Relevant bibliographies by topics / Organists

Academic literature on the topic 'Organists'

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Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Organists"

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Shaw, Watkins. "Cathedral Organists." Musical Times 129, no. 1740 (February 1988): 63. http://dx.doi.org/10.2307/964415.

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Bebak, Marek. "Carmelite music ensembles in the Greater Poland province in the eighteenth century. Musicians and their repertoire." Muzyka 68, no. 4 (December 29, 2023): 20–37. http://dx.doi.org/10.36744/m.2442.

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This article deals with the musical culture of the Carmelites of the Ancient Observance in the territory of Greater Poland in the 18th century and has been prepared on the basis of archival materials stored in Polish and foreign archives. In 1743, the monastic authorities of the Greater Poland Province introduced a decree according to which secular musicians were to be removed from Carmelite ensembles. The text therefore identifies those Carmelite centres where vocal and instrumental ensembles were active in the 18th century (Poznań, Markowice, Gdańsk, Kcynia, Obory, Drohobycz and Płońsk, as well as previously unknown information about the Carmelite ensemble in Warsaw), and lists the musicians associated with these ensembles (Kapellmeisters, organists and other musicians). Special attention was paid to composers and copyists. In the course of the research, many details have been established about the life of Elias (Elias a Monte Carmeli), who served as Kapellmeister in Poznań for many years, his civilian name (Jan Matalski) has been indicated, and information about the sources for his works has been summarised. Attention was drawn to the figure of Fabian of St Valentine (Valentinus Winkler), who, while he was Kapellmeister and organist, probably also composed. In addition, a profile of Teofil a S. Dorothea, who was Kapellmeister in Markowice and Warsaw and a copyist of works such as arias by Hasse and Pergolesi, is presented. In identifying the organists active in the Carmelite Province of Greater Poland, reference is made to the terms 'organista choralis' and 'organista figuralis' found in monastic sources and the duties of organists known from the printed Ceremonial of 1766 are indicated.
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Thomson, Andrew, Alcock, Darke, Bullock, Palmer, Roper Goss-Custard, Marchant, Thalben-Ball, Guy Weitz, and Hendrik Andriessen. "British Organists of the 1920s." Musical Times 136, no. 1830 (August 1995): 450. http://dx.doi.org/10.2307/1004085.

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Wheeler, Paul. "The Musical Instrument Digital Interface (MIDI): The digital organ for organists and non-organists." Journal of the Acoustical Society of America 135, no. 4 (April 2014): 2245. http://dx.doi.org/10.1121/1.4877351.

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Brock, Laura E., and Igor V. Nábělek. "Temporary threshold shift in organists’ hearing." Journal of the Acoustical Society of America 91, no. 4 (April 1992): 2382. http://dx.doi.org/10.1121/1.403317.

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Webb, Stanley, Nicholas Plumley, and John Lees. "The Organs and Organists of Chichester Cathedral." Musical Times 129, no. 1748 (October 1988): 559. http://dx.doi.org/10.2307/966709.

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Holmes, John. "The Organs and Organists of Armagh Cathedral." Seanchas Ardmhacha: Journal of the Armagh Diocesan Historical Society 13, no. 2 (1989): 230. http://dx.doi.org/10.2307/29742387.

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Webber, Don J., and Martin Freke. "Church organists: Analysing their willingness to play." Journal of Socio-Economics 35, no. 5 (October 2006): 854–67. http://dx.doi.org/10.1016/j.socec.2005.11.056.

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Rein, Susanne, Tobias Fabian, Hans Zwipp, Jan Heineck, and Stephan Weindel. "The Influence of Profession on Functional Ankle Stability in Musicians." Medical Problems of Performing Artists 25, no. 1 (March 1, 2010): 22–28. http://dx.doi.org/10.21091/mppa.2010.1005.

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OBJECTIVE: The aim of this study was to examine the influence of extensive work-related use of the feet on functional ankle stability among musicians. METHODS: Thirty professional organists were compared to professional pianists and controls. All participants completed a questionnaire. Range of motion (ROM), peroneal reaction time, and positional sense tests of the ankle were measured. The postural balance control was investigated with the Biodex Stability System for the stable level 8 and unstable level 2. Statistical analysis was done with the Kruskal-Wallis test, Mann-Whitney test with Bonferroni-Holm correction, and Fisher’s exact test. RESULTS: Nine of 30 organists compared to 5 of 30 pianists and controls reported ankle sprains in their medical history. Pianists had a significant increased flexion of both ankle joints compared to organists (p≤0.01) and increased flexion of the right ankle joint compared to controls (p=0.02). The positional sense test and postural balance control showed no significant differences among groups. The peroneal reaction time of the right peroneus longus muscle was significantly increased in pianists compared to controls (p=0.008). CONCLUSIONS: Organists have shown a high incidence of ankle sprains. Despite their extensive work-related use of the ankle joints, organists have neither increased functional ankle stability nor increased ROM of their ankle joints in comparison to controls. Pianists have increased flexion of the ankle joint, perhaps due to the exclusive motion of extension and flexion while using the pedals. To minimize injuries of the ankle and improve functional ankle stability as well as balance control, proprioceptive exercises of the ankle in daily training programs are recommended.
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Reynolds, Gordon, and Donovan Dawe. "Organists of the City of London, 1666-1850." Musical Times 127, no. 1717 (March 1986): 171. http://dx.doi.org/10.2307/965510.

