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Journal articles on the topic 'Orient'

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1

Ahmed, Zia, Hafsa Qadir Buzdar, and Umaima Kamran. "Postcolonial Subject as Modern Orient: A Critical Analysis of Shamsie’s Home Fire." International Journal of Linguistics and Culture 2, no. 2 (2021): 159–71. http://dx.doi.org/10.52700/ijlc.v2i2.52.

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This paper aims to explore the evolution and portrayal of the modern Orients in Pakistani fiction and attempts to determine the causes, factors and impact of this shift from simple orient to New Orient. New orient is a discourse being popularized by the west under the influence of Islamophobia to generate a specific type of violent orient whose main job is to spread terrorism and is therefore dangerous. The similar discourses are being followed by the writers from non-western areas of the world and are deeply connected with the formerly colonized country. The new orient is an unwanted person w
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2

Burkiewicz, Łukasz. "Od Redakcji." Perspektywy Kultury 31, no. 4 (2020): 5–6. http://dx.doi.org/10.35765/pk.2020.3104.01.

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Silvestre de Sacy (1758–1838), pionier europejskiej orientalistyki, dostar­czył europejskiemu czytelnikowi wielu fundamentalnych dzieł na temat Orientu, jak również przekładów, które w wielu przypadkach są aktualne do dzisiaj. To on badał kamień z Rossetty, jak i interpretował korespon­dencję Timura z królem Francji Karolem VI. Jego dokonania na długo przed publikacją książki Edwarda W. Saida Orientalizm (1978), tak sze­roko dyskutowanej, otworzyły tajemniczy i intrygujący Orient dla Europy. Z naszej dzisiejszej perspektywy wpływ Orientu na kulturę Europy jest nader oczywisty. Stąd też również
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3

Yasmin Khan, Mamona, and Umme Farwa. "Exploration of Re-Oriental Tendencies in Shamsie’s Burnt Shadows and Home Fire: Re-Orientalization of the Orient." Journal of English Language, Literature and Education 4, no. 3 (2023): 1–16. http://dx.doi.org/10.54692/jelle.2023.0501149.

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Re-orientalization of the modern orient has become a new phenomenon in South Asian Literature. This research tended to analyze the re-oriental tendencies in Shamsie’s critically acclaimed novels Burnt Shadows and Home Fire. Lau’s (2009) framework of Re-Orientalism was selected for the analysis along with the basic concepts of Said’s (1979) Orientalism. Within this framework, the researcher selected ten random samples from both novels for textual analysis. The analysis reveals that the modern orient encounters more hate and prejudice in the host country for being an orient and a diaspora Muslim
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4

Prokop, Daria. "Orient po polsku. Obraz orientu w polskiej leksykografii." Język a Kultura 27 (June 13, 2019): 93–102. http://dx.doi.org/10.19195/1232-9657.27.8.

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The Orient in Polish: An image of the Orient in Polish lexicographyThe article focuses on the study of the meaning, occurrence and use of the term Orient and its derivatives — associated words related to it — in the Polish language. The starting point is the concept of a linguistic image of the world that assumes the dependence of the individual’s perception of reality on the language he or she uses. A person, learning about the world, experiences it with the help of native speech, which imposes a certain specific way of thinking. The language appears as a filter and a ready set of interpretiv
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5

Khan, Shahab Yar. "Shakespeare i Orijent / Shakespeare and the Orient." Context: Journal of Interdisciplinary Studies 3, no. 2 (2022): 77–83. http://dx.doi.org/10.55425/23036966.2016.3.2.77.

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The history of drama in Asia is as old as the history of the world itself. In India however, according to the popular belief, the tradition of drama dates back to the prehistoric times. Due to this unique approach towards drama, that makes it a valuable divine gift for humanity, the esoteric significance of this art form has never seen decline in the cultural history of India. Drama, thus, acquires in Indian context a religious significance and represents as an art form the union of the celestial and the terrestrial. Drama (in Sanskrit Natak), in the Indian Subcontinent, has distinctive charac
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6

Nadel, Ira. "Oriental Bloomsbury." Modernist Cultures 13, no. 1 (2018): 14–32. http://dx.doi.org/10.3366/mod.2018.0192.

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The multiple and occasionally contradictory response of Bloomsbury to the Orient is the focus of this essay which also considers the reverse: the Orient's response to Bloomsbury and the promotion of their texts in the East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell, the Orient became a source of aesthetic interest and problematized politics. French Orientalism and Proust initially corroborated the experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to be revised by new views of Imperial authority. Yet Bloomsbury and the Orient artistically depende
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7

Gorand, François, and Élisabeth de Jaligny. "Proche-Orient." Commentaire Numéro121, no. 1 (2008): 121. http://dx.doi.org/10.3917/comm.121.0121.

