Academic literature on the topic 'Or 1885-1945'

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Journal articles on the topic "Or 1885-1945"

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Lemiski, Karen. "Modern Design and History, 1885–1945." Historian 58, no. 2 (December 1, 1995): 361–66. http://dx.doi.org/10.1111/j.1540-6563.1996.tb00954.x.

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McBride, Deborah L. "American Sanatoriums: Landscaping for Health, 1885-1945." Landscape Journal 17, no. 1 (1998): 26–41. http://dx.doi.org/10.3368/lj.17.1.26.

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Vandiver, Frank E., Martin Blumenson, and Donald Smythe. "Patton: The Man behind the Legend, 1885-1945." American Historical Review 93, no. 1 (February 1988): 248. http://dx.doi.org/10.2307/1865867.

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Sandweiss, Martha A., Margo Davis, and Roxanne Nilan. "The Stanford Album: A Photographic History, 1885-1945." Western Historical Quarterly 22, no. 2 (May 1991): 242. http://dx.doi.org/10.2307/969242.

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Lucas, Raoul. "Salaün Marie. L’école indigène. Nouvelle-Calédonie, 1885-1945." Revue française de pédagogie, no. 161 (December 1, 2007): 140–42. http://dx.doi.org/10.4000/rfp.895.

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Reed, James W., and Angus McLaren. "Our Own Master Race: Eugenics in Canada, 1885-1945." American Historical Review 97, no. 1 (February 1992): 318. http://dx.doi.org/10.2307/2164762.

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Cowan, Ruth Schwartz, and Angus McLaren. "Our Own Master Race: Eugenics in Canada, 1885-1945." Journal of American History 78, no. 2 (September 1991): 689. http://dx.doi.org/10.2307/2079614.

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Brooks, Charlotte. "Brokering Belonging: Chinese in Canada's Exclusion Era, 1885–1945." Social History 37, no. 1 (February 2012): 112. http://dx.doi.org/10.1080/03071022.2011.651589.

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Kuzminykh, Sergei, Аnatolii Usachuk, and Irina Belozerova. "“My Works Don’t Cost Anything and Aren’t Demanded by Anybody…”: Letters from N. E. Makarenko to V. A. Gorodtsov." Stratum plus. Archaeology and Cultural Anthropology, no. 2 (April 30, 2021): 361–402. http://dx.doi.org/10.55086/sp212361402.

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The epistolary heritage of the Ukrainian historian and archaeologist Nikolai Emelyanovich Makarenko (1877—1938) is rich. His letters can be found across numerous archival collections. Relatively recently, Makarenko’s letters to the largest European archaeologists of the 20 th century Arne Mikael Tallgren (1885—1945) and Ellis Howell Minns (1873—1953) were published (Kuzminykh, Usachuk 2016; 2017). This article publishes his letters to one of the founders of the Russian archeology Vasily Alekseevich Gorodtsov (1860—1945).
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KASHANI, GHASEM M. "Revision of the terrestrial isopods of the subgenus Hemilepistus (Desertellio) Verhoeff, 1930 (Isopoda: Oniscidea)." Zootaxa 4555, no. 4 (February 14, 2019): 531. http://dx.doi.org/10.11646/zootaxa.4555.4.5.

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The terrestrial isopod species of the subgenus Hemilepistus (Desertellio) are revised. Hemilepistus ruderalis (Pallas, 1771), H. heptneri Borutzky, 1954, H. pavlovskii Borutzky, 1954 and H. fedtschenkoi (Uljanin, 1875) are redescribed and their diagnostic characters are figured. Three species namely H. nodosus Budde-Lund, 1885, H. zachvatkini Verhoeff, 1930 and H. buddelundi Borutzky, 1945 are synonymized with H. fedtschenkoi, and H. russonovae Borutzky, 1945 is considered as a synonym of H. ruderalis. An identification key to Desertellio species is provided.
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Dissertations / Theses on the topic "Or 1885-1945"

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Brechtken, Magnus. ""Madagaskar für die Juden" : antisemitische Idee und politische Praxis 1885-1945 /." München : R. Oldenbourg, 1997. http://catalogue.bnf.fr/ark:/12148/cb37101914x.

