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Books on the topic 'Opera in Australia'

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Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Opera for the Antipodes: Opera in Australia, 1881-1939. Sydney: Currency Press and Pellinor, 1990.

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2

Zietz, Karyl Lynn. Opera companies and houses of western Europe, Canada, Australia, and New Zealand: A comprehensive illustrated reference. Jefferson, N.C: McFarland, 1999.

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3

Silsbury, Elizabeth. State of opera: An intimate new history of the State Opera of South Australia, 1957-2000. Kent Town, S. Aust: Wakefield Press, 2001.

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4

Dreamscapes. Oxford: Isis, 2006.

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5

The saga of Sydney Opera House: The dramatic story of the design and construction of the icon of modern Australia. New York: Spon Press, 2004.

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6

Downes, Peter. The Pollards: A family and its child and adult opera companies in New Zealand and Australia, 1880-1910. Wellinton, NZ: Steele Roberts, 2002.

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7

Bonynge, Richard. Joan Sutherland & Richard Bonynge with the Australian Opera. Roseville, NSW, Australia: Craftsman House, 1990.

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8

Wilmoth, Peter. Diva: Dame Joan Sutherland : Australia's opera legend. Melbourne: Australia Post, 2004.

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9

Wang, Zheng-Ting. Chinese music in Australia, Victoria: 1850s to mid 1990s. Melbourne: Australia Asia Foundation, 1997.

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10

Mercado, Andrew. Super Aussie soaps: Behind the scenes of Australia's best loved TV shows. North Melbourne: Pluto Press, 2004.

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11

De Zordo, Ornella, and Fiorenzo Fantaccini, eds. Saggi di anglistica e americanistica. Florence: Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-317-5.

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The third volume of Saggi di anglistica e americanistica is the last in the series published under the aegis of the University of Florence PhD course in English and American Studies which, after 25 years, will terminate its activities in 2013. This last collection once again attests to the worth of the PhD's educational programme and aims: it brings together the essays produced by ten young scholars over the last three years of research, in view of preparing their PhD dissertations. They are essays that range from literary phenomena and their historic, linguistic and socio-cultural contexts, to problems posed by texts from Anglo-American to South African, Australian and Caribbean cultures, confirming the variety of the Florence PhD students' research interests and approaches. Saggi di anglistica e americanistica. Percorsi di ricerca by Fiorenzo Fantaccini, Ornella De Zordo is licensed under a Creative Commons Attribuzione-Non commerciale-Non opere derivate 2.5 Italia License.Based on a work at www.fupress.com.

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12

Chandler, A. Bertram. Ride the star winds. Riverdale, NY: Baen Books, 2012.

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13

Teranesia: Roman. München: Heyne, 2001.

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14

Teranesia: A novel. New York: HarperPrism, 1999.

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15

Price, Leontyne. Aïda. San Diego: Harcourt Brace Jovanovich, 1990.

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16

Price, Leontyne. Aïda. San Diego: Harcourt Brace Jovanovich, 1990.

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17

ill, Dillon Leo, Dillon Diane ill, and Verdi Giuseppe 1813-1901, eds. Aïda. San Diego: Harcourt Brace Jovanovich, 1990.

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18

ill, Dillon Leo, Dillon Diane ill, and Verdi Giuseppe 1813-1901, eds. Aïda. San Diego: Harcourt Brace, 1997.

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19

Condon, Matthew. Trout Opera. Penguin Random House, 2018.

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20

Trout Opera. Transworld Publishers Limited, 2011.

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21

Sitsky, Larry. The golem: Grand opera in three acts (An Official Opera Australia libretto). Pellinor, 1993.

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22

Cargher, John. BRAVO!: TWO HUNDRED YEARS OF OPERA IN AUSTRALIA. Macmillan Co. of Australia, 1988.

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23

Annarosa Berman and Bridget Elliot. The Company We Keep: an intimate celebration of Opera Australia. Currency Press, 2006.

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24

The Dictionary of Performing Arts in Australia: Opera, Music, Dance. Allen & Unwin, 1997.

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25

Robyn, Holmes, and Friends of the State Opera of South Australia., eds. Through the opera glass: A chronological register of opera performed in South Australia, 1836 to 1988. Adelaide, S. Aust: Friends of the State Opera of South Australia, 1991.

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26

Opera Companies And Houses Of Western Europe Canada Australia And New Zealand A Comprehensive Illustrated Reference. McFarland & Company, 2008.

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27

Robyn, Holmes, and Friends of the State Opera of South Australia., eds. Through the opera glass: A supplement 1989 to 1995, incorporating additions and corrections to the chronological register of opera performed in South Australia 1836 to 1988. Adelaide: The Friends of The State Opera of South Australia, 1997.

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28

McKinley, Tamara. Dreamscapes. Piatkus Books, 2005.

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29

Participatory Culture and the Social Value of an Architectural Icon Sy. Taylor & Francis Group, 2017.

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30

Murray, Peter. The Saga of Sydney Opera House: The Dramatic Story of the Design and Construction of the Icon of Modern Australia. Routledge, 2003.

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31

Murray, Peter. The Saga of Sydney Opera House: The Dramatic Story of the Design and Construction of the Icon of Modern Australia. Routledge, 2003.

