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Academic literature on the topic 'Othlo'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Othlo"

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Dana, Kathleen Osgood, and Daniel Katz. "Otelo." World Literature Today 69, no. 3 (1995): 617. http://dx.doi.org/10.2307/40151521.

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Navarro Martínez, Rocío, Ana María Pérez-García, Ricardo Pérez-Martínez, Miguel Cerviño, Jesús Gallego, Ángel Bongiovanni, Laia Barrufet, et al. "The OTELO survey." Astronomy & Astrophysics 653 (September 2021): A24. http://dx.doi.org/10.1051/0004-6361/202140353.

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Aims. We study a sample of Hβ emission line sources at z ∼ 0.9 to identify the star-forming galaxies sample and characterise them in terms of line luminosity, stellar mass, star formation rate, and morphology. The final aim is to obtain the Hβ luminosity function of the star-forming galaxies at this redshift. Methods. We used the red tunable filter of the instrument Optical System for Imaging low Resolution Integrated Spectroscopy (OSIRIS) at Gran Telescopio de Canarias to obtain the pseudo spectra of emission line sources in the OTELO field. From these pseudo spectra, we identified the objects with Hβ emission. As the resolution of the pseudo spectra allowed us to separate Hβ from [O III], we were able to derive the Hβ flux without contamination from its adjacent line. Using data from the extended OTELO catalogue, we discriminated AGNs and studied the star formation rate, the stellar mass, and the morphology of the star-forming galaxies. Results. We find that our sample is located on the main sequence of star-forming galaxies. The sources are morphologically classified, mostly as disc-like galaxies (76%), and 90% of the sample are low-mass galaxies (M* < 1010 M⊙). The low-mass star-forming galaxies at z ∼ 0.9 that were detected by OTELO present similar properties as low-mass star-forming galaxies in the local universe, suggesting that these kinds of objects do not have a favorite epoch of formation and star formation enhancement from z ∼ 1 to now. Our sample of 40 Hβ star-forming galaxies include the faintest Hβ emitters detected so far. This allows us to constrain the faint end of the luminosity function for the Hβ line alone with a minimum luminosity of log L = 39 erg s−1, which is a hundred times fainter than previous surveys. The dust-corrected OSIRIS Tunable Emission Line Object survey (OTELO) Hβ luminosity function established the faint-end slope as α = −1.36 ± 0.15. We increased the scope of the analysis to the bright end by adding ancillary data from the literature, which was not dust-corrected in this case. The obtained slope for this extended luminosity function is α = −1.43 ± 0.12.
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Cedrés, B., Á. Bongiovanni, M. Cerviño, J. Nadolny, J. Cepa, J. A. de Diego, A. M. Pérez García, et al. "The OTELO survey." Astronomy & Astrophysics 649 (May 2021): A73. http://dx.doi.org/10.1051/0004-6361/202039880.

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Aims. In this paper, we aim to study the main properties and luminosity function (LF) of the [O II]3727 emitters detected in the OTELO survey in order to characterise the star formation processes in low-mass galaxies at z ∼ 1.43 and to constrain the faint-end of the LF. Methods. Here, we describe the selection method and analysis of the emitters obtained from narrow-band scanning techniques. In addition, we present several relevant properties of the emitters and discuss the selection biases and uncertainties in the determination of the LF and the star formation rate density (SFRD). Results. We confirmed a total of 60 sources from a preliminary list of 332 candidates as [O II]3727 emitters. Approximately 93% of the emitters have masses in the range of 108 < M*/M⊙ < 109. All of our emitters are classified as late-type galaxies, with a lower value of (u − v) when compared with the rest of the emitters of the OTELO survey. We find that the cosmic variance strongly affects the normalisation (ϕ*) of the LF and explains the discrepancy of our results when compared with those obtained from surveys of much larger volumes. However, we are able to determine the faint-end slope of the LF, namely, α = −1.42 ± 0.06, by sampling the LF down to ∼1 dex lower than in previous works. We present our calculation of the SFRD of our sample and compare it to the value obtained in previous studies from the literature.
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Bongiovanni, Ángel, Marina Ramón-Pérez, Ana María Pérez García, Jordi Cepa, Miguel Cerviño, Jakub Nadolny, Ricardo Pérez Martínez, et al. "The OTELO survey." Astronomy & Astrophysics 631 (October 14, 2019): A9. http://dx.doi.org/10.1051/0004-6361/201833294.

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Context. The evolution of galaxies through cosmic time is studied observationally by means of extragalactic surveys. The usefulness of these surveys is greatly improved by increasing the cosmological volume, in either depth or area, and by observing the same targets in different wavelength ranges. A multi-wavelength approach using different observational techniques can compensate for observational biases. Aims. The OTELO survey aims to provide the deepest narrow-band survey to date in terms of minimum detectable flux and emission line equivalent width in order to detect the faintest extragalactic emission line systems. In this way, OTELO data will complements other broad-band, narrow-band, and spectroscopic surveys. Methods. The red tunable filter of the OSIRIS instrument on the 10.4 m Gran Telescopio Canarias (GTC) is used to scan a spectral window centred at 9175 Å, which is free from strong sky emission lines, with a sampling interval of 6 Å and a bandwidth of 12 Å in the most deeply explored EGS region. Careful data reduction using improved techniques for sky ring subtraction, accurate astrometry, photometric calibration, and source extraction enables us to compile the OTELO catalogue. This catalogue is complemented with ancillary data ranging from deep X-ray to far-infrared, including high resolution HST images, which allow us to segregate the different types of targets, derive precise photometric redshifts, and obtain the morphological classification of the extragalactic objects detected. Results. The OTELO multi-wavelength catalogue contains 11 237 entries and is 50% complete at AB magnitude 26.38. Of these sources, 6600 have photometric redshifts with an uncertainty δ zphot better than 0.2 (1+zphot). A total of 4336 of these sources correspond to preliminary emission line candidates, which are complemented by 81 candidate stars and 483 sources that qualify as absorption line systems. The OTELO survey results will be released to the public on the second half of 2019.
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Ramón-Pérez, Marina, Ángel Bongiovanni, Ana María Pérez García, Jordi Cepa, Maritza A. Lara-López, José A. de Diego, Emilio Alfaro, et al. "The OTELO survey." Astronomy & Astrophysics 631 (October 14, 2019): A10. http://dx.doi.org/10.1051/0004-6361/201833295.