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Cowden, Stephen. "The search for an indigenous white identity in Australian literature 1885-1945." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298164.

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Pazuch, Giovane. "Imigração italiana na colônia de Antônio Prado - RS: catolicismo e sociabilidades (1885-1945)." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/12901.

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Made available in DSpace on 2016-04-27T19:31:11Z (GMT). No. of bitstreams: 1 Giovane Pazuch.pdf: 12073008 bytes, checksum: e5ac46bcd45a5727eed0f140059bc53a (MD5) Previous issue date: 2015-09-25
Conselho Nacional de Desenvolvimento Científico e Tecnológico
The research analyses the sociability among Italian immigrants and their power relations with the Catholic Church and the Brazilian State between 1885 and 1945 in the colony of Antonio Prado in the State of Rio Grande do Sul. From 1885 the Italian immigrants began to cut down the forest in view of occupy the spaces and places of the Colony, where reproduced the villages of Italian origin, with its own architecture. The work aims to identify the conflicts occurring during the formation of a new Italian-Brazilian identity, named ítalo-brasileira, constituted by Catholic religion and Talian as cultural integration language. The Immigrants adapted to the traditions and customs they brought from Italy to Brazil to the new reality lived in the Colony, where they acquired the characteristics of the rural society. The Catholicity and the Italian identity of the Italian immigrants in the Colony formed and developed in Chapel Societies, which gave rise to a society based on family and community values and traditions
A pesquisa aborda a sociabilidade entre os imigrantes italianos e suas relações de poder com a Igreja Católica e o Estado Brasileiro entre os anos de 1885 e 1945 na Colônia de Antônio Prado no estado do Rio Grande do Sul. A partir de 1885 os imigrantes italianos começaram a derrubar a mata para ocupar os espaços e os lugares da Colônia, onde reproduziram as vilas de origem da Itália com uma arquitetura própria. O trabalho busca identificar os conflitos surgidos durante a formação de uma nova identidade, denominada ítalo-brasileira na Colônia, constituída através da religião católica e do Talian como língua de identificação cultural. Os imigrantes adaptaram as tradições e os costumes que trouxeram da Itália para o Brasil à nova realidade vivida na Colônia, onde adquiriram características próprias da sociedade rural. A catolicidade e a italianidade dos imigrantes italianos na Colônia se formaram e se desenvolveram nas Sociedades da Capela, as quais possibilitaram o surgimento de uma identidade local própria com base na tradição e nos valores familiares e comunitários
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Fedangai, Jean. "Genèse et évolution des frontières africaines contemporaines : les frontières de l'Afrique équatoriale française, 1885-1945." Aix-Marseille 1, 1986. http://www.theses.fr/1986AIX10023.

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Les frontières africaines actuelles sont d'origine européenne. La maitrise des voies de communication, l'acquisition des territoires justifièrent les rivalités inter-européennes. L'acte général de Berlin dissipa l'anarchie par des principes diplomatiques. Ceux-ci guideront la France dans l'établissement des frontières de sa future colonie. Les traités franco-portugais de 12 mai 1886 et 23 janvier 1901 délimitèrent le cabinda et le Gabon. Les frontières du Congo français et de L'État indépendant du Congo furent fixées par les traités des 5 février 1885 et 23 avril 1887. Les conventions franc-allemandes des 24 décembre 1885 et 15 mars 1894 délimitèrent le Cameroun du Congo français. Avec l'Espagne, fut signée la convention du 27 juin 1900 délimitant la Guinée et le Gabon. Les conventions franco-britanniques des 5 août 1890 et 14 juin 1898 établirent les frontières au Tchad. La déclaration additionnelle du 21 mars 1899 délimita le Soudan anglo-égyptien et le Congo français. De 1900 à 1919, la France s'occupa des imperfections des tracés. Les traités franco-belges des 23 décembre 1908 et 27 avril 1911 déterminèrent les frontières du Congo-Oubangui. Les accords franco-britanniques des 8 avril 1904 et 29 mai 1906 fixèrent les limites sur le lac Tchad. Les frontières franco-allemandes du Ngoko-Sangha-Lac Tchad furent rectifiées par le traité du 18 avril 1908. Mais les accords des 4 novembre 1911 et 28 septembre 1912 enlevèrent momentanément une partie des possessions françaises. Au Ouadai-Darfor, les accords franco-britanniques des 8 septembre 1919 et 21 janvier 1924 établirent les frontières. Les prétentions italiennes s'élevèrent entre les guerres. Le traité de Rome délimita les frontières Tchad-Libye. Néanmoins, l'acte fut dénoncé. Le traité de 1947 créera la confusion. L'intangibilité des frontières africaines s'explique par la neutralisation d'un déclenchement de conflits en chaines, néfastes au développement. Toutefois, quelques réajustements limités, des assouplissements ou dépassement du problème seraient aussi des facteurs de développement, de paix
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Fedangai, Jean. "Genèse et évolution des frontières africaines contemporaines les frontières de l'Afrique équatoriale française, 1885-1945." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37597561b.

