Dissertations / Theses on the topic 'Other architecture'
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Herman, Hilker Trevor(Trevor Nathaniel). "Other stories." Thesis, Massachusetts Institute of Technology, 2020. https://hdl.handle.net/1721.1/129916.
Full textCataloged from student-submitted thesis.
Includes bibliographical references (page 121).
As the third millennium of the Common Era has unfolded into a new chapter of social, political, technological, and ecological complexity, the question of the Architect's capacity to address our futures implores a connection to the ability of one to navigate our pasts. As Canon rises to the surface of history--through the work we champion and the stories we espouse--it is accompanied by the ideological Mythologies it entangles. It is our responsibility not to idly assume the mantle of these Myths, and to be critical of our role in their perpetuation--a task that appeals for the investment in other stories. This thesis reflects upon our relationship to Canon, with the intention of destabilizing the relationship between an "Act" of Architecture, and the ideological ephemera with which such an Act is implicated.
Specifically, Other Stories attends to a Canon of American domesticity, and the Modern Mythologies that this Canon complicitly perpetuates--among many, a Myth of Progress, a Myth of Anthropocentricity, and a Myth of Family. Engaging through modes of curation (bookmaking) and re--presentation (drawing), the first chapter of this thesis forages for the seeds of alternative Mythologies within stories that, while belonging to this Canon, have been neglected, or forgotten, or erased. This pursuit is underpinned by an imploration for something Other: alternative threads for navigating our futures and our histories than the myopia of "Progress" and "Anthropocentricity" and "Family". The second chapter of Other Stories offers a series of conjectures that re-imagine the tenets of an American domestic Architecture through the lens of alternative Mythologies.
Taking on Mies van der Rohe's Farnsworth House as site, the investigation anticipates three "Other Farnsworths" that supplant "Progress" and "Anthropocentricity" and "Family" with Myths of Entropy, Rhizome, and Kin, respectively. These speculations become testing grounds for new modes of making, and communicating, architecture.
by Trevor Herman Hilker.
M. Arch.
M.Arch. Massachusetts Institute of Technology, Department of Architecture
Callahan, Anne (Anne Alexandra). "Other means of communication." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/81656.
Full textCataloged from PDF version of thesis.
Includes bibliographical references (p. 65-68).
"Introduction," pgs. 15-20, see Leo Steinberg, "Other Criteria," in Other Criteria: Confrontations with Twentieth-Century Art (London: Oxford University Press, 1972), 55-91 and Nelson Goodman, "When Is Art?" in The Arts and Cognition, ed. David Perkins and Barbara Leondar (Baltimore: Johns Hopkins University Press, 1977): 11; "Art in the Garden," pgs. 21-34 (I-- H------- F-----), see also Yale Union, "A series of I-- H------ F----- exhibitions," July 2012-July 2013 in Portland, Oregon, accessible online at yaleunion.org; "A brief history of pop, v., with or without out," pgs. 35-44 (persuasive images): "Color will pop with realism"; "In or on the desktop," pgs. 45-52, see Margaret A. Hagen, Varieties of Realism: Geometries of Representational Art (Cambridge: Cambridge University Press, 1986); "Post" "Script," pg. 55; Illustrations, pgs. 56-64; Bibliography see bibliography..
by Anne Callahan.
S.M.in Art, Culture and Technology
Angles, Zachary (Zachary John). "Narrative tactics for making other worlds possible." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/115724.
Full textCataloged from PDF version of thesis. "February 2018."
Includes bibliographical references.
Be they childhood games of make-believe, sophisticated literary projects, or political inventions (a "Great America") authors have taken advantage of a world-building imagination creating their own worlds, and theorizing what they were doing. From the 1960s onwards, fictional worlds were studied from a philosophical point of view, using "possible worlds" theory and modal logic, which consider the ontological status of fictional worlds, the nature of their functioning, and their relationship with the actual world. These ideas have been combined with literary theory, setting the foundation for the study of imaginary worlds. Architects and Urbanists have used facets of world-building arguably for as long as the disciplines have existed. Though modernity launched a highly conscious tradition of imagining worlds in literature and creative culture, it also stained imagination and dreaming with a connotation of frivolity and a wastefulness that was antithetical to modern projects of utility and rationality. In the later half of the twentieth century there was an increase in number of architects exploring the irrational and imaginative in defiance of the reign of rationalism. A chasm tore through the discipline: grounded and rational practitioners on one side and imaginative inventors of form, indulgently entrapped in their fantasies, on the other. World-builders have developed robust methods for producing visions for futures, pasts, and other worlds. A study of worldbuilding and narrative methods and their possible application to architectural and urban design has remained largely unaddressed. This thesis proposes methods for design and tests these methods through a case study. The case study is the city of Boston in the year 2100 being changed by many factors not least of which are the effects of sea level rise. A story has been authored, the world surrounding that story has been structured, and designs within that world have been represented. This thesis seeks to combine methods from storytelling, world-building, and scenario planning in order to allow imaginative explorations of, and design for speculative environments, in response to, and preparation for, challenging situations. And, in the end it seeks to provide tools to tell better stories and see better worlds.