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8

Shamel, Shafiq. "Hölderlins Orient." Monatshefte 103, no. 2 (2011): 303–4. http://dx.doi.org/10.1353/mon.2011.0066.

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9

Eßlinger, Eva. "Stifters Orient:." Poetica 46, no. 1 (2014): 197–238. http://dx.doi.org/10.30965/25890530-04601007.

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10

Eßlinger, Eva. "Stifters Orient:." Poetica 46, no. 1-2 (2014): 197–238. http://dx.doi.org/10.30965/25890530-0460102007.

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11

Jozwiak, Gabriella. "Orient express." Nursery World 2019, no. 7 (2019): 30. http://dx.doi.org/10.12968/nuwa.2019.7.30.

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12

Gillam, C. Michael, and Bradford F. Townsend. "Orient Express." Civil Engineering Magazine Archive 75, no. 3 (2005): 50–57. http://dx.doi.org/10.1061/ciegag.0000011.

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13

García-Vidal, Francisco J. "Orient yourself." Nature Photonics 1, no. 1 (2007): 13–14. http://dx.doi.org/10.1038/nphoton.2006.59.

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14

D’haen, Theo. "Re-Orient?" Comparative Literature: East & West 3, no. 2 (2019): 113–27. http://dx.doi.org/10.1080/25723618.2019.1709341.

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15

Larrissy, Edward. "Blake's Orient." Romanticism 11, no. 1 (2005): 1–13. http://dx.doi.org/10.3366/rom.2005.11.1.1.

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16

Danièle Issa-Sayegh. "Moyen Orient." Nouvelles Études Francophones 25, no. 1 (2010): 272–74. http://dx.doi.org/10.1353/nef.2010.0003.

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17

Calarge, Carla. "Proche-orient." Nouvelles Études Francophones 27, no. 2 (2013): 229–33. http://dx.doi.org/10.1353/nef.2013.0012.

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18

Paris, Gilles. "Proche-Orient." Études octobre, no. 10 (2014): 7–17. http://dx.doi.org/10.3917/etu.4209.0007.

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L’accord de libre-échange, négocié discrètement depuis un an entre l’Europe et les États-Unis, n’est pas sans soulever quelques questions, d’autant que certains le présentent comme un modèle pour le commerce mondial. On peut se demander en effet si certaines de ses dispositions n’entrent pas en contradiction avec la philosophie qui sous-tend la construction de l’Union européenne dans la perspective d’un développement durable respectueux de l’humain.
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19

Kianpour, Amir, and Behrang Pourhosseini. "Moyen-Orient." Multitudes 99, no. 2 (2025): 162–65. https://doi.org/10.3917/mult.099.0162.

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20

Louyest, Anna. "L’esthétique de l’Orient dans Le Don de Nabokov." Slavica Occitania 35, no. 1 (2012): 161–73. https://doi.org/10.3406/slaoc.2012.2599.

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The Aesthetic of Orient in Nabokov’s novel The Gift This article analyses the aesthetic function of the Orient in Vladimir Nabokov’s final Russian novel The Gift (1938). The Orient that Nabokov very authentically describes has a particular role in shaping the concepts of imagination and fiction. The play on the narrator’s status lets the author explore with polyphony the Orient. This article shows how the author’s aesthetic researches condense in this original theme.
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21

Hassan Arif, Mubashar. "The Crescent on the Stage: Islam and Muslims in the Plays of two Elizabethan Dramatists." Journal of Contemporary Poetics 5, no. 1-2 (2022): 71–87. http://dx.doi.org/10.54487/jcp.v5i1-2.2304.

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This article investigates the convention of Elizabethan Orientalism vis-à-vis historical, political, and cultural context of the period. Anglo-Islamic contact during the age of discovery is at the heart of this study. Since Queen Elizabeth consolidated strong economic and diplomatic alliance with the Muslim empires of the sixteenth and seventeenth centuries, her subjects exhibited special interest in the Orient. Two chief dramatists of the age, Shakespeare and Marlowe, staged their plays saturated with Islamic themes and characters. This study capitalises on the negative image of the Orient in
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22

Hillali, Mimoun. "Rêves de Moyen-Orient et Moyen-Orient de rêve." Téoros: Revue de recherche en tourisme 25, no. 2 (2006): 5. http://dx.doi.org/10.7202/1071061ar.

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23

Dewani, Mayang Risti, Erlyna Wida Riptanti, and Setyowati Setyowati. "PENGARUH MARKETING MIX TERHADAP KEPUTUSAN PEMBELIAN KURMA GOLDEN ORIENT (STUDI KASUS TOKO OLEH-OLEH ALKATHIRI SURAKARTA)." Agrisaintifika: Jurnal Ilmu-Ilmu Pertanian 7, no. 2 (2023): 177–89. http://dx.doi.org/10.32585/ags.v7i2.4208.