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O'Neal, Jonathon P. "NATIVISM AND THE DECLINE IN CIVIL LIBERTIES: REACTIONS OF WHITE AMERICA TOWARD THE JAPANESE IMMIGRANTS, 1885-1945." Thesis, Connect to resource online, 2009. http://hdl.handle.net/1805/2055.

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Thesis (M.A.)--Indiana University, 2009.
Title from screen (viewed on February 1, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Michael Snodgrass, Kevin Cramer, Marianne S. Wokeck. Includes vitae. Includes bibliographical references (leaves 152-174).
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Yun-Han, Min Hie. "L'art de Sonia Delaunay : le simultaneisme en tant que "l'art dans la vie" relation entre peinture et arts décoratifs 1910-1941." Paris 8, 1995. http://www.theses.fr/1995PA080991.

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Cette etude sur sonai delaunay est une tentative d'approche de son art par rapport a la notion d'art total. Nous avons choisi de nous en tenir a la periode entre 1910 et 1941 - celle de la vie commune de sonia et robert. Le memoire est constitue de trois parties. La premiere traite de la genese de la peinture de sonia delaunay, des influences chromatique s qui l'ont amenee au simultaneisme. La deuxieme partie est consacre a l'art de sonia delaunay dans la vie quotidienne, notamment les robes et les tissus. Dans cette perspective, a travers une observation de la forme, de la couleur et du mouvement, une analyse comparative est faite des creations en peinture et en arts decoratifs de sonia delaunay. La troisieme partie aborde directement la problematique essentielle pour saisir dans quelle mesure l'art de sonia delaunay. Parvient a se realiser comme une forme d'art total a travers ses creations interdisciplinaires. Ce qui donne son unite a l'art total de sonia delaunay c'est la lumiere de la couleur qui lie souplement les arts particuliers les uns aux autres et les amene a de nouvelles expressions. Le simultane en constitue le denomitaeur commun, a partir duquel peut se degager une conception nouvelle de l'unite et de la totalite, mots cles de sa creation et de ces conceptions.
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Benoist, Joseph-Roger de. "Les relations entre l'administration coloniale et les missions catholiques au Soudan français et en Haute-Volta de 1885 à 1945." Paris 7, 1985. http://www.theses.fr/1985PA070012.

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Martin, Caroline. "Memoir and memory : the papers of a pre-war German - Alfred Huhnhäuser, 1885 to 1950." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/24389.