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Aims. We take advantage of the capability of the OTELO survey to obtain the Hα luminosity function (LF) at z ∼ 0.40. Because of the deepest coverage of OTELO, we are able to determine the faint end of the LF, and thus better constrain the star formation rate and the number of galaxies at low luminosities. The AGN contribution to this LF is estimated as well. Methods. We make use of the multiwavelength catalogue of objects in the field compiled by the OTELO survey, which is unique in terms of minimum flux and equivalent width. We also take advantage of the pseudo-spectra built for each source, which allow the identification of emission lines and the discrimination of different types of objects. Results. The Hα luminosity function at z ∼ 0.40 is obtained, which extends the current faint end by almost 1 dex, reaching minimal luminosities of log10Llim = 38.5 erg s−1 (or ∼0.002 M⊙ yr−1). The AGN contribution to the total Hα luminosity is estimated. We find that no AGN should be expected below a luminosity of log10L = 38.6 erg s−1. From the sample of non-AGN (presumably, pure SFG) at z ∼ 0.40 we estimated a star formation rate density of ρSFR = 0.012 ± 0.005 M⊙ yr−1 Mpc−3.
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Ramón-Pérez, Marina, Ángel Bongiovanni, Ana María Pérez García, Jordi Cepa, Jakub Nadolny, Irene Pintos-Castro, Maritza A. Lara-López, et al. "The OTELO survey." Astronomy & Astrophysics 631 (October 14, 2019): A11. http://dx.doi.org/10.1051/0004-6361/201833296.

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Aims. We take advantage of the capabilities of the OSIRIS Tunable Emission Line Object (OTELO) survey to select and study the AGN population in the field. In particular, we aim to perform an analysis of the properties of these objects, including their demography, morphology, and IR luminosity. Focusing on the population of Hα emitters at z ∼ 0.4, we also aim to study the environments of AGN and non-AGN galaxies at that redshift. methods. We make use of the multiwavelength catalogue of objects in the field compiled by the OTELO survey, unique in terms of minimum flux and equivalent width. We also take advantage of the pseudo-spectra built for each source, which allow the identification of emission lines and the discrimination of different types of objects. Results. We obtained a sample of 72 AGNs in the field of OTELO, selected with four different methods in the optical, X-rays, and mid-infrared bands. We find that using X-rays is the most efficient way to select AGNs. An analysis was performed on the AGN population of OTELO in order to characterise its members. At z ∼ 0.4, we find that up to 26% of our Hα emitters are AGNs. At that redshift, AGNs are found in identical environments to non-AGNs, although they represent the most clustered group when compared to passive and star-forming galaxies. The majority of our AGNs at any redshift were classified as late-type galaxies, including a 16% proportion of irregulars. Another 16% of AGNs show signs of interactions or mergers. Regarding the infrared luminosity, we are able to recover all the luminous infrared galaxies (LIRGs) in the field of OTELO up to z ∼ 1.6. We find that the proportion of LIRGs and ultra-luminous infraed galaxies (ULIRGs) is higher among the AGN population, and that ULIRGs show a higher fraction of AGNs than LIRGs.
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Bongiovanni, Ángel, Marina Ramón-Pérez, Ana María Pérez García, Miguel Cerviño, Jordi Cepa, Jakub Nadolny, Ricardo Pérez Martínez, et al. "The OTELO survey." Astronomy & Astrophysics 635 (March 2020): A35. http://dx.doi.org/10.1051/0004-6361/201833656.

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Context. The OSIRIS Tunable Filter Emission Line Object (OTELO) survey is a very deep, blind exploration of a selected region of the Extended Groth Strip and is designed for finding emission-line sources (ELSs). The survey design, observations, data reduction, astrometry, and photometry, as well as the correlation with ancillary data used to obtain a final catalogue, including photo-z estimates and a preliminary selection of ELS, were described in a previous contribution. Aims. Here, we aim to determine the main properties and luminosity function (LF) of the [O III] ELS sample of OTELO as a scientific demonstration of its capabilities, advantages, and complementarity with respect to other surveys. Methods. The selection and analysis procedures of ELS candidates obtained using tunable filter pseudo-spectra are described. We performed simulations in the parameter space of the survey to obtain emission-line detection probabilities. Relevant characteristics of [O III] emitters and the LF ([O III]), including the main selection biases and uncertainties, are presented. Results. From 541 preliminary emission-line source candidates selected around z = 0.8, a total of 184 sources were confirmed as [O III] emitters. Consistent with simulations, the minimum detectable line flux and equivalent width in this ELS sample are ∼5 × 10−19 erg s−1 cm2 and ∼6 Å, respectively. We are able to constrain the faint-end slope (α = −1.03 ± 0.08) of the observed LF ([O III]) at a mean redshift of z = 0.83. This LF reaches values that are approximately ten times lower than those from other surveys. The vast majority (84%) of the morphologically classified [O III] ELSs are disc-like sources, and 87% of this sample is comprised of galaxies with stellar masses of M⋆ < 1010 M⊙.
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Bongiovanni, Ángel, Marina Ramón-Pérez, Ana María Pérez García, Miguel Cerviño, Jordi Cepa, Jakub Nadolny, Ricardo Pérez Martínez, et al. "The OTELO survey." Astronomy & Astrophysics 637 (May 2020): C2. http://dx.doi.org/10.1051/0004-6361/201833656e.

