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Relevant bibliographies by topics / Opers

Academic literature on the topic 'Opers'

Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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Dissertations / Theses
Books
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Conference papers
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Journal articles on the topic "Opers"

1

Ben-Zvi, David, and Indranil Biswas. "Opers and theta functions." Advances in Mathematics 181, no. 2 (January 2004): 368–95. http://dx.doi.org/10.1016/s0001-8708(03)00069-0.

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Biswas, Indranil, Sorin Dumitrescu, and Christian Pauly. "Parabolic $\mathrm{SL}_{r}$ -opers." Illinois Journal of Mathematics 64, no. 4 (December 2020): 493–517. http://dx.doi.org/10.1215/00192082-8720482.

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Ben-Zvi, David, and Edward Frenkel. "Spectral curves, opers and integrable systems." Publications mathématiques de l'IHÉS 94, no. 1 (December 2001): 87–159. http://dx.doi.org/10.1007/s10240-001-8193-1.

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HE, Siqi, and Rafe MAZZEO. "Opers and the twisted Bogomolny equations." Annales scientifiques de l'École Normale Supérieure 55, no. 5 (2022): 1329–56. http://dx.doi.org/10.24033/asens.2517.

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Jeong, Saebyeok, and Nikita Nekrasov. "Opers, surface defects, and Yang-Yang functional." Advances in Theoretical and Mathematical Physics 24, no. 7 (2020): 1789–916. http://dx.doi.org/10.4310/atmp.2020.v24.n7.a4.

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Collier, Brian, and Andrew Sanders. "(G,P)-Opers and global Slodowy slices." Advances in Mathematics 377 (January 2021): 107490. http://dx.doi.org/10.1016/j.aim.2020.107490.

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Labourie, François. "Goldman algebra, opers and the swapping algebra." Geometry & Topology 22, no. 3 (March 16, 2018): 1267–348. http://dx.doi.org/10.2140/gt.2018.22.1267.

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Mukhin, Evgeny, and Alexander Varchenko. "Miura opers and critical points of master functions." Central European Journal of Mathematics 3, no. 2 (June 2005): 155–82. http://dx.doi.org/10.2478/bf02479193.

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Wakabayashi, Yasuhiro. "Moduli of Tango Structures and Dormant Miura Opers." Moscow Mathematical Journal 20, no. 3 (May 14, 2020): 575–636. http://dx.doi.org/10.17323/1609-4514-2020-20-3-575-636.

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Masoero, Davide, and Andrea Raimondo. "Opers for Higher States of Quantum KdV Models." Communications in Mathematical Physics 378, no. 1 (June 25, 2020): 1–74. http://dx.doi.org/10.1007/s00220-020-03792-3.

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Dissertations / Theses on the topic "Opers"

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Friedman, Arnold Jacob. "A Different Drummer: A Chamber Opera." Thesis, view full-text document. Access restricted to the University of North Texas campus, 1999. http://www.library.unt.edu/theses.

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Schmidt, Stephan Sebastian. "Opera Impura : Formen engagierter Oper in England /." Trier : Wissenschaftlicher Verlag, 2002. http://catalogue.bnf.fr/ark:/12148/cb389827692.

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Salfen, Kevin McGregor. "Paintings and Palaces, or the Lament of the Burger Flipper." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2186/.

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The opera is scored for chamber orchestra consisting of one oboe, two Bb clarinets, two horns in F, one trumpet in C, one tenor trombone, two percussionists (playing snare drum, bass drum, tambourine, wood block, triangle, suspended cymbal, crash cymbal, agogo bells, cow bell, brake drum, metal whistle, whip, large gong, Glockenspiel, chimes, timpani in F (low) and C), eight or more violins in two parts, six or more violas in two parts, and eight or more cellos in two parts. The characters are Alejandro Jiminez, a dramatic tenor; the Manager of Burger Palace, a baritone; the Suits 1/Fast Food Workers, a choir (SATB) and the Suits 2/Customers, a second choir (SATB), each ideally consisting of eight vocalists for a total of sixteen; the Daydream Figures, which are mimed parts; the Man with Gun, which is a spoken part. The opera, in one act consisting of six scenes and an interlude, is based on a libretto by the composer. There is only one scene change: from an essentially empty stage to a fast food restaurant in Scene 4. The length of the work is approximately sixty to sixty-five minutes.

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Evans, Anne Megan. "The evolving role of the director in Xiqu innovation." Thesis, University of Hawaii at Manoa, 2003. http://proquest.umi.com/pqdweb?index=0&did=764745581&SrchMode=1&sid=4&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1233276975&clientId=23440.

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Makosz, Jadwiga. "Vier Opern von Günter Bialas oder die 'Wiederkehr der populären Oper'." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A15352.