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32

Murray, Peter. The Saga of the Sydney Opera House: The Dramatic Story of the Design and Construction of the Icon of Modern Australia. Spons Architecture Price Book, 2003.

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33

Vásquez V., Luis, Patricio Elgueta M., Gonzalo Hernández C., Raúl Campos P., Jorge Catalán L., Cristian Reyes Riquelme, and Sergio Guzmán Rojas. Alternativas para la clasificación mecánica de madera aserrada estructural. INFOR, 2019. http://dx.doi.org/10.52904/20.500.12220/29172.

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El presente trabajo se enfocó en la descripción de las tecnologías acreditadas para la producción y comercialización de madera estructural (Framing) para su uso en la construcción habitacional (Dimensión Lumber) en tres mercados productores y consumidores de esta madera; Norte América (Estados Unidos y Canadá), Europa y Australasia (Australia y Nueva Zelandia). En forma paralela se entregan antecedentes generales involucrados en la problemática de la madera estructural, con finalidad del entendimiento global. Se diseñó una ficha con formato tipo, en el cual se indica: Fabricantes (nombre, dirección, país de origen, pagina web), Background del fabricante (historia y posición en el mercado, modelo que fabrica), contacto para consultas específicas (costos de operación y mantención, precio, representante en Chile); Descripción de la máquina según su Modelo, Fecha de Certificación, Acreditada por; Fotografía; Países donde opera; Grados estructurales; Limitaciones de operación y Principio de operación.

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34

Publishing, Audrea. Australia Day for Kids: 35 Image Boomerang, Surf, Bottle, Sydney Opera House, Bottle, Boomerang, Boomerang, Vegemite for Kid Ages 6-8 Image Quizzes Words Activity and Coloring Book. Independently Published, 2020.

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35

Bonynge, Richard. Joan Sutherland and Richard Bonynge With the Australian Opera. Fine Art Publishing, 1990.

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36

Myths of National Identity in Contemporary Australian Opera. Taylor & Francis Group, 2017.

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37

Australia's Operatic Phoenix from World War II to War and Peace. Not Avail, 2005.

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38

Hilary, Kingsley. Soap Box: The Australian Guide To Television Soap Operas. Sun/Macmillan Co Of Australian P/L, 1989.

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39

Thomas, Knight Stephen, ed. A corpse at the opera house: A crimes for a summer Christmas anthology. St. Leonards, NSW: Allen & Unwin, 1992.

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40

Malouf, David. Being There. Random House Australia, 2015.

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41

Malouf, David. Being There. Random House Australia, 2016.

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42

Knight, Stephen. A Corpse at the Opera House: Crimes for a Summer Christmas Anthology (Crimes for a Summer Christmas, No 3). Allen & Unwin, 1993.

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43

Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, developing finger technique, and creating a useful warm-up routine. The oboists discuss their ideals in reed making, articulation, and vibrato. They also share stories from their lives and careers. The oboists and English hornists profiled from North America are Pedro Diaz, Elaine Douvas, and Nathan Hughes (Metropolitan Opera Orchestra); John Ferrillo (Boston Symphony Orchestra); Carolyn Hove (Los Angeles Philharmonic); Richard Killmer (Eastman School); Nancy Ambrose King (University of Michigan); Frank Rosenwein and Robert Walters (Cleveland Orchestra); Humbert Lucarelli (soloist); Grover Schiltz (formerly Chicago Symphony); Eugene Izotov (San Francisco Symphony, originally from Russia); Allan Vogel (Los Angeles Chamber Orchestra retired); David Weiss (formerly Los Angeles Philharmonic); Randall Wolfgang (New York City Ballet and formerly Orpheus Chamber Orchestra); Alex Klein (Brazil, formerly Chicago Symphony and currently Calgary, Canada); and Sarah Jeffrey, Toronto Symphony Orchestra. The performers based in Europe are Neil Black, Nicholas Daniel, and Gordon Hunt (England); Maurice Bourgue and David Walter (France); Thomas Indermühle (Switzerland); László Hadady (Hungary and France); and Omar Zoboli (Italy). From Australia is Diana Doherty of the Sydney Symphony Orchestra.

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44

Fitzsimmons, Lorna, and Charles McKnight, eds. The Oxford Handbook of Faust in Music. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199935185.001.0001.

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The Oxford Handbook of Faust in Music comprises twenty-five chapters examining representative works in the history of the Faust theme in music from the nineteenth century to the present in Europe, North America, Australia, and the United Kingdom. Since its emergence in sixteenth-century Germany, the magician Faust has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook’s three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust’s presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivaled cultural impact.

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45

Dellora, Daryl. Utzon and the Sydney Opera House: How Australia's Most Famous Building was Designed, How it was Actually Built, and Why the Difference is Important. Penguin Random House, 2013.

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46

Teranesia. EOS, 2000.

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47

Egan, Greg. Teranesia. Gollancz, 2008.

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48

Teranesia. Gollancz, 1999.

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49

Egan, Greg. Teranesia: A Novel. Night Shade, 2015.

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50

TERANESIA. Victor Gollancz, 1999.

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