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Nadolny, Jakub, Maritza A. Lara-López, Miguel Cerviño, Ángel Bongiovanni, Jordi Cepa, José A. de Diego, Ana María Pérez García, et al. "The OTELO survey." Astronomy & Astrophysics 636 (April 2020): A84. http://dx.doi.org/10.1051/0004-6361/201936205.

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Context. A sample of low-mass Hα emission line sources at z ∼ 0.4 was studied in the context of the mass-metallicty relation (MZR) and its possible evolution. We drew our sample from the OSIRIS Tunable Emission Line Object (OTELO) survey, which exploits the red tunable filter of OSIRIS at the Gran Telescopio Canarias to perform a blind narrow-band spectral scan in a selected field of the Extended Groth Strip. We were able to directly measure emission line fluxes and equivalent widths from the analysis of OTELO pseudo-spectra. Aims. This study aims to explore the MZR in the very low-mass regime. Our sample reaches stellar masses (M*) as low as 106.8 M⊙, where 63% of the sample have M* < 109 M⊙. We also explore the relation of the star formation rate (SFR) and specific SFR with M* and gas-phase oxygen abundances, as well as the M*-size relation and the morphological classification. Methods. The M* were estimated using synthetic rest-frame colours. Using an χ2 minimization method, we separated the contribution of [N II]λ6583 to the Hα emission lines. Using the N2 index, we separated active galactic nuclei from star-forming galaxies (SFGs) and estimated the gas metallicity. We studied the morphology of the sampled galaxies qualitatively (visually) and quantitatively (automatically) using high-resolution data from the Hubble Space Telescope-ACS. The physical size of the galaxies was derived from the morphological analysis using GALAPAGOS2/GALFIT, where we fit a single-Sérsic 2D model to each source. Results. We find no evidence for an MZR evolution from comparing our very low-mass sample with local SFGs from the Sloan Digital Sky Survey. Furthermore, the same is true for M*-size and M*-SFR relations, as we deduce from comparison with recent literature. Morphologically, our sample is mostly (63%) populated by late-type galaxies, with 13% of early-type sources. For the first time, we identify one possible candidate outlier in the MZR at z = 0.4. The stellar-mass, metallicity, colour, morphology, and SFR of this source suggest that it is compatible with a transitional dwarf galaxy.
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Esteban-Jiménez, Ó., C. Navarro-Pemán, and F. González-Rubio. "Síndrome de Otelo." SEMERGEN - Medicina de Familia 42, no. 1 (January 2016): 63–65. http://dx.doi.org/10.1016/j.semerg.2014.10.016.

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Dissertations / Theses on the topic "Othlo"

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Blay-Fornarino, Mireille, and Anne-Marie Pinna. "Un modèle objet logique et relationnel : le langage Othelo." Nice, 1990. http://www.theses.fr/1990NICE4359.

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Cette thèse a pour but d'intégrer dans un système unique certains résultats de la programmation par objets, de la programmation en logique et de la programmation par relations. Ce système est alors capable de modéliser les connaissances du monde extérieur dans un formalisme permettant de les manipuler symboliquement. Cette thèse est constituée de trois parties principales. Définition d'un modèle objet abstrait dans lequel les opérations élémentaires sous-jacentes aux mécanismes mis en œuvre dans un langage à objets (création, héritage, envoi de message) sont redéfinissables par un programmeur. Un langage issu de ce modèle peut autoriser : la création d'objets de structures internes différentes pouvant communiquer entre eux ; la définition de modes d'héritage complexes ; l'expression des exceptions et des cas particuliers. Apports d'inférence déclarative au modèle objet. Le langage Othello est une implantation en Prolog du modèle abstrait dans laquelle les principaux mécanismes ont été reconsidérés afin d'attribuer aux objets des comportements logiques. Citons : la définition de méthodes polymorphes, l'envoi de message à objets anonymes, des combinaisons et du contrôle sur les méthodes dans un graphe d'héritage et des capacités intrinsèques à raisonner. Aspect relationnel de la connaissance. L’idée est d'utiliser l'approche objet pour décrire un langage de relations et ainsi faciliter l'expression des relations de dépendance et le maintien automatique de leur cohérence. Une des originalités de cette proposition est la prise en compte des modifications intervenant sur l'objet maitre pour rétablir de façon incrémentale la cohérence. Les liens de la hiérarchie proposée permettent de décrire les relations d'héritage et d'implanter une interface graphique. Une quatrième partie illustre ce travail par une application en thermique
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Vale, Miréia Aparecida Alves do. "Iago : a figuração do mal em Otelo de William Shakespeare." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Letras, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000206098.

