Dissertations / Theses on the topic 'Or 1885-1945'
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Brechtken, Magnus. ""Madagaskar für die Juden" : antisemitische Idee und politische Praxis 1885-1945 /." München : R. Oldenbourg, 1997. http://catalogue.bnf.fr/ark:/12148/cb37101914x.
Full textCowden, Stephen. "The search for an indigenous white identity in Australian literature 1885-1945." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298164.
Full textPazuch, Giovane. "Imigração italiana na colônia de Antônio Prado - RS: catolicismo e sociabilidades (1885-1945)." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/12901.
Full textConselho Nacional de Desenvolvimento Científico e Tecnológico
The research analyses the sociability among Italian immigrants and their power relations with the Catholic Church and the Brazilian State between 1885 and 1945 in the colony of Antonio Prado in the State of Rio Grande do Sul. From 1885 the Italian immigrants began to cut down the forest in view of occupy the spaces and places of the Colony, where reproduced the villages of Italian origin, with its own architecture. The work aims to identify the conflicts occurring during the formation of a new Italian-Brazilian identity, named ítalo-brasileira, constituted by Catholic religion and Talian as cultural integration language. The Immigrants adapted to the traditions and customs they brought from Italy to Brazil to the new reality lived in the Colony, where they acquired the characteristics of the rural society. The Catholicity and the Italian identity of the Italian immigrants in the Colony formed and developed in Chapel Societies, which gave rise to a society based on family and community values and traditions
A pesquisa aborda a sociabilidade entre os imigrantes italianos e suas relações de poder com a Igreja Católica e o Estado Brasileiro entre os anos de 1885 e 1945 na Colônia de Antônio Prado no estado do Rio Grande do Sul. A partir de 1885 os imigrantes italianos começaram a derrubar a mata para ocupar os espaços e os lugares da Colônia, onde reproduziram as vilas de origem da Itália com uma arquitetura própria. O trabalho busca identificar os conflitos surgidos durante a formação de uma nova identidade, denominada ítalo-brasileira na Colônia, constituída através da religião católica e do Talian como língua de identificação cultural. Os imigrantes adaptaram as tradições e os costumes que trouxeram da Itália para o Brasil à nova realidade vivida na Colônia, onde adquiriram características próprias da sociedade rural. A catolicidade e a italianidade dos imigrantes italianos na Colônia se formaram e se desenvolveram nas Sociedades da Capela, as quais possibilitaram o surgimento de uma identidade local própria com base na tradição e nos valores familiares e comunitários
Fedangai, Jean. "Genèse et évolution des frontières africaines contemporaines : les frontières de l'Afrique équatoriale française, 1885-1945." Aix-Marseille 1, 1986. http://www.theses.fr/1986AIX10023.
Full textFedangai, Jean. "Genèse et évolution des frontières africaines contemporaines les frontières de l'Afrique équatoriale française, 1885-1945." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37597561b.
Full textO'Neal, Jonathon P. "NATIVISM AND THE DECLINE IN CIVIL LIBERTIES: REACTIONS OF WHITE AMERICA TOWARD THE JAPANESE IMMIGRANTS, 1885-1945." Thesis, Connect to resource online, 2009. http://hdl.handle.net/1805/2055.
Full textTitle from screen (viewed on February 1, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Michael Snodgrass, Kevin Cramer, Marianne S. Wokeck. Includes vitae. Includes bibliographical references (leaves 152-174).
Yun-Han, Min Hie. "L'art de Sonia Delaunay : le simultaneisme en tant que "l'art dans la vie" relation entre peinture et arts décoratifs 1910-1941." Paris 8, 1995. http://www.theses.fr/1995PA080991.
Full textBenoist, Joseph-Roger de. "Les relations entre l'administration coloniale et les missions catholiques au Soudan français et en Haute-Volta de 1885 à 1945." Paris 7, 1985. http://www.theses.fr/1985PA070012.