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The personal archive of Dr Alfred Huhnhäuser (1885-1950), a German civil servant, is examined with regard to this thesis. The archive consists of an unfinished personal memoir, Aus einem reichen Leben, five chapters of a political memoir concerning Huhnhäuser's time in Norway during the German occupation, publications edited by Huhnhäuser and other personal documents. A full catalogue of the contents of the archive has been included in this thesis. An attempt has been made to identify the significance of the Huhnhäuser archive within a literary framework and, therefore, a brief analysis of the study of autobiographical writings has been undertaken. The importance of the archive within the context of social history has also been stressed, for Huhnhäuser was an "ordinary" German and not one of the Great and the Good. The personal memoirs operate on three levels - personal, worldstage and cultural- and extracts from the archive have been used to illustrate this. A brief historical summary of events in Norway prior to and immediately after the German occupation is given in order to place the events described by Huhnhäuser in context. The contents of the personal and political memoirs are summarized and analyzed in this thesis. Recurring themes are identified and examined. Perhaps the most significant is Huhnhäuser's repeated claim that he is an inherently ''unpolitisches We sen". Evidence has been obtained from the Bundesarchiv in Berlin which proves that Huhnhäuser joined the NSDAP on 1 May 1933. Huhnhäuser does not refer in the memoirs to his membership of this party, claiming instead that he has never voluntarily been involved in party politics. A second volume of materials has been included in this thesis in order to provide more detailed information as regards to the composition and contents of the archive. Extracts from the memoirs and letters have also been selected.
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Monteil, Rachel. ""Chi sono?" Aldo Palazzeschi (1885-1974) : une vie entre prose et poésie." Paris 4, 2005. http://www.theses.fr/2005PA040426.

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Les neufs chapitres qui constituent les trois parties de notre recherche consacrée à l'œuvre de Palazzeschi (la période symboliste, la période futuriste, les œuvres de la maturité et de la vieillesse) se proposent de démontrer que, en alternant écriture poétique et écriture en prose, Palazzeschi oscille entre continuité et rupture. On reconnaîtra un rôle de transition à son roman épistolaire. En effet, :riflessi (1908) s'inscrit dans le sillage des premiers recueils poétiques - I Cavalli Bianchi (1905), Lanterna (1907) - et dépasse certains topoi symbolistes tout en affichant, dans sa deuxième partie, une orientation ludique confirmée dans Poemi (1909). Rédigé à l'époque futuriste de Palazzeschi, le deuxième roman, Il Codice di Perelà (1911), lui aussi ancré à la fable "crépusculaire", évoque les préceptes de Marinetti largement présents dans les recueils poétiques L'Incendiario (1910) et L'Incendiario (1913). Le scepticisme de Palazzeschi compromet toutefois l'avenir des théories avant-gardistes dans sa prose et sa poésie. Le développement, dans les nouvelles, du type du buffo est alors décisif pour l'auteur florentin qui se détourne de la poésie ; les romans de la maturité, à mi-chemin du réalisme et du fantastique font donc l'objet d'une analyse spécifique. Enfin, après avoir montré que les nouveaux romans de Palazzeschi, chaleureusement accueillis par la néo-avant-garde, n'échappent pas à la répétition, on analyse ses derniers recueils poétiques - Cuor mio (1968), Via delle cento stelle (1972) -, une sorte de rétrospective et de dernier hommage à la poésie
In the nine chapters which form the three parts of our research dedicated to Palazzeschi's work (the symbolistic period, the futuristic period and his late works). We will attempt to prove that, by alternating poetry and prose, Palazzeschi is always between continuity and break. We will show that his epistolary novel plays a transitory role since :riflessi is in the wake of his first collections of poems - I Cavalli Bianchi (1905), Lanterna (1907) - but goes further than some of the symbolistic topoi and, in its second part, introduces irony : this novelty can also be found in Poemi (1909). Written during Palazzeschi's futuristic period, his second novel, Il Codice di Perelà (1911), also rooted in the "crepuscular fable", evokes Marinetti's tenets, which are evident throughout the collections of poems L'Incendiario (1910) and L'Incendiario (1913). However, Palazzeschi's scepticism jeopardizes the future of the avant-gardist theories in his works of prose and poetry. The development of the buffo type in short stories represents a watershed for Palazzeschi who turns away from poetry : his late novels, a mixture of realism and fantasy, are the subject of another analysis. After showing that his last novels, warmly received by the new avant-garde, don't escape repetition, we will analyse his last collections of poems - Cuor mio (1968), Via delle cento stelle (1972) - which represent a kind of retrospective and a last tribute paid to poetry
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Books on the topic "Or 1885-1945"

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1962-, Paoletti Ciro, ed. L'empire italien (1885-1945). Paris: Economica, 2014.