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Dissertations / Theses on the topic "Organists"

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Weitner, Carol A. "Jacques Nicolas Lemmens : organist, pedagogue, composer /." Digitized version, 1991. http://hdl.handle.net/1802/3220.

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Thesis (D.M.A.)--University of Rochester, 1991.
Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3220
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Havenstein, Christina. "Addressing performance anxiety in organists through pedagogical guidance." Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/46021.

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The art of balancing spiritual, physical and emotional attributes is a daunting task for any organist. The techniques with which an organist consolidates these attributes have a direct effect on the accomplishment of a definitive goal – a successful music performance. However, this portrays the ideal situation. There is a myriad of internal and external factors that obstruct the organist from attaining this ultimate goal and – in the process – create excessive stress and anxiety. Over and above the habitual performance nervousness, an organist’s anxiety level is exacerbated when performing on an unfamiliar organ, as every organ has unique characteristics that differ from all other. Moreover, the modern pipe organ – particularly the church organ – is a complex and intricate instrument that claims the highest skills and flexibility from an organist. Performing music is inherently a stressful accomplishment that is intensified by continuous challenges, inter alia incessant preparation and the threat of criticism. Some music performers seem to thrive on stress while others choke under pressure. The music performer, however, is not intrinsically born with the innate knowledge and wisdom to manage the diverse anxiety-causing factors that are associated with organ performing. A particular kind of pedagogical training, namely coaching, is proposed as a technique to equip a scholar – particularly an organist – with tactics to manage performance anxiety. Parallels are drawn between the training of sports athletes and organists as coaching has valuable applications for both sports- and music performers. The aim with the current study was to explore how and why organists experience such strenuous anxiety when performing a repertoire. These strains can often become too overwhelming for an organist to endure. For the purpose with the study, six experienced and qualified organists were selected by means of a convenience sample design. Their stress- and anxiety levels during music performances were identified by means of 12 open-ended questions. Being an experienced organist and teacher herself, the author was able to probe deeper into the topics introduced by the research questions. Particular consideration was given to the fabric of performance anxiety from three different approaches: behavioural, cognitive and psychoanalytical. In addition, pedagogical coaching was explored as a viable alternative to teaching an organist. Moreover, the organist’s unique characteristics were emphasised from behavioural, cognitive (gestalt), socio-cultural, and psychoanalytical approaches. From the results of the empirical study is evident that all the organists participating in the study revelled in their organ performing. However, many situational and related aspects caused them habitually to experience feelings of stress, anxiety, loneliness and apprehension. Of particular concern to the organists was the inclusion of worship bands in the church. They experienced it as a threat to the church – resulting in a lowering of musical standards. All of the stressful situations resulted in tiredness, frustration and sometimes exploitation in the organists. One main finding was that an organist imperatively needs to be coached and supported in coping with such adverse feelings. Coaching improves energy levels, self-help skills, better time management and further development of emotional intelligence. It can also increase the organist’s physiological state – improve a sense of awareness, enhance learning capabilities and increase self-confidence. The all-encompassing conclusion reached was that – through effective coaching – the organist has a much better chance of overcoming inner- and outer adversities on the way to a successful and rewarding career.
Dissertation (MMus)--University of Pretoria, 2014.
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Music
MMus
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Dillard, E. Margo (Edna Margo). "An Epidemiological Survey of Musculoskeletal Pain Among a Self-Selected Population of Organists." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935779/.

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The purpose of this study was to investigate problem areas of organists' performance as indicated by common experiences of pain. The research problems were to determine the specific areas of the body that were affected by pain, to determine the perceived level of that pain on a scale indicative of its severity, and to explore the relationship between demographic and performance-related factors within the population and specific area of reported pain. An examination of the demographic, performance-related, and pain data, as well as subject comments, indicated possible relationships of the pain experience to other factors. Organists attributed their pain to instrument characteristics, such as keyboard action, music rack height, bench design, and pedalboard shape. Pain was also associated with the time spent playing the organ, playing literature which required large reaches and rapid passage work, such as french toccatas, or playing with incorrect posture. To explore these relationships to spinal and upper extremity pain, further research is indicated.
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Welzel, Martin. "Jeanne Demessieux (1921-1968) : a critical examination of her life /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11267.