Full textMartin, Caroline. "Memoir and memory : the papers of a pre-war German - Alfred Huhnhäuser, 1885 to 1950." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/24389.
Full textMonteil, Rachel. ""Chi sono?" Aldo Palazzeschi (1885-1974) : une vie entre prose et poésie." Paris 4, 2005. http://www.theses.fr/2005PA040426.
Full textIn the nine chapters which form the three parts of our research dedicated to Palazzeschi's work (the symbolistic period, the futuristic period and his late works). We will attempt to prove that, by alternating poetry and prose, Palazzeschi is always between continuity and break. We will show that his epistolary novel plays a transitory role since :riflessi is in the wake of his first collections of poems - I Cavalli Bianchi (1905), Lanterna (1907) - but goes further than some of the symbolistic topoi and, in its second part, introduces irony : this novelty can also be found in Poemi (1909). Written during Palazzeschi's futuristic period, his second novel, Il Codice di Perelà (1911), also rooted in the "crepuscular fable", evokes Marinetti's tenets, which are evident throughout the collections of poems L'Incendiario (1910) and L'Incendiario (1913). However, Palazzeschi's scepticism jeopardizes the future of the avant-gardist theories in his works of prose and poetry. The development of the buffo type in short stories represents a watershed for Palazzeschi who turns away from poetry : his late novels, a mixture of realism and fantasy, are the subject of another analysis. After showing that his last novels, warmly received by the new avant-garde, don't escape repetition, we will analyse his last collections of poems - Cuor mio (1968), Via delle cento stelle (1972) - which represent a kind of retrospective and a last tribute paid to poetry
Brüning, Franziska. "La France et Heinrich Brüning : un chancelier allemand dans la perception française." Dijon, 2007. http://www.theses.fr/2007DIJOL013.
Full textThe political role of Brüning is a classic topic mainly within German historical science. Research questions usually focus on his political options and constraints regarding domestic as well as foreign relations levels. It becomes apparent that France’s policy toward Brüning can be best described as a blockade policy. Brüning did not possess the diplomatic skills of Stresemann. As a result, despite the Locarno Agreement, both countries contributed to the deterioration of French-German relations. Research on France’s policy toward Germany usually centers on political, economical or strategic aspects. A crucial question in this context has thus far been omitted: How did the French assess the chancellor and how did this image of Brüning influence France’s policy toward Germany? The methodical approach in this paper is derived from research on international relations. This separate branch within historical science deals with the impact of images and perceptions on international relations and provides a theoretical framework for research on the difficult question of the influence of public opinion on the formulation of foreign policies. Our analysis shows that the whole of France shared a common perception of Brüning. It becomes evident that Brüning revived old French fears of Germany and that France lacked a consistent strategy for dealing with its neighbor. The Brüning government’s methods with regard to foreign affairs and the underestimating of the national socialist danger in France contributed to a situation where emotionally and culturally loaded reasoning within the French political discourse became the basis for the formulation of the foreign policy alignment
Brahamcha-Marin, Jordi. "La réception critique de la poésie de Victor Hugo en France (1914-1944)." Thesis, Le Mans, 2018. http://www.theses.fr/2018LEMA3006/document.
Full textThis dissertation studies the critical reception of the poetry of Victor Hugo in France over the period 1914-1944. Relying on an inclusive conception of “critical reception”, it considers the way in which Hugo’s poetic work was reproduced and circulated (in scholarly editions and cheap popular editions, in luxury books and school textbooks, in poem collections...) or adapted (turned into parody or pastiche and set to music by various composers). It also looks at the many discourses that were held on Hugo’s poetry, whether by academics, professional writers and intellectuals, journalists, political men and activists, etc. Drawing on an extensive corpus and a wide range of sources, confronting methodological approaches borrowed from different study fields, our work helps to throw light on Hugo’s importance as an integral part of French cultural heritage; on the centrality of poetry (especially of the three major collections published while Hugo was in exile, Les Châtiments, Les Contemplations, La Légende des siècles) within his work; on the political readings and the political uses that were made of Hugo’s poetry; on the competing ways of categorising Hugo’s work within French poetry and among French poets, as a Romantic akin to Lamartine and Musset or as a modernist equated with Baudelaire, Rimbaud and Mallarmé. Beyond the sole case of Hugo, our dissertation also sheds light on the importance of poetry in the imagination of the early 20th century, and on the way in which the literature of the period sought to define itself in relation to a two-fold poetic legacy, that of romanticism and that of modernism
Fiałkiewicz-Saignes, Anna. "L'oeuvre romanesque de Stanisław Ignacy Witkiewicz dans le contexte des littératures européennes (1909-1939)." Paris 4, 1997. http://www.theses.fr/1997PA040138.