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Han'guk kyohoe ŭi sahoesa, 1885-1945. Sŏul-si: Yŏnse Taehakkyo Ch'ulp'anbu, 2008.

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Salaün, Marie. L'école indigène: Nouvelle-Calédonie, 1885-1945. Rennes: Presses universitaires de Rennes, 2005.

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Myo, Aung. Police administration in Myanmar, 1885-1945. Mandalay, Myanmar: Dept. of History, University of Mandalay, 2007.

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Han'guk kyohoe ŭi sahoesa, 1885-1945. Sŏul-si: Yŏnse Taehakkyo Ch'ulp'anbu, 2008.

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Min, Kyŏng-bae. Hanʼguk Kidokkyo sahoe undongsa, 1885-1945. Sŏul Tʻŭkpyŏlsi: Taehan Kidokkyo Chʻulpʻansa, 1987.

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Sunčič, Vladimir. Komisije za agrarne operacije: 1885-1945. Ljubljana: Arhiv Republike Slovenije, 1991.

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Min, Kyŏng-bae. Hanʾguk Kidokkyo sahoe undongsa, 1885-1945. Seoul: Taehan Kidokkyo Chulpansa, 1987.

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Han'guk kŭndae kanho yŏksa hwabojip, 1885-1945. Sŏul-si: Taehan Kanho Hyŏphoe, 2012.

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Krivorov, Ignat. Voennoto izkustvo na bŭlgarskata armii︠a︡, 1885-1945. Sofii︠a︡: Voenno izd-vo, 2003.

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Book chapters on the topic "Or 1885-1945"

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Bateman, Bradley W. "United States, Economics in (1885–1945)." In The New Palgrave Dictionary of Economics, 14089–103. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_2676.

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Bateman, Bradley W. "United States, Economics in (1885–1945)." In The New Palgrave Dictionary of Economics, 1–14. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_2676-1.

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Sarkar, Sumit. "Freedom and Partition 1945–1947." In Modern India 1885–1947, 414–54. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19712-5_8.

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Sarkar, Sumit. "Political Movements and War 1937–1945." In Modern India 1885–1947, 349–413. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19712-5_7.

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"VIII. George S. Patton, Jr. (1885–1945)." In On War and Leadership, 112–32. Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400825165.112.

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"Chapter 2: Struggle and Resistance: 1885– 1945." In From Race to Ethnicity, 17–47. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824840181-003.

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Carré De Malberg, Nathalie. "Le service de l’Inspection générale des Finances, 1885-1945." In Dictionnaire historique des inspecteurs des Finances 1801-2009, 99–102. Institut de la gestion publique et du développement économique, 2012. http://dx.doi.org/10.4000/books.igpde.3617.

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Matsumoto, Naomi. "The Other Reversed? Japan’s Assimilation of Carmen, 1885 to 1945." In Carmen Abroad, 284–303. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108674515.018.

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"Chapter 9. The Final Solution of the Phoenician Problem, 1885–1945." In Black Athena, 394–427. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9781978807150-013.

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"Second Chapter. Between Art and Atrocity: Epistemic Multiplication and Standardization (1885-1945)." In Congoism, 135–242. transcript Verlag, 2017. http://dx.doi.org/10.1515/9783839440377-004.

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Conference papers on the topic "Or 1885-1945"

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Godoy, Patrícia Bueno. "A arte decorativa brasileira inspirada na cerâmica marajoara." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3706.

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A presente comunicação tem por objetivo destacar uma das mais férteis fontes inspiradoras para a arte decorativa ao longo da primeira metade do século XX: a cerâmica da cultura marajoara. Seus padrões decorativos inspiraram projetos para a arte decorativa, ornamentações arquitetônicas e ilustrações. Entretanto, estes não foram os únicos padrões pesquisados naquele período. Provenientes de outras culturas indígenas, também foram consultados pelos artistas. Para discorrer sobre o tema trataremos de uma breve análise do repertório ornamental do professor do curso de Pintura da Escola Profissional Masculina de Rio Claro-SP, Carlos Hadler (1885-1945), autor intitulado 88 motivos ornamentais marajoara s.d, provavelmente concebido no final da década de 1930.
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