Academic literature on the topic 'Opera in Australia'
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Journal articles on the topic "Opera in Australia"
Sussman, Sally, and Tony Day. "Orientalia, Orientalism, and The Peking Opera Artist as ‘Subject’ in Contemporary Australian Performance." Theatre Research International 22, no. 2 (1997): 130–49. http://dx.doi.org/10.1017/s030788330002054x.
Full textGamage, Shashini. "Migration, identity, and television audiences: Sri Lankan women’s soap opera clubs and diasporic life in Melbourne." Media International Australia 176, no. 1 (May 5, 2020): 93–106. http://dx.doi.org/10.1177/1329878x20916946.
Full textSergi, Michael, and Peter Dodds. "How Reality Bites: The Production of Australian Soap Operas." Media International Australia 106, no. 1 (February 2003): 71–83. http://dx.doi.org/10.1177/1329878x0310600109.
Full textJarman, Douglas. "THE MUSIC OF ANTHONY GILBERT (PART 2)." Tempo 58, no. 230 (October 2004): 38–49. http://dx.doi.org/10.1017/s0040298204000300.
Full textLefoe, Geraldine E. "Journal of University Teaching and Learning Practice Editorial 8.2." Journal of University Teaching and Learning Practice 8, no. 2 (April 1, 2011): 2–4. http://dx.doi.org/10.53761/1.8.2.1.
Full textKelly, Veronica. "The Globalized and the Local: Theatre in Australia and Aotearoa/New Zealand Enters the New Millennium." Theatre Research International 26, no. 1 (March 2001): 1–14. http://dx.doi.org/10.1017/s0307883301000013.
Full textBrinke, Josef. "26th Congress of the International Geographical Union." Geografie 94, no. 1 (1989): 1–4. http://dx.doi.org/10.37040/geografie1989094010001.
Full textHalliwell, Michael. "Annarosa Berman (text) and Bridget Elliot (photographs)The company we keep: An intimate celebration of opera Australia." Musicology Australia 30, no. 1 (January 2008): 75–79. http://dx.doi.org/10.1080/08145857.2008.10416734.
Full textAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Full textBrown, Paul, Taylor L. Hunt, and Khageswor Giri. "Effects of gear type, entrance size and soak time on trap efficiency for freshwater crayfish Cherax destructor and C. albidus." Marine and Freshwater Research 66, no. 11 (2015): 989. http://dx.doi.org/10.1071/mf14284.
Full textDissertations / Theses on the topic "Opera in Australia"
Smart, Bonnie Jane. "Leon Caron and the music profession in Australia." Connect to thesis, 2003. http://repository.unimelb.edu.au/10187/1427.
Full textHowlett, May Catherine. "The production of a contemporary chamber opera (The boy who wasn't there)." Thesis, Electronic version, 2005. http://hdl.handle.net/1959.14/769.
Full textDissertation, libretto and score of the opera.
Thesis (MA)--Macquarie University (Division of Humanities, Dept. of Contemporary Music Studies), 2005.
Bibliography: p. 138-141.
Introduction -- Historical background and literature review -- Structural and philosophic changes -- Chamber opera: a genre in evolution -- Chamber opera: its potential for the future -- The personal experiment -- Conclusion..
From its origins as chamber opera just over four hundred years ago, Opera developed through the 18th and 19th centuries, in length and complexity, to attain the status of 'grand', a term that most people associate with opera to this day ... At the beginning of the 20th century, radical innovations in the arts influenced by movements such as the Bauhaus phenomenon, added to the aftermath of a world war that shattered existing socio-political structures and artistic sentiments turned from extroverted displays of grandeur to the creation of more cerebral, introverted styles. ... On the threshold of a new millennium, small, often experimental companies, passionately convinced of the relevance of, and excited by the artistic potential inherent in this revitalized form of opera, formed a loose consortium of creative artists internationally, similar in spirit to the original Camerata of the 16th century, making use of current technologies. Whether these newer works may be styled 'chamber opera' or 'music theatre', they represent a form in evolution, capable of further development into a new genre, a vital nexus of traditional skills applied to current issues, peculiarly suited to integration with electronic modes such as television.
Mode of access: World Wide Web.
141 leaves music
Stock, Cheryl F. "Making intercultural dance in Vietnam : issues of context and process from the perspective of an Australian choreographer and her colleagues from Vietnam Opera Ballet Theatre (Nhà Hát Nhạc Vũ Kịch Việt Nam) 1995-1999." Queensland University of Technology, 1999. http://eprints.qut.edu.au/17527/.