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Dates originating from Egypt are the best-selling dates in Indonesia. Dates from Egypt have the designation Golden Orient which is produced by the Orient Group. The shape of the large dates, with a soft texture, and cheap, makes the Golden Orient dates in great demand by consumers. This study aims to determine the effect of marketing mix 4P simultaneously and partially on purchasing decisions of Golden Orient Dates. This research is also to find out the most influential variables on consumer decisions to buy Golden Orient Dates. Determining the location purposively with 100 respondents. The ty
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24

Atika Pertiwi and Cita Hikmah Yanti. "Deixis in the novel Murder on the orient express." Language and Education Journal 5, no. 2 (2020): 87–102. http://dx.doi.org/10.52237/lej.v5i2.181.

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This study which entitled “Deixis in The Novel Murder on the Orient Express by Agatha Christie” Deixis described the relationship between language and context and the objectives of this study were (1) to find out the utterances of a major character, M. Poirot, and types of the deixis in The Novel Murder on the Orient Express by Agatha Christie. (2) to describe the reference of each type of deixis in the Novel Murder on the Orient Express. This study applied the descriptive qualitative method. The result of this study showed that there were three types of deixis found in the utterances of a maj
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25

Muzaffar, Mehvish, Dr Muhammad Asif, and Talha Bashir. "Fabricated Intellectual Hegemony of the Colonizers: A Comparative Analysis of Post-colonial texts." International Research Journal of Management and Social Sciences 3, no. 1 (2022): 33–39. http://dx.doi.org/10.53575/irjmss.v3.1(22)5.33-39.

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The purpose of the research is to analyze the postcolonial texts from the perspective of “Orientalism” with its aspect of “Fabricated Intellectual Hegemony”. It is a process in which the Orients are constructed, represented, and described by Europe as the corporative institution. It deals with the Orient by making statements about the Orient, authorizing the views about it, describing it, teaching it, settling it, ruling over it. In “Orientalism” the binaries are set to maintain power over the colonized. “Strategic Location” is about the position of the writer in the novel and “Strategic Forma
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26

Bagge Laustsen, Carsten. "Det uhæmmede begær - Vestens fantasier om Orienten." Dansk Sociologi 10, no. 3 (2007): 25–45. http://dx.doi.org/10.22439/dansoc.v10i3.734.

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Desire Unlimited - Western Fantasies of the East
 
 This essay focus on the European dis¬course of the Orient taking as its point of departure Alain Grosrichard’s book The Sultans Court - Western Fantasies of the Orient (1998). It focus on historical ana¬lysis of the European discourse on the Orient, and argues that there is a par¬ticular European way to approach the Orient, a way that does not necessarily illuminate the nature of the “despotic” Orient, but rather illustrates the construc¬tion of Europe itself. The distinction be¬tween the Orient and the Occident is central in this d
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27

Lee, Peggy Kyoungwon. "The Alpha Orient." TDR: The Drama Review 66, no. 2 (2022): 45–59. http://dx.doi.org/10.1017/s1054204322000090.

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The alpha brain wave sonification inaugurated by Alvin Lucier in Music for Solo Performer (1965) ushered in biofeedback as a new possibility for art and a racialized fantasy of the “Orient.” The “Alpha Orient” encompasses sonic methods equating alpha brain waves with the supposed exceptional “composure” and “silence” of the East. Eunoia (2013-2014) by Lisa Park and Yoko Ono’s 1964 Cut Piece and 1965 Sky Piece for Jesus Christ expose the Alpha Orient as an ableist fantasy of the Asian woman in the remarkable soundness of her self-control.
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28

Chantoiseau, Jean-Baptiste. "A Passage to the Orient: How Flaubert Became a Writer (1849−1851)." MLN 139, no. 4 (2024): 830–45. https://doi.org/10.1353/mln.2024.a952854.

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Abstract: Between 1849 and 1851, Gustave Flaubert (1821−1880) traveled to the Orient with the photographer Maxime Du Camp (1822-1894). The journey would shape his writing. For Flaubert, the Orient was less a feared boundary to cross than an unexpected space of free movement. His travels in the Orient opened real and metaphorical passages and resulted in the highly sensorial nature of his later writing. Above all, the passage of breath through his lungs as a metaphor for style gave rise to the famous Flaubertian experience of the gueuloir . Real or metaphorical, these passages through the Orien
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29

Minuti, Rolando. "Italy's Orient: Introduction." Journal of Modern Italian Studies 26, no. 2 (2021): 105–9. http://dx.doi.org/10.1080/1354571x.2021.1896254.