Full textThe novels of S. I. Witkiewicz have received, in the polish critical tradition, an ambiguous status: that of major but imperfect, both modern and anachronic works. This works undertakes to show that Witkiewicz's novels are coherent works, in which an original form conveys a peculiar experience of the world, similar to the experience which underlies the works of European novelists who have, at the same time, challenged the traditional conception of narrative (Proust, Musil, Mann, V. Woolf, Joyce. . . ) and whom the English-language critics gather as "modernists". The comparatist approach makes it possible to show that Witkiewicz's novels spring from a similar apprehension of the first decades of the XXth century, seen as a turning point, carried by dynamics with a still unknown meaning, which sweep away thinking schemes and systems of values; it is then important to find elsewhere the coherence which has definitely deserted the reality. For Witkiewicz's heroes, philosophy might be that last entrenchment of unity, and all of them search for a way of turning their confused living into a rigorous chain of concepts, which is however impossible because the language is not sufficient for this task. A breach is therefore open for plays on words and concepts, which make the originality of Witkiewicz's writing and guarantee the success of his Romanesque enterprise
Frabetti, Anna. ""Le magicien italien " : Pirandello et le théâtre français dans les années vingt et trente." Paris 4, 2004. http://www.theses.fr/2004PA040159.
Full textAt the beginning of the 1920s, France discovered the theatre of Luigi Pirandello. His translator, Benjamin Crémieux, had taken on the task of promoting his work. Crémieux's critical readings of Pirandello would contribute decisively toward its acceptance. Equally important was the stage direction of Georges Pitoëff : his premiere of Six personnages en quête d'auteur in 1923 would open a new era of Italian theatre in France. For the Italian author, it was a juncture which would mark a turning point in his thinking with respect to the practice of theatre. If he had heretofore refused to recognize the artistic value of stage direction, it was due to his own experience as an author and to the backwardness of Italian theatre in this domain. His encounter with the realm of French theatre, and especially with Pitoëff, would help Pirandello to reconcile himself with the theories of stage direction and, in turn, to become director from 1925 to 1928 at the helm of his own Teatro d'Arte. Pirandello's fame in France soon faded: from 1924 on, Italy and France entered a difficult period in their political relations, not without adverse consequences for cultural exchange. After 1925, Pirandello's success in France would be replaced by a certain weariness, resulting from accusations of intellectualism fomented by the critics and press of the time. His theatre continued to be performed, but it would only be in 1934, after receiving the Nobel Prize, that Pirandello's early triumph would be renewed. The success of the performance of Ce soir on improvise (in the adaptation of Pirandello, Crémieux and Pitoëff), in 1935, marked the final stage of the playwright's French career
Gayraud, Irène. "Chants orphiques européens : Valéry, Rilke, Trakl, Apollinaire, Campana et Goll, entre mythe et poétique." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040213.