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Wates, Roye E. "«Die Oper aller Opern»: «Don Giovanni» as Text for the Romantics." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37095.

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Marx, Hannelie. "Narrative and soap opera a study of selected South African soap operas /." Diss., Connect to this title online, 2007. http://upetd.up.ac.za/thesis/available/etd-05192008-162153/.

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O'Keefe, Patricia Beatrice. "Selected Operas of Isabelle Aboulker As Repertoire for the University Opera Studio." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699840/.

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Aboulker’s operatic works present an opportunity for opera workshop programs in the United States to perform contemporary operatic works in a foreign language, revitalizing the operatic repertoire and giving students the opportunity to prepare and perform roles without the weight and influence of significant performance history. Aboulker’s style, which has been called “effectively simple,” allows developing students to work on new French language repertoire without the burden of excessively difficult or atonal vocal lines. Aboulker’s works are tuneful and humorous and her longest operatic work lasts a mere hour and a half. These qualities also serve to mitigate the challenge presented to the student by the French language. Many of Aboulker’s works are conceived specifically to be performed with piano only, or have already been published in piano reduction. Most of her operatic works are very short or divide easily into scenes that could be performed separately where the performance of a longer work is either not feasible or not desired. All of these characteristics combine to make the operas of Isabelle Aboulker a viable repertoire option for the university opera studio.

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Stawiski, Eileen Beth. "Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042.

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Kostelanský, Ján. "Vývoj opery na Slovensku a priekopníci Slovenského operného divadelníctva." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177742.

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My work is about the history of Slovak opera and theatre, since the first written records and live performances. I was also interested in the history of slovak theatre and it´s buldings, the first instances of slovak opera, and the rise of the Slovak National Theatre. The end of my work belongs to, in my opinion, two of the most important initiators of slovak theatre.

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Books on the topic "Opers"

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1857-1918, Kobbé Gustav, ed. Kobbé's illustrated opera book: Twenty-six of the world's best-loved operas. London: Bodley Head, 1989.

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1857-1918, Kobbé Gustav, ed. Kobbé's illustrated opera book: Twenty six of the world's best-loved operas. New York: Putnam, 1989.

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Knapp, J. Merrill. The magic of opera. New York: Da Capo Press, 1985.

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The operas and operatic style of John Frederick Lampe. Detroit: Information Coordinators, 1985.

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Sandra, Isetta, ed. Opere catechetiche =: Opera catechetica. Roma: Città nuova, 2008.

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Tertullian. Opere apologetiche =: [Opera apologetica]. Roma: Città nuova, 2006.

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Paul, Driscoll F., ed. Fantastic opera: The great operas. New York: Abrams, 1997.

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Tutte le opere: [opera omnia]. Milano: Rizzoli new media, 2002.

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Kuzemko, Vladimir Valerʹi︠a︡novich. Oper v zakone: Zapiski opera. Moskva: T︠s︡entrpoligraf, 1999.

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Kuzemko, Vladimir. Oper v zakone: Zapiski opera. Moskva: T︠S︡entrpoligraf, 1999.

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Book chapters on the topic "Opers"

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Frenkel, Edward, and Dennis Gaitsgory. "Weyl Modules and Opers without Monodromy." In Arithmetic and Geometry Around Quantization, 101–21. Boston, MA: Birkhäuser Boston, 2010. http://dx.doi.org/10.1007/978-0-8176-4831-2_5.

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Masoero, Davide, and Andrea Raimondo. "Opers for Higher States of the Quantum Boussinesq Model." In Springer Proceedings in Mathematics & Statistics, 55–78. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57000-2_5.

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Avon, Jack. "Operis." In The Handbook of Financial Modeling, 315–24. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6540-6_16.

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Valenti, Chloe. "Opera." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–6. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-02721-6_170-1.

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Roth, Emily, Jonathan Allender-Zivic, and Katy McGlaughlin. "Opera." In Stage Management Basics, 179–96. 2nd ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003133049-15.

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Valenti, Chloe. "Opera." In The Palgrave Encyclopedia of Victorian Women’s Writing, 1206–11. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_170.

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Gillett, Cary, and Jay Sheehan. "Opera." In The Production Manager's Toolkit, 137–46. 2nd ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780367808174-15.

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Beuth, Reinhard, Antje von Graevenitz, and Wolfgang Hofer. "Oper." In Rosalie, 26–183. Stuttgart: J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-04452-5_1.

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Hartung, Günter. "Oper." In Goethe Handbuch, 808–10. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03656-8_53.

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Wuthenow, Ralph-Rainer. "Oper." In Comparative History of Literatures in European Languages, 489–500. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/chlel.xiv.33wut.

