Academic literature on the topic 'Overpaintings'
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Journal articles on the topic "Overpaintings"
Hawker, Rosemary. "Painting Over Photography: Questions Of Medium In Richter's Overpaintings." Australian and New Zealand Journal of Art 8, no. 1 (January 2007): 42–59. http://dx.doi.org/10.1080/14434318.2007.11432779.
Full textCiofini, D., I. Osticioli, A. Pavia, and S. Siano. "Removal of overpaintings from easel paintings using LQS Nd:YAG laser." Applied Physics A 117, no. 1 (February 26, 2014): 341–46. http://dx.doi.org/10.1007/s00339-014-8318-2.
Full textSucevic Miklin, Maja. "Overpaints and inpainting on the “Black flag” by Ljubo Babić." Ge-conservacion 18, no. 1 (December 10, 2020): 291–97. http://dx.doi.org/10.37558/gec.v18i1.848.
Full textGiorgi, Rodorico, Michele Baglioni, and Piero Baglioni. "Nanofluids and chemical highly retentive hydrogels for controlled and selective removal of overpaintings and undesired graffiti from street art." Analytical and Bioanalytical Chemistry 409, no. 15 (April 10, 2017): 3707–12. http://dx.doi.org/10.1007/s00216-017-0357-z.
Full textSeyller, John. "Overpainting in the Cleveland Tutinama." Artibus Asiae 52, no. 3/4 (1992): 283. http://dx.doi.org/10.2307/3249892.
Full textJoseph, Ron. "Can overpainting affect car prices?" Metal Finishing 104, no. 2 (February 2006): 48–49. http://dx.doi.org/10.1016/s0026-0576(06)80011-5.
Full textPiqué, Francesca, and Giacinta Jean. "ETHICAL CHALLENGES IN THE CONSERVATION OF THE WALL PAINTINGS OF CHAPEL 11 AT THE SACRO MONTE DI VARALLO." Protection of Cultural Heritage, no. 8 (December 20, 2019): 255–68. http://dx.doi.org/10.35784/odk.1092.
Full textExe Christoffersen, Erik. "Samtidskunst, repræsentation og remediering." Peripeti 19, S11 (November 29, 2022): 166–81. http://dx.doi.org/10.7146/peri.v19is11.134860.
Full textApostol, I., V. Damian, F. Garoi, I. Iordache, M. Bojan, D. Apostol, A. Armaselu, P. J. Morais, D. Postolache, and I. Darida. "Controlled removal of overpainting and painting layers under the action of UV laser radiation." Optics and Spectroscopy 111, no. 2 (August 2011): 287–92. http://dx.doi.org/10.1134/s0030400x11080054.
Full textKisová, Zuzana, Jelena Pavlović, Lucia Šefčiková, Mária Bučková, Andrea Puškárová, Lucia Kraková, Alena Opálková Šišková, Angela Kleinová, Zuzana Machatová, and Domenico Pangallo. "Removal of overpainting from an historical painting of the XVIII Century: A yeast enzymatic approach." Journal of Biotechnology 335 (July 2021): 55–64. http://dx.doi.org/10.1016/j.jbiotec.2021.06.008.
Full textDissertations / Theses on the topic "Overpaintings"
Fili, Kalliniki. "Der lidlose Blick oder das Geheimnis der Faszination." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2009. http://dx.doi.org/10.18452/15884.
Full textIn this paper a new theoretical horizon is opened that goes far beyond a mere analysis of Mueller’s “Bildbeschreibung”. The text though is meticulously examined in terms of its intertextuality and serves mainly as a case study of a new approach to the ancient myth. Mueller’s work has a strong affinity to the visual arts, especially the “overpainting” technique, which is thoroughly used in “Bildbeschreibung”. In this paper this particular relationship is highlighted and through the use of specific examples from the visual arts is made explicit and put into context. Mueller’s carefully selected “signs” are decodified through a close reading. There is the attempt to find the codes of Mueller’s oeuvre, using the prototypical texts and images. These codes are located and described in “a language that no one can read”. The present paper provides concrete proof that such an approach to the material is possible. The analytical framework ranges from the Minoan death cult to the traditional Japanese No-theatre. The paper also makes use of the historicity of the mythical imagery and of elements of the history of art and cinematographic studies. The result is a new theoretical field into Heiner Mueller’s work that is mainly anchored in the disciplines of literary studies, history and philosophy.
