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Books on the topic 'Origins'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Cate Tiernan. Origins. London: Penguin Group UK, 2009.

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2

Lerr, Ned. Origins. New York: Disney Press, 2009.

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3

Burkhardt, Frederick, ed. Origins. Cambridge: Cambridge University Press, 2008. http://dx.doi.org/10.1017/cbo9780511722059.

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4

Dervin, Fred, and Hanna Ragnarsdóttir, eds. Origins. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-854-1.

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5

Seckbach, Joseph, ed. Origins. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-2522-x.

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6

Struthers, J. R. Tim, 1950-, ed. Origins. London, Ont: Red Kite Press, 1985.

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7

Catherine, Temerson, ed. Origins. New York: Farrar, Straus and Giroux, 2008.

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8

Kate, Thompson. Origins. New York: Bloomsbury, 2007.

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9

Stefoff, Rebecca. Origins. New York: Marshall Cavendish Benchmark, 2010.

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10

Robinson, Sandra R. Origins. New York: Teachers & Writers Collaborative, 1989.

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11

Smith, L. J. Origins. New York: HarperTeen, 2010.

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12

Copyright Paperback Collection (Library of Congress), ed. Origins. New York: Puffin Books, 2002.

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13

(Illustrator), Andy Kubert, ed. Origin (Wolverine: Origins). Panini (UK) Ltd., 2006.

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14

Maalouf, Amin. Origenes / Origins (13/20). Alianza (Buenos Aires, AR), 2005.

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15

Origenes / Origins (13/20). Madrid: Alianza, 2004.

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16

GUINOT, F. Endless : Origin: Find Out Your Origins. Independently Published, 2021.

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17

Endless : Origin: Find Out Your Origins. Independently Published, 2021.

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18

Frey, James. Origins. HarperCollins Publishers Limited, 2014.

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19

Copper, Brian. Origins. Independently Published, 2016.

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20

Salter, Frank. Origins. Lulu Press, Inc., 2009.

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21

Salter, Frank. Origins. Lulu Press, Inc., 2009.

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22

Truesdale, Jazmin, and Remero Colston. Origins. Aza Entertainment LLC, 2021.

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23

Salzer, Jacob. Origins. Lulu Press, Inc., 2017.

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24

Yulsman, Tom. Origins. CRC Press, 2002. http://dx.doi.org/10.1201/9781420033724.

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25

Hughes, Aaron W. Origins. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190684464.003.0003.

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The present chapter seeks to show just how little is known about Jews and Judaism at the time of Muhammad. Whereas many want to argue that a stable Judaism acted as a “midwife” to the birth of Islam in the seventh century, this chapter argues that there is very little material evidence to support with any degree of certainty just what kind of Jews Muhammad interacted with (if he, in fact did). In addition to this dearth of material evidence, the Islamic sources describing these Jews are later, often much later, than the period upon which they purport to describe. The claim that the Jews gave birth to Islam, then, are both ludicrous and self-serving. The chapter suggests that the later Muslim sources transformed the Jews that Muhammad was believed to have had contact with into what they considered to be normative Jews.

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26

Pribram, Karl H., ed. Origins. Routledge, 2018. http://dx.doi.org/10.4324/9781315789347.

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27

Partridge, Eric. Origins. Routledge, 2006. http://dx.doi.org/10.4324/9780203421147.

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28

Origins. nelson, 2017.

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29

Zbikowski, Lawrence M. Origins. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653637.003.0001.

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This chapter provides an introduction to the unique approach to musical grammar taken in this volume, which adopts a theoretical perspective first developed by cognitive linguists. According to this theory, grammatical units are constructions that combine both form (syntax) and function (semantics). Building on the assumption that language and music have different functions in human cultures, it is proposed these media exploit different systems of reference: language relies on symbolic reference, and music relies on analogical reference. Musical grammar is based on form-function pairs (“constructions”) that provide sonic analogs for dynamic processes central to human cultures. This volume will focus on three such processes: those related to the emotions, to gestures, and to dance. The chapter provides an overview of the book as a whole and also explains how this approach to musical grammar connects with previous work in music theory.

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30

Corrales, Javier. Origins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190868895.003.0003.

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This chapter explains the conditions under which constituent assemblies emerge. As others have argued, more than one condition seems necessary, mostly having to do with pressures on the state to address a governance crisis. And yet, new constituent assemblies are more likely to emerge when the Incumbent feels he or she has the power advantage. The chapter makes two points. First, compelling structural conditions (exceptional circumstances) triggered constitutional assemblies in combination with the rise of the Opposition. Second, a strong desire by the Incumbent to seek new powers also triggered constituent assemblies, but only when the Incumbent anticipated a large power. This chapter offers as well a discussion of several cases of aborted constituent assemblies to further illustrate the role of power asymmetry as an explanatory factor.

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31

Origins. London: Springer London, 2007. http://dx.doi.org/10.1007/978-1-84628-700-8.

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32

Origins. Harvard University Press, 1990.

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33

Origins. Panini UK Limited, 2012.

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34

Derk, Peter. Origins. Independently Published, 2016.

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35

Origins. Blurb, 2017.

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36

ORIGINS. Fsg Adult, 2009.

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Oster, Adina L. Origins. Blurb, 2015.

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38

Origins. Cedar Grove Publishing, 2023.

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39

Rose, Lucinda. Origins. Blurb, 2017.

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40

Origins. Indy Pub, 2023.

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41

Origins. Manuscripts LLC, 2021.

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42

Origins. Manuscripts LLC, 2019.

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43

Origins. Independently Published, 2021.

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44

Origins. Tantor and Blackstone Publishing, 2021.

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45

Saintval, Fabien. Origins. Vulpine Press, 2022.

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46

Origins. Oneworld Publications, 2024.

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47

Origins. Pan MacMillan, 2009.

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48

Origins. CreateSpace Independent Publishing Platform, 2013.

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49

Origins. New York: Marshall Cavendish Benchmark, 2010.

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50

Origins. Making Adventure, 2024.

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