Academic literature on the topic 'Orchestral music 20th century History and criticism'
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Journal articles on the topic "Orchestral music 20th century History and criticism"
Batsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.
Full textZubarev, Sergei A. "Academic Music in the Practice of Russian Military Bands in the 19th – Early 21st Centuries." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (September 10, 2022): 56–65. http://dx.doi.org/10.36340/2071-6818-2022-18-4-56-65.
Full textSiqueira Castanheira, José Cláudio. "Introduction to the Sociology of Music Technologies: An Ontological Review." methaodos revista de ciencias sociales 10, no. 2 (October 31, 2022): 419–29. http://dx.doi.org/10.17502/mrcs.v10i2.574.
Full textRusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher." Artes. Journal of Musicology 18, no. 1 (March 1, 2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.
Full textYan, Yang. "The formation of the Chinese orchestra of traditional instruments of a new type in the 1920s-1930s." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (October 3, 2018): 165–80. http://dx.doi.org/10.34064/khnum1-50.12.
Full textVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Full textLiu, Ting. "Singing (vocal) as a component of ballet: the experience of interpreting the phenomenon in the context of artistic trends of the early 20th century." Culture of Ukraine, no. 75 (March 21, 2022): 93–102. http://dx.doi.org/10.31516/2410-5325.075.12.
Full textLoos, Helmut. "Beethoven — the Zeus of Modernity." Culturology Ideas, no. 18 (2'2020) (2020): 66–84. http://dx.doi.org/10.37627/2311-9489-18-2020-2.66-84.
Full textWang, Duangui. "“The Eight Songs” by Zhao Jiping as the embodiment of the vocal and instrumental poem." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (October 3, 2019): 53–70. http://dx.doi.org/10.34064/khnum1-52.04.
Full textAbdokov, Yuri B. "The film music by Boris Tchaikovsky: “Timbral optics” and “Visual acoustics”." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 2 (2022): 104–39. http://dx.doi.org/10.35852/2588-0144-2022-2-104-139.
Full textDissertations / Theses on the topic "Orchestral music 20th century History and criticism"
O'Connor, Jennifer. "Black snow by Michael Smetanin : an analysis : and original compositions." University of Western Australia. School of Music, 2004. http://theses.library.uwa.edu.au/adt-WU2004.0054.
Full textTakahama, Alexandre Machado. "Lambe-lambe de Luiz Cosme : uma edição critica." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285056.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-04T10:39:03Z (GMT). No. of bitstreams: 1 Takahama_AlexandreMachado_M.pdf: 5208386 bytes, checksum: bccc3b2d27787e3b9d0ea8fcb5fab1c8 (MD5) Previous issue date: 2005
Resumo: O presente trabalho constitui-se de um resgate do bailado Lambe-lambe de Luiz Cosme através de uma edição crítica de seu manuscrito. A pesquisa se desenvolveu através de uma abordagem teórica que conduziu à compreensão dos aspectos histórico-musicais do compositor e de sua obra. Após esta etapa inicial, foi realizado o estudo que direcionou a escolha do tipo de edição a ser adotada. Como complemento deste trabalho foram confeccionada stodas as partes instrumentais com base na edição apresentada
Abstract: The present work is a revision of Luiz Cosme's "ballet scene" Lambe-lambe through a critical edition of the original manuscript score. The research process was developed on the basis ot a theoretical study that led to an understanding ot the historical and musical aspects ot the composer's lite and works. This initial study was essencial in order to guide in the type ot edition to be adopted. As a complement to this work the various instrumental parts have been extracted from this edition and are included herewith
Mestrado
Musica
Mestre em Música
Hilliard, Howard (Howard Louis). "The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038828/.
Full textPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Full textLeung, Tai-wai David, and 梁大偉. "Memory, aesthetics and musical quotation: four case studies in 20th century music." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39733919.
Full textTrochimczyk, Maja. "Space and spatialization in contemporary music : history and analysis, ideas and implementations." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116333.
Full textThis dissertation presents the history of space in the musical thought of the 2Othcentury (from Kurth to Clifton, from Varèse to Xenakis) and outlines the development of spatialization in the theory and practice of contenlporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden’s notion of the musical work; a new typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the writings of many composers (e.g. Ives, Boulez, Stockhausen, Cage) and an examination of their compositions. The final part of the dissertation presents three approaches to spatialization: Brant’ s simultaneity of sound layers, Xenakis’s movement of sound, and Schafer’s music of ritual and soundscape.
Cette thèse présente l’histoire de l’espace dans la pensée musicale du vingtième siècle (de Kurth à Clifton, de Varèse à Xenakis) et retrace le développement de la spatialisation dans la théorie et la pratique de la musique contemporaine (après 1950). Le texte souligne les aspects perceptuels et temporels de la spatialisation musicale, reflétant ainsi le lien étroit entre temps et espace t!ans l’expérience humaine. Une nouvelle définition de la spatialisation tire son origine de la notion de l’oeuvre musicale d’Ingarden; une nouvelle typologie des plans spatiaux prend en considération des musiques pour différents environnements acoustiques, diverses positions des musiciens dans l’espace de même que le mouvement de ceux-ci et des auditeurs, etc. L’étude de la spatialisation inclut un survol des écrits de plusieurs compositeurs (Ives, Stockhausen, Boulez et Cage, par exemple) de même qu’un examen de leurs oeuvres. La dernière partie de la thèse présente trois approches compositionnelles de la spatialisation: la simultanéité de strates sonores ,:hez Brant, le mouvement du son chez Xenakis et la musique du rituel et l’écologie sonore chez Schafer.
Bhimani, Nazlin. "Kaikhosru Sorabji’s critical writings on British music in The New Age (1924-1934)." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25348.
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Lang, Xiaoming. "He Zhanhao and Chen Gang: "The Butterfly Lovers" violin concerto." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185865.
Full textTucker, Benjamin Scott. "Atonality, modality, and incantation in two works for trumpet by André Jolivet, with a discussion of his technical and aesthetic principles." Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186692.
Full textLu, Shu-Ling. "The influence of scholarly research on the orchestral performance practice of Raymond Leppard." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1233200.
Full textSchool of Music
Books on the topic "Orchestral music 20th century History and criticism"
Debussy orchestral music. London: BBC Books, 1987.
Find full textJohn, Ardoin, ed. The Philadelphia Orchestra: A century of music. Philadelphia: Temple University Press, 1999.
Find full text1944-, Cooper John Xiros, ed. T.S. Eliot's orchestra: Critical essays on poetry and music. New York: Garland Pub., 2000.
Find full textShen, Sin-yan. Chinese music in the 20th Century. Chicago: Chinese Music Society of North America, 2001.
Find full textHao, Huang, ed. Music in the 20th century. Armonk, NY: M.E. Sharp, 1999.
Find full textIllegal harmonies: Music in the 20th century. Sydney: Hale & Iremonger, 1997.
Find full text20th-century microtonal notation. New York: Greenwood Press, 1990.
Find full textTwentieth-century chamber music. 2nd ed. New York: Routledge, 2003.
Find full textTwentieth-century chamber music. New York: Schirmer Books, 1996.
Find full textMelody Maker history of 20th century popular music. London: Bloomsbury, 1999.
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