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A presente dissertação toma como ponto de partida as muitas vertentes que vêm sendo seguidas ao longo de séculos de estudos sobre a obra do dramaturgo inglês William Shakespeare e as muitas possibilidades que ainda se apresentam ao pensarmos na elaboração de uma pesquisa voltada para as temáticas presentes em suas peças. A partir daí escolhemos voltar nossa atenção para como se dá a construção de um vilão em sua peça Otelo (1604). Para tanto, nossa abordagem se dá através do viés da figuração do Mal presente na peça, onde temos Iago, o alferes que se empenha na aniquilação do general mouro. Em sua empreitada, Iago acredita-se preterido em função de Cassio, que assume o posto de tenente e, então, coloca em andamento seu plano de fazer Otelo acreditar que sua esposa Desdêmona o trai com Cassio. Na execução de sua trama, Iago emprega táticas de manipulação contra os demais personagens, passando-se por um homem honesto e sem máculas em seu caráter e, em virtude de como ele age, nossa proposta se constitui no estabelecimento de uma aproximação das atitudes do alferes com o maior arquétipo do Mal na cultura cristã: o Diabo. Buscamos alicerçar nosso estudo com uma fundamentação teórica que abrangesse um aparato geral da crítica acerca do autor, bem como um levantamento sobre os aspectos das estéticas teatrais grega, medieval e elisabetana e, por fim, considerações sobre a temática do Mal e da figuração do Diabo em textos literários para que, posteriormente, pudéssemos efetivar a análise de modo a buscar elementos na peça teatral que contribuíssem com a ideia de aproximação de Iago com o Diabo. Nesse sentido, trabalhamos com os críticos Heliodora (1997) e (2014), Bloom (1998), Harrison (s/d), Hugo (2000), Honan (2001) e Boquet (1989) para elencarmos os aspectos pertinentes conforme a crítica, seguidos de Nietzsche (2008) e (2011), Bataille (1989), Nogueira (1986), Agostinho (1999), Cousté (1996) e Kelly (2008) para a teorização sobre o Mal e a figuração do Diabo, para que, então, efetivássemos nossa análise estabelecendo aproximação com o Diabo através da relação com a teoria apresentada e fragmentos da peça escolhida para análise. Como resultado de nosso trabalho podemos constatar que, de fato, Otelo possui elementos significativos no que tange a constituição do vilão sobre a perspectiva do Mal, conforme nossa cultura ocidental cristã, o que é sustentado com trechos da peça, nos quais Iago executa seu plano, o que culmina na aniquilação daqueles que representam o Bem.
This essay takes as its starting point the many strands that have been followed for centuries of studies on the work of English playwright William Shakespeare and the many possibilities that still have to think about the development of a focused search for the themes present in his plays. From there we choose to turn our attention to how is building a villain in his play Othello. To this end, this approach is through the bias of evil's figuration present in the play, where we have Iago, the ensign that is committed to the annihilation of the Moorish general. In his endeavor, Iago is believed passed over for Cassio's benefit, who assumes the rank of lieutenant and then puts his plan in progress to make Othello believes that his wife Desdemona betrays him with Cassio. In the execution of his plot, Iago uses manipulative tactics against the other characters, disguised as an honest and untainted man in his character and, because of how he acts, our proposal is to establish an approximation of the ensign's actions with the greatest archetype of evil in the Christian culture: the Devil. We seek to consolidate our study with a theoretical basement that covering a general apparatus of criticism about the author, as well as a survey of the aspects of theatrical aesthetic Greek, medieval, Elizabethan and, finally, considerations about theme of evil and the devil's figuration in literary texts for later, we could effective the analysis in order to find elements in the play that contributed to the idea of approaching Iago with the Devil. This way, we used the represents of criticism Heliodora (1997) an (2014), Bloom (1998), Harrison (s/d), Hugo (2000), Honan (2001) e Boquet (1989) to show the relevant aspects according to them, and in the second moment we have Nietzsche (2008) and (2011), Bataille (1989), Nogueira (1986), Agostinho (1999), Cousté (1996) e Kelly (2008) to theorization about Evil and the Devil's figuration, so, we will be able to actualize our analyses establishing some approuche with the Devil through the relationship with theory presented and fragments of the chosen play. As result of our dissertation we can realize that, indeed, Othello has relevant elements in reference of the constitution of the villain about the prospect of the Evil, according our Christian western culture, which is sustained with parts of the play, in which Iago executes his plan, which culminates in the annihillation of those who represents the Good.
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Dourado, Ana Karícia Machado. "Chanchada: performance do insólito e paradoxo do comediante." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-31032014-120055/.

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Esta pesquisa procura compreender os diferentes desenhos plásticos assumidos pela chanchada em sua importante trajetória na história da cultura no Brasil no século XX. Na constituição da chanchada como performance do insólito várias práticas teatrais desempenharam um papel importante, mas acreditamos que foi sobretudo o trabalho dos atores e atrizes brasileiros que mais contribuiu para sua constituição. Presente em produções artísticas interessadas em figurar a insolidez da vida nacional e notando a importância do trabalho do ator Grande Otelo nesse processo, nosso interesse foi situar a trajetória existencial de vida de Grande Otelo compreendendo como ele foi constituído a partir da performance dos personagens que ele ajudou a constituir, ou seja, verificar quais as implicações da performance social e artística de uma certa dinâmica social brasileira, a dialética da malandragem, e da performance social e artística do insólito na constituição de uma subjetividade singular e concreta.
The present dissertation seeks to understand the different plastic forms taken by the chanchada in its significant trajectory in the Cultural History of Brazil. In chanchada\'s constitution as performance of the unusual, several theatrical practices had an important role, but we believe that the actors\' and actresses\' works were the main factor for its constitution. Noticing the relevance of Grande Otelo\'s work and the presence of artistic productions interested on figure national life\'s insolidity, we tried to situate the existential trajectory of Grande Otelo\'s life, understanding how it was formed by performances of characters which he helped to compose. In other words, we tried to verify how the social and artistic performance of the dialectics of the malandragem, a social dynamics, and the performance of the unusual implicates on the constitution of a singular and concrete subjectivity.
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Tavares, Enéias Farias. "OTELO O MOURO DE VENEZA, DE SHAKESPEARE: CRÍTICA E TRADUÇÃO LITERÁRIA." Universidade Federal de Santa Maria, 2007. http://repositorio.ufsm.br/handle/1/9773.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The play Othello - The moor of Venice by Shakespeare has had several translations in Brazil. Some of the translators are Onestaldo of Pennafort, Carlos Alberto Nunes, Barbara Heliodora and Beatriz Viegas-Faria. While Pennafort, Nunes and Heliodora translated the play using a ten-syllable verse, Viégas-Faria translated the tragedy in prose. The aim of this study is to analyze the reviews and the translations of the play in order to think about new possibilities of poetic translation of this Shakespearean play. This master's thesis, entitled "Othello The moor of Venice: Literary Criticism and Translation", is divided in five chapters. In the first chapter, "Sources and influences of the play", the main themes used by Shakespeare to compose his tragedy such as the medieval moralities; the Italian tale by Cinthio; the Italian characters of the Commedia Dell'Arte and the Elizabethan/Jacobean idea about the moors are analyzed. In the second, "Othello criticism: a study of the characters in the tragedy", a discussion based on the opinion of the main reviewers of the play is proposed. In the third chapter, "The psychological change in the discourse of the protagonist of Othello", the focus is on the changes that the protagonist's language goes through as his suspicion develops. In the fourth chapter, entitled "Between the Shakespearean prose and verse: Brazilian translations of Othello", the history of the play in Brazil is presented through the discussion of the four translations of it made into Portuguese. In the last chapter, "A new poetic translation of Othello - The moor of Venice: among the tragic, the comic and the lyric", the poetical and sonorous choices of metrics used in this new translation are described. Also the results of this translation, in which the thematic and stylistic variations of the tragedy become clear, are presented. Finally, there are four appendices to complement this work. In appendix A, there is important information on Shakespeare's play; in appendix B, my translation of the Cinthio's tale, used by Shakespeare to compose his drama, is presented; in Appendix C, there are images of the period in which Othello was written and pictures of some actors that played different roles in the tragedy. Finally, in appendix D, the first translation made by me of Othello The moor of Venice is presented.
No Brasil, Otelo o mouro de Veneza já foi traduzido diversas vezes. Entre os tradutores, encontram-se Onestaldo de Pennafort, Carlos Alberto Nunes, Barbara Heliodora e Beatriz Viégas-Faria. Enquanto os três primeiros traduziram a peça em verso decassílabo, correspondente métrico do pentâmetro iâmbico shakespeariano, a última traduziu a tragédia em prosa. O objetivo deste trabalho, que visa à obtenção do título de mestre, é estudar a crítica e as traduções da peça como auxílio a uma nova tradução versificada do texto de Shakespeare. Esta dissertação de mestrado, intitulada Otelo O mouro de Veneza, de Shakespeare: Crítica e Tradução Literária , está dividida em cinco capítulos. No primeiro, Fontes e influências da peça , tratei dos principais temas usados por Shakespeare ao compor sua tragédia: as moralidades medievais; o conto italiano de Cinthio; as personagens tipificadas da commedia dell arte italiana e a visão elisabetana/jacobina sobre os mouros. No segundo, A crítica de Otelo: um estudo das personagens da tragédia , busquei uma discussão fundamentada nas principais opiniões críticas sobre o drama. No terceiro capítulo, A variação psicológica no discurso da protagonista de Otelo , comentei a transformação que as falas da personagem sofrem no decorrer do aprofundamento de sua suspeita. No quarto capítulo, intitulado Entre a prosa e o verso de Shakespeare: traduções brasileiras de Otelo , aludi ao histórico da peça no Brasil fazendo referência a quatro das traduções feitas para o português brasileiro. No último capítulo, Uma nova tradução poética de Otelo O mouro de Veneza: entre o trágico, o cômico e o lírico , descrevo as escolhas métricas e sonoras buscadas nessa nova tradução e apresento alguns resultados deste trabalho de tradução, em que as variações temáticas e estilísticas da tragédia se fizeram presentes, recriadas, nesta nova tradução. Finaliza o trabalho, no Apêndice D, a primeira versão desta nova tradução de Otelo O mouro de Veneza, de Shakespeare.
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Hirano, Luis Felipe Kojima. "Uma interpretação do cinema brasileiro através de Grande Otelo: raça, corpo e gênero em sua performance cinematográfica (1917-1993)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-14112013-122614/.

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Esta tese pretende analisar a trajetória de mais de 70 anos de Sebastião Bernardes de Souza Prata, Grande Otelo (1917-1993). Por um ângulo, ela contribui para pensar diferentes momentos do cinema brasileiro, tendo em vista que o ator foi parte integrante do imaginário cinematográfico nacional dos anos 1930 aos 1990, em filmes da Cinédia e Sonofilmes, em Its all true projeto inacabado de Orson Welles no Brasil , em produções do realismo carioca, nas chanchadas da Atlântida, no Cinema Novo e no Cinema Marginal. Por outro ângulo, observar essa trajetória permite refletir sobre o modo como as relações raciais, suas intersecções com a questão de gênero e o próprio corpo dos artistas, negros ou brancos, são reinterpretados conforme a lógica do campo cinematográfico. O fio condutor da análise é uma equação complexa entre linhas de força que extrapolam esta lógica e mecanismos próprios ao cinema, usados para hierarquizar, diferenciar e desigualar intérpretes e escolas. Para empreendê-la, lança-se mão de conceitos, como estrutura de sentimentos da branquitude, estereótipos raciais e persona, e do exame interno dos filmes o que abre caminho para desvelar discursos cinematográficos racistas e estratégias antirracistas. O itinerário de Grande Otelo, assim, possibilita examinar o forte diálogo entre o imaginário racial hollywoodiano e sua tradução por empresas nacionais entre os anos 1930 e 1950, bem como representações alternativas do negro em Its all true, no realismo carioca e em Rio, Zona Norte, de Nelson Pereira dos Santos. Por contraste, o desaparecimento do ator nos primeiros filmes do Cinema Novo ilumina as perspectivas de Glauber Rocha e Carlos Diegues sobre o negro. Ambos os diretores elegem intérpretes com predicados corporais, fisionomias e performances de masculinidades diferentes de Grande Otelo, como Antonio Pitanga. O retorno de Otelo em Macunaíma, de Joaquim Pedro de Andrade, propicia discutir um momento reflexivo do cinema brasileiro, quando os impasses do Brasil se explicitam na reformulação de antigas figuras como o malandro e na interlocução renovada com o movimento negro, entre outros. Por fim, discute-se o aprofundamento de um diálogo interno nos filmes de Rogério Sganzerla e Júlio Bressane, que escalam Grande Otelo como testemunha histórica do cinema brasileiro. Logo, o ator prolífico viabiliza a reflexão, tanto sobre as relações raciais, em suas intersecções com a temática de gênero e corpo, quanto sobre o cinema no Brasil.
This dissertation analyzes the more than 70-year trajectory of the actor Sebastião Bernardes de Souza Prata, better known as Grande Otelo (1917-1993). From one angle, it contributes to the consideration of different moments of Brazilian cinema, taking into account that the actor was an integral part of the Brazilian cinematographic imaginary from the 1930s to the 1990s, in the films of Cinédia and Sonofilmes, in Its All True (the unfinished project of Orson Welles in Brazil), in productions of Rio de Janeiro (Carioca) Realism, in the chanchada films of Atlântida, in New Cinema (Cinema Novo), and in Marginal Cinema. From another angle, observing this trajectory allows for reflection on the manner in which race relations and their intersections with the question of gender and body of the artists, black or white are reinterpreted in accordance with the logic of the field of cinematography. The unifying thread of the analysis is a complex equation between force lines that surpass this logic and cinemas own mechanisms, used to differentiate, rank, and hierarchize actors and schools. In undertaking this, concepts employed include structure of feelings of whiteness, racial stereotypes and persona, and the internal examination of the films which opens a path for revealing racist cinematographic discourses as well as anti-racist strategies. The itinerary of Grande Otelo thus makes it possible to examine the strong dialogue between the racial imaginary of Hollywood and its translation by Brazilian companies between the 1930s and the 1950s, as well as alternative representations of black people in Its All True, in Carioca Realism, and in the film Rio, Zona Norte, by Nelson Pereira dos Santos. In contrast, the disappearance of the actor in the first films of New Cinema illuminates the perspectives of Glauber Rocha and Carlos Diegues on black people. Both directors chose actors with body structures, physionomies, and performances of masculinity different from those of Grande Otelo, such as Antonio Pitanga. The return of Otelo in Macunaíma, by Joaquim Pedro de Andrade, allows for a discussion of a reflexive moment in Brazilian cinema, in which the impasses of Brazil become explicit in the reformulation of old figures such as the malandro and in the renewed interlocution with the black movement, among others. Finally, the study discusses the deepening of an internal dialogue in the films of Rogério Sganzerla and Júlio Bressane, which make Grande Otelo a historical witness to Brazilian cinema. The prolific actor would then make possible reflection on race relations, in its intersections with the topics of gender and body, as well as on cinema in Brazil.
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Rhinow, Daniela Ferreira Elyseu. "Visões de Otelo na cena e na literatura dramática nacional do século XIX." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-03122007-101354/.

