To see the other types of publications on this topic, follow the link: Organ music Analysis.

Books on the topic 'Organ music Analysis'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 33 books for your research on the topic 'Organ music Analysis.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

A guide to organ music. Portland, OR: Amadeus Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lukas, Viktor. A guide to organ music. Portland, Or: Amadeus Press, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Twentieth-century organ music. New York, NY: Routledge, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

The organ works of Marcel Dupré. Stuyvesant, NY: Pendragon Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Davidsson, Hans. Matthias Weckmann: The interpretation of his organ music. Stockholm: Gehrmans Musikförlag, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Die Orgelwerke Max Regers: Ein Handbuch für Organisten. Wilhelmshaven: F. Noetzel Verlag, Heinrichshofen-Bücher, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kilian, Dietrich. Sechs Sonaten und verschiedene Einzelwerke: Kritischer Bericht. Kassel: Bärenreiter, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Johann Nepomuk David, das Choralwerk für Orgel: Versuch einer hinführenden Analyse. Frankfurt am Main: P. Lang, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Weyer, Martin. Die Orgelwerke Josef Rheinbergers: Ein Handbuch für Organisten. Wilhelmshaven: F. Noetzel, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Harald, Schützeichel, ed. Die Orgelwerke Johann Sebastian Bachs: Vorworte zu den "Sämtlichen Orgelwerken". Hildesheim: G. Olms, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
11

Kehrer, Jodok. Joh. Seb. Bach als Orgelkomponist und seine Bedeutung für den kath. Organisten. Buren, the Netherlands: F. Knuf, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
12

Lukas, Viktor. Reclams Orgelmusikführer. 5th ed. Stuttgart: P. Reclam, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
13

Die Orgelwerke von Sigfrid Karg-Elert (1877-1933). Bonn: [s.n.], 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
14

Löhlein, Heinz-Harald. Orgelbüchlein ; Sechs Choräle von verschiedener Art (Schübler-Choräle) ; Orgelpartiten: Kritischer Bericht. Kassel: Bärenreiter, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
15

Heinz-Klaus, Metzger, and Riehn Rainer, eds. Max Reger: Zum Orgelwerk. München: Edition Text + Kritik im Richard Boorberg Verlag, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
16

si, Wei lian, and Shi wei. Ba he guan feng qin yin yue. Shi jia zhuang: Hua shan wen yi chu ban she, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
17

"Le tout peuplé chants d'oiseaux: Registrering i Olivier Messiaens orgelmusik : instrument--koder--tillämpning. [Helsingfors]: Sibelius-Akademin, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
18

Albus, Manfred. Das Orgelschaffen Wolfgang Stockmeiers und die avantgardistische Orgelmusik. Kassel: Merseburger, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
19

BACH: Verarbeitungen eines Motivs in der Orgelmusik des 19. Jahrhunderts. Sinzig: Studio, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
20

Matthias, Schneider. Buxtehudes Choralfantasien: Textdeutung oder "phantastischer Stil"? Kassel: Bärenreiter, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
21

Semrau, Arno. Polyphone Orgelmusik von Johann Sebastian Bach bis Jürg Baur: Möglichkeiten und Grenzen einer Thematisierung im Musikunterricht der gymnasialen Oberstufe. Augsburg: Wissner, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
22

Gross-Hardt, Johannes. Die französische Orgelsymphonie des 19. und 20. Jahrhundert. Wiesbaden: Breitkopf & Härtel, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
23

Harmonik, Form, poetischer Inhalt: Untersuchungen zu Sonaten der Liszt-Schüler Reubke, Draeseke und Viole. Mainz: Are Music Verlag GmbH, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
24

Richard, Wagner. Tannhäuser: Und der Sängerkrieg auf Wartburg. Frankfurt am Main: Insel, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
25

Richard, Wagner. Tannhauser. London: J. Calder, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
26

Richard, Wagner. Tannhäuser. London: Published in association English National Opera and the Royal Opera (by) Calder, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
27

Richard, Wagner. Tannhäuser und der Sängerkrieg auf Wartburg. Mainz: Schott, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
28

Wagner, Richard. Tannhäuser: Con testo a fronte. Firenze: Le Lettere, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
29

Richard, Wagner. Tannhäuser: Texte, Materialien, Kommentare. Reinbek bei Hamburg: Rowohlt, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
30

Sigfrid Karg-Elert Und Seine Musik Fur Orgel. Orpheus-Verlag, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
31

Berlin, Staatsoper, and Wagner Richard. Tannhäuser und der Sängerkrieg auf Wartburg. Romantische Oper in drei Aufzügen. Insel, Frankfurt, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
32

Wolff, Christoph. Did J. S. Bach Write Organ Concertos? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0004.

Full text
Abstract:
This chapter explores the prehistory of the cantata movements with obbligato organ and asks whether Johann Sebastian Bach wrote organ concertos by focusing on the sinfonias of his Cantatas 146 and 169. Bach presented church cantatas with concertato organ sinfonias several times between 1725 and 1728. This can only mean that neither the clergy, the congregation, nor anyone else objected to this innovative type of church music. This chapter analyzes the two first entries in the autograph manuscript P 234 (ca. 1738), the D-minor and E-major harpsichord concertos (BWV 1052–1053) and their related movements in cantatas 49, 146, 169, and 188, and challenges the notion that they are concertos for violin, oboe, or any other solo instrument. Instead, it argues that they are keyboard concertos in the same two keys and were designed for performance on either harpsichord or organ. The chapter concludes that Bach composed such works primarily for his own use, sketching out a solo part and making appropriate adjustments and improvisatory elaborations as needed at either harpsichord or organ.
APA, Harvard, Vancouver, ISO, and other styles
33

Stinson, Russell. Bach's Legacy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190091224.001.0001.

Full text
Abstract:
This book examines how four of the greatest composers of the nineteenth and twentieth centuries—Felix Mendelssohn, Robert Schumann, Richard Wagner, and Edward Elgar—engaged with the legacy of the music of J. S. Bach. It investigates the various ways in which these individuals responded to Bach’s oeuvre, not as composers per se, but as performers, conductors, scholars, critics, and all-around ambassadors. In its detailed analyses of both musical and epistolary sources, the book sheds light on how Bach’s works were received within the musical circles of these composers. The book’s narrative also helps humanize these individuals as it reconstructs, with touching immediacy, and often by recounting colorful anecdotes, the intimate social circumstances in which Bach’s music was performed and discussed. Special emphasis is given to Mendelssohn’s and Schumann’s reception of Bach’s organ works, Schumann’s encounter with the St. Matthew and St. John Passions, Wagner’s musings on the Well-Tempered Clavier, and Elgar’s (resoundingly negative) thoughts on Bach’s vocal works.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography