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Books on the topic 'Operas – Italy – History'

Author: Grafiati

Published: 10 March 2023

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1

Silvia, Lusuardi Siena, ed. Placido Domingo, la mia voce sotto le stelle: Trent'anni all'Arena di Verona. Cinisello Balsamo, Milano: Silvana, 1999.

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2

Stanley, Sadie, ed. Puccini and his operas. London: Macmillan, 2000.

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3

Changing the score: Arias, prima donnas, and the authority of performance. New York: Oxford University Press, 2008.

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4

Puccini: A listener's guide. New York: Amadeus Press, 2008.

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5

Il trittico, Turandot, and Puccini's late style. Bloomington: Indiana University Press, 2010.

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6

The Italian traditions and Puccini: Compositional theory and practice in nineteenth-century opera. Bloomington: Indiana University Press, 2011.

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7

Rosselli, John. Singers of Italian opera: The history of a profession. Cambridge: Cambridge University Press, 1992.

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8

Essays on Handel and Italian opera. Cambridge: Cambridge University Press, 1985.

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9

Brian, Richardson, Gilson Simon A, and Keen Catherine, eds. Theatre, opera, and performance in Italy from the fifteenth century to the present: Essays in honour of Richard Andrews. Egham: Society for Italian Studies, 2004.

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10

Feldman, Martha. Opera and sovereignty: Transforming myths in eighteenth-century Italy. Chicago: University of Chicago Press, 2007.

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11

The culture wars of the late Renaissance: Skeptics, libertines, and opera. Cambridge, MA: Harvard University Press, 2007.

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12

Hill, John Walter. Roman monody, cantata and opera from the circles around Cardinal Montalto. Oxford: Clarendon Press, 1997.

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13

Hill, John Walter. Roman monody, cantata, and opera from the circles around Cardinal Montalto. Oxford: Clarendon Press, 1997.

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14

Hill, John Walter. Roman monody, cantata and opera from the circles around Cardinal Montalto. Oxford: Clarendon Press, 1997.

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15

Gentle, Mary. The black opera: A novel of opera, volcanoes, and the mind of God. San Francisco, CA: Night Shade Books, 2012.

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16

1908-, Fuller Frederick, ed. A history of bel canto. Oxford [England]: Clarendon Press, 1996.

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17

A history of bel canto. Oxford [England]: Clarendon Press, 1991.

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18

Jakob, Haury, and Wirth Gerhard 1926-, eds. Procopius Caesariensis Opera omnia. Monachii: K.G. Saur, 2001.

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19

Tosca's Rome: The play and the opera in historical perspective. Chicago, Ill: University of Chicago Press, 2001.

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20

Tosca's Rome: The play and the opera in historical perspective. Chicago, Ill: University of Chicago Press, 1999.

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21

Voicing gender: Castrati, travesti, and the second woman in early-nineteenth-century Italian opera. Bloomington, Ind: Indiana University Press, 2006.

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22

Ferrarini, Giulio. Dietro il sipario: 1881-1898 : memorie e appunti del segretario della commissione teatrale Giulio Ferrarini. Parma: Grafiche STEP, 1986.

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23

Verti, Roberto. Il Teatro comunale di Bologna. Milano: Electa, 1998.

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24

Operatic reform at Turin's Teatro Regio: Aspects of production and stylistic change in the 1760s. Lucca: Libreria musicale italiana, 2001.

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25

Capelli, Gianni. Il Teatro Regio di Parma: Architettura, scene, spettacoli. [Parma?]: Azzali, 1991.

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26

Sternfeld, Frederick William. The birth of opera. New York: Clarendon Press, 1995.

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27

Sternfeld, Frederick William. The birth of opera. Oxford: Clarendon Press, 1993.

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28

The land of song: La "Terra del belcanto" nella stampa londinese di fine Ottocento : una raccolta di testi critici tra 1890 e 1900. Bern: Lang, 2008.

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29

Not without madness: Perspectives on opera. Chicago: University of Chicago Press, 2012.

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30

Bigazzi, Duccio. Il Portello: Operai, tecnici e imprenditori all'Alfa-Romeo, 1906-1926. Milano, Italy: F. Angeli, 1988.

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31

Il Teatro ducale e la vita musicale a Parma: Dai Farnese a Maria Luigia (1687-1829). Roma: Aracne, 2010.

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32

Il teatro d'opera a Parma: Quattrocento anni, dal Farnese al Regio. Cinisello Balsamo, Milano: Silvana, 2007.

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33

Sabattini, Fondazione Claudio, ed. Operai e sindacato a Bologna: L'esperienza di Claudio Sabattini (1968-1974). Roma: Ediesse, 2010.

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34

Baldissara, Luca. Operai e sindacato a Bologna: L'esperienza di Claudio Sabattini (1968-1974). Roma: Ediesse, 2010.

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35

Iain, Fenlon, Carter Tim 1954-, and Fortune Nigel, eds. Con che soavità: Studies in Italian opera, song, and dance, 1580-1740. Oxford: Clarendon Press, 1995.

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36

Memoria e storia: Le Officine Galileo nel racconto degli operai, dei tecnici, dei manager, 1944-1959. Milano, Italy: F. Angeli, 1985.

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37

Vetro, Gaspare Nello. Teatro Reinach 1871-1944: Gli spettacoli musicali, opere, concerti, operette. Parma: Comune di Parma, Archivio storico Teatro regio, 1995.

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38

Vetro, Gaspare Nello. Teatro Reinach 1871-1944: Gli spettacoli musicali, opere, concerti, operette. Parma: Comune di Parma, Archivio storico Teatro regio, 1995.

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39

Manuela, Amati, Zanetti Antonella, and Teatro comunale (Bologna, Italy). Fondazione., eds. Il teatro per la città =: The theatre for the city. Bologna: Editrice Compositori, 1998.

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40

Il Teatro Massimo comunale: Il melodramma a Siracusa tra Otto e Novecento, 1893-1965. Lucca: Libreria musicale italiana, 2012.

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41

Odysseus in Venedig: Sujetwahl und Rollenkonzeption in der venezianischen Oper des 17. Jahrhunderts. Frankfurt am Main: Peter Lang, 2004.

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42

Schiller und die italienische Oper: Das Schillerdrama als Libretto des Belcanto. Frankfurt am Main: P. Lang, 1989.

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43

Meriggi, Maria Grazia. Gli operai della Dalmine e il loro sindacato: Momenti della pratica sindacale della FIOM in una zona bianca. [Bergamo]: Il filo di Arianna, 2002.

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44

Violenze, eversione e terrorismo del partito armato a Padova: Le sentenze contro Potere operaio, Autonomia operaia organizzata e Collettivi politici veneti. Padova: CLEUP, 2008.

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45

Tintori, Giampiero. Il Regio Ducal Teatro di Milano (1717-1778): Cronologia delle opere e dei balli con 10 indici. Cuneo: Bertola & Locatelli, 1998.

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46

Piva, Francesco. Azienda e partito: Gli operai del Poligrafico dello Stato nel periodo fascista. Roma: Lavoro, 1998.

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47

Østrem, Eyolf. Medieval ritual and early modern music: The devotional practice of lauda singing in late-Renaissance Italy. Turnhout: Brepols, 2008.

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48

Bandini, Gianna. Associazionismo, cultura e politica: L'Unione operaia di Colonnata, 1864-1980. Napoli: Edizioni scientifiche italiane, 2000.

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49

Mamczarz, Irène. Le Théâtre Farnèse de Parme et le drame musical italien (1618-1732): Étude d'un lieu théâtral, des représentations, des formes: drame pastoral, intermèdes, opéra-tournoi, drame musical. [Florence, Italy]: L.S. Olschki, 1988.

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50

Operas Orbit Musical Drama And The Influence Of Opera In Arcadian Rome. Cambridge University Press, 2011.

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