Books on the topic 'Opera in the Seventeenth Century Venice'
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Opera in seventeenth-century Venice: The creation of a genre. Berkeley: University of California Press, 1991.
Find full textEmblems of eloquence: Opera and women's voices in seventeenth-century Venice. Berkeley: University of California Press, 2003.
Find full textEmmanuel, Glixon Jonathan, ed. Inventing the business of opera: The impresario and his world in seventeenth-century Venice. New York: Oxford University Press, 2005.
Find full textGlixon, Beth Lise. Inventing the business of opera: The impresario and his world in seventeenth-century Venice. New York, NY: Oxford University Press, 2006.
Find full textAlm, Irene. Theatrical dance in seventeenth-century Venetian opera. Ann Arbor: UMI Dissertation Services, 1993.
Find full textVenice, Austria, and the Turks in the seventeenth century. Philadelphia: American Philosophical Society, 1991.
Find full textVenice and Amsterdam: A study of seventeenth-century elites. 2nd ed. Cambridge, UK: Polity Press, 1994.
Find full textThe theatre of praise: The panegyric tradition in seventeenth-century English drama. Newark: University of Delaware Press, 1986.
Find full textCoryate, Thomas. Venice visited: Being a dozen extracts from the journal of Thomas Coryat, who, in the early seventeenth century, walked from Somerset to Venice and back. Bath: Old School Press, 1999.
Find full textAikin, Judith Popovich. A language for German opera: The development of forms and formulas for recitative and aria in seventeenth-century German libretti. Wiesbaden: Harrassowitz, 2002.
Find full textSullam, Sara Copia. Jewish poet and intellectual in seventeenth-century Venice: The works of Sarra Copia Sulam in verse and prose, along with writings of her contemporaries in her praise, condemnation, or defense. Chicago and London: University of Chicago Press, 2009.
Find full textSullam, Sara Copia. Jewish poet and intellectual in seventeenth-century Venice: The works of Sarra Copia Sulam in verse and prose, along with writings of her contemporaries in her praise, condemnation, or defense. Chicago and London: University of Chicago Press, 2009.
Find full textJewish poet and intellectual in seventeenth-century Venice: The works of Sarra Copia Sulam in verse and prose, along with writings of her contemporaries in her praise, condemnation, or defense. Chicago and London: University of Chicago Press, 2009.
Find full textGuliyev, Ahmad. Safavids in Venetian and European Sources. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-592-6.
Full textRosand, Ellen. Opera in Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 2007.
Find full textRosand, Ellen. Opera in Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 1990.
Find full textRosand, Ellen. Opera in Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 1990.
Find full textChastity, heroism, and allure: Women in the opera of seventeenth-century Venice. 1995.
Find full textHeller, Wendy. Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice. University of California Press, 2004.
Find full textHeller, Wendy. Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice. University of California Press, 2004.
Find full textGlixon, Jonathan, and Beth Glixon. Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice. Oxford University Press, Incorporated, 2005.
Find full textGlixon, Jonathan, and Beth Glixon. Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice. Oxford University Press, USA, 2008.
Find full textHeller, Wendy. Emblems of Eloquence: Opera and Women S Voices in Seventeenth-Century Venice. University of California Press, 2004.
Find full textGlixon, Johnathon E., and Beth L. Glixon. Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. Ams Studies in Music. Oxford University Press, 2005.
Find full textDe Lucca, Valeria. The Politics of Princely Entertainment. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190631130.001.0001.
Full textStudies in Seventeenth-Century Opera. Taylor & Francis Group, 2010.
Find full textGlixon, BethL. Studies in Seventeenth-Century Opera. Taylor & Francis Group, 2017.
Find full textGlixon, BethL. Studies in Seventeenth-Century Opera. Taylor & Francis Group, 2017.
Find full textWaeber, Jacqueline. Cambridge Companion to Seventeenth-Century Opera. Cambridge University Press, 2020.
Find full textRapp, Richard Tilden. Industry and Economic Decline in Seventeenth-Century Venice. Harvard University Press, 2013.
Find full textRapp, Richard Tilden. Industry and Economic Decline in Seventeenth-Century Venice. Harvard University Press, 2013.
Find full textBurke, Peter. Venice and Amsterdam: A Study of Seventeenth-Century Elites. 2nd ed. Blackwell Pub, 1995.
Find full textSeventeenth-century opera and the sound of the commedia dell'arte. 2016.
Find full textGlixon, Beth Lise. Recitative in seventeenth-century Venetian opera: Its dramatic function and musical language. 1985.
Find full textHugh Alexander (Sandy) Robert Thorburn. Seventeenth-century Venetian opera: The collaborative context of a commercial, synaesthesic art form. 2006.
Find full textAltieri, Joanne. Theatre of Praise: The Panegyric Tradition in Seventeenth-Century English Drama. Rowman & Littlefield Publishers, Incorporated, 1986.
Find full textSchnoebelen, A. Bologna, 1: Maurice Cazzati, Op. 6 SH Venice 1648 Mauricio Cazzati Op. 13 SH Venice 1651 Mauricio Cazzati, Op. 25 SH Bologna 1661 (Solo Motets from the Seventeenth Century Series). Routledge, 1988.
Find full textSchnoebelen, A. Solo Motets in Italy: Lionardo Simonetti (compiler), Chirlanda Sacra Lib. 1, Op. 2 Venice, 1625, Motetti a Voce Sola da Diversi Ecclentissimi Autori... ... Motets from the Seventeenth Century Series). Routledge, 1987.
Find full textSulam, Sarra Copia, and Don Harrán. Jewish Poet and Intellectual in Seventeenth-Century Venice: The Works of Sarra Copia Sulam in Verse and Prose, along with Writings of Her Contemporaries in Her Praise, Condemnation, or Defense. University of Chicago Press, 2009.
Find full textSullam, Sara Copia. Jewish Poet and Intellectual in Seventeenth-Century Venice: The Works of Sarra Copia Sulam in Verse and Prose along with Writings of Her Contemporaries in Her Praise, Condemnation, or Defense. University of Chicago Press, 2010.
Find full textGlixon, Jonathan E. Daily Offices and More. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190259129.003.0005.
Full textDavid, Deirdre. Snow. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198729617.003.0005.
Full textHarris, Ellen T., and Ellen T. Harris. Musical and Dramatic Structure. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190271664.003.0004.
Full textGerber, Jane S. Cities of Splendour in the Shaping of Sephardi History. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781904113300.001.0001.
Full textRoule, Natasha, ed. La chute de Phaéton, comédie en musique (1694). A-R Editions, 2022. http://dx.doi.org/10.31022/b233.
Full textAgazzari, Agostino. Eumelio, dramma pastorale (1606). Edited by Matthew J. Hall, Elizabeth Lyon, and Zoe Weiss. A-R Editions, 2022. http://dx.doi.org/10.31022/b227.
Full textMelamed, Daniel R. The Musical Topic of the Mass in B Minor. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881054.003.0003.
Full textNewark, Cormac, and William Weber, eds. The Oxford Handbook of the Operatic Canon. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190224202.001.0001.
Full textMelani, Alessandro. L’empio punito. Edited by Luca Della Libera. A-R Editions, 2022. http://dx.doi.org/10.31022/b228.
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