Full textWood, Alison J. E. "The poetics of Libretti: reading the opera works of Gwen Harwood and Larry Sitsky." 2008. http://hdl.handle.net/2440/49219.
Full texthttp://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1331575
Thesis (M.A.) -- University of Adelaide, School of Humanities, 2008
Câmara, Fernando Américo Carlos da. "Análise da capacidade cognitiva dos empresários do distrito da Matola para entender e usar informações financeiras no contexto do ambiente de negócios em que operam." Master's thesis, 2017. http://hdl.handle.net/10071/15520.
Full textThe purpose of this study is to evaluate the level of financial literacy and its impact on entrepreneurship among entrepreneurs in Matola province. For the preparation of this document, the questionnaire was supplemented by an interview to evaluate the level of financial literacy among the entrepreneurs of Matola province. Education and training, both in primary and high school, with an emphasis on financial literacy and entrepreneurial skills, can have significant implications for the development and growth of small and medium-sized enterprises. We find that financial literacy among young entrepreneurs in Matola District is medium and contributes significantly to their entrepreneurship skills. This work is the first to study the level of financial literacy among entrepreneurs in Matola District and as such establishes an important reference for new research in this area.
Boshoff, Dorothea. "Crafting positions : representations of intimacy and gender in The Sentients of Orion." Thesis, 2017. http://hdl.handle.net/10500/23473.
Full textEnglish Studies
D. Litt. et Phil. (English)
Books on the topic "Opera in Australia"
Opera for the Antipodes: Opera in Australia, 1881-1939. Sydney: Currency Press and Pellinor, 1990.
Find full textZietz, Karyl Lynn. Opera companies and houses of western Europe, Canada, Australia, and New Zealand: A comprehensive illustrated reference. Jefferson, N.C: McFarland, 1999.
Find full textSilsbury, Elizabeth. State of opera: An intimate new history of the State Opera of South Australia, 1957-2000. Kent Town, S. Aust: Wakefield Press, 2001.
Find full textDreamscapes. Oxford: Isis, 2006.
Find full textThe saga of Sydney Opera House: The dramatic story of the design and construction of the icon of modern Australia. New York: Spon Press, 2004.
Find full textDownes, Peter. The Pollards: A family and its child and adult opera companies in New Zealand and Australia, 1880-1910. Wellinton, NZ: Steele Roberts, 2002.
Find full textBonynge, Richard. Joan Sutherland & Richard Bonynge with the Australian Opera. Roseville, NSW, Australia: Craftsman House, 1990.
Find full textWilmoth, Peter. Diva: Dame Joan Sutherland : Australia's opera legend. Melbourne: Australia Post, 2004.
Find full textWang, Zheng-Ting. Chinese music in Australia, Victoria: 1850s to mid 1990s. Melbourne: Australia Asia Foundation, 1997.
Find full textMercado, Andrew. Super Aussie soaps: Behind the scenes of Australia's best loved TV shows. North Melbourne: Pluto Press, 2004.
Find full textBook chapters on the topic "Opera in Australia"
Akın, Ömer. "Sydney Opera House, Sydney, Australia." In Design Added Value, 177–85. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-28860-0_16.
Full textStaples, David. "Sydney Opera House, 1973 Sydney, Australia." In Modern Theatres 1950–2020, 237–48. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-30.
Full textHalliwell, Michael. "Prologue." In National Identity in Contemporary Australian Opera, 1–14. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-1.
Full textHalliwell, Michael. "Coda." In National Identity in Contemporary Australian Opera, 187–90. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-10.
Full textHalliwell, Michael. "Failure." In National Identity in Contemporary Australian Opera, 15–34. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-2.
Full textHalliwell, Michael. "The bush – The Ghost Wife, Whitsunday and Fly Away Peter." In National Identity in Contemporary Australian Opera, 35–58. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-3.
Full textHalliwell, Michael. "Postwar disillusion." In National Identity in Contemporary Australian Opera, 59–80. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-4.
Full textHalliwell, Michael. "New beginnings – Bride of Fortune and The Riders." In National Identity in Contemporary Australian Opera, 81–99. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-5.
Full textHalliwell, Michael. "Cultural renaissance – The Eighth Wonder." In National Identity in Contemporary Australian Opera, 100–117. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-6.
Full textHalliwell, Michael. "Suburban dreams and nightmares – The Children’s Bach, Love in the Age of Therapy and Midnight Son." In National Identity in Contemporary Australian Opera, 118–40. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-7.
Full textConference papers on the topic "Opera in Australia"
Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.
Full textLeong, Tuck Wah, and Peter Wright. "Understanding 'tingle' in opera performances." In the 25th Australian Computer-Human Interaction Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2541016.2541026.
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