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Conference papers on the topic "Opers"

1

Chen, Guoxing, Yinqian Zhang, and Ten-Hwang Lai. "OPERA." In CCS '19: 2019 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3319535.3354220.

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Oh, Erick. "Opera." In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450507.3457432.

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De Lellis, Giovanni. "OPERA." In XV International Workshop on Neutrino Telescopes. Trieste, Italy: Sissa Medialab, 2014. http://dx.doi.org/10.22323/1.196.0012.

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Xu, Yang, Kan-Lin Hsiung, Xin Li, Ivan Nausieda, Stephen Boyd, and Lawrence Pileggi. "OPERA." In the 42nd annual conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1065579.1065746.

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De Serio, Marilisa. "OPERA." In International Workshop on Astroparticle and High Energy Physics. Trieste, Italy: Sissa Medialab, 2003. http://dx.doi.org/10.22323/1.010.0009.

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Paoloni, Alessandro. "Opera." In XVI International Workshop on Neutrino Telescopes. Trieste, Italy: Sissa Medialab, 2016. http://dx.doi.org/10.22323/1.244.0010.

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Kose, Umut. "OPERA." In 16th International Workshop on Neutrino Factories and Future Neutrino Beam Facilities. Trieste, Italy: Sissa Medialab, 2015. http://dx.doi.org/10.22323/1.226.0031.

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Ringendahl, Elisa. "Lied versus Oper – Pole musikalischer Gattungen bei Oscar Bie." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.70.

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A comparison of Oscar Bie’s monographies Die Oper and Das deutsche Lied shows that opera and ‘Lied’ are two extremes in Bie’s understanding of musical genres. While opera according to Bie is an “impossible work of art” which arises from countless contradictions, the low-conflict ‘Lied’ forms an opposite pole. Bie’s perception influences the way he deals with the two genres in writing: while opera is suitable for an adequate feuilleton, ‘Lied’ is not. Bie’s comparison gives him the possibility to break with established patterns of genres. It becomes apparent that for him opera takes on a special role in that it represents the culmination of the basic features of music. As a critic, Bie demands utmost congruence between object and written representation. Writing about music means to be an artist who deals with the same work of art but in another medium.

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Wang, Xu, and Xinhui Song. "Education of Chinese Traditional Operas in Colleges from the Perspective of Cultural Identity–A Case Study of Lv Opera." In International Conference on Mental Health and Humanities Education (ICMHHE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200425.025.

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Wei, Qingxiang. "Opera Troupe, Chinese Opera, Stage: The Expression and Change of Peasant Opera Culture." In 2020 3rd International Conference on Humanities Education and Social Sciences (ICHESS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201214.533.

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Reports on the topic "Opers"

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Giesa, Aaron. SATOR / AREPO / TENET / OPERA / ROTAS. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3030.

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Kayaoglu, Barin. First coup trial opens in Turkey. Al-Monitor: The Pulse of the Middle East, December 2016. http://dx.doi.org/10.26598/auis_ug_is_2016_12_27.

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von Balthasar, Hans Urs. Uno sguardo d’insieme sulla mia opera. Saint John Publications, 2022. http://dx.doi.org/10.56154/ud.

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Barbir, A., R. Penno, R. Chen, M. Hofmann, and H. Orman. An Architecture for Open Pluggable Edge Services (OPES). RFC Editor, August 2004. http://dx.doi.org/10.17487/rfc3835.

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Rousskov, A., and M. Stecher. HTTP Adaptation with Open Pluggable Edge Services (OPES). RFC Editor, November 2005. http://dx.doi.org/10.17487/rfc4236.

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Stecher, M., and A. Barbir. Open Pluggable Edge Services (OPES) SMTP Use Cases. RFC Editor, May 2006. http://dx.doi.org/10.17487/rfc4496.

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Johnson, W. L. Dramatic Expression in Opera, and Its Implications for Conversational Agents. Fort Belvoir, VA: Defense Technical Information Center, January 2003. http://dx.doi.org/10.21236/ada462170.

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Beck, A., M. Hofmann, H. Orman, R. Penno, and A. Terzis. Requirements for Open Pluggable Edge Services (OPES) Callout Protocols. RFC Editor, August 2004. http://dx.doi.org/10.17487/rfc3836.

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Barbir, A., and A. Rousskov. Open Pluggable Edge Services (OPES) Treatment of IAB Considerations. RFC Editor, October 2004. http://dx.doi.org/10.17487/rfc3914.

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Rousskov, A. Open Pluggable Edge Services (OPES) Callout Protocol (OCP) Core. RFC Editor, March 2005. http://dx.doi.org/10.17487/rfc4037.

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