by Zachary Angles.
M. Arch.
Pence, Tara Leigh. "In an other sense : architectural order and building narrative in three museums." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/21698.
Full textYildiz, Arzu Emel. "Mobile Structures Of Santiago Calatrava: Other Ways Of Producing Architecture." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608211/index.pdf.
Full text#8217
s architectural thinking and practice constitute the pragmatic ground on which the Deleuzian formulation of movement is constructed. Mobile structures of Calatrava are analyzed to introduce some design tools that are used to utilize movement as a design medium. These design tools are unfolding, rising, and revolving, which provide actual movements
rhythm and shape, which provide bodily movements
structural illusion, representation of nature, and figura serpentinata, which provide visual movements. Other than these, virtual movement, a term borrowed from Greg Lynn, is discussed as another design tool that is related with movement but produces perceptions of immobility rather than implications of mobility. This discussion emphasizes both the employment of movement issue as a design medium in the architectural production and the uniqueness of Calatrava in the way of conceptualizing the matter architecturally.
Srinivasan, Chitra. "Interoperability Between AWSOME and Other Tools Using Model Driven Architecture." Wright State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=wright1295038834.
Full textBinjaku, Xhulo, and Milap Dixit. "Other equators : measures for an international tribunal for the Rights of Nature." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/122518.
Full textCataloged from PDF version of thesis. Pages 166 and 167 blank.
Includes bibliographical references (pages 164-165).
In 1997, the Kyoto Protocol institutionalized carbon offsetting as a "market solution" to emissions, allowing companies and states to offset every tonne of carbon dioxide emissions with an equivalent tonne of carbon dioxide sequestered somewhere else. This logic of equivalence was enabled by a set of global metrics (such as the definition of "forest" under international law) that financialized the Earth's capacity to absorb carbon. Equatorial mountains became prime targets for the production of carbon credits through pine and eucalyptus plantations. In 2008, Ecuador became the first country to recognize the Rights of Nature, extending its jurisdiction to the scale of the planet and granting legal personhood to nonhuman entities such as mountains. More than a decade since it was first recognized, the Rights of Nature remains an elusive notion, easily absorbed into the logic of practices that reduce Nature to its exchange value.
The Rights of Nature lacks an institution to specify and guarantee its functions, to measure and account for its violations, and to summon the "Nature" for whom it claims to speak. In 2018, Ecuador requested proposals for an International Tribunal with the authority to invoke universal jurisdiction for global cases related to the Rights of Nature. The Tribunal would be deployed territorially across a site of planetary significance: the Equator itself, which intersects the Avenue of Volcanoes, a group of twenty mountains recognized as legal persons under Ecuadorian law. The buildings of the institution make mountains legible as witnesses in courts of law by framing, measuring and collecting "units" of Nature to be used as evidence. They are the architectural expression of a paradox that underlies the very idea of the Rights of Nature: that the infinite value of Nature has to be assigned finite values in order to exist as a legal category.
The legal and spatial logics used to define units of "Nature" begin to erode when they encounter the specificity of terrain, allowing the mountains to speak for themselves.
by Xhulio Binjaku, Milap Dixit.
M. Arch.
M.Arch. Massachusetts Institute of Technology, Department of Architecture
Tennberg, Hannes. "WOODEN : in other forms." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6347.
Full textGordon, Elizabeth Sara. "GRUE : an architecture for agents in games and other real-time environments." Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/28736/.
Full textGolden, Saul Manuel. "Beyond architecture : other influences on approaches to practice and shared urban space." Thesis, Ulster University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685439.
Full textPadilla, Mercedes A. (Mercedes Angeles). "The effects of oil prices and other economic indicators on housing prices in Calgary, Canada." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33193.