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Quinn, Iain James Thomas. "A higher calling : the lofty ideals of Victorian organists." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/3919/.

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This thesis charts new territory by examining the figure of the organist within Victorian culture and society. It examines the perception of the organist as a leader in musical life as well as the perceptions that revolved around them. Central to an understanding of the musical ‘figure’ is the role of the organist in pursuing a ‘higher’ course through their endeavours. Seeking a professional role equal to those equal of law and medicine their collective ethos continually strove for self-improvement and self-evaluation. The thesis is arranged in six chapters enveloped by three larger parts. Part I examines the role of the Victorian organist as a composer by focusing on the factors that influenced and inspired their numerous contributions to the sonata genre. The form of the sonata, coupled with the inclusion of a fugue in so many examples, highlights the deeper meaning placed on writing works that were seen as representing higher forms of composition. The Victorian organists aspired to write works that were not simply useful pieces for church or concert use but more significantly works that could be viewed as superior contributions to the great repertoire. It was a definitive role that elevated their profession to increasingly greater heights. Chapter I shows the influence of classical idioms from the 1850s onwards and the relationship of sonatas to the classical tradition. Chapter II looks at the influence of the Leipzig Conservatorium in the 1880s and the impact found on English students who undertook study there. Ultimately a lineage is traced through to Elgar and his seminal contribution to the literature in 1895. The concluding chapter of Part I centres on the aesthetical conditioning factors attached to the emergence of this new tradition and the greater reasoning behind the place of these works in the canon. Part II examines the perception of the organist as seen through literature by studies of Robert Browning and Thomas Hardy, respectively. Through Browning we see the image of a servant in communion with the Divine and in turn a musician set apart from the mainstream. Browning’s reading of the musician Abt Vogler opens the discussion to consider a musician of an earlier era viewed through a Victorian lens. The second chapter of Part II examines Hardy’s narrative of a young woman who plays the organ but runs afoul of ecclesiastical and societal expectation through her personal infidelities. It is a portrayal that cuts to the core of understanding the role of the woman organist in Victorian society. A deeper examination of the role of the woman in sacred and domestic contexts illuminates a provoking conclusion as a study of gendered perception. Part III is devoted to the work of England’s greatest concert organist of the nineteenth century, W. T. Best. Through a study of Best’s programming trends we can observe the role of the civic organist as a music director for the city of Liverpool in all but name. However, beyond the well-known aspects of bringing music to the masses, we can see how Best’s pursuit of higher ideals was manifest in programming that sought a superior ground between the promenade and the scholastic concert. Across six chapters we find musicians tempered by a spirit of idealism that came from within the profession. As their reach was great across the cultural landscape so too was their selective response to conditioning factors of the period. This is exemplified by not only compositional and programming trends but also their portrayal in literature and the relationship of their work to contemporary aesthetical considerations. As such a rich canvas is developed that helps define key areas of our understanding of the Victorian era whilst demonstrating the figure of the organist as a ‘worthy’ seeking a higher calling.
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Browne, Nigel. "Organs, organ-builders and organists in nineteenth-century Devon." Thesis, University of Exeter, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425289.

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Sykes, Ingrid Julia. "Female piety and the organ : nineteenth century French women organists." Thesis, City University London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269452.

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Hayden, Andrew. "The organs and organists of St Nicholas, Great Yarmouth, 1733-1894." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/116729/.

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This study explores the relationship which developed between the organ and organists of St Nicholas's Parish Church, Great Yarmouth, and the Borough of Great Yarmouth and its administrative body, the Corporation and Assembly. Hitherto, most research regarding organs and organists has tended to view them in isolation without exploring the interactions that might take place between them as the apparatus of the church's music, and secular bodies, in this case the governing agencies and populace of the Borough. That the two became so entwined and that the fortunes of one were so heavily dependent on the other and hence so mutually influenced, is the key finding of this research. It has revealed how it was to separate the immediate function of the organ and its players—namely, to provide music for the church's liturgy--from what the organ represented in the eyes of the Borough; how the organ became symbolic of the Borough's wealth and status: an outward display of the power and authority wielded principally by the Borough and to which the Church itself had become subordinated. It is also shown here that the ability of the organ to channel these attributes resided not in its physical qualities as first constructed, though they represented a starting point, but in the shifting perceptions of what the organ came to mean when measured against prevailing ideas of progress and modernity. Missing was any kind of ability to attribute value to historical sentiment, though there were those for whom this did have meaning. The result was that the physicality of the organ became ever more diluted until all that was left were a few remnants such as the organ's casefront, and even that demoted to irrelevance. Instructively, the Church appears to have concurred with a perception of the instrument as a 'civic church organ', while at the same time looking to the Borough to give concrete expression to that perception.
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Tebbet, Roger Dixon. "Prince of organists : W.T. Best (1826-1897) and the spirit of Victorian enterprise." Thesis, University of York, 1992. http://etheses.whiterose.ac.uk/9800/.