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30

Lyttelton, Adrian. "Italy’s Orient: Introduction." Journal of Modern Italian Studies 26, no. 2 (2021): 110–15. http://dx.doi.org/10.1080/1354571x.2021.1896258.

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31

Kley, Edwin J. Van, Ludovico de Varthema, and Folker Reichert. "Reisen im Orient." Sixteenth Century Journal 29, no. 2 (1998): 606. http://dx.doi.org/10.2307/2544581.

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32

Do Paço, David. "Un Orient négocié." Cahiers de la Méditerranée, no. 76 (July 1, 2008): 229–61. http://dx.doi.org/10.4000/cdlm.4337.

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33

Fenoglio, Irène, and François Georgeon. "Humour et orient." Vingtième Siècle, revue d'histoire 47, no. 1 (1995): 200–201. http://dx.doi.org/10.3406/xxs.1995.3197.

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34

Oueijan, Naji. "Sexualizing the Orient." Essays in Romanticism 14, no. 1 (2006): 7–25. http://dx.doi.org/10.3828/eir.14.1.1.

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35

Goffre, Annie, and Wolf Dietrich. "Orient Okzident. Sudosteuropa." Yearbook for Traditional Music 17 (1985): 228. http://dx.doi.org/10.2307/768457.

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36

Fenoglio, Irene, and Francois Georgeon. "Humour et Orient." Vingtième Siècle. Revue d'histoire, no. 47 (July 1995): 200. http://dx.doi.org/10.2307/3770915.

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37

Huot, Jean-Louis. "Proche-Orient antique." Sciences Humaines N° Hors-série, HS4 (2019): 18–21. http://dx.doi.org/10.3917/sh.hs4.0018.

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38

Šute, Ivica. "Filming the Orient." Review of Croatian history 17, no. 1 (2021): 309–30. http://dx.doi.org/10.22586/review.v17i1.19689.

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The largest and most luxurious passenger ship in the Adriatic was the steamship “Queen Mary”, that initially held constant 12-days line from Sušak, via Split and Dubrovnik to Greece. Later, that line was extended to Palestine and Egypt, and has attracted the attention of members of the Zagreb elite. Among the first ones who have travelled that line, from September 13th until October 7th, 1933, was the prominent Zagreb’s entrepreneurial family Deutsch-Maceljski. Their experience and atmosphere from the cruise and places they visited were recorded by the film camera. They recorded footage and de
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39

Brunel, Pierre. "D'ossian en Orient." Revue de littérature comparée 301, no. 1 (2002): 51. http://dx.doi.org/10.3917/rlc.301.0051.

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40

Labarre, Guy, and Hadrien Bru. "Chronique d’ Orient." Dialogues d'histoire ancienne 42/2, no. 2 (2016): 217. http://dx.doi.org/10.3917/dha.422.0217.

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41

Berg, Eugène. "Voyage en Orient." Commentaire Numéro 79, no. 3 (1997): 770–75. http://dx.doi.org/10.3917/comm.079.0770.

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42

Aisel Gereikhanova. "SCO-ORIENT EXPRESS." Current Digest of the Russian Press, The 74, no. 037 (2022): 18–19. http://dx.doi.org/10.21557/dsp.80933872.

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43

Gabrielle Talon, Claire. "Europe/Proche-Orient." Questions de communication, no. 10 (December 1, 2006): 235–46. http://dx.doi.org/10.4000/questionsdecommunication.7707.

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44

Coppolani, Antoine. "Proche-Orient, 1973." L'Histoire N° 514, no. 12 (2023): 66–70. http://dx.doi.org/10.3917/histo.514.0066.

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45

Georgeon, François, and Irène Fenoglio. "Humour et orient." Vingtième Siècle. Revue d'histoire 47, no. 3 (1995): 200–201. http://dx.doi.org/10.3917/ving.p1995.47n1.0200.

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46

Mannur, Anita. "EAT, DWELL, ORIENT." Cultural Studies 27, no. 4 (2013): 585–610. http://dx.doi.org/10.1080/09502386.2012.725060.

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47

TOPPING, M. "PROUST'S ORIENT(ALISM)." French Studies Bulletin 23, no. 84 (2002): 10–12. http://dx.doi.org/10.1093/frebul/23.84.10.

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48

Kessler, S., M. Elghayesh, C. Lanciault, C. Adams, and A. M. Barrett. "The Orient Express." Journal of the American Dietetic Association 95, no. 9 (1995): A81. http://dx.doi.org/10.1016/s0002-8223(95)00636-2.

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49

Gagnon, Claude. "Alchimies: Occident – Orient." Aries 8, no. 2 (2008): 236–39. http://dx.doi.org/10.1163/156798908x327366.

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50

Kapoor, S. "Litterature et Orient." French Studies 68, no. 2 (2014): 270. http://dx.doi.org/10.1093/fs/knu040.

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