Full textThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Includes bibliographical references (leaves 48-49).
This thesis aims to answer: (1) to what extent can oil prices and other economic indicators predict the changes in housing prices and rent in the Calgary single family housing market and (2) to determine what the lag time is between them. Implications of this study from a macro perspective are multiple. This study can be used as a simplified case study in isolating the effects of the boom and bust cycles of economic industries and quantify its impact to real estate performance. Results found an astonishing correlation. Oil prices, exchange rate, interest rate and employment levels can determine up to 98% of the changes in house prices and rents. Oil prices, representing economic viability of the city, affect the real estate industry with a lag of 7 quarters of approximately two years, while interest rates representing the financial well-being of the city affect house prices and rents with a lag of 2 1/2 years. Foreign exchange rate to the dollar, representing the relative global prosperity, affects real estate prices in one year. House prices seem to be equally sensitive to a positive or negative shock in oil prices, exchange rate, and interest rates. At which, $25/barrel oil price seems to be the "breakeven" level at which house prices remain stable, all else equal.
(cont.) Above which, prices will continue to appreciate, below which, prices will fall. Not surprisingly, this is the same estimate of the "breakeven" point at which the oilsands in Calgary become economically viable. Rents are more sensitive to positive shocks in oil prices, not exchange rate. Inversely, they sensitive to negative shocks in exchange rate, not oil prices. Rents are not sensitive to interest rates.
by Mercedes A. Padilla.
S.M.
Bignon, Jean-Claude. "MODÉLISATION, SIMULATION ET ASSISTANCE À LACONCEPTION-CONSTRUCTION EN ARCHITECTURE." Habilitation à diriger des recherches, Université Henri Poincaré - Nancy I, 2002. http://tel.archives-ouvertes.fr/tel-00145570.
Full textde Recherche en Architecture et Ingénierie) depuis environ dix ans. Avant de développer
les deux grandes problématiques qui ont structuré ces années, je voudrais remettre
rapidement en perspective mon travail global de recherche dans le vaste mais encore très
récent domaine de la recherche en architecture.
1.1. LA RECHERCHE EN ARCHITECTURE, QUELS
SYSTÈMES DE CONNAISSANCES ?
Jusqu'au milieu des années 1960, l'architecture est avant tout un art, c'est-à-dire une
pratique reposant largement sur l'expérience, fondée sur des grands traités et infléchie par
quelques maîtres.
Au niveau le plus empirique, le terme de recherche ne désigne rien d'autre que la pratique
quotidienne du concepteur en situation de création pour inventer un dispositif spatial en
réponse à des exigences explicites ou implicites.
Comme le musicien, le peintre ou le sculpteur, l'architecte est une sorte de « chercheur de
formes », un inventeur de langages, un constructeur de sens.
Dans cet univers de la recherche-action, le concepteur utilise et produit des connaissances
qui relèvent plus d'un savoir-faire que d'un véritable savoir. À cette recherche, tout ancrée
dans la projetation, nous donnons le nom de recherche architectonique.
Dans ce dispositif, le terme d'architecture désigne donc à la fois un domaine de production
(essentiellement les édifices et les espaces urbains) et un savoir-faire largement issu et
opératoire dans la pratique du projet. Mais pour être efficace, cette économie de la
production architecturale a besoin d'un discours régulateur et légitimateur destiné à
permettre des choix tout au long du processus de conception, évaluer les solutions
partielles ou globales proposées et juger la qualité des œuvres produites. C'est le rôle des
traités, parfois nommés théories.
Les traités d'architecture de Vitruve à Le Corbusier bien que théoriques par le recul qu'ils
prenaient par rapport aux pratiques de leurs époques respectives ne peuvent pas
cependant être considérés comme des théories au sens scientifique du terme. Ce
deuxième type de connaissances, auxquelles nous donnons le nom de doctrine est un
système de préceptes et d'axiomes transmissibles, orientés par l'action vers l'action. Par
différence avec les connaissances souvent singulières et peu externalisables des savoir-
Ricci, Natali. "The Psychological Impact of Architectural Design." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1767.
Full textPaine, Ashley I. "Ocular occupations : painting and other spatio-visual strategies for making and inhabiting architecture." Queensland University of Technology, 2008. http://eprints.qut.edu.au/19222/.
Full textOrens, David M. "an end to the 'other' in landscape architecture: poststructural theory and universal design." Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/30523.