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Van, Rooyen Hentus. "The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609112/.

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This dissertation provides comprehensive performance perspectives for the interpretation of the published keyboard toccatas by Michelangelo Rossi (ca.1602-1656) in his collection, Toccate e Correnti d'Intavolatura d'Organo e Cimbalo (c. 1634). This document consults the following sources on keyboard practice in the early-Baroque period: Girolamo Diruta's Il Transilvano Dialogo Sopra Il Vero Modo Di Sonar Organi, & Istromenti da penna (1593); Adriano Banchieri's Conclusioni nel Suono dell'Organo (1609); Costanzo Antegnati's L'Arte Organica (1608); and the prefaces to Girolamo Frescobaldi's publications Toccate e Partite d'Intavolature di Cembalo, Libro Primo (first version 1615; second version 1615, 1616, 1628; and third version 1637), and Fiori Musicali (1635). These sources provide information on most aspects of keyboard—and specifically organ—playing in the decades leading up to, and at the time of, the initial publication of Rossi's toccatas: including the toccata as genre, Italian organs from the late-Renaissance/early-Baroque, registration, tempo, pedaling, fingering, articulation, and ornamentation. In addition to the performance perspectives, this dissertation also provides a new modern edition of the ten toccatas by Michelangelo Rossi. This edition is based on the 1657 Bologna facsimile. The goal of this edition is two-fold. First to present an accurate text of the facsimile and second to adjust certain beam-groupings, spacing on the staves, and the use of accidentals in a more modern sense.
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Books on the topic "Organists"

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Hatfield, Leonard F. Great fun with organists. Hantsport, N.S: Lancelot Press, 1995.

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Baker, Robert, and Melissa Maier. Rejoice!: Celebrating the musical legacy of Robert Baker. Edited by Yale Institute of Sacred Music. New Haven, Conn.]: Yale Institute of Sacred Music, 2005.

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Bird, Enid. 20th century English cathedral organists. [England]: E. Bird, 1990.

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Overduin, Jan. Making music: Improvisation for organists. New York: Oxford University Press, 1998.

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American Guild of Organists. New York City Chapter. New York City Chapter, American Guild of Organists: 1985-86 yearbook. New York, New York: New York City Chapter, American Guild of Organists, 1986.

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Günter, Hartmann. Karl Straube und seine Schule: "Das Ganze ist ein Mythos". Bonn: Verlag für systematische Musikwissenschaft, 1991.

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Howard, Michael Stockwin. Thine adversaries roar--: Autobiographical observations, 1922-1999. Leominster, Herefordshire: Gracewing, 2001.

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Johnson, Joan. An adopted Lancastrian: The life & works of James Hugh Reginald Dixon 1886-1975. [Lancaster]: Scotforth Books, 2012.

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Abbing, Jörg. Maurice Duruflé: Aspekte zu Leben und Werk. 2nd ed. Paderborn: P. Ewers, 2002.

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Diniz, Jaime C. Organistas da Bahia 1750-1850. Rio de Janeiro: Tempo Brasileiro, 1986.

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Book chapters on the topic "Organists"

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Johnson-Moxley, Melanie. "Rethinking the Matter: Organians Are Still Organisms." In The Ultimate Star Trek and Philosophy, 211–22. Oxford, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781119146032.ch20.

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Wolfe, Charles T. "Varieties of Organicism: A Critical Analysis." In History, Philosophy and Theory of the Life Sciences, 41–58. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38968-9_3.

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AbstractIn earlier work I wrestled with the question of the “ontological status” of organisms. It proved difficult to come to a clear decision, because there are many candidates for what such a status is or would be and of course many definitions of what organisms are. But what happens when we turn to theoretical projects “about” organisms that fall under the heading “organicist”? I first suggest that organicist projects have a problem: a combination of invoking Kant, or at least a Kantian “regulative ideal,” usually presented as the epistemological component (or alternately, the complete overall vision) of a vision of organism – as instantiating natural purposes, as a type of “whole” distinct from a merely mechanistically specifiable set of parts, etc. – and a more ontological statement about the inherent or essential features of organisms, typically presented according to a combination of a “list of heroes” or “laundry list” of properties of organisms. This amounts to a category mistake. Other problems concern the too-strict oppositions between mechanism and organi(ci)sm, and symmetrical tendencies to “ontologize” (thus objectifying) properties of organisms and to “subjectify” them (turning them into philosophies of subjectivity). I don’t mean to suggest that no one should be an organicist or that Kant is a name that should be banished from civilized society. Rather, to borrow awkwardly from Sade, “organicists, one more effort!” if one wants a naturalistic, non-foundationalist concept of organicism, which is indeed quite active in recent theoretical biology, and which arguably was already alive in the organismic and even vitalist theories of thinkers like Goldstein and Canguilhem.
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Dodds, Phil. "The Cultural Production of Scalability: Music, Colonialism and the Moravian Missionary Project." In Music and the Cultural Production of Scale, 77–102. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36283-5_5.