Full textThis thesis examines the meaning of the myth of Orpheus in the poetical works of six early twentieth century European poets, and the meaning of Orphic poetry within a context of modernity. Having taken into account a twofold crisis, both of the Weltanschauung – revealing that any sense, or transcendent reference, is missing – and of language (Mallarmé’s legacy), this thesis defines Orphic poetry as an attempt to re-enchant the world, in order to give new roots to the being, a new meaning to death, and a new ground to settle poetry’s ontological depth. The thesis tries to determine if such a lyricism is unique or manifold. It makes a historical mise au point from the sources of Orphism up to the twentieth century; then, it tries to describe the transformation of mythological elements into poetical principles – from which may even have issued contradictory achievements (setting back harmonious links between the world and the self; endless katabasis; dismemberment of the I; Orphic embodiment of a perfect poetry). Our thesis also tries to describe how Orphism is conveyed through music and painting: it questions the link between Orphism and the union of the arts, and studies the poet’s music-like and picture-like language, as well as some vocal or painted works (Honegger, Poulenc, Webern, Weill, Delaunay, Dufy, Klee, De Chirico). At last, as it considers myth as the settling of a new way of being-in-the-world, this thesis pictures early 20th century Orphic poetry both as the symptom and the way of a desire to get back some kind of mythical relationship to the world, in which the being, the sacred and the sayable, through the poetical song, would prove coextensive
Blandin, Claire. "Le Figaro littéraire (1946-1971) : vie d'un hebdomadaire politique et littéraire." Paris, Institut d'études politiques, 2002. http://www.theses.fr/2002IEPP0039.
Full textGreenlees, Donald. "The Origins of Nonalignment: Great Power Competition and Indonesian Foreign Policy 1945-1965." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/147895.
Full textRodriguez, Ismael. "George S. Patton Jr. and the Lost Cause Legacy." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699940/.
Full textGugelot, Frédéric. "Conversions au catholicisme en milieu intellectuel : 1885-1935." Lyon 2, 1997. http://www.theses.fr/1997LYO20013.
Full textBetween 1885 and 1935, a mouvement of conversion to catholicism can be see among french intellectuals, specially writers and artists. The highest point was between 1905 and 1915. A second impulse appears after 1925. The first converted by themselves, then they offered to the next ones help and guidance for their conversion. Friendship and works became ways to faith. They refused positivism and the modification of the social background of intellectual life, were engaged in a strong traditional catholicism but in the same time, took part in avant-garde ideas
Wilfert-Portal, Blaise. "Paris, la France et le reste. . . : importations littéraires et nationalisme culturel en France, 1885-1930." Paris 1, 2003. http://www.theses.fr/2003PA010596.
Full textFoulon, Anne-Cécile. "Munich " ville d'art " vers 1900 : des mouvements d'art à l'édition d'art : l'exemple des éditions Bruckmann et de leurs revues d'art, de Die Kunst für Alle à Die Kunst." Paris 4, 2001. http://www.theses.fr/2001PA040126.
Full textThis study focuses on Munich as a "city of the arts" about 1900. Foremost it takes a closer look at the variety of art movements marked by the secessions and avant-gardes. It also deals with the question of to what extent Munich may be considered a centre of modern art. Besides this the treatise concentrates on the development of logistics necessary for the spreading of new artistic ideas, logistics mainly characterized by the existence of an extraordinary number of art publishers and the foundation of a host of art magazines which were genuine media of expression and criticism, symptoms of their time and simultaneously reflecting the zeitgeist. Our thoughts are then illustrated by the example of the pioneer art publisher F. Bruckmann. His unconditional commitment to the arts, his high standard of quality as well as his strong intention to make art popular and encourage the art education are characteristic of his publishing policy and gradually made him create a great variety of art magazines: Die Kunst für Alle, Dekorative Kunst as well as their French pendant L'Art décoratif and finally Die Kunst. In dealing with these art magazines, the art movements at the turn from the 19th to the 20th century and their problematical nature are even better revealed. Add to this, the study tries to find out about the importance of art magazines as media in their own right and the cultural factors in Germany in the era of Emperor William II
Deas, Megan Elizabeth. "Imagining Australia: Community, participation and the 'Australian Way of Life' in the photography of the Australian Women's Weekly, 1945-1956." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/148424.