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A tese \"Visões de Otelo na cena e na literatura dramática nacional do século XIX\" trata da chegada da personagem Otelo nos palcos do Rio de Janeiro no século XIX e de suas apropriações em obras de autores brasileiros do período. Propondo-se a elencar os textos encenados nos teatros cariocas, o trabalho trata de representações do original shakespeariano, em inglês ou em traduções italianas; de versões francesas de cunho classicista; de óperas italianas sobre o tema; e de traduções portuguesas trazidas por companhias estrangeiras. A recepção de tais encenações pela crítica nacional é contemplada, buscando uma visão mais ampla da repercussão das mesmas. Em um segundo momento, analisa-se como tais obras foram apropriadas em uma produção dramatúrgica nacional, sendo os principais exemplos peças de autores como Martins Pena, Joaquim Manuel de Macedo, Gonçalves Dias e Aluísio Azevedo. A partir do estudo das peças e de documentos do período, pretende-se que uma visão mais clara da trajetória da personagem no Brasil seja estabelecida, bem como a extensão de sua influência em dramaturgos importantes na formação do teatro brasileiro.
The thesis \"Visions of Otelo in the scene and the Brazilian dramatic literature of the nineteenth century\" deals with the arrival of the character Otelo on the stages of the city of Rio de Janeiro in the nineteenth century, and its appropriations in works by Brazilian authors of the period. Seeking to study the texts staged in Rio, the work tackles representations of the original Shakespearian text, in English or Italian translations; French versions of classicist spirit; Italian operas on the subject; and Portuguese translations brought by foreign companies. The reception of such stagings by the national press is contemplated, searching an ampler vision of their repercussion. Secondly, there is the analysis on how such texts have been appropriated into a national dramatic production, the main examples being plays by authors such as Martins Pena, Joaquim Manuel de Macedo, Gonçalves Dias and Aluísio Azevedo. From the study of the plays and documents from the period, it is the intention of this work to establish a clearer vision of the trajectory of the character in Brazil, as well as the extension of its influence in important writers in the formation of the Brazilian drama.
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Tailche, Khalid B. M. "A peça \'Desdêmona\', do iraquiano Yousif El-Saigh, motivada por \'Otelo\', de William Shakespeare." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8154/tde-20052008-123619/.