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AbstractAnalysis of the work of the music historian, composer, editor and Moravian missionary administrator Christian Ignatius Latrobe (1756–1836) enables a better understanding of the role of music in colonial expansion in the first half of the nineteenth century. In London, Latrobe received and circulated accounts of the missions’ supposed success in training disciplined and ‘sweet’ choirs of Christian singers from among formerly ‘heathen’ ‘barbarians’, and these accounts were taken to demonstrate the scalability of the ‘civilisation’ project of European colonialism, which suited both antislavery campaigners and colonial state officials. Latrobe sent standardised Christian hymn books, in English and German but also translated into indigenous languages, to mission stations around the world, from Suriname to Jamaica to Labrador to Greenland to Siberia to South Africa. He also sent musical instruments to accompany the hymn-singing, favouring the organ both aesthetically and for its ability to function in different climates. He also circulated specific instructions for training organists, with firm recommendations for a simple accompaniment style and learning hymns by heart. At the different stations, the policy increasingly became to train local members of the congregation according to Latrobe’s advice, so that the instrument, the canon of tunes and the performance conventions were exported uniformly from Europe, embodied in the organ and the organist. Crucially, this uniform and standardised imposition of music—although always resisted and never fully achieved—required the remaking of the cultural landscapes on which they were to be imposed, including through the violent outlawing of existing musical practices and styles. As such, key periods in the history of large-scale musical colonisation can be better understood when framed in terms of the cultural production of scalability, following Anna Tsing, with empirical attention to the efforts involved in musical scale-building projects that make claims about music’s universal qualities and that seek to propagate a standardised, common music around the world.
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Retallack, Gregory J. "Organisms." In Soils of the Past, 176–222. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-011-7902-7_10.

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Gomes, Laidson Paes, Catarina Gouveia e Silva, Jean-Charles Gaillard, Jean Armengaud, and Ana Varela Coelho. "Characterization of Soluble Cell-Free Coelomic Fluid Proteome from the Starfish Marthasterias glacialis." In Methods in Molecular Biology, 583–97. New York, NY: Springer US, 2022. http://dx.doi.org/10.1007/978-1-0716-2172-1_31.

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AbstractProteomics combined to advanced bioinformatics tools is acquiring a pivotal role in the comprehensive understanding of living organism’s biology, in particular for non-model organisms, which includes most marine and aquatic invertebrates. Depicting of protein composition in a whole organ/organism followed by their assembling in functional protein association networks promotes the understanding of key biological processes. Here, we provide a detailed description of the extraction procedure of cell-free coelomic fluid soluble proteins and the characterization of the proteome of the starfish Marthasterias glacialis. Due to coelomic fluid richness in glycoproteins, which complicates protein identification, extracts of soluble proteins are deglycosylated prior to tandem mass spectrometry. This experimental approach is useful at improving knowledge on the coelomic fluid physiological role and deciphering its involvement in regeneration of starfish body parts when comparing different regeneration conditions.
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Bechtel, William, and Leonardo Bich. "Organisms Need Mechanisms; Mechanisms Need Organisms." In History, Philosophy and Theory of the Life Sciences, 85–108. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-46917-6_5.

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AbstractAccording to new mechanists, mechanisms explain how specific biological phenomena are produced. New mechanists have had little to say about how mechanisms relate to the organism in which they reside. A key feature of organisms, emphasized by the autonomy tradition, is that organisms maintain themselves. To do this, they rely on mechanisms. But mechanisms must be controlled so that they produce the phenomena for which they are responsible when and in the manner needed by the organism. To account for how they are controlled, we characterize mechanisms as sets of constraints on the flow of free energy. Some constraints are flexible and can be acted on by other mechanisms, control mechanisms, that utilize information procured from the organism and its environment to alter the flexible constraints in other mechanisms so that they produce phenomena appropriate to the circumstances. We further show that control mechanisms in living organisms are organized heterarchically—control is carried out primarily by local controllers that integrate information they acquire as well as that which they procure from other control mechanisms. The result is not a hierarchy of control but an integrated network of control mechanisms that has been crafted over the course of evolution.
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Baedke, Jan, and Alejandro Fábregas-Tejeda. "The Organism in Evolutionary Explanation: From Early Twentieth Century to the Extended Evolutionary Synthesis." In Evolutionary Biology: Contemporary and Historical Reflections Upon Core Theory, 121–50. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-22028-9_8.