Full textSutherland, Johanna. "The construction of "hegemony" in selected nuclear nonproliferation "regime" literature." Thesis, Canberra, ACT : The Australian National University, 1991. http://hdl.handle.net/1885/132086.
Full textDibb, Paul. "The Soviet Union : the incomplete superpower." Phd thesis, Canberra, ACT : The Australian National University, 1986. http://hdl.handle.net/1885/145691.
Full textHannan, Agnes F. "All out! : the effects of evacuation and land acquisition on the Darwin Chinese 1941-1954." Thesis, Monash University, 2022. http://hdl.handle.net/1885/274382.
Full textPrawiradinata, Muhamad Salmun. "Stability, elites and development policy in the new order Indonesia 1966-1983." Thesis, Canberra, ACT : The Australian National University, 1988. http://hdl.handle.net/1885/111321.
Full textHall, Robert Anthony. "The relationship between Aborigines, Islanders and armed forces in the Second World War." Phd thesis, University of New South Wales, 1987. http://hdl.handle.net/1885/267261.
Full textFerranti, Richard de. "Evatt and the Manus Negotiations." Thesis, Canberra, ACT : The Australian National University, 1986. http://hdl.handle.net/1885/112094.
Full textRoux, Alexandra. "Présence, formes et enjeux du démoniaque dans le roman catholique de l’entre-deux-guerres (François Mauriac, Georges Bernanos, Julien Green)." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0035/document.
Full textThe interwar’s literature is known as a frantic and creative period concerning literary forms, and the demoniac’s figure arises from this effervesence. Suffering from a new « sickness of the century », many writers – most of them as catholics – raise the idea of evil under the guise of demoniac. We chose to turn towards François Mauriac, Georges Bernanos and Julian Green and emphasize some of their works in particular, because they embody this sphere of influence. We wondered about the demonic nature and about the way it was part of the novels they wrote in those days and how it could develop in these novels. Bernanos, Mauriac and Green were influenced by religion as well as by some authors and this gave a new dimension – a particularly tragic one – to the pattern of demonic. We tried to define the complex links between tragic and demonic in order to show how Mauriac, Bernanos and Green’s works are part of what Jean-Marie Domenach calls “the return of the tragic”. By setting these novels in the wake of tragic, we are given the opportunity to swing between excess and non-fulfilment, deconstruction and unity, crisis and balance. Therefore does this pattern of ambiguity – both affecting the narrative and thematic dimension of the novel – appear as one of Ariadne's threads, connecting Bernanos, Mauriac and Green's novels. Demonic thus became the root of a full esthetics : from this tension between questioning and understanding, arose the supernatural and the unspeakable, the only ways to lead us to demoniac
Kim, Ji Young. "Security issues on the Korean Peninsula : the impetus for peaceful coexistence in the 1990s." Thesis, Canberra, ACT : The Australian National University, 1991. http://hdl.handle.net/1885/112066.
Full textJennings, Peter. "New Zealand defence policy under Labour." Thesis, Canberra, ACT : The Australian National University, 1987. http://hdl.handle.net/1885/113894.
Full textLu, Xiao. "American policy and the downfall of the Nationalist China : a survey of major American historical literature of China's civil war." Thesis, Canberra, ACT : The Australian National University, 1987. http://hdl.handle.net/1885/112040.
Full textBridges, Lee H. (Lee Hammond). "Anti-Semitism and Der Sturmer on Trial in Nuremberg, 1945-1946: The Case of Julius Streicher." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc279213/.
Full textPiantoni, Antoine. "Les Poètes fantaisistes, un renouveau de la poésie française au début du XXe siècle ?" Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040217.
