daqian and his art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222900.
Full textParlett, Shiori. "Kayama Matazo's Nihonga." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B3122832X.
Full textSilva, Viviane Rummler da. "Pintores fundadores da Academia de Belas Artes da Bahia: João Francisco Lopes Rodrigues (1825-1893) e Miguel Navarro y Cañizares (1834-1913)." Programa de Pós- Graduação em Artes Visuais da UFBA, 2008. http://www.repositorio.ufba.br/ri/handle/ri/9855.
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O trabalho Pintores fundadores da Academia de Belas Artes da Bahia: João Francisco Lopes Rodrigues (1825-1893) e Miguel Navarro y Cañizares (1834-1913) foi desenvolvido como atividade do Curso de Mestrado em Artes Visuais (MAV) da Universidade Federal da Bahia (UFBA), com inserção na linha de História da Arte Brasileira (ênfase Norte / Nordeste). Tem como objeto de pesquisa os pintores Miguel Navarro y Cañizares e João Francisco Lopes Rodrigues, integrantes do grupo de fundadores da Academia de Belas Artes da Bahia, hoje Escola de Belas Artes (EBA) da UFBA, da qual o primeiro foi fundador-idealizador e o segundo professor-fundador. Nesse estudo é investigada cientificamente a atuação artística e profissional/institucional, bem como são analisadas obras dos referidos pintores. São consideradas suas relações profissionais e artísticas com o meio sócio-cultural e a citada Academia de Belas Artes. Desse modo busca-se compreender contextos e contribuições para a institucionalização acadêmica do ensino das artes plásticas na Bahia. Tal pesquisa compreendeu duas fases. Uma indireta, que se constituiu de uma pesquisa bibliográfica (ou de fontes secundárias) e documental (ou de fontes primárias). A segunda, direta, compreendeu pesquisa de campo. Nesta, foram utilizadas técnicas de observação direta intensiva para estudo analítico-descritivo da produção artística dos biografados. Na pesquisa indireta aplicou-se as abordagens próprias da História da Arte: biográfica, sociológica e histórica. É feita descrição e análise de documentos e manuscritos encontrados, muitos deles até aqui inéditos na literatura, como também análise de dados bibliográficos, além da descrição de obras localizadas, sendo algumas inéditas. Considera-se que esta pesquisa contribui para o preenchimento de lacunas na busca de compreensão sobre a vida e atuação dos dois artistas em pauta, assim como de parte da história dos primórdios do ensino acadêmico das artes na Bahia.
Salvador
Verrall, Krys. "Five painters in Ottawa, the governance of exhibitionary spaces." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39244.pdf.
Full textSprague, Abbie Noel. "The craftsman painters of the arts and crafts movement." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609045.
Full textTongo, Gizem. "Ottoman painting and painters during the First World War." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:93232fd7-f634-4b8c-a6f7-16e7eb13b179.
Full textLalvani, Tasha. "Indian women painters from the 1970s to the 1990s with special reference to the work of Arpana Caur." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228276.
Full textHenry, Thomas Fitzgerald Kennedy. "Luca Signorelli in the 1940s." Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243949.
Full textGriswold, William M. "The drawings of Piero di Cosimo." Thesis, Courtauld Institute of Art (University of London), 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294160.
Full textLaw, Suk-mun Sophia. "In pursuit of classical professionalism : a consistent feature of Zhang Daqian and his art /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21415341.
Full textLee, Sai-chong Jack. "Painting in western media in early twentieth century Hong Kong /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19668296.
Full textWue, Roberta. "Making the artist Ren Bonian (1840-1895) and portraits of the Shanghai art world /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3024730.
Full textXiu, Huajing. "Shanghai - Paris : Chinese painters in France and China, 1919-1937." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365677.
Full textChen, Ruoling. "Health effects of solvent exposure : a study of dockyard painters." Thesis, University of Aberdeen, 1997. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU100432.
Full textMannering, Hildegard Kirsten. "European stylistic influence on early twentieth century South African painters." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002207.
Full textHill, Christopher. "Balinese painting: Approaching the art of village painters across cultures." Thesis, Hill, Christopher (2001) Balinese painting: Approaching the art of village painters across cultures. Masters by Research thesis, Murdoch University, 2001. https://researchrepository.murdoch.edu.au/id/eprint/50828/.
Full textHudson, Anna. "Art and social progress, the Toronto community of painters, 1933-1950." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq27663.pdf.
Full textGerard-Austin, Anne. "The greatest voyage: Australian painters in the Paris salons, 1885-1939." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10462.
Full textTrigg, David. "Art books for the people : the Penguin Modern Painters, 1944-1959." Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738526.
Full textCavanaugh, Tracy A. "Through a painters eye: exploration in enameling: jewelry and wall panels." Thesis, Boston University, 1988. https://hdl.handle.net/2144/38015.
Full textPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
This publication is the discussion and examination of work produced for the degree of Masters of Fine Arts in enameling and metal work. The body of work created consists of enameled brooches and wall panels. The thesis paper documents the technical and aesthetic developments in painting and metals as they pertain to the thesis work, and discusses the landscape subjects which so strongly influence the images that I create. The work produced for the thesis show is discussed in the manner in which it was conceived, as groupings; or as series. Methods of manipulating enamels for specific visual and textural results, various enamel finishes, and the use of enamel oxides are documented. Metal techniques employed as well as the framing method devised for the presentation of the wall panels are also documented. References and key incluences are painters and artists working in metalsmithing and jewelry. In the painting field Narcisse Diaz, Charles-Francois Daubigny, Eduard Vuillard and George Inness are nineteenth century artists who greatly influenced my artistic development. In the metals field Charles Loloma, Georg Jensen and Rene Lalique are influences which established the foundations of my ideas and tastes in my jewelry . While at graduate school the work and teachings of enamelists Jamie Bennett and William Hellwig initiated the interests I developed for enameling. The paper is essentially an indepth analysis of the way in which I perceive my work, what I want to communicate to the viewer, and how and why I create the kinds of objects that I do.