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AbstractIn recent years there have been a number of calls for integrating developmental and organismal phenomena into evolutionary theory. This so-called Extended Evolutionary Synthesis (EES) argues that evolutionary theory should not primarily explain certain evolutionary phenomena by highlighting genes and populations but organisms instead, in particular how their development and behavior biases and drives evolutionary change. Here, we offer a new historiography that focuses less on the differences between the EES and the Modern Synthesis but seeks to provide a better understanding about which theoretical and explanatory traditions the organism-centered framework of the EES draws on. This concerns especially three currently resurfacing explanatory roles granted to organisms in evolution: organisms should allow (1) contextualizing parts in development, especially genes, (2) focusing on reciprocal organism-environment relations (in contrast to, e.g., gene-environment interactions), and (3) understand the role of agency in evolution. Through this analysis, we show that the EES advances a revival of older explanatory roles granted to the organism in evolutionary research, which became marginalized in the second half of the twentieth century. This new perspective helps to re-center contemporary theoretical debates towards relevant questions of explanatory standards in evolutionary biology.
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Petter, Françoise, Charlotte Trontin, Géraldine Anthoine, Maja Ravnikar, Tanja Dreo, Tadeja Lukežič, Ana Vučurović, and Nataša Mehle. "Introduction to Interlaboratory Comparisons." In Plant Pathology in the 21st Century, 7–14. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99811-0_2.

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AbstractThere are two types of interlaboratory comparison studies: proficiency tests, which aim at monitoring the proficiency of laboratories, and test performance studies (TPS), which aim at evaluating the performance of (a) specific test(s) and whether it (they) is (are) fit for purpose. This booklet covers only TPS organisation. A TPS is usually organised to monitor the performance of a newly developed test to detect and/or identify pests or to compare the performance of different tests. The results of TPS also provide information on how (a) test(s) perform(s) in different laboratories. This allows a better estimation of the accuracy and reproducibility of tests. Organising a TPS is a complex process that requires considerable effort from the organisers in terms of time, expertise, and finances. Therefore, the selection of e.g. pests and of participants are important steps which are described in this chapter It also discusses the minimum criteria that the TPS organiser should meet.
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Barger, Judith. "Female Church Organists." In Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century England, 109–21. Routledge, 2017. http://dx.doi.org/10.4324/9781351159081-5.

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"Organists and Composers." In The Choral Foundation of the Chapel Royal, Dublin Castle, 193–212. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv32vqgjt.19.

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Conference papers on the topic "Organists"

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Ibanescu, Daniela-Corina. "INCURSION IN THE WORLD OF RENAISSANCE ORGANISTS." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s19.062.

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Hromadko, Ondrej. "The Comparison Of The Keystroke Technique Between Pianists And Organists." In ICEEPSY 2019 - 10th International Conference on Education and Educational Psychology. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.11.60.

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May, Jeffrey A. "The Sedimentology of Mudrocks: Organics, Organisms, and Occasional Occurrences." In Unconventional Resources Technology Conference. Society of Exploration Geophysicists, American Association of Petroleum Geologists, Society of Petroleum Engineers, 2013. http://dx.doi.org/10.1190/urtec2013-064.

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Eismonts, Uģis. "Dzelzs ferocianīda modificēšana cilvēku un vides aizsardzībai no radioaktīvā cēzija iedarbības." In LU studentu zinātniskā konference Elementum. LU Akadēmiskais apgāds, 2024. http://dx.doi.org/10.22364/lu.szk.4.rk.05.

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Pēc Krievijas Federācijas agresijas Ukrainā un tai sekojošajiem notikumiem pasaulē ar katru dienu palielinās iespēja, ka šajā konfliktā varētu tikt izmantoti arī kodolieroči, kas potenciāli apdraud visu valstu iedzīvotājus, īpaši tos, kas atrodas tuvāk Ukrainas teritorijai, tajā skaitā arī Latviju. Dzelzs ferocianīds ir perspektīvs, maztoksisks metālorganisks savienojums. Pirmo reizi tas tika sintezēts 1706. gadā, un pēdējos gadu desmitos zinātnisko publikāciju skaits par šo savienojumu tikai aug, jo tas ir izmantojams gan medicīnā, gan arī, piemēram, bateriju ražošanā. Lai iegūtu atkārtojamu sintēzes reakcijas iznākumu, ir jābūt specifiskiem apstākļiem – gan pH, gan reakcijas ātruma, gan temperatūras kontrolei. Darbā analizēta dzelzs ferocianīda spēja nepieļaut cēzija radioaktīvo savienojumu nokļūšanu cilvēka organismā un nepieciešamības gadījumā tā spēja iespējami ātri un efektīvi izvadīt to no organisma. Aprakstīta arī specifiska dzelzs ferocianīda sintēze, par pamatu izmantojot vienīgā Latvijas teritorijā dzimušā un strādājušā ķīmiķa – Nobela prēmijas laureāta Vilhelma Ostvalda – ģeniālo novērojumu par mehanoķīmiskām reakcijām. Šāda sintēzes shēma dotu iespēju Latvijai nodrošināt saviem iedzīvotājiem un varonīgajiem aizstāvjiem maksimāli ātri un efektīvi sagatavotus individuālās aizsardzības līdzekļus, lai iespēju robežās pasargātu savu organismu un vidi no radioaktīvā piesārņojuma un šī piesārņojuma izraisītajām sekām.
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"Organises." In 2017 International Conference on Emerging Trends in Computing and Communication Technologies (ICETCCT). IEEE, 2017. http://dx.doi.org/10.1109/icetcct.2017.8280287.