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Esta pesquisa tem o objetivo de apresentar a tradução da peça Desdêmona, do escritor Iraquiano Yousif El-Saigh, da língua árabe para a portuguesa. A peça é baseada em Otelo, O Mouro de Veneza, de William Shakespeare. Em 1989, Desdêmona venceu o prêmio de melhor texto teatral na quarta edição do Festival Dias de Teatro em Cartago, na Tunísia. Desdêmona é considerada um dos marcos do teatro iraquiano moderno. O estudo apresenta o talentoso escritor Yousif El-Saigh, figura importante na vida cultural do Iraque como dramaturgo, poeta e jornalista. As palavras de El-Saigh, aliadas às palavras de quem o conheceu, dão-nos a chance de investigar sua vida e o que influenciou suas obras. Em Desdêmona, El-Saigh envia um detetive e seu assistente, ambos de nosso tempo, para investigar o velho crime de Otelo, a quem ele chama de Otail. O detetive chega no momento em que Otail está tentando matar a esposa. Desta forma, as novas personagens encontram-se com as antigas e começa o processo de investigação. O estudo procura analisar o fator tempo e sua importância na peça através da técnica do flashback, recurso formal utilizado ao longo do processo de investigação e que permite ao detetive revelar novos fatos sobre as personagens e o crime. O estudo examina os motivos culturais que levaram El-Saigh a escrever Desdêmona. O autor oferece uma resposta a Shakespeare através da transformação das personagens principais da peça fonte, Otelo, e resgata a figura feminina de sua fraqueza, ao dar a ela um papel mais ativo na trama. Ao mesmo tempo, condena todas as personagens por participarem do crime de forma direita ou indireta. O suicídio de Desdêmona no final é uma forma simbólica de protesto que ela faz contra sua sociedade. A pesquisa quer corroborar a importância da tradução literária no processo de aproximação entre diferentes culturas como um meio de diálogo.
The objective of this study is to present the translation of the play Desdemona by Iraqi writer Yousif El-Saigh from Arabic to Portuguese. The play is based on Othello by William Shakespeare. In 1989 Desdemona won the prize for best theatrical text in the fourth edition of The Theatrical Days of Carthage Festival, in Tunisia. Desdemona is considered a landmark in modern Iraqi theater. The study presents the talented writer Yousif El-Saigh who was an important figure in the cultural life of Iraq as a playwright, poet and journalist. The words of El-Saigh together with the words of those who have known him can give us a chance to look into his life and his works. In Desdemona, El-Saigh sends a contemporary detective and his two assistants to investigate the old crime committed by Othello, whom he calls Otail. The detective arrives when Otail is trying to suffocate his wife. That is how the new characters, created by El-Saigh meet the old ones and the process of investigation starts. An analysis of the piece concentrates on the factor of time and the importance it acquires in the play through the insertion of flashbacks which are used along the investigation. Such formal device allows the detective to reveal new facts about the characters and the crime. The study examines Yousif El-Saigh\'s cultural motives in writing Desdemona. The author responds to Shakespeare by transforming the main characters of the resource play Othello and liberates the feminine figure of its weakness, giving it a more active role. At the same time, he condemns all the characters for participating directly or indirectly in the events that led to the crime. The suicide of Desdemona at the end is a symbolic protest which she makes against her society. The study aims at showing the importance of literary translation as a means to approximate and foster dialogue between different cultures.
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Rocha, Veronica Fabrini M. de Almeida. "O amor e um animal de duas costas : um estudo sobre a encenação de Otelo." [s.n.], 1996. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285091.

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Orientador: Neyde Veneziano
Dissertação (mestrado) - Universidade Estadual de Campinas, Intituto de Artes
Made available in DSpace on 2018-07-21T02:36:24Z (GMT). No. of bitstreams: 1 Rocha_VeronicaFabriniM.deAlmeida_M.pdf: 7359547 bytes, checksum: 546d80d744e0ef8e06dbaf1755609c46 (MD5) Previous issue date: 1996
Resumo: Esta dissertação tem como objetivo tecer uma reflexão sobre a encenação teatral, a partir de uma perspectiva nascida e apoiada no trabalho prático. Neste sentido, procuramos, num primeiro momento, debater questões de grande interesse para o estudo da encenação, tais como: a polissemia do signo teatral, a especificidade da construção dramatúrgica e a aparente oposição entre texto e cena. A partir do diálogo entre três poéticas, a de Antonin Artaud, a de Bertolt Brecht e a de Peter Brook, buscamos detectar as possibilidades espetaculares no texto OTELO, de William Shakespeare. Visando fomentar o fluxo vital entre teoria e prática, realizamos a encenação de OTEW, documentada em nossa dissertação sob a forma de texto espetacular
Abstract: Not informed.
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Bertin, Marilise Rezende. "Traduções, adaptações, apropriações: reescrituras das peças Hamlet, Romeu e Julieta e Otelo, de William Shakespeare." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-31072009-153332/.

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The present thesis consists of a study on some rewritings of three plays written by William Shakespeare: Hamlet, Romeo and Juliet and Othello. Firstly, terms like translation, literal translation, free translation, rewriting, adaptation, updating, appropriation, condensation and recreation will be tackled with the purpose of understanding the process of interlingual and intralingual translations. The analysis of the theories developed by Hans J. Vermeer and Georges L. Bastin will be extremely important in order to justify and exemplify translations (adaptations) which are not so faithful and are aimed at specific types of public. The historical study of a number of French translations show how erotic, bawdy and grotesque parts of the Shakespearean texts were altered or omitted. Lastly, I analyse the bilingual adaptations of the three plays mentioned above, which I carried out with John Milton.
The present thesis consists of a study on some rewritings of three plays written by William Shakespeare: Hamlet, Romeo and Juliet and Othello. Firstly, terms like translation, literal translation, free translation, rewriting, adaptation, updating, appropriation, condensation and recreation will be tackled with the purpose of understanding the process of interlingual and intralingual translations. The analysis of the theories developed by Hans J. Vermeer and Georges L. Bastin will be extremely important in order to justify and exemplify translations (adaptations) which are not so faithful and are aimed at specific types of public. The historical study of a number of French translations show how erotic, bawdy and grotesque parts of the Shakespearean texts were altered or omitted. Lastly, I analyse the bilingual adaptations of the three plays mentioned above, which I carried out with John Milton.
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Brito, Deise Santos de. "Um ator de fronteira: uma análise da trajetória do ator Grande Otelo no teatro de revista brasileiro entre as décadas de 20 e 40." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-14122011-231051/.

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Essa pesquisa aborda o trabalho do ator Grande Otelo no teatro de revista brasileiro produzido entre as décadas de 20 e 40, analisando suas atuações em três momentos, a participação na Companhia Negra de Revistas, os trabalhos desenvolvidos na Companhia Jardel Jércolis e a fase do ator como artista fixo do Cassino da Urca.
This research approaches Grande Otelo´s work as an actor in the brazilian revue theater between 20s and 40s, analyzing his performances in three moments: the participation in the Black Company Revue, the work in the Jércolis Jardel Company and his phase as artist of the Urca Casino.
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Books on the topic "Othlo"

1

Shakespeare, William. Otelo. 3rd ed. Madrid: Alianza Editorial, 2012.

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Daniel, Katz. Otelo. Porvoo: W. Söderström, 1994.

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Shakespeare, William. Otelo. Skopje: Makedonska Kniga, 1989.

