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Books on the topic 'Orthogonal representation'

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Author: Grafiati
Published: 30 May 2022
Last updated: 31 May 2022

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1

Arithmetical investigations: Representation theory, orthogonal polynomials, and quantum interpolations. Berlin: Springer, 2008.

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2

1977-, Mano Gen, ed. The Schrödinger model for the minimal representation of the indefinite orthogonal group O(p, q). Providence, R.I: American Mathematical Society, 2011.

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3

Kobayashi, Toshiyuki. The Schrodinger model for the minimal representation of the indefinite orthogonal group O(p,q). Kyoto, Japan: Kyōto Daigaku Sūri Kaiseki Kenkyūjo, 2007.

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4

The geometric and arithmetic volume of Shimura varieties of orthogonal type. Providence, Rhode Island, USA: American Mathematical Society, 2014.

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5

The endoscopic classification of representations orthogonal and symplectic groups. Providence, Rhode Island: American Mathematical Society, 2013.

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6

Kobayashi, Toshiyuki. Symmetry breaking for representations of rank one orthogonal groups. Providence, Rhode Island: American Mathematical Society, 2015.

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7

Riehm, C. R. Introduction to orthogonal, symplectic, and unitary representations of finite groups. Providence, R.I: American Mathematical Society, 2011.

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8

Kobayashi, Toshiyuki, and Birgit Speh. Symmetry Breaking for Representations of Rank One Orthogonal Groups II. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-2901-2.

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9

Jantzen, Chris. Degenerate principal series for symplectic and odd-orthogonal groups. Providence, RI: American Mathematical Society, 1996.

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10

Kalnins, E. G. Tensor products of special unitary and oscillator algebras. Hamilton, N.Z: University of Waikato, 1992.

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11

Representation theory and mathematical physics: Conference in honor of Gregg Zuckerman's 60th birthday, October 24--27, 2009, Yale University. Providence, R.I: American Mathematical Society, 2011.

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12

1968-, Arvesú Jorge, and Lopez Lagomasino Guillermo 1948-, eds. Recent advances in orthogonal polynomials, special functions, and their applications: 11th International Symposium on Orthogonal Polynomials, Special Functions, and Their Applications, August 29-September 2, 2011, Universidad Carlos III de Madrid, Leganes, Spain. Providence, R.I: American Mathematical Society, 2012.

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13

Weniger, Edward L. Tropical cyclone intensity prediction based on empirical orthogonal function representation of wind and shear fields. 1987.

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14

Back, Kerry E. Continuous-Time Markets. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190241148.003.0013.

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A continuous‐time model of a securities market is introduced. The intertemporal budget constraint is defined. SDF processes and prices of risks are defined and characterized. Many properties of SDF process are analogous to those in a single‐period model, including the relation to the risk‐free rate, orthogonal projections, the Hansen‐Jagannathan bound, and factor pricing. To value future cash flows using an SDF process, we need to assume a local martingale is a martingale. Sufficient conditions including Novikov’s condition are discussed. Use of the martingale representation theorem in a complete market to derive a portfolio that replicates a payoff is explained. A Markovian model is introduced, in which the investment opportunity set depends on state variables that form a Markov process.
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15

Kobayashi, Toshiyuki, and Birgit Speh. Symmetry Breaking for Representations of Rank One Orthogonal Groups II. Springer, 2018.

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16

Graficheskai͡a︡ teorii͡a︡ predstavleniĭ ortogonalʹnykh i unitarnykh grupp i ee fizicheskie prilozhenii͡a︡. Kiev: Nauk. dumka, 1992.

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17

Trobia, Alberto, and Fabio M. Lo Verde. Italian Amateur Pop-Rock Musicians on Facebook. Edited by Roger Mantie and Gareth Dylan Smith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190244705.013.8.

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This chapter investigates how and why amateur musicians use social networking sites, employing a mixed-methods approach. Attention is focused on four big Italian Facebook communities of pop-rock musicians: drums, bass, guitar, and keyboard players (overall, 2,101 active users), analyzing the relational and textual data extracted from the web. The chapter analyzes the network structures emerging from the interactions among the users. It also identifies and maps the main areas of discussion (sound shaping, studio recording, marketplace, musical references, computer production, and relations) and the latent semantic dimension characterizing Facebook users’ activities, through social network analysis and lexical correspondence analysis. Meanings, values, aesthetics, and representations of amateur music making, emerging from the data, are framed within two orthogonal dimensions: theory versus praxis, and competence versus music production. The Italian singularity is then explained with respect to this space. Some theoretical conclusions are finally drawn.
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