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Jovanović, Nebojša. "ORGANIZATOR PLATFORME ZA TRGOVANjE DIGITALNOM IMOVINOM KAO PRUŽALAC USLUGA." In XIX majsko savetovanje. University of Kragujevac, Faculty of Law, 2023. http://dx.doi.org/10.46793/xixmajsko.325j.

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In this paper for the conference, the author points that the trading platform of digital assets is an object of law, but not persona at law. That is why, it is necessary to manage it by some expert person, as a persona at law. The author explains the notion of the trading platform and causes of its appearance on the market of digital assets. He also explains the notion of its organiser (i.e. manager), as one kind of provider of services relating to the digital assets, their business, legal requirements for awarding the authorisation by the supervisory authority, as well as the procedure of their authorisation under the Serbian law. There is serious doubt about the material validity of digital assets as a means of payment and of investment, due to the many unknown elements of them. There also exists a serious risk that the organiser of trading platform misuses its legal position within the trading process which it organises. The cause of the risk is too great liberty of the organiser to choose its role within the trading process, which it manages by its platform. The author concludes that Serbia should have prohibited the organiser to trade with the users of its services, because it violates the principle of impartiality of the organiser of any type of multilateral trade with any kind of assets, including the digital assets.
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Vourc’h, Thomas, Julien Léopoldès, Annick Méjean, and Hassan Peerhossaini. "Motion of Active Fluids: Diffusion Dynamics of Cyanobacteria." In ASME 2016 Fluids Engineering Division Summer Meeting collocated with the ASME 2016 Heat Transfer Summer Conference and the ASME 2016 14th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/fedsm2016-7526.

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Cyanobacteria are photosynthetic micro-organisms colonizing all aquatic and terrestrial environments. The motility of such living micro-organisms should make their diffusion distinct from typical Brownian motion. This diffusion can be investigated in terms of global behavior (Fickian or not) and in terms of displacement probabilities, which provide more detail about the motility process. Using cyanobacterium Synechocystis sp. PCC 6803 as the model micro-organism, we carry out time-lapse video microscopy to track and analyze the bacteria’s trajectories, from which we compute the mean-squared displacement (MSD) and the distribution function of displacement probabilities. We find that the motility of Synechocystis sp. PCC 6803 is intermittent: high-motility “run” phases are separated by low-motility “tumble” phases corresponding to trapped states. However, this intermittent motility leads to a Fickian diffusive behavior, as shown by the evolution of the MSD with time.
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MacInnis, Jana Kathleen. "ESTABLISHING A LIBRARY OF THE SPECTRAL REFLECTANCE OF SNOW ORGANICS AT THE PER-ORGANISM SCALE." In GSA 2020 Connects Online. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020am-360033.

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Zubova, T. V. "APPLICATION OF THE IMMUNOMODULATOR AZOXIVET IN CALVES REARING." In DIGEST OF ARTICLES ALL-RUSSIAN (NATIONAL) SCIENTIFIC AND PRACTICAL CONFERENCE "CURRENT ISSUES OF VETERINARY MEDICINE: EDUCATION, SCIENCE, PRACTICE", DEDICATED TO THE 190TH ANNIVERSARY FROM THE BIRTH OF A.P. Stepanova. Publishing house of RGAU - MSHA, 2021. http://dx.doi.org/10.26897/978-5-9675-1853-9-2021-5.

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The article presents the results of studying the effect of the drug Azoxivet on the organism of young black-and-white cattle in the conditions of the commercial economy of the Kemerovo region in 2020. When using the drug, a positive effect on the formation of immune defense and resistance of the body of calves is noted. The formation of strong immunity and resistance of the organisms of the calves of the experimental group influenced the growth rate of the experimental livestock. During the study period, gastrointestinal diseases of calves with diarrhea symptoms were observed in the control group 2 times more often than in the experimental group.
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Kernbach, Serge, Ronald Thenius, Paolo Corradi, Leonardo Ricotti, Eugen Meister, Florian Schlachter, Kristof Jebens, et al. "Symbiotic robot organisms." In the 8th Workshop. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1774674.1774685.