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Shakespeare, William. Otelo. Madrid: Espasa-Calpe, 1991.

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Mathieu, Bernard. Otelo: Roman. [Paris, France]: Gallimard, 1999.

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Dāsa, Tapana. Othelo, Eprila '99. Guwāhāṭi: Laẏārcha Buka Shṭala, 1999.

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Grande Otelo: Uma biografia. São Paulo, SP, Brasil: Editora 34, 2007.

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Suetonius. Galba, Otho, Vitellius. London: Bristol Classical Press, 1992.

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Moura, Roberto. Grande Othelo: Um artista genial. Rio de Janeiro: Relume Dumará, 1996.

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Shakespeare, William. Otelo, el moro de Venecia. Algete (Madrid): Mestas Ediciones, 2001.

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Book chapters on the topic "Othlo"

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Schneider, Hans-Otto, and Jan Martin Lies. "5. Anton Otho: Gütlicher Bericht von den Antinomern (Regensburg [1559])." In Der Antinomistische Streit (1556–1571), 108–35. Göttingen: Vandenhoeck & Ruprecht, 2016. http://dx.doi.org/10.13109/9783666560316.108.

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Sánchez-Portal, M., M. Pović, A. M. Pérez García, A. Bongiovanni, J. Cepa, J. A. Acosta-Pulido, E. J. Alfaro, et al. "OTELO Survey: X–ray Emitters in the Groth Field – II. Properties of the AGN Population." In Astrophysics and Space Science Proceedings, 355. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11250-8_77.

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Pović, M., M. Sánchez-Portal, A. M. Pérez García, A. Bongiovanni, J. Cepa, J. A. Acosta-Pulido, E. J. Alfaro, et al. "OTELO Survey: Properties of X-ray Emitters in the Groth Field – I. Optical Counterparts and Morphological Classification." In Astrophysics and Space Science Proceedings, 343. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11250-8_71.

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García, A. M. P., J. Cepa, A. Bongiovanni, E. J. Alfaro, H. Castañeda, J. Gallego, J. I. González Serrano, J. J. González, and M. Sánchez-Portal. "OTELO Survey: Deep BVRI Broad-Band Photometry of the Groth Strip: Number Counts and Two-Point Correlation Functions." In Astrophysics and Space Science Proceedings, 335. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11250-8_67.

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Ausonius], Ausonius [Decimus Magnus. "Otho." In The Works of Ausonius, edited by Roger P. H. Green. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00090295.

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Ausonius], Ausonius [Decimus Magnus. "Otho." In Oxford Classical Texts: Decimi Magni Ausonii: Opera, edited by Roger P. H. Green. Oxford University Press, 1999. http://dx.doi.org/10.1093/oseo/instance.00077655.

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"Otho." In Bibliothek der Alten Welt, 409–28. De Gruyter, 2010. http://dx.doi.org/10.1515/9783112466728-013.

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"OTHO." In Roman Imperial Coinage. Volume I, 258–61. Spink Books, 2018. http://dx.doi.org/10.2307/j.ctvm201jc.18.

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Tranquillus], Suetonius [Gaius Suetonius. "Otho." In Oxford World's Classics: Suetonius: Lives of the Caesars, edited by Catharine Edwards, 241–345. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00207592.

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"Casmannus, Otho." In Encyclopedia of Renaissance Philosophy, 642. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_310089.

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Conference papers on the topic "Othlo"

1

Patel, Neil, Deepti Chittamuru, Anupam Jain, Paresh Dave, and Tapan S. Parikh. "Avaaj Otalo." In the 28th international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753326.1753434.

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"OThO - PSK systems." In 2005 Optical Fiber Communications Conference Technical Digest. IEEE, 2005. http://dx.doi.org/10.1109/ofc.2005.192981.

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"OThL - Fiber applications." In 2005 Optical Fiber Communications Conference Technical Digest. IEEE, 2005. http://dx.doi.org/10.1109/ofc.2005.192947.

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"OThL - Erbium amplifiers." In 2005 Optical Fiber Communications Conference Technical Digest. IEEE, 2005. http://dx.doi.org/10.1109/ofc.2005.192961.

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Pinto, Ádria Graziele, and Ana Cláudia Munari Domingos. "Tradução transcultural no filme “O”: Othelo ontem e hoje." In 1º Congresso Internacional de Intermidialidade 2014. São Paulo: Editora Edgard Blücher, 2015. http://dx.doi.org/10.5151/phypro-intermidialidade2014-017.

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Yocum, Katarina, Perry Gerakines, Stefanie Milam, and Olivia Wilkins. "RATIO OF OTHO/PARA-FORMALDEHYDE SUBLIMATED FROM ENERGETICALLY PROCESSED INTERSTELLAR ICE ANALOGS." In 2022 International Symposium on Molecular Spectroscopy. Urbana, Illinois: University of Illinois at Urbana-Champaign, 2022. http://dx.doi.org/10.15278/isms.2022.fg02.

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Essiambre, René-Jean, Gerard Foschini, Peter Winzer, and Gerhard Kramer. "Capacity Limits of Fiber-Optic Communication Systems." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 2009. http://dx.doi.org/10.1364/ofc.2009.othl1.

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Peev, Momtchil, Thomas Länger, Thomas Lorünser, Andreas Happe, Oliver Maurhart, Andreas Poppe, and Thomas Themel. "The SECOQC Quantum-Key-Distribution Network in Vienna." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 2009. http://dx.doi.org/10.1364/ofc.2009.othl2.

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Dixon, A. R., Z. L. Yuan, J. F. Dynes, A. W. Sharpe, and A. J. Shields. "Gigahertz Quantum Key Distribution With 1 Mbit/s Secure Key Rate Using Decoy Pulses." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 2009. http://dx.doi.org/10.1364/ofc.2009.othl3.

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Taylor, Michael G. "Algorithms for Coherent Detection." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 2010. http://dx.doi.org/10.1364/ofc.2010.othl4.

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