Full textMaster of Landscape Architecture
Rostro-Gonzalez, Horacio. "Computing with spikes, architecture, properties and implementation of emerging paradigms." Phd thesis, Université Nice Sophia Antipolis, 2011. http://tel.archives-ouvertes.fr/tel-00850264.
Full textManyak, Greg D. "Fault Tolerant and Flexible CubeSat Software Architecture." DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/550.
Full textKöhler, Fredrik. "Network Virtualization in Multi-hop Heterogeneous Architecture." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-38696.
Full textShylichava, Lizaveta. "Everyday Urban Architecture : Urban blocks, building typology, architectural elements; reading into the urban form of Stockholm." Thesis, KTH, Urbana och regionala studier, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-296221.
Full textKoziolek, Anne [Verfasser]. "Automated Improvement of Software Architecture Models for Performance and Other Quality Attributes / Anne Koziolek." Karlsruhe : KIT Scientific Publishing, 2014. http://www.ksp.kit.edu.
Full textYonesu, Masaaki. "Learning from each other : citizen participatory community design in the United States and Japan, and the role of the architect." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/70679.
Full textIncludes bibliographical references (p. 109-111).
This thesis explored principles of community design for future development both in the US. and Japan by examining the organizational structures, levels of participation and processes of community designs. Three cases in the US. and two cases in Japan were chosen for case studies. The method of research included a critical review of the literature, personal interviews and neighborhood visits. At the same time, the roles of architects in design processes were discussed as well as the roles of other participants: community residents, city officials and other professionals who were involved in the projects. Levels of participation are defined by the distribution of power in decision-making, and each case is summarized in terms of levels of participation in each stage of chronological progression of the design process: use, pre-design, design, construction and habitation phase. The US. and Japanese cases were compared by means of seven criteria: contextual consistency, spatial configuration, consideration of the family variation, achievement, citizens' levels of participation, involvement of institutions and the relationship between the community and the government. Findings clarified that the social background of each nation, attitude of city officials toward urban redevelopment, technical skills of professionals and attainability of financial support affect the success and effectiveness of participatory community design. In conclusion six principles of participatory design were suggested to promote creative ways of including communities. Change in the role of architect were mentioned.
by Masaaki Yonesu.
M.S.
Kanarinka. "Engineering serendipity : Terra Incognita and other strange encounters with global news." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/95597.
Full textCataloged from PDF version of thesis.
Includes bibliographical references.
There is a significant body of research that shows that people tend to congregate with others like them and favor information that confirms their existing views. With declining global news coverage and the rise of personalized news feeds and social media, there is concern that our forms of information consumption do not support encountering sufficient information about other cultures and places to make us effective citizens of the world. This thesis reviews these arguments and proposes a design intervention called "Terra Incognita: 1000 Cities of the World" to help address the geographic dimension of information diversity. Terra Incognita brings together aspects of serendipitous information discovery, personal informatics and "nudge" applications to provide users with multiple daily opportunities to explore faraway cities by reading global news recommendations. This study shows that while Terra Incognita did not shift user behavior in aggregate towards reading about more diverse places, it did make them curious about new places, prompted them to reflect and broadened their horizons. The final chapter offers guidance for designers who might aspire to create applications at the intersection of personal behavior change and news media.
by Catherine D'Ignazio.
S.M.
Charles, Curtis B. "The use of daylight in the design of a controlled environment for food production in the Caribbean and other equatorial climates." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/34306.
Full textTitle as it appeared in M.I.T. Graduate List, June 1989: The use of daylighting in the design of a controlled environment for food reduction in the Caribbean and other equatorial climates.
Includes bibliographical references (leaves 219-224).