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Reports on the topic "Organists"

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Corscadden, Louise, and Anjali Singh. Metabolism And Measurable Metabolic Parameters. ConductScience, December 2022. http://dx.doi.org/10.55157/me20221213.

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Metabolism is the sum of chemical reactions involved in sustaining the life of organisms.[1] It constantly provides your body with the energy to perform essential functions. The process is categorized into two groups:[2] Catabolism: It’s the process of breaking down molecules to obtain energy. For example, converting glucose to pyruvate by cellular respiration. Anabolism: It’s the process of synthesis of compounds required to run the metabolic process of the organisms. For example, carbohydrates, proteins, lipids, and nucleic acids.[2] Metabolism is affected by a range of factors, such as age, sex, muscle mass, body size, and physical activity affect metabolism or BMR (the basal metabolic rate). By definition, BMR is the minimum amount of calories your body requires to function at rest.[2] Now, you have a rough idea about the concept. But, you might wonder why you need to study it. What and how metabolic parameters are measured to determine the metabolism of the organism? Find the answer to all these questions in this article.
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Jambhekar, Ravi, and Narmada Khare. Biodiversity Anecdotes from Bengaluru. Indian Institute for Human Settlements, June 2024. http://dx.doi.org/10.24943/bafb2806.2024.

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Karnataka is blessed with a diverse tropical climate – from balmy or humid, to hot and dry – the state has historically supported lush evergreen forests and green cities. Until recently, Bengaluru boasted of thoughtful inclusion of blue and green spaces in the form of manmade lakes and gardens. However, the rapid growth of the city has caused these spaces to shrink drastically. How do other living beings that also use the spaces deal with this encroachment? With these nature illustrations, we invite you to appreciate how, while some have reduced in numbers, many other organisms continue to survive – sometimes even thrive – in the nooks and crannies of Bengaluru. Each organism has a story worth knowing. These are only a few.
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Edwards, D. S., E. Grosjean, J. J. Brocks, and L. van Maldegem. 20th Australian Organic Geochemistry Conference: origins of oil, old organics and organismc: program and abstracts: 3-7 December, 2018, Canberra, Australia. Geoscience Australia, 2018. http://dx.doi.org/10.11636/record.2018.044.

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Foster, Karis. Digital Organics. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-974.

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Lazaro, Edgar, Murty Bhamidipati, Matt Aldissi, and Brian Dixon. Thermoelectric Organics. Fort Belvoir, VA: Defense Technical Information Center, April 1998. http://dx.doi.org/10.21236/ada357966.

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Tadros, Mahasin G. Effects of Halogenated Hydrocarbon Aquatic Organisms. Fort Belvoir, VA: Defense Technical Information Center, August 1993. http://dx.doi.org/10.21236/ada270297.

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Jung, Carina, Karl Indest, Matthew Carr, Richard Lance, Lyndsay Carrigee, and Kayla Clark. Properties and detectability of rogue synthetic biology (SynBio) products in complex matrices. Engineer Research and Development Center (U.S.), September 2022. http://dx.doi.org/10.21079/11681/45345.

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Synthetic biology (SynBio) aims to rationally engineer or modify traits of an organism or integrate the behaviors of multiple organisms into a singular functional organism through advanced genetic engineering techniques. One objective of this research was to determine the environmental persistence of engineered DNA in the environment. To accomplish this goal, the environmental persistence of legacy engineered DNA building blocks were targeted that laid the foundation for SynBio product development and application giving rise to “post-use products.” These building blocks include genetic constructs such as cloning and expression vectors, promoter/terminator elements, selectable markers, reporter genes, and multi-cloning sites. Shotgun sequencing of total DNA from water samples of pristine sites was performed and resultant sequence data mined for frequency of legacy recombinant DNA signatures. Another objective was to understand the fate of a standardized contemporary synthetic genetic construct (SC) in the context of various chassis systems/genetic configurations representing different degrees of “genetic bioavailability” to the environmental landscape. These studies were carried out using microcosms representing different environmental matrices (soils, waters, wastewater treatment plant (WWTP) liquor) and employed a novel genetic reporter system based on volatile organic compounds (VOC) detection to assess proliferation and persistence of the SC in the matrix over time.
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Taylor, Paul Allen, Catherine H. Mattus, and Trenton Baird Walker. Solidified Organics Testing. Office of Scientific and Technical Information (OSTI), November 2018. http://dx.doi.org/10.2172/1495966.

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Roberts, Mary Fedarko. Osmoregulation in Methanogens (and Other Interesting Organisms). Office of Scientific and Technical Information (OSTI), December 2014. http://dx.doi.org/10.2172/1172319.

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Tadros, Mahasin G. Effects of Halogenated Hydrocarbons on Aquatic Organisms. Fort Belvoir, VA: Defense Technical Information Center, August 1992. http://dx.doi.org/10.21236/ada255364.

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