Full textAmong the answers given to the language crisis triggered by Mallarmé, what consideration can we show to the one promoted by the fantaisist poets of early 20th century? This thesis proposes a new reflection on the aesthetical input from a group nothing short of heterogeneous in its composition amid the emergence of literary avant-gardes. First of all, we will recount the steps of the constitution of a short-lived collective entity, as the group’s trajectory is much alike a comet lost in the cataclysm of the Great War. A sociological approach based on seldom browsed archives informs us both about the prolegomena of a collective experience and the ramifications of nostalgic memories long after the group had ceased to exist in its primitive form. We shall then examine the notional content of fantaisie as the primary element of polymorphous poetics which combine respect for the French literary tradition with the rejection of any dogmatism or theory. We observe that fantaisie works as a vacant slate set to welcome speculations from critics who try and compensate the lack of definition claimed by the group, whose production is branded by the hesitation between elegiac melancholy and humoristic dissonance. Do fantaisist poets offer propose a rebuttal to the threat of obsolescence surrounding the very notion of fantaisie or are they only the echo of a centuries-old phenomenon whose last incarnation melts with the appetence for pastiche and forgery?
Lahiniriko, Denis. "Les structures politiques à Tananarive : union, unanimisme et divisions partisanes dans la culture politique nationaliste malgache (1945-1958)." Paris 1, 2012. http://www.theses.fr/2012PA010621.
Full textTrừng, Nguyễn Thanh. "La situation de la femme dans la société du Sud-Vietnam vue à travers la production littéraire des auteurs du terroir de 1858 à 1945 : essai de construction d'une anthropologie culturelle et historique de la Vietnamienne du Sud." Aix-Marseille 1, 2009. http://www.theses.fr/2009AIX10040.
Full textLeblond, Aude. "Poétique du roman-fleuve, de Jean-Christophe à Maumort." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00714342.
Full textSingh, Bilveer. "Soviet-Indonesian relations, 1945-1986." Phd thesis, 1986. http://hdl.handle.net/1885/11242.
Full textMerrick, Michael. "The United States and the Kurds 1945-1992." Thesis, 1996. http://hdl.handle.net/1885/144092.
Full textHay, David Andrew. "Military manoeuvres : national service in Australia 1945-1972." Phd thesis, 2003. http://hdl.handle.net/1885/151741.
Full textConnelly, Andrew James. "Ambivalent empires : historicising the Trobriand islands, 1830-1945." Phd thesis, 2014. http://hdl.handle.net/1885/156282.
Full textSonger, Loralee S. "A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog." 2010. http://liblink.bsu.edu/uhtbin/catkey/1629111.
Full textIntroduction -- Arnold Schoenberg -- Anton Webern -- Alban Berg -- Vocal and rehearsal techniques -- Conclusions and suggested further research.
School of Music
Franke, Alwin Jorga. "In the Beginning was the Sign. Literary Modernism and Mathematical Modernity in Carl Einstein and Robert Musil." Thesis, 2021. https://doi.org/10.7916/d8-t2ms-ba42.
Full textWebster, Judith. ""Many splendid fictions" : atomic narratives in Australia, 1945-1965." Phd thesis, 2001. http://hdl.handle.net/1885/9950.
Full textZmijewski, Norbert A. "The Catholic-Marxist ideological dialogue in Poland (1945-1980)." Phd thesis, 1988. http://hdl.handle.net/1885/10621.
Full textDonegan, Jacqui Denise. "The confectionery kings: Robertson, Allen and Hoadley, 1875-1945." Phd thesis, 2015. http://hdl.handle.net/1885/149695.
Full textLee, David. "From fear of depression to fear of war: a reinterpretation of the political issues involved in the transition from the Chifley government to the Menzies government, 1945-1952." Phd thesis, 1991. http://hdl.handle.net/1885/112060.
Full textHassall, Graham. "Religion and nation-state formation in Melanesia : 1945 to independence." Phd thesis, 1989. http://hdl.handle.net/1885/10663.
Full textBaba, Gurol. "The wavy cross : Australia, Turkey and the US 1945-1975." Phd thesis, 2010. http://hdl.handle.net/1885/150120.
Full textMiller, Benjamin L. "The political economy of Japan's Tariff Policy : a quantitative analysis." Phd thesis, 1987. http://hdl.handle.net/1885/128778.
Full text