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Books on the topic 'Painters – Denmark'

Author: Grafiati
Published: 29 July 2024
Last updated: 30 July 2024

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1

museum, Skagens, ed. I am Anna: A homage to Anna Ancher. Skagen: Skagens Museum, 2009.

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2

Steen, Neergaard, ed. --blaae som paafuglens bryst: Johan Friderich Bergsøes rejsedagbog 1867-69. København: Books on Demand, 2010.

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3

Lindboe, Ole. Kunst til grænsen: Billedkunst i Sønderjylland og Sydslesvig. København: Grænseforeningen, 2010.

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4

Fabritius, Elisabeth. Michael Ancher og det moderne gennembrud 1880-1890: En hel art ny billeder og bedre billeder fik overhaand. Skagen: Helga Anchers Fond, 1999.

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5

Fabritius, Elisabeth. Michael Ancher og det moderne gennembrud 1880-1890: En hel art ny billeder og bedre billeder fik overhaand. København: Christian Ejlers, 1999.

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6

Fabritius, Elisabeth. Michael Anchers ungdom: 1865-1880 : tålmodighed, udholdenhed, flid og et ikke ringe kvantum mod. [Denmark]: Helga Anchers fond, 1992.

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7

museum, Skagens, ed. Brøndum's dining room: In gratitude for happy days. Skagen: Skagens Museum, 2011.

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8

Stuart, Melinda Young. Danske herregårde og Amerika: Rejser i guldalderens Danmark og pionertidens USA med maleren Ferdinand Richardt. [Denmark]: Søllerød museum i samarbejde med Gammel Estrup Jyllands herregårdsmuseum og Nationalmuseet, 2003.

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9

Skagen: An Artists' Colony in Denmark. National Museum of Western Art, 2017.

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10

Malernes fagforening 1890-1990: Jubilæumsbog. Aalborg: Malernes fagforening i Aalborg, 1990.

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11

The Danish Girl. Phoenix Press, 2000.

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12

Danish Girl. Orion Publishing Group, Limited, 2015.

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13

The Danish Girl. Viking, 2000.

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14

The Danish Girl. Penguin (Non-Classics), 2001.

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15

Danish girl. Stock, 2001.

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16

Group, Research, Related Materials Research Group, and Paints Varnishes The Pigments. The 2000 Import and Export Market for Pigments, Paints, Varnishes and Related Materials in Denmark (World Trade Report). 2nd ed. Icon Group International, 2001.

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17

Popenhagen, Ron J. Modernist Disguise. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474470056.001.0001.

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This book chronicles and theorises face and body masking in arts and culture from the mid-nineteenth century to the new millennium. While featuring the modernist era in France, analyses include commentary on performers and visual artists from the margins of the European continent: Ireland and the Baltics; Denmark and the Mediterranean. Representations of silent Pierrots on stage are contrasted with images of fixed-form maskers and masquerades; two-dimensional depictions in paintings and photographs further the study of the form-altered human figure. The relationship of the European avant-garde with indigenous masquerade from Africa and the Americas is discussed and presented in a series of eighteen photographic counterpoints. Modernist explorations of the masked gaze and the nature of looking with the painted face are considered. Meanings suggested by the disguised body in motion and in stasis are investigated via citations of the work of a wide range of masqueraders: Akarova, Bernhardt, Cahun, Höch, Fuller, Mnouchkine, Stein and Wigman, as well as Artaud, Barrault, Cocteau, Copeau, Deburau, Fo, Milhaud and Picasso. Connections between modernist disguising with manifestations of masquerade in daily life, fashion, fine art, media, opera and theatre are proposed while arguing that masking and the carnivalesque are omnipresent in contemporary culture. Modernist Disguise provides greater understanding of the impact of facial masking upon everyday interactions and perceptions experienced, for instance, during the ongoing COVID-19 pandemic. The book proposes an interdisciplinary and international lexicon for critical conversation on masking objects, mask play and masquerade as performance.
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