This thesis addresses the use of daylight in the design of a controlled environment for food production in the Caribbean and other Equatorial climates. An expanding population has put a tremendous burden on the food production industry in these climates. The increasing population in these climates means that existing fertile land is being taken-over for housing and infrastructure. Furthermore, the fishing industry is also a victim of over-fishing due to a need for alternative foods. This design proposes a technological solution to this social problem. Presented is one answer to improve the fishing industry, through a controlled environment for intensive aquaculture production. To improve crop production due to depleting fertile land and flooding, this thesis proposes hydroponic cultures in multi-stories. In addition, the success of this farming complex is dependent on appropriate research by staffed scientists, seeking to continually improve the end products of this facility. Within this ecosystem, far greater yields will be attained than traditional forms of agriculture, and, aquaculture. The challenge here is to present the most economic solution. As a result, the design of this facility is based on a three-level hydroponic (crops growing in a nutrient solution) facility, a fish hatchery, indoor fish ponds, and, research laboratories within the aquaculture and hydroponic facilities. This thesis presents two design solutions :one on land, that addresses the issues of flooding and a depletion of available fertile land, and one at sea, that addresses a time in which the population has grown to such a degree that food production at sea becomes an economic reality. There are many ways to introduce natural daylight into this proposed farming complex. Intensive research has indicated that these methods can often range from the very simplistic to the very intricate, as displayed in new emerging technologies such as the Himawari system developed by La Foret Engineering, of Japan. However, the following are techniques that will be applied in this thesis to bring daylight into the buildings of this proposed farming complex : 1. Optical lighting Himawari system); 2. Perimeter lighting; 3. Reflective lighting; 4. Top/Core lighting. Research has indicated that even during the rainy season (July to December)- in some of these equatorial climates there is adequate available diffused sunlight to reach the crops and aquatic life within this proposed controlled environment. This thesis also addresses the energy and cooling load requirements that result from the use of daylighting. Once again the most economic design is presented in this case study. However, the resulting economic solution ( to meet the cooling loads ) that is presented for the proposed site in Trinidad, may not be the most desirable solution for other equatorial climates. Consequently, wind energy, solar energy, co-generation, and traditional electricity, are all analyzed.
by Curtis B. Charles.
M.S.
Säfwenberg, Andreas. "Specific Competence : Collaboration With Other Craftsmen." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5191.
Full textAtt använd andras specifika kunskaper i ett båthus Inredningsarkitekter och specialister som samarbetar hittar fler möjliga val än gängse standardiserade lösningar och får möjlighet att bryta de normer som råder inom respektive fält. Båda använder sina specifika verktyg och i mötet lär vi av varandra. Det leder till en mer mångfacetterad arkitektur och ökad förståelse för våra respektive kompetenser. Undersökningen av samarbetets kraft sker inom ramen av ett båthus. En specifik byggnad, med specifika funktioner. Det finns en logik i att du möter de dofter, ljus, ljud, detaljer och funktioner just där i den specifika byggnaden.
Liang, Qizhen. "Preparation and properties of thermally/electrically conductive material architecture based on graphene and other nanomaterials." Diss., Georgia Institute of Technology, 2011. http://hdl.handle.net/1853/44846.
Full textBarabas, James. "Holographic television : measuring visual performance with holographic and other 3D television technologies." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/91863.
Full textCataloged from PDF version of thesis.
Includes bibliographical references (pages 89-96).
We are surrounded by visual reproductions: computer screens, photographs, televisions, and countless other technologies allow us to perceive objects and scenes that are not physically in-front of us. All existing technologies that reproduce images perform engineering tradeoffs that provide the viewer with some subset of the visual information that would be available in person, in exchange for cost, convenience, or practicality. For many viewing tasks, incomplete reproductions go unnoticed. This dissertation provides a set of findings that illuminate the value of binocular disparity, and ocular focus information that can be provided by some three-dimensional display technologies. These findings include new experimental methods, as well as results, for conducting evaluations of current and future display technologies. Methodologies were validated on an implementation of digital holographic television, an image capture and reproduction system for visual telepresence. The holographic television system, allows viewers to observe, in real-time, a remote 3D scene, through a display that preserves focus (individual objects can be brought into optical focus at the expense of others), and horizontal motion parallax (depth and other geometry of objects appears natural over a range of head movement). Holographic television can also emulate other precursor 2D and 3D display technologies. This capability was used to validate the evaluation methodologies (meta-evaluation) by comparing visual performance on simulations of conventional displays to results of past studies by other researchers.
by James Barabas.
Ph. D.
Levitsky, Maria. "Invisible Cities: Photographic Fictions of Architecture." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1457.
Full textSegura, Dobjanschi Nicolas. "Beauty and Politics, With Special Reference to Politics." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2112.
Full textAnderson, Heather Christine. "Amphibious Architecture : Living with a Rising Bay." DigitalCommons@CalPoly, 2014. https://digitalcommons.calpoly.edu/theses/1258.
Full textMilani, Ernest J. "A fractional proposal for architecture." Thesis, Virginia Tech, 1994. http://hdl.handle.net/10919/46261.