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Sdegno, Emma. "The kind fire of words: rethoric and style in modern painters." Doctoral thesis, Università Ca' Foscari Venezia, 1998. http://hdl.handle.net/10579/468.
Full textSiu, Fun-kee, and 蕭芬琪. "The conventional and the individual in Fu Baoshi's (1904-1965) painting." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245912.
Full textMare, AE. "EL Greco's Italian paintings (1560-76) based on Bible texts." Acta Theologica, 2009. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001368.
Full textWalker, Virginia. "The concept of a 'Newlyn school' : its context and history." Thesis, Birkbeck (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.539900.
Full textBarilo, von Reisberg Eugene. "Tradition and innovation : official representations of Queen Victoria and Prince Albert by Franz Xaver Winterhalter /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7154.
Full textHoladay, Troy A. "Transcending inaccessibility : reassessing the Action Painters in the light of rhetorical theory." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1237767.
Full textDepartment of English
Bushley, Abigail Wechsler. "Differences in biomarkers of early renal change among painters, millwrights and carpenters." Available to US Hopkins community, 2003. http://wwwlib.umi.com/dissertations/dlnow/3080631.
Full textGibson, Katherine Mary Beatrice. "'Best belov'd of kings' : the iconography of King Charles II." Thesis, Courtauld Institute of Art (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243284.
Full textVolkmar, Karl Franklin. "Camille Pissarro's Jardinière (1884-1885) in the context of his early genre paintings: 1872-1886 /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262513410213.
Full textWoloshyn, Tania Anne. "Vers la lumiere: painters and patients on the Cote D'Azur, c.1887-1910." Thesis, University of Nottingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534028.
Full textConstantin, Stephanie. "The painters of the Barbizon circle and landscape painting : techniques and working methods." Thesis, Courtauld Institute of Art (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289372.
Full textGraves, Andrew. "A user's guide for painters and cyclists : very abstract painting and serious cycling." Thesis, Middlesex University, 2016. http://eprints.mdx.ac.uk/21175/.
Full textHoward, Samantha. "A new theatre of prospects : eighteenth-century British portrait painters and artistic mobility." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/2792/.
Full textWhitham, G. J. "The independent group at the Institute of Contemporary Arts : its origins, development and influences 1951-1961." Thesis, University of Kent, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244238.
Full textAllen, Ruth Esther. "Clement Greenberg : pure art in an impure world." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1144433966.
Full textSiu, Fun-kee. "The case of Wang Yiting (1867-1938) : a unique figure in early twentieth century Chinese art history /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21415274.
Full textClegg, Susan. "Blue shade hues : a study of blue pigments used by Romano-British wall-painters." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/48866/.
Full textBlair, Lorrie Christina. "A new look at an old barn : a field study of twenty Appalachian painters /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487687959966782.
Full textJody, Patterson. "Modernism for the masses : painters, politics and public murals in New Deal New York." Thesis, University College London (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690021.
Full textHeger, Mary Anise. "One cross, two painters the theology of the cross from an art-historic perspective /." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.
Full textPasco, Hélène. "When 19th century painters prepared organic-inorganic hybrid gels : physico-chemical study of « gumtions »." Electronic Thesis or Diss., Sorbonne université, 2019. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2019SORUS296.pdf.
Full textMediums were used by painters in order to modify the texture and drying properties of their paint. During the 19th century, British artists developed a particular medium made of siccative oil, mastic resin and lead acetate trihydrate. The so-called “gumtions” form gel-like materials in a relatively short time, outperforming the existing paint media. This thesis contributes unveiling the chemical processes involved in the formation and ageing of gumtions. As a first step, we focused on mastic resin since it is a key component for the preparation of gumtion. The triterpenic fraction of the resin was identified and quantified using GC and GC/MS. Moreover, we took advantage of Spectroscopic Ellipsometry so as to study the optical properties of varnish thin films as well as their behaviour (swelling) under various atmospheres. Then, we reproduced historical recipes that helped us afterwards to define simplified formulations to deepen the understanding of the chemical interactions between the gel components, made of oleanolic acid (commercial triterpenoid) and a lead compound (acetate or oxide). They were investigated at dierent scales by spectroscopic (FTIR, MASNMR) and supramolecular analyses (Cryo-TEM, SAXS). The use of these complementary techniques gives an overview of the gel’s structure and formation: rapidly, a coordination complex is formed between lead and the carboxylic acid moieties of the triterpenoids, that organizeinto2Dobjectsleadingtothesolid-likebehaviorofthematerial. After few months ageing, we observed the self-assembly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation.bly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation
Eikema, Hommes Margriet Henritha van. "Discoloration in Renaissance and Baroque oil paintings instructions for painters, theoretical concepts, and scientific data /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2002. http://dare.uva.nl/document/62348.
Full textRafee, Yakup Mohd. "Light and dark : a comparative analysis of selected painters based on tenebrism and chiaroscuro theory." Thesis, University of the West of England, Bristol, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557842.
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