Touzet, Jean-Rémi. "Les deux réalités : surpeinture et sousimages dans l’œuvre de Gerhard Richter (1956-2016)." Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100099.
Full text"The picture is the depiction, and the painting is the technique for shattering it" (Richter 1991). This thesis analyzes the dialectic between painting and images in Richter's work, not in terms of mediums but in its power to metaphorize the links between culture and nature, society and the individual, architecture and the body, etc. Gradually, it focuses on the idea and practice of overpainting [Übermalung]. A first part is devoted, from the GDR to the FRG, to the transition from a representation of social health to an "Augenklinik", an exploration of the artist's "average health", the impurity of images, whether hygienic, political or artistic, and of vision (1956-1967). A second part consists in two iconological studies of works that bring the body and vision closer to the structure of stairs by superimposition or juxtaposition: Ema (Nude on a Staircase) (1966) and Kugelobjekt (1969-1970). Repositioning this union in Western visual culture, particularly that of the 1960s, it points to Richter's research on the empowerment of painting, vision and the individual from any social setting. In this perspective, the little-known body of work of the overpainted photographs (1986; 1989-2016) is then presented. It is analyzed, based on the artist's words and writings, as a metaphor for the overcoming of art and culture in the context of the years 1986-1990: the "historians’s dispute", the ecological catastrophes and the fall of the Berlin Wall. Finally, based on new iconographic interpretations and unpublished source images, overpainting as a flow of history is studied around three dates: February 14, 1945, October 18, 1977, and September 11, 2011
CIOFINI, DANIELE. "REMOVAL OF VARNISH AND OVERPAINT LAYERS FROM EASEL PAINTINGS USING PULSED Nd:YAG LASERS." Doctoral thesis, 2015. http://hdl.handle.net/2158/1003245.
Full textBooks on the topic "Overpaintings"
Rainer, Arnulf. Bible overpaintings: From the Sammlung Frieder Burda. Ostfildern-Ruit: Hatje Cantz, 2000.
Find full textWeissbach, Georg, Franz Hempel, and Franciska Zólyom. Georg Weissbach: The joy of overpainting. Leipzig: Lubok Verlag, 2021.
Find full text(Contributor), Rudi Fuchs, Helmut Friedel (Editor), and Arnulf Rainer (Photographer), eds. Arnulf Rainer: Bible Overpaintings from the Sammlung Frieder Burda. Hatje Cantz Publishers, 2001.
Find full textBook chapters on the topic "Overpaintings"
Sawicki, Malgorzata, Emma Rouse, Sofia Lo Bianco, and Seela Kautto. "An Investigation of the Feasibility of the Use of Gels and Emulsions in Cleaning of Gilded Wooden Surfaces. Part A: Removal of Brass-Based Overpainting." In Cultural Heritage Science, 1–36. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11054-3_1.
Full textStevanović, Tijana, and Sophie Read. "Overpainting that jostles." In Architecture and Feminisms, 49–53. Routledge, 2017. http://dx.doi.org/10.4324/9780203729717-6.
Full text"OVERPAINTING AND REPLICATING THE FACE:." In Face and Mask, 221–29. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv29sfzv4.22.
Full textSchaefer, Sarah C. "Epilogue: The Invisible Hand." In Gustave Doré and the Modern Biblical Imagination, 270–78. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190075811.003.0007.
Full text"19 Overpainting and Replicating the Face: Signs of Crisis." In Face and Mask, 221–29. Princeton University Press, 2017. http://dx.doi.org/10.1515/9780691244594-020.
Full textBauman, Matthew. "Chapter 5 THE TRANSGRESSION OF OVERPAINTING Jürgen Böttcher’s Radical Experiments with Intermediality in Transformations (1981)." In Moving Frames, 101–21. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781800733770-008.
Full textConference papers on the topic "Overpaintings"
Hontzopoulos, E., C. Fotakis, and M. Doulgeridis. "Art conservation studies by excimer laser." In The European Conference on Lasers and Electro-Optics. Washington, D.C.: Optica Publishing Group, 1994. http://dx.doi.org/10.1364/cleo_europe.1994.cmb6.
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