Full textMaster of Architecture
Patrick, Adrian James. "An Information Systems and Communications Architecture using Power Line Carrier -and other Media for Remote Metering and other Telemetry Services in the Electricity Supply Industry." Thesis, Open University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502395.
Full textAhmed, Nizamuddin. "Formulation of design criteria for industrial architecture in Bangladesh in light of the developments made in the United Kingdom and other developed countries." Thesis, University of Sheffield, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339376.
Full textibrahim, sameh mohamed. "A Transient Community for a Transient Lifestyle." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3685.
Full textKoziolek, Anne [Verfasser], and R. [Akademischer Betreuer] Reussner. "Automated Improvement of Software Architecture Models for Performance and Other Quality Attributes / Anne Koziolek. Betreuer: R. Reussner." Karlsruhe : KIT-Bibliothek, 2011. http://d-nb.info/1017321884/34.
Full textJones, Susan Hicks. "Creating a tradition: Early campus planning at Hampton Institute, 1868-1893." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539618513.
Full textDriscoll, John Charles. "Fractals as Basis for Design and Critique." PDXScholar, 2019. https://pdxscholar.library.pdx.edu/open_access_etds/5183.
Full textPetersson, Alina. "Sustainable architecture, technology and place : An in-depth case study exploring how architecture navigates the complex relationship between the construction of technologies and relation to place." Thesis, KTH, Urbana och regionala studier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-289203.
Full textAlmahmoud, Shaikha. "THE MAJLIS METAMORPHOSIS: Virtues of Local Traditional Environmental Design in a Contemporary Context." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3880.
Full textPeck, Rose. "Kensington Center for Health: An Exploration of Health, Wellness and the Built Environment." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3842.
Full textBoyd, Kelly Elizabeth. "Mme. de Pompadour: Self Promotion and Social Performance through Architecture and the Decorative Arts." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/90.
Full textBarry, Marie Porterfield. "Lesson 11: Bosch and Other Scenes of the Apocalypse." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/12.
Full textNEVES, JULIANA DUARTE. "ON PROJECTS FOR ALL THE SENSES: CONTRIBUTIONS FROM ARCHITECTURE TOWARDS PROJECTS DIRECTED TO THE OTHER SENSES BEYOND VISION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19246@1.
Full textPROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
O presente trabalho aborda os sentidos sob o ponto de vista projetual. Seu principal objetivo é trazer contribuições teóricas e metodológicas à pesquisa na área de Design Emocional para o desenvolvimento de projetos dirigidos aos demais sentidos além da visão. Primeiramente, investiga o design de experiências em espaços físicos, questão atual e crucial das disciplinas projetuais tratadas pelo recente campo da arquitetura de atmosferas, a qual, por sua vez, tem como uma de suas principais estratégias contemplar todos os sentidos humanos. Em seguida, traz considerações sobre a importância de o designer expandir sua atenção para além dos aspectos visuais de seus produtos, apontando alguns motivos pelos quais a visão vem sendo tratada como o sentido hegemônico perante os demais. Discorre sobre e ilustra o papel de cada um de nossos sentidos na percepção do meio construído com base nos ensinamentos do psicólogo James Gibson (1966). Descreve, ainda, três importantes espaços físicos projetados com o propósito de promover experiências a seus visitantes e que, para tanto, se valeram de estratégias com foco em todos os sentidos: o Thermal Baths, o Blur Building e o Museu dos Judeus de Berlim. Por fim, esta pesquisa confirma a importância dos sentidos na expansão das respostas emocionais do usuário ao meio projetado.
This work deals with the senses from the point of view of projects. Its main goal is to bring theoretical and methodological contributions to the research field of Emotional Design for the development of projects directed towards the other senses beyond vision. First, it investigates experience design in physical spaces, a current and crucial question studied by the recent research field of architecture of atmospheres, which in turn has as one of its main strategies to consider all the human senses in its designs. Then, this work brings some thoughts on the importance of the designer to expand his attention beyond the visual aspects of his products, pointing at some of the reasons why vision is held as the hegemonic sense before the others. It broaches on and illustrates the role each one of our senses plays on the perception of the constructed environment, based on the teachings of psychologist James Gibson (1966). It also describes three important constructions which were designed with the intention of promoting experiences for their visitors that have used strategies focused on all the senses: Thermal Baths, Blur Building and the Jewish Museum Berlin. Last, this research confirms the importance of the senses in the expansion of the emotional responses of the user towards the designed environment.
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